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A collection of 10x Japanese import Konami made Gerry Anderson's models to include; Thunderbirds - Elevator Car, Fireflash and ExcavatorUFO - 2x Interceptor, 2x UFO and SkydiverThunderball XL5 - XL5Stingray - Stingrayalong with a Bandai 1:72 scale 'The Mole' model kit. All unused within boxes.
A rare set of Distler Figuren made lead model soldiers / figure ' Waterloo Series '. Comprising: x3 figures (one with horse). All incredibly well detailed, within the original box. All inner packing present, and contents appear mint and unused. Wonderful Britains style model figures. 1:24 scale.
A Distler Figuren made lead model soldier / figure from the ' Waterloo Series '. ' Belgian Cavalry - 2nd Belgium Karabiners '. Incredibly well detailed, within the original box. All inner packing present, and contents appear mint and unused. Wonderful Britains style model figure. 1:24 scale.
A 19TH CENTURY APOTHECARY'S BALANCE SCALE, brass beam balance upon a mahogany box base with drawer, bears ivorine label "S.Maw. Son & Sons Ltd. Aldersgate St. London", base 26cm wide, together with A BRASS POSTAL BALANCE SCALE, the plate engraved wit h Rates, serpentine mahogany base with weights 19.5cm wide (2)
Hornby O Gauge clockwork Great Western 6600 train locomotive and tender, a further locomotive, eight Hornby branded carriages/trucks and five further carriages/trucks, together with a quantity of track, a turntable, assorted scale model buildings including station, signal box, service station, shed etc and further accessories/figures including trackside signals, barriers, footbridge, crossings etc. Also six corgi and six Dinky die cast scale model motor vehicles, all in used condition
After Frederic Sackrider Remington (1861-1909). Trooper of the Plains, 1909 [but later], bronze sculpture, with brown patina, signed to the base and numbered at the side 18/100, 24 x 26 x 8.5 cm (9.5 x 10.25 x 3.3 ins), mounted on black marble plinth, together with Cowboy, 1908, bronze sculpture with brown patina, signed to base, and numbered 21/100 at the side, 23 x 26 x 8 cm (9 x 10.25 x 3.2 ins), mounted on black marble plinth (Qty: 2)Both later 20th century small-scale reproductions of the original works of 1909 and 1908 respectively.
Rembrandt (Harmensz. van Rijn, 1606-1669). Christ Before Pilate, 1636, etching on thick laid paper, lettered to lower left blank margin Rembrandt f 1636. Cum Priv, trimmed to plate mark, a few very short closed marginal tears and minor surface marks, 56.5 x 45 cm (22.25 x 17.7 ins), framed and glazed (Qty: 1)Hind 143 iv. Biorklund 77 iv.This large-scale etching is not on laid paper as we originally described it, but on a very heavy wove paper, perhaps dating from the early part of the 19th century, or at the earliest, later 18th century. There is therefore no watermark to identify in the paper itself.
Bunrei (Maekawa, 1837-1917). Studies of Birds and Plants by Bunrei, Yokohama, Hobusho-kai, Meiji 18, 1885, 66 pages of colour woodblock, illustrations of birds, including 13 double-page, 5 pages of Japanese text at front (including inside front cover), and single-page of Japanese text to inside rear cover, stitched as issued in original paper wrappers ,with red paper title label to upper cover (upper portion missing), the inside front cover with printed Japanese text on red paper torn across, but generally without loss, folio (35.5 x 25.5 cm, 14 x 9.5 ins) (Qty: 1)Fine large-scale album of bird and flower prints, printed in black, grey, salmon, brown, yellow, pink and red, emulating, in larger format, Bairei's Hyakucho Gafu of 1881 (see previous lot).
Ruskin (John, 1819-1900). Studies of Architecture at the Church of St. Etienne, Beauvais, & [to verso] Sketch of a Mountain Top, Lecco, Italy, 13th April [1846], pencil, brown ink and brown wash on wove paper, inscribed to upper right 'Details of Norman tower, Beauvais, 13th April', and 'St. Etienne, Beauvais, Gable of trancept' lower right, plus further annotations in ink in Ruskin's hand, together with a rough sketch in pale yellow and pale blue wash, with brown ink and pencil, of a mountain top at Lecco, near Como, Italy, inscribed Lecco in ink in Ruskin's hand, lower right, some surface marks and light soiling, short closed tear without loss to lower edge (approximately 1cm), sheet size 18 x 27 cm (7.1 x 10.6 ins) (Qty: 1)Provenance: John Ruskin's Collection at Brantford until at least 1912; Private Collection, Hampshire. Literature: E.T. Cook and Alexander Wederburn, Works of John Ruskin, Catalogue of Drawings, volume 38, page 230, number 173 'Beauvais, Church of St. Etienne, Notes of details, pencil and wash, 7 x 10 1/4 ins'. Exhibited: Ruskin Memorial Exhibition, Royal Society of Painters in Water-colours, February-March 1901, 323. John Ruskin was with his parents in Beauvais between 9th and 12th April 1846 according to the diary of his father John James Ruskin. The date on the present drawing now suggests that they must have left on the 13th, travelling through Paris without stopping. Later in the trip they passed through Como (6th May), Bergamo, Lecco and Brescia before reaching Verona on the 10th. Entries in Ruskin's surviving diary for 1846 begin only on the 14th April when they reached Melun. There are two other known drawings from this period, like this one presumably from a now dismembered sketch book. 'Study of a River Bank' (Thomson Collection) is inscribed 'Beauvais/April 10th', with a drawing of trees at Pont sur Yonne to verso dated 'Ap.14', plus an architectural detail inscribed 'Chanceaux/Ap. 17'. This drawing, inscribed with a larger scale 'J Ruskin 1846' is typical of inscriptions added by him at a later date. See Paul Walton, Master Drawings by John Ruskin: Selections from a David Thomson Collection, Pilkington Press, 2000, page 64, figure 25. A second double-sided sheet of landscape, inscribed 'Sens. April 15th./1846' is in the Cooper Gallery, Barnsley (CP/TR 22). We are grateful to Professor Stephen Wildman for supplying the information contained in this catalogue entry.
Revised Estimate. Duffner and Kimberley Art Nouveau glazed and leaded light shade, with ochre and caramel slag glass, in a stylized floral and fish scale design, made to fit a standard lamp, 61cm.The American firm of Duffner & Kimberley resulted from the partnership of the creative stained glass window designer Oliver Speers Kimberley and Francis Joseph Duffner. They produced decorative lamps at the same time and on a par with Tiffany glass for whom Duffner had previously worked, production years for lamps 1905-1914. .
19th century ivory and nickel folding rule, J Rabone & Sons - Birmingham, of four fold form of a total of 24 inches, signed to the central pivot J G Wrightson and verso with scale of 0 to 100 degrees and also on the inside edge with double-sided bevelled edges with reverse scales and further increments including 1/8, 1/4, 1/10, 1/5, 3/8, 3/4 and 1/2 in, length folded 16.5cm
Early 20th century marine sextant, Keen & Frodsham - Liverpool, of typical form with skeletonised frame over a demi-lune scale with silver inlay and pivoting arm with further silvered scale and pivoting magnifier and fitted with two sets of folding shades and contained within a fitted box containing screw in lens, eye piece and three interchangeable insets in a hinged and fitted box with applied brass plaque engraved "H C Watson" and with further internal paper label "Frodsham & Keen, Chronometer Makers, 31 South Castle Street, Liverpool", width 27cm
Early 20th century walnut cased bracket clock, Lenzkirch, one million, 118880, the case with overhanging cornice and cushion mounted pediment with cast and applied brass finials over canted corners with further brass inlaid detail and with lattice sound frets raised on splayed feet to a 15.5cm rectangular brass dial with cast and applied floral and foliate spandrels enclosing a silvered regulation scale over a further silvered Roman and Arabic chapter ring signed "Curtis & Horspool - Leicester" with half-hour markers to a matted centre and with blued steel fleur de lys hands to a signed movement with plates united by four screwed pillars with anchor escapement and strike on two blued steel coiled gongs, height 40cm
Agenoria Models 7mm Scale Unmade Kits Stourbridge Lion Series (i) Hunslet 0-4-0ST Lilla (ii) Jubilee 1897 Manning Wardle 0-4-0ST both for 14 of 16.5mm gauge; together with Wrightlines W204 Talyllyn Railway Edward Thomas for 7mm narrow gauge (contents unchecked but appear reasonably complete) (3)
A group of Swansea porcelain Teawares, c. 1815-1817, of London shape, comprising two coffee cups, teacup, three saucers and slops bowl, richly painted in the Japan style with sprays of peony and foliage suspended from a blue and gilt scale border, stencil marks in red (crack and chips) (7)Footnote: This rare pattern is recorded in A.E. Jones and Sir Leslie Joseph, Swansea Porcelain Shapes and Decoration, P.206, pl. 4
JOHN SPEED (1551-1629)Wales, engraved map, coloured, with printed title 'performed by John Speed and are to be sold by John Sudbury and George Humble in Pope's Head Allye-Cum Privilegio, 1610' Pl. 15 x 20 in (38.2 x 50.8cm)Sold together with collection of ten other engraved maps all of Welsh Interest:comprising- Montgomeryshire - Christopher Saxton; Glamorga Comitatus - Christopher Saxton; The Countye of Monmouth - John Speed; Merionethshire Described - John Speed; Breknokeshire Both Shyre and Towne described - John Speed; The Countie of Radnor described - Christopher Saxton; Cardigan Shyre Described - John Speed; Glamorgan Shyre with the situautions of the cheife (sic) town Cardiff with ancient Landaffe described - John Speed; Denbighshire - John Speed; Flintshire - John Speed;all engraved, many coloured, varying sizes, but the majority circa Pl. 15 x 20 in; eleven (11) In 1611 the cartographer John Speed published his 'Theatre of the Empire of Great Britain'. This was the earliest English attempt at producing an atlas on a large scale. The 2nd of this work's four volumes covered Wales and included 'A map of Wales' along with individual maps of the thirteen Welsh Counties. Speed's Theatre was extremely successful and its maps became the basis for folio atlases produced up to the mid 18th Century.
British Isles. Jaillot (Hubert), Les Isles Britanniques qui contiennent les Royaumes d' Angleterre, Escosse et Irlande..., circa 1695, hand coloured engraved map, inset map of the Shetland and Faroe Islands, decorative cartouche and mileage scale, 465 x 655 mm, together with Homann (Johann Baptist, heirs of). Regnorum Magnae Britanniae et Hiberniae Mappa Geographica..., Nurumberg, 1749, hand coloured engraved map, inset map of the Shetland Islands, large decorative cartouche, two small repaired holes, slight dust soiling, 490 x 555 mm, with De L'Isle (Guillaume). Les Isles Britanniques ou sont le Rme. d'Angleterre tiré de Sped celut d'Ecosse tiré de Th. Pont &c. et celut d'Irlande tiré de Petti..., Paris, circa 1800, engraved map with contemporary outline colouring, large uncoloured cartouche, 475 x 610 mm, plus Sayer (Robert, publisher), A Compleat Map of the British Isles, or Great Britain, 1772, engraved map with contemporary outline colouring, central fold strengthened on verso, 630 x 490 mm (Qty: 4)
Scotland. Ainslie (John). A chart of part of Scotland from Berwick upon Tweed to Skateraw Harbour in the County of Kincardine comprehending the Coasts of the Counties of Berwick, Haddington, Edinburgh, Linlithgow, Stirling, Clackmanan, Fifie, Perth and Angus with part of Kincardine, 1785, large scale uncoloured engraved map on four sheets, decorative cartouche, compass rose and numerous rhumb lines, slight fraying and browning to margins but not affecting printed image, slight spotting to one sheet, each sheet approximately 580 x 520 mm (Qty: 4)
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185385 item(s)/page