A BOXED CORGI AVIATION ARCHIVE WORLD WAR II EARLY WAR 1:72 SCALE DIECAST MODEL AIRCRAFT, Catalina MkIIA - 209 Sqn, Pembroke Dock, October 1941, numbered AA36101, model appears in new condition inside plastic casing, polystyrene packing and outer cardboard box, light scuffs and scratches to the box and some dust to the exterior
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A BOXED CORGI LIMITED EDITION AVIATION ARCHIVE JUNKERS JU52/3M - RJ+NP 1:72 SCALE DIECAST MODEL AIRCRAFT, numbered AA36904, appears in new condition some parts wrapped in tissue, inside polystyrene packing and outer cardboard box and cardboard sleeve, included is a named display card and certificate numbered 1025 of 1660, unpunched blue plane token to side panel of the box, light dust to exterior
TWO BOXED CORGI LIMITED EDITION AVIATION ARCHIVE 1:72 SCALE DIECAST MODEL AIRCRAFTS, the first is a HP Halifax B.MkII Series 1, numbered AA37201, appears in new condition inside plastic packing and outer cardboard box with carboard sleeve, included is a certificate numbered 1200 of 2310 a named display card and unpunched blue plane token to side panel, the second is a HP Halifax B.III - LK797/LK-E No.578 Sqn, numbered AA37202, appears in new condition inside plastic packing and outer cardboard box with cardboard sleeve, included is a certificate numbered 0329 of 2210 and two named display card, complete with unpunched blue plane token to side panel, some very light scuffs to outer card sleeves on both
A BOXED CORGI LIMITED EDITION AVIATION ARCHIVE 1:72 SCALE DOUGLAS C-47 DAKOTA MK.III DIECAST MODEL AIRCRAFT, numbered AA38203, model appears in new condition inside plastic casing and outer cardboard box, also included inside the box is the named collectors card, some light dust to outer box and light scuffs to corners
A rare Hardy Bros "The Triumph" multi-purpose alloy bait casting/trotting fly reel, 3.75" spool with twin ivorine handles, button spool release, rim mounted on/off check lever, milled rim tensioner with ivorine half-moon scale, finger brake to rear, 4 screw ribbed brass foot (filled). Runs superbly
An early 20thC Booths Silicon china blue scale fruit bowl, decorated with reserves in the Doctor Wall style, with exotic birds and flowers, printed mark, 24.5cm wide, together with a Continental porcelain tureen base, gilt decorated within a cobalt blue border, 32cm wide, and a similar plate. (3)
A fine mid 18th century gilt-metal mounted tortoiseshell musical table clock with silver and champlevé enamel decorated dial made for the Turkish marketMarkwick, Markham and Perigal, LondonThe cupola top with red silk-backed lattice-work panels on a circular lower section framed by flaming urn finials, the sides with elaborate cast brass sound frets and open curved scroll mounts to the canted corners, on a moulded base and gilt twin-foliate scroll feet. The back door with full fish-scale gilt brass sound fret backed in red silk.The 4.25 inch arched dial plate with multi-coloured champlevé enamel decoration of flowers, scrolls and leaves mainly in blue and green with gilt and orange highlights, on a hatched silver ground. The 4 inch white enamel dial with Turkish numerals, signed Markwick Markham Perigal London below the pierced and engraved gilt hands, the arch set with twin white enamel subsidiaries for chime/not chime and four-tune selection. The triple barrel movement with knife edge verge escapement striking the hours on a bell and playing one of the 4 tunes on a run of 9 bells and 15 hammers regulated via an external fly, the backplate with floral and fruit basket engraving, above the signature Markwick Markham Perigal London. Ticking, striking and playing. Together with two case keys and a winding key. 28cm wide x 22cm deep x 40cm high, (11in wide x 8 1/2in deep x 15 1/2in high)Footnotes:Accompanied by a description from Stender, Antiquair Uurwerkmaker, July 1988.This firm was initially comprised of James Markwick and Robert Markham. Markwick was born in London around 1662 and was made free of the Clockmakers Company by patrimony in 1692. His father, James Markwick Senior, was a prosperous horologist and his mother, Hannah Gilpin, was the daughter of another prosperous London horologist, Edmund Gilpin, who was also James Markwick Senior's master. About four years after gaining his freedom, Markwick Jr. took over his father's workshop and trade. Around this same time, he appears to have married Catherine Carleton; the couple would go on to have at least 11 children, though only two, Thomas and Catherine seem to have survived childhood. Robert Markham became a member of the Curriers company in 1700, likely having been born around 1680, in London. His father Richard, also a Currier, died in 1715, and left Robert half of all his wealth, which included jewels and seemingly government trade contracts, the other half going to Richard's wife. Robert Markham appears to have entered into partnership with James Markwick Junior around 1725. Robert also married Catherine Markwick, though whether this was before or after 1725 is unknown. On their wedding day, James Markwick apparently gave his daughter and son-in-law £1,000. James Markwick died in 1729, leaving his son-in-law one-third of all his property. Markham continued to advertise as 'Markwick Markham', seemingly throughout his career. He and Catherine had three children, Elizabeth, James, and Anne. When Markham died in 1741, it appears that one of the Markham's continued the business, entering into partnership with Francis Perigal, the name being changed to 'Markwick, Markham, & Perigal'. It is not known which of the Markhams continued the trade, as none are recorded as clockmakers. The partnership with Perigal was dissolved around 1751, and various other partnerships were entered into. 'Markwick' remained in the shop's title until about 1820. The shop ceased trading around 1851, at that point being known as 'Markham Borrell'.Despite the firms many iterations, their main customer base seems to have been for export to the Ottoman Empire. Most of the timepieces known by them feature Turkish numerals, including a lantern clock. This suggests that this connection to the Ottoman Empire began quite early in the partnership, though exactly when remains unknown.Related LiteratureVictoria and Albert Museum (2003) Watch. Available at: https://collections.vam.ac.uk/item/O77566/watch-markwick-markham/watch-markwick--markham/B. Loomes, (2013) Collecting Antique Clocks Markwick Markham. Available at: https://www.brianloomes.com/collecting/markwick/index.htmlThis lot is subject to the following lot symbols: * Y* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.Y Subject to CITES regulations when exporting items outside of the UK, see clause 13.For further information on this lot please visit Bonhams.com
A fine Louis XVI ormolu-mounted purplewood, bois satiné, sycamore, fruitwood marquetry and parquetry table à écrire - coiffeuseMade by Jean-Henri Riesener, circa 1779-82The sliding top centred by a lavish rose and floral bouquet within flowerhead-filled trellis parquetry revealing a hinged leather writing surface with a mirror to the reverse, above a simulated frieze drawer, the panelled sides with a floral bouquet reserve flanked to either side with conforming trellis typical parquetry, on moulded square tapering legs headed by raised rectangular guilloche chutes, united by a concave-fronted undertier inlaid conformingly and with a basket of flowers and terminating in upswept acanthus sabots, with a transit label inscribed CHENUE, numbered S.66 and with a small circular label faintly numbered 8/99 - 107, and stamped J.H.RIESENER to the underside, 55.5cm wide x 39cm deep x 73.5cm high, (21.5in wide x 15in deep x 28.5in high)Footnotes:ProvenanceSalomon Stodel, Amsterdam.LiteraturePierre Devinoy, Guillaume Janneau, Le Meuble Léger en France, Paris, 1952, n0. 164 and 165, illustrated.Related literatureDaniel Meyer, Le Mobilier de Versailles XVIIe et XVIIIe Siècles, Dijon, 2002, no.18, pp.74-5 and no.63, pp.244-5.Pierre Verlet, Le Mobilier Royal Français, 1990. M.Isabel Pereira Coutinho, 18th Century French Furniture, Calouste Gulbenkian Museum, Lisbon 1999, no.23, pp.222-7.R.J.Baarsen, Paris, 1650-1900, Decorative Arts in the Rijksmuseum, no.99, pp.408-411.Alexandre Pradere, Les Ebénistes Français de Louis XIV à la Révolution, 1989, fig.451, p.374 and fig.462, p.381. Jean-Henri Riesener (1734-1806), ébéniste du Roi, maître in 1768.Riesener, Ébéniste Favoori de la ReineOf German origin, Jean-Henri Riesener (1734-1806) entered the atelier of Jean-François Oeben and became his successor after marrying Oeben's widow, née Van der Cruse, and taking over the workshop of the ébéniste du roi at the Arsenal. Maître in 1768, Riesener became ébéniste ordinaire du Mobilier de la Couronne in 1774, and between 1774 and 1784 supplied the Court with furniture worth more than a million livres, excluding deliveries to the private Gardes-Meubles of Marie-Antoinette, the Comte de Provence, the Comte d'Artois, Mesdames and the other princes. Rieseners' supremacy was ultimately only halted by a combination of the arrival of Thierry de Ville d'Avray as Directeur du Garde-Meuble in 1784 and the rising success of David Roentgen.This magnificent marquetry and parquetry table à écrire - coiffeuse is characteristic of the oeuvre of the celebrated ébéniste. It belongs to a small group of tables of similar scale and related inlays, between the table à écrire and the coiffeuse, yet serving both purposes. Most of Riesener's elaborate and luxurious production 'd'apparat' was delivered to members of the French Royal family, compared to the more day-to-day plainer mahogany furniture. This table à écrire, toilette de campagne, or more commonly called coiffeuse, is stylistically related to a commode in the Salon des Nobles of the Comtesse d'Artois at Versailles. The commode in question has a central medallion inlaid with a strikingly similar floral bouquet in a basket to the motif inlaid on the undertier of our coiffeuse. That commode was delivered to the Comtesse d'Artois six years after her marriage to Louis XV grandson, and was described to be of a 'new style'. Listed under the n.3014 of the 'Journal du Garde-meuble' it is described as having a 'médaillon à corbeille de fleurs suspendue plaquée sur fond d'amarante...'. It is conceivable that our coiffeuse was executed at the same time of the commode. The floral marquetry top in a flowerhead-filled trellis ground in the present lot corresponds closely to that of the writing table from the private apartments of Marie-Antoinette at Marly, formerly in the Hermitage Museum, St.Petersburg, and now in the Gulbenkian Collection (see M.Isabel Pereira Coutinho, 18th Century French Furniture, Calouste Gulbenkian Museum, Lisbon, 1999, n.23, pp.222-7). A similarly inlaid top also features on Riesener's table du Boudoir de la Méridienne at Versailles, delivered in 1782 and with jewel like chiselled ormolu mounts by the bronzier Rémond, now conserved at Waddesdon Manor. And finally it is interesting to compare the relatively similar decorative features of a Riesener bonheur-du-jour featuring similar flowerhead-filled trellis ground and floral spray panels now conserved in the Rijksmuseum. The bonheur-du-jour is equally mounted with almost identical raised panelled ormolu mat and burnished chutes (BK 16667).This lot is subject to the following lot symbols: * TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A rare late 18th century Dutch walnut single tube barometerP Waast en ZoonenSurmounted by a swan neck pediment centred by a turned wooden finial over a carved gadrooned cornice and freestanding brass-mounted Corinthian columns set into the canted angles, flanking a hinged arched glazed door, on a plinth base with applied carved swags over three dependent carved cone finials. The mercury tube with manual brass recording hand and twin shaped silvered scales, the left marked 28 to 31 inches with ten predictions, the right marked 27 to 30 inches and with additional scale 1944 to 2160; the mercury thermometer tube with shaped tube reading against five different temperature scales, with high temperatures recorded from various cities (including Paris 7th July 1743, Upsal 1740, Groenland 1754), 45cm wide x 12cm deep x 134cm high, (17 1/2in wide x 4 1/2in deep x 52 1/2in high)Footnotes:Comparative literatureSimilar models by Waast and Son are illustrated in Bert Bolle, Barometers in Beeld, 1983, fig. 154, 157, 158, (described as 'one of the most beautiful known Louis XVI period single tube baking barometers in private ownership.'); 161, 162 and 163.This lot is subject to the following lot symbols: * TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
An unsigned late 18th century Dutch inlaid mahogany contra barometerThe scales marked A.R.Surmounted by a shaped carved cresting over open tubes, their cisterns protected by an inlaid box base, the smaller register plate engraved with English inches, ten predictions and 20-0-16 scale, the longer with 0-96 scale and six predictions, the alcohol thermometer to the left with shaped bulb, 21cm wide x 10cm deep x 123cm high, (8in wide x 3 1/2in deep x 48in high)This lot is subject to the following lot symbols: * TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A good late 18th century Dutch inlaid mahogany cased contra-barometerReballio, RotterdamSurmounted by a shaped cresting with carved edge over an inlaid entablature, open tubes and protected cisterns within a serpentine-fronted box base over two dependent finials. The smaller silvered brass signed scale giving English inches 28 to 31, and a 20-0-16 scale, the larger scale divided into 24 units and engraved with ribbons and plants, the mercury thermometer with signed scale and record city temperatures such as Paris 1743 and Batavia 1753, 22cm wide x 10cm deep x 122cm high, (8 1/2in wide x 3 1/2in deep x 48in high)Footnotes:LiteratureBert Bolle, Barometers in Beeld, 1983, fig. 251.This lot is subject to the following lot symbols: * TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
An 18th century Dutch silver tobacco boxHendrina Das, Amsterdam, 1739 Of oblong form with shaped moulded ends and borders, the cover engraved depicting a King and figures at court, to the centre a roundel with inscription encircling two clasped hands below a flaming heart, the edge with fish-scale engraving, the underside engraved with two religious scenes, the sides include depicting running hounds, the interior of the hinged cover engraved with monogram under coronet among fronds, 13.5cm wide, 6.5cm deep, 4cm high (5in wide, 2 1/2in deep, 1 1/2in high), weight 7.29 troy oz, weight 226.5gms.Footnotes:ProvenanceJoseph M. Morpurgo, Amsterdam, where purchased 1997.The engraving:Niet Soeter Vint Men in den Trouw, Als Liefde Tussen Man en VrouwThis lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A rare Dutch ormolu-mounted mahogany, rosewood, purplewood, burr walnut, fruitwood and green-stained wood marquetry secretaire à abattantCirca 1765-70The grey marble top above a hinged fall inlaid with a balustrade and a canopy flanked by swags above classical vases, urns and jugs enclosing a fitted interior of six serpentine drawers with scale inlay and open compartments, the base fitted with a cupboard door inlaid with an autumnal tree, swags and Classical urns, enclosing a fitted drawer, flanked by canted sides surmounted by ram's head cast ormolu mounts, the sides inlaid with Classical urns, 88cm wide x 46cm deep x 138cm high, (34 1/2in wide x 18in deep x 54in high)Footnotes:ProvenancePieter Hoogendijk Antiquairs, Baarn, where purchased probably 1993.ExhibitedPieter Hoogendijk, Les Antiquaires Au Grand Palais, XVI Biennale Internationale, Paris, 18 Sept - 4 Oct 1993.LiteratureR. J. Baarsen, 'Le goût français' in Dutch furniture in the second half of the eighteenth century, TEFAF catalogue, 1991, p.153.Annigje Hofstede, Nederlandse meubelen: Van Barok Tot Biedermeier 1700-1830, 2004, fig. 297, p.179.This Dutch secretaire à abattant, with its classical and large scale French-style ram's head garlanded corner ormolu chute mounts and elaborate marquetry with contrasting veneers and engraved motifs, is reminiscent of the much en vogue furniture designed and manufactured 'in the French manner'. This was first advertised in Holland by Dutch cabinet maker Andries Bongen (1732-1792) in December 1766. French neo-classical furniture by ébénistes such as Charles Topino, maître in 1773, who inlaid furniture with marqetry panels of vases and vessels popularised by designs from Vases Nouveau published by Maurice Jacques (1712-1784), was all the rage in France, England and Holland. In particular, the 1771 ban on the importation of French furniture into the Netherlands created a thriving market in which Dutch cabinet makers could create pieces in the French taste. Alongside Andries Bongen, other important Dutch makers included Arnoldus Gerritsen and Joan Lobst Swenebart. (R.J. Baarsen, Andries Bongen (ca. 1732-1792) en de Franse invloed op de Amsterdamse kastenmakerij in de 2de helft van de achttiende eeuw Oud Holland 107 (1993), pp. 42-43 and note 154.This lot is subject to the following lot symbols: * TP Y* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.Y Subject to CITES regulations when exporting items outside of the UK, see clause 13.For further information on this lot please visit Bonhams.com
A Leitz Summar Tropical f/2 50mm Collapsible Camera Lens, 1937, chrome, serial no. 410352, body G-VG, focus scale in feet, aperture ring moves smoothly, optics G, some light haze in a smear pattern to internal elements, in maker's bubble with front cap Note: Tropical variation with an extra front element (Optical Formula B246A). The Only Difference Visible From The Outside Is The Groove Along The Collapsing Barrel
A Late Victorian/ early Edwardian 'N Tolson's St. Ledger & Derby Winners' toy Merry- Go-Round or Carousel, comprising forty -two hand painted wooden horses, fourteen mounted with step to one side, arranged in three rows around a red central column with green guard rail, decorated with gilt brass fixtures and fittings, mirrors and coloured glass, contained within four railway wagon shaped boxes numbered No.1 to No.4, each hand painted brown with yellow coach lines and sign writing, when placed in order to spell 'N Tolson's St Ledger & Derby Winners' the individual structural pieces each hand painted with section numbers to reverse, (unchecked for completeness) *Notes- This appears to be a good scale model of a merry-go- round that was electrically driven by a motor.
BOXED COLLECTABLES, including Carlton Thunderbirds Tracy Island electronic playset, Disney Toy Story 2 Buzz Lightyear ultimate talking room guard, James Bond 007 1-16 scale Aston Martin V12 Vanquish, Disco Danny battery operated dancing monkey, 007 Aston Martin DB5 Skyfall motorised and other collectablesProvenance: private collection Gwynedd
Conte Collectibles American Civil War Series [3 / 4 figure sets], comprising: Set ACW 57109 - Union Flag Bearer Set, Set ACW 57126 - Texas Brigade Flag Bearers & Drummer, Set ACW 57149 - Texas Brigade Firing Set #2, Corgi - Forward March Series - Set No' CC59189 - Battle of the Somme - Trench Scene, Set CC59149 - German Lying Dead on the Barbed Wire, Set CC59197 - Coldstream Private, The Collectors Showcase [1/30th Scale] - American Civil War Series Set CS00412 - 20th Massachusetts Firing & et CS00412 - 20th Massachusetts Command. Mint overall, contained in Near Mint set boxes. [8]
Stadden, NHD & Similar Makers [1980's - 2000's] - 54mm Scale White Metal Figures, comprising: A Quantity [3 Pieces] of Assorted [Military] Small / Medium Dioramas, Painted to superior Standards. Includes: Robert E. Lee at Gettysburg, AWI - British Types Camp Scene & Types of the Indian Army, Circa 1900. Some display wear otherwise generally Very Good to Excellent overall. [3]
Airfix - Original Roy Cross Artwork, comprising: Master Tracings [22 x 14cm / 22 x 14cm / 41 x 24cm] for the Pattern 1717 - 1/24th Scale Saladin Armoured Car, 1968. These Examples are illustrated in the Roy Cross Book: More Vintage Years of Airfix Box Art. Fully Signed By Roy. Mint overall, Professionally Mounted on a Dark Grey Mounts, Ready for Framing. Roy's Personal Collection of Original Artwork is now Exhausted, These Last Few Pieces Offer the Airfix Collector a Rare Opportunity to Acquire a Unique Piece of Airfix History in Superb Condition. [3]
Airfix - Original Box Artwork for the 1st Issue 1/32nd Scale Combat Pack, 1975 [Never Implemented], comprising: An Original [Brian Knight?] Water Colour / Gouache Used intended for use on the First Issue Combat Pack Set, Featuring, Red Berets, Cromwell Tank, German Infantry & Hanomag Half Track. Image Size: 73 x 44cm. Professionally Mounted, Framed & Glazed. Mint overall. A Superb Example 1970's Airfix Box Art. Unique
Unconfirmed Maker - Dewar`s Scotch Whisky Promotional large scale [25cm] Latex Figure, Circa, 1960, comprising: A Marching Highland Drum Major Depicted in Parade Dress [Stylised Tartan] & Mace. Mounted on a "Rock" Base with: "DEWAR`S SCOTCH WHISKY" to the Front. Some age/display wear otherwise generally Excellent overall. Rare Early Version.
Black Hawk Miniatures [Ready Painted 54MM Scale Miniatures Produced by Andrea Miniatures of Spain]- Custer's Last Stand Series, comprising: Set BH-0117 - Galloping Cheyanne Shooting Arrow, Set BH-0104 - Shot Down US Cavalryman, Set BH-0121 - Falling Sioux Warrior & a Further 11 x [Unboxed] Mounted Indian & 1 x Dismounted Indian Examples. Generally near Mint overall [some display wear], contained [where appropriate] in near Mint Pictorial set boxes. [15]
Black Hawk Miniatures [Ready Painted 54MM Scale Miniatures Produced by Andrea Miniatures of Spain]- The Tournament Collection, comprising: Set BH-0901 - Beltrain du Guesclin, Corgi Icon Range - James Bond & A Small Quantity [16] of Modern Issue Figures [Foot/Mounted], Includes: King & Country, Britains, Little Legion, Etc. Near Mint overall, contained [where appropriate] in generally near Mint set boxes. [18]
Tradition, Hinchcliffe, Poste Militaire & Similar Makers - 54/75/90/120mm Scale Military Miniatures, comprising: A Quantity [16 Pieces] of Military Type Figures. Includes: Mounted Mounted Samurai, Camel Mounted Lawrence of Arabia, Etc. Some display wear otherwise generally near Mint overall. [Qty]
Britains & Similar Makers - 54mm Scale Military Figures Types & Accessories [Also Includes a Couple of Large Scale Figures], comprising: A Quantity [34 Pieces] of Military Type Figures & Accessories. Includes: WW1 Gun Team, Indian Mountain Battery Diorama, AA HMG & Crew, Etc. Some display wear otherwise generally near Mint overall. [Qty]
Britains, CBG Mignot, Tradition, Lasset & Similar Makers - [Mainly] 54mm / 1/32nd Scale Military Types & Accessories, comprising: a quantity [100+ Pieces] of Individual Foot / Mounted Figures, Includes: AWI Types, General Gordon, Napoleonic Types, Etc. Generally Excellent to near Mint overall. [Qty]
Various Makers, 54mm Scale Figures, comprising: 4 x Small /Medium Dioramas / Vignettes, Modelled & Painted to Collectors Standards, Includes: Tiger Hunt, Zulu War - Rorkes Drift, French Napoleonic Ambulance & British Regimental Colour Party, 1903. Some minor display/storage wear otherwise near Mint overall. [4]
Hinchcliffe, 54mm Scale Figures, comprising: 2 x WW1 Themed Medium Dioramas, Modelled & Painted to Collectors Standards, Includes: 2 x 18PDR Gun Teams [Autumn / Winter Schemes], Circa, 1916. Some minor display/storage wear/detached parts [mostly present] otherwise generally Very Good overall. [2]
Various Makers, 54mm Scale Figures / Equipment, comprising: 2 x Medium Dioramas / Vignettes, Modelled & Painted to Collector Standards, - Western Desert - Panzer 111 & SdKfz. 251 & Yom Kipper, 1973 - Israeli M61 & Figures.. Some minor display/storage wear / detached pieces [mostly present] otherwise generally Good overall. [2]
Historex & Airfix, 54mm Scale Napoleonic Figures / Equipment, comprising: 3 x Medium / Small Dioramas, Modelled & Painted to Collector Standards, - Ammunition Wagon Team, Gun Team & Marine with Son. Some minor display/storage wear / detached pieces [mostly present] otherwise generally Good overall. [5 Pieces]
Historex & Similar Makers, 54mm Scale Napoleonic Figures / Equipment, comprising: 3 x Medium Dioramas, Modelled & Painted to Collector Standards, - Barrack Building with Musicians [Based on a Funcken Illustration], Guard Artillery, Crossing the St. Bernard Pass, 1800 & 6 x Guard Cavalry Types. Some minor display/storage wear / detached pieces [mostly present] otherwise generally Good overall. [9 Pieces]
Tradition of London [Stadden], 54mm Scale Figures, comprising: "The Retreat From Moscow, 1812 - Open Diorama - Depicting The Retreat of the Grande Armee During the 1812 Campaign [30 Figures] on a Scenic Baseboard. Modelled & Painted to Collector Standards. Some minor display/storage wear otherwise near Mint overall.
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186094 item(s)/page