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Lot 285
007 1965 Silver die-cast ASTON MARTIN DB5 1965 in original packaging unopened scale 1:18 by Joy Ride - car in mint condition and box intact and in good conditionandA SUN STAR branded metal die-cast European Collectibles ASTON MARTIN DB5 in silver scale 1:18 in original packaging and unopened in mint condition - purchased by a passionate collectorApprox 2 pieces
Lot 289
1968 BULLITT FORD MUSTANG GT serial No 0947 1:24 scale precision die-cast replica by Danbury Mint - celebrating 40 years of the tyre-smokin, red -light-jumping, kerb hopping star of the most famous chase scene in movie history!Approx 2 piecesUNUSED ITEM and in all original DM packaging - all in as new conditionCondition reports are offered as a guide only and we highly recommend inspecting any lot to satisfy yourself as to its condition
Lot 297
VANGUARDS precision die-cast in original model cars all scale 1:43 - boxes in 'as new' condition never removed from their boxes to include Land Rover Defender Royal mail VA09711, also a SUBARU IMPREEZA TURBO Mica Green VA12102, also a LOTUS CORTINA MK ll VA04101 Police car and lastly a FORD CONSUL Ltd Edition VAO5504 Police CarApprox 4 pieces
Lot 64
MIGUEL ORTIZ BERROCAL (Villanueva de Algaidas, Malaga, 1933 - Antequera, Malaga, 2006)."La maja , (Opus 162)", 1977/1978.Bronze sculpture, iron base. Exemplary 377/1000.Signed and numbered.Size: 26 x 26 x 9 cm (with base).Inspired by the main creative forces of the first half of 1900, Berrocal sought his own artistic path. He was inspired by science and created works based on mathematical, physical and scientific principles. He also developed the concept of "dismountability", understood as the process of searching for the inner forms of volumes, which implies that sculptures are composed of elements that have to be assembled and disassembled in order to penetrate their invisible space.Berrocal began his training at the Escuela de Artes y Oficios in Madrid, where he was a pupil of Ángel Ferrant. He then went on to the San Fernando School of Fine Arts, where he was a pupil of Ramón Stolz. He complemented his training with work as a draughtsman in the studio of the architect Casto Fernández Shaw and as an assistant to various architects in Rome between 1952 and 1954. During his stay in Paris in 1955, he finally decided to devote himself to sculpture. His early works show the influence of Chillida, while at the same time denoting his preference for articulated and detachable forms in bronze. The difficulty involved in making each of his sculptures led him to decide to produce them in series. With this idea in mind, he produced two hundred copies of the sculpture "Maria de la O", for which he received the prize for sculpture at the Paris Biennale and which was later acquired by the MOMA in New York. In 1966 he settled permanently in Verona, and since 1968 he has alternated his work between monumental and small-scale works. Together with several gallery owners, he founded the Società Multicettera, the first industry of small sculptures. He has exhibited in Italy, France, Germany, Spain and the United States, received the gold medal of the Bronze of Padua, the Grand Prize of Honour at the Brazil Biennial, and was named Knight of the Order of Arts and Letters by the French government.
Lot 175
NO RESERVE London.- Weller (Edward) London, large map in nine sections on a scale of 9 1/2" to the mile, lithograph, each sheet approx. 470 x 635 mm (18 1/2 x 25 in), edged with green silk and mounted on linen, each sheet varnished with toning and browning to varnish, minor scuffs and small splits with losses, handling creases, unframed, rolled, Peter Cassell, [circa 1863]; together with Nicolas Coltman's A New Survey of the Environs of London, Extending Twenty Miles North & South from the Parallel of St. Pauls..., engraving with outline hand-colouring, total sheet approx. 550 x 690 mm (21 3/4 x 27 1/8 in), split completely into 2 parts along central fold, surface dirt and abrasions, browning and surface dirt, folding into original slipcase with publisher's printed label to upper cover, very worn, 8vo, Laurie & Whittle, 1807 (2)
Lot 320
A VICTORIAN SILVER CENTREPIECESTEPHEN SMITH AND WILLIAM NICHOLSON, LONDON 1859 Modelled with a horse and greyhound standing by a tree, on an ebonised base 49.5cm high, 40cm wide, 28cm deepProvenance:Barnwell Manor, NorthamptonshireWindsor House AntiquesCondition Report: Marks to the base are clearMarks to the tail of the horse are partially obscuredMarks to the foot of the greyhound partially obscuredStands wellMissing glass epergnes No engravingSlight gap to ebonised baseLight scratches and wear commensurate with age and useThe overall weight of the item, including the base and fixings is approximately 6.8kg (measured on a digital scale accurate to 0.1kg) Condition Report Disclaimer
Lot 130
An early 19th century ebonised and gilt-metal mounted single pad top bracket clockthe dial signed Barwise, Londonthe arched case with foliate cast handle on a brass-bound pad over fish scale side frets to a plinth base on ball feet, the retouched 7' painted Roman dial with strike/silent over pierced quadrants, the twin gut (now wire) fusee movement with shouldered plates united by five knopped pillars, the anchor escapement with stirrup type regulation to the pendulum, signed backplate and striking on a bell, 42cm high This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 218
An impressive late 19th century German carved oak quarter chiming table clockthe movement numbered 758the caddy top centred by a Green Man mask over a fish scale cornice, leopard's heads and carved corbels to an inverted breakfront base, the 7.5' arched brass dial with subsidiaries for chime/silent, regulation and chime on eight bells/Westminster over a silvered chapter ring with applied gilt Arabic numerals, the substantial triple chain fusee movement with high count pinions and anchor escapement striking the hours on a large coiled gong and the quarters on either four graduated gongs or eight bells, with pendulum and two winding keys, 60cms highThis lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 221
An early 19th century ebonised single pad top table clockthe dial signed Paul, London, the movement, Paul, Cleveland Street, Fitzroy Square, Londonthe arched rectangular case surmounted with a brass-bound pad and carrying handle, silvered brass bezel, brass pilasters, fish scale sides and quadrant frets, raised on gilt ball feet, the repainted signed 7.5' Roman dial with blued steel hands, the five pillar twin chain fusee movement with arched plates and anchor escapement, rack striking on a bell, together with brass pendulum and winding key, 45cms highFootnotes:'Paul, London' is likely to be Philip or George Paul who are listed as working at 15 Cleveland St. Fitzroy Square from 1802-1828 and from 1830-1835 respectively, though some records list Philip as 1810-1823 and George as 1835-1838. Mary Paul, possibly Philip's widow, was recorded as working at the same address in 1832. The surname 'Paul' is alternatively listed as 'Paule' or'Paull'.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 222
An early 19th century brass-mounted mahogany single pad top table clock with trip repeatthe dial and movement signed Thomas Pacethe arched case surmounted by a cast brass handle on a brass-bound pad, over a finely moulded cornice, the sides with fish scale frets to a moulded base on brass ogee bracket feet, the front with brass uprights framing the cast bezel over fish scale quadrants, the 8.5' signed painted Roman dial with matching fancy spade hands, the gut (now wire) twin fusee movement with shouldered and footed plates united by five knopped pillars, signed within a formal border, the anchor escapement with engraved adjustable pendulum rod terminating in a large decorated bob, with rack striking on a bell, ticking, repeating and striking, together with a crank key, 41cms (16ins) high.Footnotes:Thomas Pace was a member of the Pace dynasty of horologists who began working in the second quarter of the 18th century and who continued working for over a century. There are two Thomas Paces recorded; Thomas Pace Snr. (1753-1819) and his son, Thomas Pace Jnr. (1777-1829). Both made bracket clocks, with Pace Snr. also making longcase clocks, while Pace Jnr. also pursued watchmaking and silversmithing in addition to clocks. The Pace family collection of clocks was sold in these rooms 15 July 2020.For further history, see Pace, D. (2013) 'The Pace family of Quaker clockmakers', Antiquarian Horology, Volume 34 (1), pgs. 60-71 (Accessed: 27 April 2022).This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 340
A good early 19th Century mahogany longcase clock with deadbeat escapementthe dial signed Ellicott & Taylor, Royal Exchange, the movement supplied by Thwaites, numbered 3598. the arched hood surmounted by a concave moulded plinth supporting a brass ball finial over fish-scale side frets, stop fluted canted front angles and a circular glazed aperture above quadrant frets, the long door with intricately moulded edge flanked by matching canted stop-fluted angles, on a base with applied shaped moulded panel and double stepped plinth, the 12' repainted convex circular Roman and Arabic dial with matching gilt serpentine hands, with strike/not strike lever at XII, the movement with shouldered plates united by five knopped pillars, stamped on the frontplate THWAITES 3598 and repeat numbered along the top edge of the plate, with deadbeat escapement to a pendulum terminating in a heavy lenticular bob, with rack strike on the shallow bell (the bell inscribed in ink for the one-time owner or repairer 'J. Pritchard, Southgate, 8 July 1840.') together with the pendulum, two lead weights, two crank keys, a hood key and trunk key, 216cm highFootnotes:Thwaites records suggest that movement number 3598 was sold by them in 1805. See Rose, E.D. (1978) English Dial Clocks. Suffolk: Antique Collectors' Club, Appendix III.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 121
Northern Asia. Goos (Pieter), Noordoost Cust Van Asia van Japan tot Nova Zemla, circa 1666, engraved map with contemporary outline colouring, decorative cartouche and mileage scale, tipped on to near contemporary paper, 450 x 545 mmQTY: (1)NOTE:An uncommon Dutch sea chart of northeast Asia, covering modern-day Japan, Korea, northeast China, and Siberia. It includes a conjectural mapping of northeast Asia that predominated at this time; with "t'Land van Eso" and "Compagnies Land" extending northeast of Japan and a much simplified and inaccurate coastline of Siberia.
Lot 133
South East England. Ordnance Survey (publishers), Nine map sheets, numbered 1 - 9, 1st edition of the 'Old series', 1805 - 22, nine uncoloured engraved Ordnance Survey maps, sectionalised and laid on linen, covering Sussex, Kent, Surrey and Middlesex, on a scale of 1inch to the mile, each sheet approximately 640 x 930 mmQTY: (9)NOTE:When the Ordnance Survey decided to publish its maps itself, rather than having them published by a separate commercial business, it started to print its newly mapped sheets as they were surveyed and engraved. This was the original 1-inch 'Old Series' which would eventually cover the whole country. The so-called 'Mudge' map of Kent was published as a county map by William Faden in 1801. After that, the county format was abandoned in favour of a complete map of the area surveyed, irrespective of county boundaries. From then on the sheets were published as soon as they were ready, starting with four sheets covering Essex (all dated 1805). From then on, as the maps carried the date of publication e.g. 'Published April 18th 1805 by Lt.Col.Mudge, Tower. This collection is of the consecutive nine sheets of the South-East of the country which represent 9 of the first 11 sheets of the Old Series published. Thus, the publication dates vary, sheet 1 1805, sheet 2 1805, sheet 3 1819, sheet 4 1816, sheet 5 1813, sheet 6 1819, sheet 7 1822, sheet 8 1816 and sheet 9 1813.
Lot 134
Spain & Portugal. Nantiat (Jasper), A New Map of Spain and Portugal, Exhibiting the Chains of Mountains With their Passes The Principal & Cross Roads, With Other Details requisite for the Intelligence of Military Operations, William Faden, January 1st. 1810, large engraved map with contemporary hand colouring on four sheets, sectionalised and laid on linen, calligraphic title, table of the distances between towns, table of explanation and an 'advertisement' explaining the topography, slight staining and offsetting, each sheet approximately 570 x 785 mm, overall size if conjoined approximately 1130 x 1570 mm, contained in a contemporary marbled card slipcase with publisher's label to upper board, wear to extremitiesQTY: (1)NOTE:A large and detailed folding map, published during the Peninsular War. Probably because of the war, Nantiat is most exercised with the borders between Spain and Portugal, especially the passes through which it was expected that Napoleon's army might come when the campaign season started in the spring. It is probable that Faden saw an opportunity to sell this detailed and large-scale map to officers in Wellington's army in Portugal, with the idea that it could be used as a reference for the campaign. In July of 1810 - six months after the publication of the map - the French military commander, Marshal Masséna led an army of 65,000 troops into Portugal, pushing on towards Lisbon, but was held back by the Lines of Torres Vedras a set of earthworks that had been built on the orders of Wellington. The campaign - significant for the emergence of large-scale guerrilla warfare - was eventually won by the British under the command of Lt. Gen. Sir Arthur Wellesley, later the 1st Duke of Wellington. It could be argued that the French defeat was sealed when Napoleon set out with a massive army on what proved to be the disastrous French invasion of Russia. This seriously depleted the French forces with the result that a combined allied army under Wellesley pushed into Spain, defeating the French at Salamanca and taking Madrid. In the following year, Wellington scored a decisive victory over King Joseph Bonaparte's army in the Battle of Vitoria. Pursued by the armies of Britain, Spain and Portugal, Marshal Jean-de-Dieu Soult, no longer able to get sufficient support from a depleted France, led the exhausted and demoralized French forces in a fighting withdrawal across the Pyrenees during the winter of 1813/1814. France, Napoleon and its European dominance would finally fall the following year at the battle of Waterloo.
Lot 143
Wales. Lhuyd (Humphrey, Mercator Gerard & Jansson Jan), Cambriae Typus Auctore Humfredo Lhuydo Denbigiense Cambro Britanno [1636 - 42], engraved map with contemporary outline colouring, large strapwork cartouche and mileage scale, quarter compass rose and numerous rhumb lines, slight spotting, 350 x 480 mm, French text on versoQTY: (1)NOTE:Booth, Antique Maps of Wales, 4.
![* Wales. Ortelius (Abraham & Lhuyd Humphrey), Cambriae Typus Auctore Humfredo Lhuydo Denbigiense Cambrobritano, [1574], h](https://cdn.globalauctionplatform.com/130e7446-aa4a-49cf-9a62-aef900af8abb/a041b7af-15a0-4053-b04b-aefb00b24873/468x382.jpg)
Lot 144
* Wales. Ortelius (Abraham & Lhuyd Humphrey), Cambriae Typus Auctore Humfredo Lhuydo Denbigiense Cambrobritano, [1574], hand-coloured engraved map, large strapwork cartouche and mileage scale, Latin text on verso, mounted, framed and double glazedQTY: (1)NOTE:Van den Broecke. Ortelius Atlas Maps. 21, first state; Booth. Antique Maps of Wales, 1. The map has Latin text and the number 9 on the verso.
![Worcestershire. Speed (John), Worcestershire Described, John Sudbury & George Humble [1627 - 32], hand-coloured engraved](https://cdn.globalauctionplatform.com/130e7446-aa4a-49cf-9a62-aef900af8abb/e41d19fa-6d6f-4c7b-a8a5-aefb00b24a3c/468x382.jpg)
Lot 146
Worcestershire. Speed (John), Worcestershire Described, John Sudbury & George Humble [1627 - 32], hand-coloured engraved map, an inset town plan of Worcester, large strapwork cartouche, mileage scale and compass rose, central fold strengthened and repaired on verso, upper margin extended, 385 x 510 mm, English text on versoQTY: (1)
Lot 246
* Gautier d'Agoty (Jacques Fabian). Figure 2e, Démontrée par Mr. Duverney, Peinte et gravée en couleur par J. Gautier, [from Myologie complette en couleur et grandeur naturelle, composée de l'Essai et de la Suite de l'Essai d'Anatomie, en tableaux imprimés, Ouvrage unique, utile et nécessaire aux Etudians et amateurs de cette Science, Paris: Gautier, Quillau, Quillau & Lemesle, 1746], fine colour mezzotint in four colours, on laid paper (bears indistinct watermark), some marks and creases, with paper repair to verso without loss, plate size 400 x 325 mm, sheet size 415 x 340 mm, tipped on to modern backing card (to upper margin only), framed and glazed QTY: (1)NOTE:Choulant-Frank, p. 271; Garrison-Morton-Norman 7494; Heirs of Hippocrates 940; Wellcome III, p. 97.This impressive large-scale plate gives an anatomical explanation of the muscles of the lip, the eyelid, the eye, the lower jaw, hyoid bone and larynx, and was issued in Gautier's Anatomie de la tête en tableaux imprimés qui représentent au naturel le cerveau sous différentes coupes, la distribution des vaisseaux dans toutes les parties de la tête, les organes des sens et une partie de la névrologie d’après les pièces disséquées et préparées par M. Duverney …en huit grandes planches dessinées, peintes, gravées et imprimées en couleur et grandeur naturelle par le Sieur Gautier, published in Paris, chez le Sieur Gautier, M. Duverney, Quillot, in 1748.Gautier, a French printmaker, was, like Ladmiral, an assistant to Le Blon and also like Ladmiral, claimed the colour printing process as his own. He published some ten collections of coloured plates of various portions of the anatomy, and was the first person to print anatomical plates in colour on a large scale. "Although Choulant writes that 'his anatomic illustrations . . . impress the critical observer with their arrogance and charlatanry and do not recommend themselves to the student of anatomy either for their faithfulness and reliability or for their technique' (Choulant-Frank, p.270), they are of great interest from the point of view of book illustration and the history of anatomic illustration. The dissections and preparations for the eight large figures in this atlas of the anatomy of the head were prepared by Joseph Guichard Du Verney, and some of the plates are among the most elaborate produced by Gautier, especially notable for the intricate network of blood vessels which are meticulously indicated by direct color printing. This work is extremely rare." (Heirs of Hippocrates).
Lot 75
Blaeu (Johannes). Cantium vernacule Kent, Amsterdam, circa 1645, engraved map with contemporary hand-colouring, large decorative cartouche and mileage scale, large margins, 385 x 530 mm, Latin text on verso, together with Middle-Sexia, Amsterdam circa 1672, engraved map with contemporary hand-colouring, large decorative cartouche and mileage scale, large margins, slight text show through and slight overall toning, some fraying to the lower corners but not affecting the printed image, 390 x 405 mm, Spanish text on verso, with Ducatus Eboracensis pars Orientalis, The East Riding of Yorkeshire, Amsterdam, circa 1646, engraved map with contemporary hand-colouring, large margins, 385 x 510 mm, Dutch text on verso, plus Comitatus Nottinghamiensis; Nottingham Shire, Amsterdam, circa 1646, engraved map with contemporary hand-colouring, large decorative cartouche and mileage scale, 385 x 500 mm, French text on verso, and Leicestrensis comitatus Leicester Shire, Amsterdam, circa 1646, engraved map with contemporary hand-colouring, decorative cartouche and mileage scale, very slight spotting to the margins, 385 x 500 mm, French text on verso, with Rutlandia comitatus Rutland Shire, Amsterdam, circa 1646, engraved map with contemporary hand-colouring, large decorative cartouche and mileage scale, 380 x 500 mm, French text on verso, plus Ogilby (John). The Road from London to Chichester in com. Sussex, 1675 or later, uncoloured engraved strip road map, slight dust soiling, 325 x 450 mm, mountedQTY: (7)
Lot 80
British Isles. Munster (Sebastian), Engellandt mit dem anstossenden Reich Schottlandt so vor zeiten Albion und Britannia haben geheissen, Basel: Sebastian Petri, [1588 or later], uncoloured woodblock map orientated to the west, slight toning to the central fold, 320 x 360 mm, German text on verso, together with Merian (Matthaus). Magnae Britanniae et Hiberniae Tabulae. Die Britannischen Insulen, circa 1640, uncoloured engraved map, inset map of the Orkney Islands, 275 x 355 mm, with Saxton (Christopher & Kip W.). Dunelmensis Episcopatus qui comitatus est Palatinus olim pars Brigantum [1637], hand-coloured engraved map, strapwork cartouche and mileage scale, 285 x 345 mm, framed and glazed, plus Morden (Robert). The North Riding of Yorkshire [1695 or later], hand-coloured engraved map, trimmed to the printed margin, 355 x 410 mm, framed and glazedQTY: (4)
Lot 81
British Isles. De Lisle (Guillaume), Les Isles Britanniques ou sont le Royaumes d'Angleterre, tiré de Sped celuy d'Ecosse tiré de Th. Pont et celuy d'Irlande tiré de Petti..., J. Covens & C. Mortier, Amsterdam, circa 1760, hand-coloured engraved map, large decorative cartouche and mileage scale, 480 x 580 mm, together with Homann (Johann Baptist, heirs of). Regnorum Magnae Britanniae et Hiberniae Mappa Geographica..., Nuremberg, 1749, engraved map with contemporary outline colouring and later enhancement, additional title in English above the map, inset map of the Shetland Islands, slight dust soiling, central fold strengthened on verso, 490 x 555 mmQTY: (2)
Lot 92
England & Wales. Hole (G.), Englalond Anglia Anglo Saxonum Heptarchia, circa 1610, hand-coloured engraved map, large strapwork cartouche, mileage scale and compass rose, 275 x 325 mm, together with Homann (Johann Baptist). Magna Britannia complectens Angliae, Scotiae et Hiberniae Regna in suas Provincias et Comitatus divisa..., circa 1720, engraved map with contemporary outline colouring and some later enhancement to the cartouche, central fold partially split at top and base, 485 x 575 mm, with another approximately 50 maps of England & Wales and The British Isles, including examples by or after Moll, Morden, Harrison, 'Illustrated London News', Bowen, Teesdale, Cary, Kelly, Bell, Badeslade & Toms, Dower, Archer, Fullarton, Stockdale, J. & C. Walker, Bonne, Wilkinson and Bingley, some duplicates, various sizes and condition QTY: (approx. 52)
Lot 566
A Victorian carved oak Gothic Revival corner cabinet, the upper section with gadrooned, dragon scale and floral medallion decoration and lion mask with brassed rings over cherubic masks, the glazed door opening to reveal two shelves over a similarly decorated base with single door, 87 cm wide x 207 cm high, together with a similar late Victorian carved oak Gothic Revival open bookcase, 95 cm wide x 21 cm deep x 124 cm high
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216136 item(s)/page