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Eleanor Lines Red Sunset I Screenprint on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Eleanor is an English-Dutch artist born and raised in London. She graduated with a Masters in Fine Art Printmaking from the Royal College of Art in 2011. She now lives and works between Athens (Greece) and London. Geometry, pattern and structure found within architecture and foliage are all prevailing themes within her work which she explores through a variety of mediums such as screen printing, digital drawing, gouache paint, cyanotype and collage. In addition to her smaller scale practice, she undertakes large scale public commissions and has previously been commissioned by the Crown Estate and the Bow Arts Trust in London. After completing a residency in Greece in 2016, her practice was greatly inspired by the city of Athens and its modernist and Art Deco architecture. By isolating shapes found in, for instance, Art Deco metalwork, and reimaging these forms, she explores and deconstructs the fabric of the city. The strong Athenian light gives a sun kissed appearance to the place. The vivid sunset skies and surrounding Aegean Sea have all contributed to her vibrant colour palette, where colours and gradient blends interact with one another and create a sense of movement within the work. Education Royal College of Art, Fine Art Printmaking 2009 - 2011 University of Brighton, Fine Art Printmaking 2005 - 2008 Select Exhibitions/Awards March 2022 - IFCA Arts, Metanoia, Athens, Greece December 2021 - Kypselian Salon, Snehta, Athens, Greece November 2021 - Palm, Kypseli Print Studio, Athens, Greece November 2020 - Athens Laundry Bougada, Athens, Greece 2017 - Commissioned Public Art 'Q4' (Crown Estate/AHMM architects), Sherwood Street, London Gallery Representation The postcards submitted to 'Art on a Postcard' entitled 'Sunset' respond to a long heatwave during the Greek summer and deconstruct a previous print work which plays with the form of a wave. The dramatic skies at sunset displayed a spectrum of colours which varied evening to evening. Outbreaks of fire gave the skies a very unusual hue. The unique screen-printed postcards attempt to capture these colour fields in a simplified and abstract language. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Eleanor Lines Red Sunset II Screenprint on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Eleanor is an English-Dutch artist born and raised in London. She graduated with a Masters in Fine Art Printmaking from the Royal College of Art in 2011. She now lives and works between Athens (Greece) and London. Geometry, pattern and structure found within architecture and foliage are all prevailing themes within her work which she explores through a variety of mediums such as screen printing, digital drawing, gouache paint, cyanotype and collage. In addition to her smaller scale practice, she undertakes large scale public commissions and has previously been commissioned by the Crown Estate and the Bow Arts Trust in London. After completing a residency in Greece in 2016, her practice was greatly inspired by the city of Athens and its modernist and Art Deco architecture. By isolating shapes found in, for instance, Art Deco metalwork, and reimaging these forms, she explores and deconstructs the fabric of the city. The strong Athenian light gives a sun kissed appearance to the place. The vivid sunset skies and surrounding Aegean Sea have all contributed to her vibrant colour palette, where colours and gradient blends interact with one another and create a sense of movement within the work. Education Royal College of Art, Fine Art Printmaking 2009 - 2011 University of Brighton, Fine Art Printmaking 2005 - 2008 Select Exhibitions/Awards March 2022 - IFCA Arts, Metanoia, Athens, Greece December 2021 - Kypselian Salon, Snehta, Athens, Greece November 2021 - Palm, Kypseli Print Studio, Athens, Greece November 2020 - Athens Laundry Bougada, Athens, Greece 2017 - Commissioned Public Art 'Q4' (Crown Estate/AHMM architects), Sherwood Street, London Gallery Representation The postcards submitted to 'Art on a Postcard' entitled 'Sunset' respond to a long heatwave during the Greek summer and deconstruct a previous print work which plays with the form of a wave. The dramatic skies at sunset displayed a spectrum of colours which varied evening to evening. Outbreaks of fire gave the skies a very unusual hue. The unique screen-printed postcards attempt to capture these colour fields in a simplified and abstract language. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Eleanor Lines Blue Sunset Screenprint on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Eleanor is an English-Dutch artist born and raised in London. She graduated with a Masters in Fine Art Printmaking from the Royal College of Art in 2011. She now lives and works between Athens (Greece) and London. Geometry, pattern and structure found within architecture and foliage are all prevailing themes within her work which she explores through a variety of mediums such as screen printing, digital drawing, gouache paint, cyanotype and collage. In addition to her smaller scale practice, she undertakes large scale public commissions and has previously been commissioned by the Crown Estate and the Bow Arts Trust in London. After completing a residency in Greece in 2016, her practice was greatly inspired by the city of Athens and its modernist and Art Deco architecture. By isolating shapes found in, for instance, Art Deco metalwork, and reimaging these forms, she explores and deconstructs the fabric of the city. The strong Athenian light gives a sun kissed appearance to the place. The vivid sunset skies and surrounding Aegean Sea have all contributed to her vibrant colour palette, where colours and gradient blends interact with one another and create a sense of movement within the work. Education Royal College of Art, Fine Art Printmaking 2009 - 2011 University of Brighton, Fine Art Printmaking 2005 - 2008 Select Exhibitions/Awards March 2022 - IFCA Arts, Metanoia, Athens, Greece December 2021 - Kypselian Salon, Snehta, Athens, Greece November 2021 - Palm, Kypseli Print Studio, Athens, Greece November 2020 - Athens Laundry Bougada, Athens, Greece 2017 - Commissioned Public Art 'Q4' (Crown Estate/AHMM architects), Sherwood Street, London Gallery Representation The postcards submitted to 'Art on a Postcard' entitled 'Sunset' respond to a long heatwave during the Greek summer and deconstruct a previous print work which plays with the form of a wave. The dramatic skies at sunset displayed a spectrum of colours which varied evening to evening. Outbreaks of fire gave the skies a very unusual hue. The unique screen-printed postcards attempt to capture these colour fields in a simplified and abstract language. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Eleanor Lines Pink Sunset Screenprint on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Eleanor is an English-Dutch artist born and raised in London. She graduated with a Masters in Fine Art Printmaking from the Royal College of Art in 2011. She now lives and works between Athens (Greece) and London. Geometry, pattern and structure found within architecture and foliage are all prevailing themes within her work which she explores through a variety of mediums such as screen printing, digital drawing, gouache paint, cyanotype and collage. In addition to her smaller scale practice, she undertakes large scale public commissions and has previously been commissioned by the Crown Estate and the Bow Arts Trust in London. After completing a residency in Greece in 2016, her practice was greatly inspired by the city of Athens and its modernist and Art Deco architecture. By isolating shapes found in, for instance, Art Deco metalwork, and reimaging these forms, she explores and deconstructs the fabric of the city. The strong Athenian light gives a sun kissed appearance to the place. The vivid sunset skies and surrounding Aegean Sea have all contributed to her vibrant colour palette, where colours and gradient blends interact with one another and create a sense of movement within the work. Education Royal College of Art, Fine Art Printmaking 2009 - 2011 University of Brighton, Fine Art Printmaking 2005 - 2008 Select Exhibitions/Awards March 2022 - IFCA Arts, Metanoia, Athens, Greece December 2021 - Kypselian Salon, Snehta, Athens, Greece November 2021 - Palm, Kypseli Print Studio, Athens, Greece November 2020 - Athens Laundry Bougada, Athens, Greece 2017 - Commissioned Public Art 'Q4' (Crown Estate/AHMM architects), Sherwood Street, London Gallery Representation The postcards submitted to 'Art on a Postcard' entitled 'Sunset' respond to a long heatwave during the Greek summer and deconstruct a previous print work which plays with the form of a wave. The dramatic skies at sunset displayed a spectrum of colours which varied evening to evening. Outbreaks of fire gave the skies a very unusual hue. The unique screen-printed postcards attempt to capture these colour fields in a simplified and abstract language. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Sophie Coe Coverack (Cornwall) Charcoal on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About I find inspiration almost anywhere but particularly in nature. Whether it's the power of the sea, wind through a grove of bamboo, sunlight through a canopy, the detail and structure of a leaf. There's so much beauty around us, both the big views and the details, I'm in awe of it. I try to capture the mood, the wonder, the feeling of being there, the elements perhaps less visible with a passing glance. I have always loved design and creating things, and sometimes work collaboratively to solve a design brief for artwork specific to a project. Mostly though I work alone inspired by the beauty in nature, often with my own creative enquires: How to express the rain? Or the wind as it blows sand along a sea drenched beach... as it makes botanical shadows dance on a wall. How to express the movement of a wave or the still timeless eternity of a mountain... there's inspiration everywhere. Sophie Coe was born in the UK in 1971. She studied fine art and architecture and worked in the UK, Asia and Australia, before settling in London in 2009. Fine art was always a passion which over the years grew to take over as a full-time occupation. Sophie studied fine art at the Slade in London but is largely self-taught. She works with charcoal, paint and various printmaking techniques to create images mostly inspired by nature. The freedom in her mark making gives immediacy and energy to her work, which itself exudes the simple calmness and beauty of the environment that inspired it. Having a background in architecture gives her an in-depth understanding of buildings, interiors, client/designer relationships and collaborative design. Commissioned pieces have ranged in scale from 60cm to 6.5m wide. Her work sells worldwide for both private collections and commercial interiors. She lives and works in Twickenham. Education 2007 The Slade, Summer Foundation in Fine Art 1995 Oxford Brookes University, Postgraduate Diploma in Architecture 1992 Oxford Brookes University, Bachelor of Arts (Architecture) Select Exhibitions 2023 The Summer Exhibition, Royal Academy. London ING Discerning Eye, Mall Galleries. London Royal Society of Marine Artists annual exhibition. Mall Galleries London Summer Exhibition, The Gallery at Green and Stone, London Untitled. Gallery on the Green, London The Old Courthouse Gallery, Ambleside. Lake District. 2019 Memories, shadows, reflections... Gallery on the Green, London 2018 Tricks of the Light, Riverside Gallery, London 2017 A Personal Portrait, Riverside Gallery, London 2015 Reflections, The Chapel, London 2015 Untitled, Staffords Gallery, London 2012 Memory, The Chapel, London 2009 Made (2009), Morley Gallery, London 2006-07 Andrew Crawford Gallery, Sydney. Australia 2005-07 Waywood Gallery, Byron Bay. Australia 2007 XO Gallery, Kingscliff. Australia Gallery Representation Old Courthouse Gallery, Ambleside Statement about AOAP Submitted Artwork These are pieces about the sea, about light and memories.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Colin Murphy Into The Light Oil on gesso card Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About I am a painter based in Belfast and I make a range of small and medium scale work in oil on canvas or wood panel. I make two types of work at present; Paintings of people and paintings of public and private spaces devoid of people. I am attracted to how people leave their mark on these spaces, either by accident or by design. I am working towards my first a solo show in 2024. Education University of Ulster Belfast School of Art, BA (Hon) Visual Communication Bristol Polytechnic, Foundation Studies Art and Design. Select Exhibitions/Awards 2023, 20 Royal Academy Summer Exhibition 2023, 22, 21, 20 Royal Hibernian Academy annual 2022, 21, 20, 19 Royal Ulster Academy annual show 2022 Royal Western Academy annual exhibition 2021 Best Artist Prize RUA Statement about AOAP Submitted Artwork I love to paint an interior. The source for the interior was a photo I took this summer at a get together with friends.   I love a leather chair. The source picture I found on an online auction site.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do

Colin Murphy Flanking Position Oil on gesso card Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About I am a painter based in Belfast and I make a range of small and medium scale work in oil on canvas or wood panel. I make two types of work at present; Paintings of people and paintings of public and private spaces devoid of people. I am attracted to how people leave their mark on these spaces, either by accident or by design. I am working towards my first a solo show in 2024. Education University of Ulster Belfast School of Art, BA (Hon) Visual Communication Bristol Polytechnic, Foundation Studies Art and Design. Select Exhibitions/Awards 2023, 20 Royal Academy Summer Exhibition 2023, 22, 21, 20 Royal Hibernian Academy annual 2022, 21, 20, 19 Royal Ulster Academy annual show 2022 Royal Western Academy annual exhibition 2021 Best Artist Prize RUA Statement about AOAP Submitted Artwork I love to paint an interior. The source for the interior was a photo I took this summer at a get together with friends.   I love a leather chair. The source picture I found on an online auction site.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

John Simpson Willow Ink and charcoal on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About John Simpson's prints and drawings fuse image meaning and medium to explore our relationship with the natural world. The process and examination of drawing is at the core of his practice. Often abandoning the control of the studio and working with public collaborators, he embraces an element of chaos and the natural mutations which occur in printmaking. This symbiotic process is one way in which his work looks to biology to explore our relationship with nature. The frequent use of natural materials like earth and wood reflects both the subject and the wild nature of these works. John's latest drawings and prints have their origins in a time spent exploring local woodlands with his young twin daughters whilst seeking refuge from their city apartment. These works evolved from being continuously immersed in this environment. The process and materials directly relate to the physicality and texture of these hidden spaces. He has exhibited at major UK institutions as well as internationally with solo exhibitions in London, Los Angeles and Sao Paulo. He has led interactive printmaking and drawing projects at Spike Island, Bristol and at Tate Modern in 2017, 2018 and 2019. Education 1995 - 1998: Cambridge School of Art, BA Hons 1994 - 1995: University of Gloucestershire, Foundation Art Select Exhibitions/Awards 13 June - 20 August 2023: Summer Exhibition - Royal Academy of Arts, Burlington House, Piccadilly, London W1 17 April - 21 April 2019: The Museum as Ecosystem; Interactive drawing for Tate Exchange - Tate Modern, London 28 February - 3 March 2019: Hepworth Wakefield Print Fair - Hepworth Wakefield, Yorkshire 2 February - 4 February 2018: Mitosis; Interactive Cellular Printing for Tate Exchange - Tate Modern, London 31 May - 10 June 2013: John Simpson, Dream and Metamorphosis - Hoxton Gallery, London E2 27 April 2013: Brit Week - John Simpson, Beverly Hills Gallery, Los Angeles 21 November - 20 December 2008: John Simpson - O Contemporary, 193 Wardour Street, London W1 3 July - 14 August 2008: John Simpson - Galeria Choque Cultural, Rua Joao Moura, 997, Sao Paulo, Brazil Statement about AOAP Submitted Artwork These drawings examine a sensation of complete immersion in the natural landscape. Working at a postcard scale was a fascinating exercise in how very diverse marks can be made at a scale many times smaller than in my regular practice.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Hope Turnbull Waiting Monoprint on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Millie Foster About Hope Turnbull, b. 1999, Newcastle Upon Tyne, UK, studied a BA from Edinburgh College of Art (2017-2021) and is currently completing her MA in Fine Art at City and Guilds of London Art School (2022-2023). Her large-scale oil paintings depict lived experiences, drawn and filtered through the memory of emotion to create psychologically charged domestic spaces that reference the history of representational painting: Hopper, Vermeer, Cassat. Mostly alone, or in a pair, the figures enact the routines of daily life, ironing, washing, sitting and thinking or watching television. Education 2021 BA (hons) Painting, Edinburgh College of Art Statement about AOAP Submitted Artwork I have submitted two unique monotypes on paper. The works hope to capture quiet moments of contemplation: moments when our inner world is so intensely felt that our surroundings seem to disappear, a moment where we are simultaneously conscious and unconscious. I aim for the softly rendered paintings to slowly reveal themselves to the viewer, rhythmically drifting, shifting, with figure and space constantly intertwining through the layering of thinned oil paint. The narrative, autobiographical paintings spring from my daily life. I capture moments when I catch my mind drifting and focus upon the sensations within and the gestures of my body. Then, through the application of thinly layered transparent paint I aim for the material quality of the work to be in harmony with its subject - the subtle shifting of figure and space when the mind is occupied in those quietest moments of reverie.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Laura Hope Eye Spy I, 2023 Mixed media on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Verity Babbs About My work is centred around unspoken emotions and quiet inner lives. Created from my own staged photographs of models, it is often a response to memories, relationships and personal crisis. Through composition, cropping and reversing the image, I strive to convey an uneasy narrative that shines a light on subtle feelings that often hide in the shadows. With hints to another era, my figures live in a world that is both nostalgic and present. I sit on the fence between painting and drawing - feeling that 'painting' better describes my process but knowing that 'drawing' is my method of creation. My training as an illustrator as well as my time working as a memorial artist (hand etching onto granite) have cemented the importance of line and mark making in my practice. A combination of thick, harsh scribbles and precise, light touches alongside a unique translation of colour are the voices used to tell my stories. Education BA (hons) Illustration - Cardiff School of Art and Design - First Class Select Exhibitions/Awards   2023 - Awards Winner - NG Art Creative Residency (Wells Contemporary) Shortlisted - Jackson's Painting Prize Longlisted - Women in Art Prize Honourable Mention - Arthouse Z 'Emerging Artist Prize' 2023 - Exhibitions Royal Society Portrait Painters Exhibition - Mall Galleries, London Rising Artists, Jackson's Painting Prize - Bankside Gallery, London Wells Art Contemporary - Wells Cathedral, Wells Summer Exhibition - Green & Stone Gallery, London 2022 - Awards Winner - de Laszlo Foundation Award for Excellence Longlisted - Jackson's Painting Prize 2022 - Exhibitions Royal Society Portrait Painters Exhibition - Mall Galleries, London Summer Exhibition - Green & Stone Gallery, London Tendencies in Painting - London Paint Club (online) Annual Open - Southwark Park Galleries, London Small Works Winter Show - Spring Cheltenham 2017 Winner - Best Memorial in Show - NAMM Craftex Awards 2015 Winner - Illustration Award - Cardiff School of Art and Design CSAD - Summer Show - Cardiff Behind the Door - Dyffryn House (National Trust) 2014 First Impressions - View Art Gallery, Bristol OUTSET Exhibition - Gate Gallery, Cardiff Autumn/Winter Exhibition - Cardiff MADE Artist in Residence - Beyond the Border Story Telling Festival Le Violon D'Ingres - The Gate Gallery Cardiff 2011 Winner & Highly Commended - Rotary Club Young Artist of the Year Award Statement about AOAP Submitted Artwork Feeling watched and watching... Looking through a crack in a door or spying through a keyhole was something I wanted to explore with these tiny works. The scale is much smaller than I usually work, so I decided to work to a crop rather than reducing the image. Crops fascinate me, especially in portraiture... Without all the features, can you still translate their expression? How are you being watched? Is it a menacing stare or a loving gaze?   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Daisy Collingridge Facescape (Miniature 1) Textiles and wood on paper Signed on Verso 10.5 x 15 x 1.7cm (4 x 5¾ x ¾ in.) This lot has been curated by Millie Foster About Daisy is a multi-disciplinary work investigating the human form as the central theme. The work sits in a place of tension between, sculpture, performance and art. The 'flesh suits' are an exploration of fabric, form and flesh. Their tactile fabric bodies and inviting colour exaggerate the warmth and softness of flesh- these elements which signify a living thing. They are visceral. There is a desire to touch. Fabric offers skin like qualities that traditional sculpting materials do not have. Education 2010-2014 | BA diploma fashion design womenswear, Central St Martins 2009-2010 | Art Foundation Diploma, Loughborough University   Select Exhibitions/Awards 2023 | 'Within + Without', Unit Gallery, Group Show, London 2023 | 'Hysteria', Gillian Jason Gallery, Group Show London 2022 | 'Grossly Affectionate', Boulder Museum of Contemporary Art, Group show, USA 2021 | 'Best seat in the house', WaterAid UK, Oxo Gallery, Group show, London 2020- 2022 | Sarabande Foundation Artist in Resident, London   Statement about AOAP Submitted Artwork These pieces are small scale versions of the 'Facescapes' created earlier this year. Working on smaller scale fabric works emphasise intricacy and delicacy in portraying facial features. This miniature approach invites viewers to closely examine the fine textures and stitches that bring a face to life fostering a sense of intimacy.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Daisy Collingridge Facescape (Miniature 2) Textiles and wood on paper Signed on Verso 10 x 15 x 1.8cm (3¾ x 5¾ x ¾ in.) This lot has been curated by Millie Foster About Daisy is a multi-disciplinary work investigating the human form as the central theme. The work sits in a place of tension between, sculpture, performance and art. The 'flesh suits' are an exploration of fabric, form and flesh. Their tactile fabric bodies and inviting colour exaggerate the warmth and softness of flesh- these elements which signify a living thing. They are visceral. There is a desire to touch. Fabric offers skin like qualities that traditional sculpting materials do not have. Education 2010-2014 | BA diploma fashion design womenswear, Central St Martins 2009-2010 | Art Foundation Diploma, Loughborough University   Select Exhibitions/Awards 2023 | 'Within + Without', Unit Gallery, Group Show, London 2023 | 'Hysteria', Gillian Jason Gallery, Group Show London 2022 | 'Grossly Affectionate', Boulder Museum of Contemporary Art, Group show, USA 2021 | 'Best seat in the house', WaterAid UK, Oxo Gallery, Group show, London 2020- 2022 | Sarabande Foundation Artist in Resident, London   Statement about AOAP Submitted Artwork These pieces are small scale versions of the 'Facescapes' created earlier this year. Working on smaller scale fabric works emphasise intricacy and delicacy in portraying facial features. This miniature approach invites viewers to closely examine the fine textures and stitches that bring a face to life fostering a sense of intimacy.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Bethany Hadfield I See Her Hot Breath In My Sleep Acrylic on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Millie Foster About Bethany Hadfield lives and works in London. She graduated from Wimbledon College of art in 2016 and in 2022 received an MA in painting from the RCA. Hadfield's practice co-exists in different dimensions, one confined to the screen, of rendered animations and digital images and the other inherently physical, consisting of large-scale oil paintings. Sketches are created on open-source 3D software, and are a result of various digital improvisations. The digital images are then translated to canvas with acrylic to eliminate gestural notions achieving a smooth artificial finish. The immediacy of 3D software is contrast to the gradual and intuitive process of painting to explore verisimilitude. As physical records of the image economy, they are formed from networked labour and collaborations with the machine. For Hadfield artistic creation is not individual but a mediation of one's role in collaboration and social interaction. "I work in the emancipatory realm of technology. With the aid of digital tech I produce paintings explore the networks of what is considered the 'self', 'ecologies', ' future" (Bethany Hadfield) Education Royal College of Art; MA Painting 2019 - 2021 Wimbledon College of Art - BA(HONS) Fine Art; Painting 2013-2016 Select Exhibitions/Awards AWARDS Hans Brinker Painting Prize, Nominee, Amsterdam Jonathan Harvey Studio Award - Nominee EXHIBITIONS July 2020 - A Fish You Have Already Caught Janurary 2020 RCA Work in Progress Show, RCA London July 2019 - Cry with Laughter Freehold Projects, Leeds April 2018 - Sundlaug - Centrespace, Bristol July 2017 - Black Lotus Tau Gaming, Middlesbrough January 2017 -HerOiNE, The Square Gallery Battersea Gallery Representation Gillian Jason Gallery   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Bethany Hadfield And It Comforts Me Acrylic on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Millie Foster About Bethany Hadfield lives and works in London. She graduated from Wimbledon College of art in 2016 and in 2022 received an MA in painting from the RCA. Hadfield's practice co-exists in different dimensions, one confined to the screen, of rendered animations and digital images and the other inherently physical, consisting of large-scale oil paintings. Sketches are created on open-source 3D software, and are a result of various digital improvisations. The digital images are then translated to canvas with acrylic to eliminate gestural notions achieving a smooth artificial finish. The immediacy of 3D software is contrast to the gradual and intuitive process of painting to explore verisimilitude. As physical records of the image economy, they are formed from networked labour and collaborations with the machine. For Hadfield artistic creation is not individual but a mediation of one's role in collaboration and social interaction. "I work in the emancipatory realm of technology. With the aid of digital tech I produce paintings explore the networks of what is considered the 'self', 'ecologies', ' future" (Bethany Hadfield) Education Royal College of Art; MA Painting 2019 - 2021 Wimbledon College of Art - BA(HONS) Fine Art; Painting 2013-2016 Select Exhibitions/Awards AWARDS Hans Brinker Painting Prize, Nominee, Amsterdam Jonathan Harvey Studio Award - Nominee EXHIBITIONS July 2020 - A Fish You Have Already Caught Janurary 2020 RCA Work in Progress Show, RCA London July 2019 - Cry with Laughter Freehold Projects, Leeds April 2018 - Sundlaug - Centrespace, Bristol July 2017 - Black Lotus Tau Gaming, Middlesbrough January 2017 -HerOiNE, The Square Gallery Battersea Gallery Representation Gillian Jason Gallery     You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Laura Hope Eye Spy II, 2023 Mixed media on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Verity Babbs About My work is centred around unspoken emotions and quiet inner lives. Created from my own staged photographs of models, it is often a response to memories, relationships and personal crisis. Through composition, cropping and reversing the image, I strive to convey an uneasy narrative that shines a light on subtle feelings that often hide in the shadows. With hints to another era, my figures live in a world that is both nostalgic and present. I sit on the fence between painting and drawing - feeling that 'painting' better describes my process but knowing that 'drawing' is my method of creation. My training as an illustrator as well as my time working as a memorial artist (hand etching onto granite) have cemented the importance of line and mark making in my practice. A combination of thick, harsh scribbles and precise, light touches alongside a unique translation of colour are the voices used to tell my stories. Education BA (hons) Illustration - Cardiff School of Art and Design - First Class Select Exhibitions/Awards   2023 - Awards Winner - NG Art Creative Residency (Wells Contemporary) Shortlisted - Jackson's Painting Prize Longlisted - Women in Art Prize Honourable Mention - Arthouse Z 'Emerging Artist Prize' 2023 - Exhibitions Royal Society Portrait Painters Exhibition - Mall Galleries, London Rising Artists, Jackson's Painting Prize - Bankside Gallery, London Wells Art Contemporary - Wells Cathedral, Wells Summer Exhibition - Green & Stone Gallery, London 2022 - Awards Winner - de Laszlo Foundation Award for Excellence Longlisted - Jackson's Painting Prize 2022 - Exhibitions Royal Society Portrait Painters Exhibition - Mall Galleries, London Summer Exhibition - Green & Stone Gallery, London Tendencies in Painting - London Paint Club (online) Annual Open - Southwark Park Galleries, London Small Works Winter Show - Spring Cheltenham 2017 Winner - Best Memorial in Show - NAMM Craftex Awards 2015 Winner - Illustration Award - Cardiff School of Art and Design CSAD - Summer Show - Cardiff Behind the Door - Dyffryn House (National Trust) 2014 First Impressions - View Art Gallery, Bristol OUTSET Exhibition - Gate Gallery, Cardiff Autumn/Winter Exhibition - Cardiff MADE Artist in Residence - Beyond the Border Story Telling Festival Le Violon D'Ingres - The Gate Gallery Cardiff 2011 Winner & Highly Commended - Rotary Club Young Artist of the Year Award Statement about AOAP Submitted Artwork Feeling watched and watching... Looking through a crack in a door or spying through a keyhole was something I wanted to explore with these tiny works. The scale is much smaller than I usually work, so I decided to work to a crop rather than reducing the image. Crops fascinate me, especially in portraiture... Without all the features, can you still translate their expression? How are you being watched? Is it a menacing stare or a loving gaze?   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Laura Hope Eye Spy III, 2023 Mixed media on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Verity Babbs About My work is centred around unspoken emotions and quiet inner lives. Created from my own staged photographs of models, it is often a response to memories, relationships and personal crisis. Through composition, cropping and reversing the image, I strive to convey an uneasy narrative that shines a light on subtle feelings that often hide in the shadows. With hints to another era, my figures live in a world that is both nostalgic and present. I sit on the fence between painting and drawing - feeling that 'painting' better describes my process but knowing that 'drawing' is my method of creation. My training as an illustrator as well as my time working as a memorial artist (hand etching onto granite) have cemented the importance of line and mark making in my practice. A combination of thick, harsh scribbles and precise, light touches alongside a unique translation of colour are the voices used to tell my stories. Education BA (hons) Illustration - Cardiff School of Art and Design - First Class Select Exhibitions/Awards   2023 - Awards Winner - NG Art Creative Residency (Wells Contemporary) Shortlisted - Jackson's Painting Prize Longlisted - Women in Art Prize Honourable Mention - Arthouse Z 'Emerging Artist Prize' 2023 - Exhibitions Royal Society Portrait Painters Exhibition - Mall Galleries, London Rising Artists, Jackson's Painting Prize - Bankside Gallery, London Wells Art Contemporary - Wells Cathedral, Wells Summer Exhibition - Green & Stone Gallery, London 2022 - Awards Winner - de Laszlo Foundation Award for Excellence Longlisted - Jackson's Painting Prize 2022 - Exhibitions Royal Society Portrait Painters Exhibition - Mall Galleries, London Summer Exhibition - Green & Stone Gallery, London Tendencies in Painting - London Paint Club (online) Annual Open - Southwark Park Galleries, London Small Works Winter Show - Spring Cheltenham 2017 Winner - Best Memorial in Show - NAMM Craftex Awards 2015 Winner - Illustration Award - Cardiff School of Art and Design CSAD - Summer Show - Cardiff Behind the Door - Dyffryn House (National Trust) 2014 First Impressions - View Art Gallery, Bristol OUTSET Exhibition - Gate Gallery, Cardiff Autumn/Winter Exhibition - Cardiff MADE Artist in Residence - Beyond the Border Story Telling Festival Le Violon D'Ingres - The Gate Gallery Cardiff 2011 Winner & Highly Commended - Rotary Club Young Artist of the Year Award Statement about AOAP Submitted Artwork Feeling watched and watching... Looking through a crack in a door or spying through a keyhole was something I wanted to explore with these tiny works. The scale is much smaller than I usually work, so I decided to work to a crop rather than reducing the image. Crops fascinate me, especially in portraiture... Without all the features, can you still translate their expression? How are you being watched? Is it a menacing stare or a loving gaze?   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Daniel Crawshaw Llyn Ogwen Oil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Katherine Kittoe About British artist Daniel Crawshaw (b. 1967), is a painter intrigued by the fragile potential of mountains and is an obsessive gatherer of material. Whilst walking he photographs and distils his experiences into studio paintings of varying scale. Through oil paint Daniel aims to articulate lost moments common to us all and enjoys the possibility of transforming empty scenes into settings for others to occupy, suggesting that paintings can be inert objects on the precipice of flux or metaphysical arenas that draw the viewer in. Education 1987- 90 BA Hons Fine Art (Painting) Leicester Polytechnic. 1985- 86 Foundation Studies South Glamorgan Institute of H.E. Cardiff. Select Exhibitions/Awards SOLO EXHIBITIONS 2018 New Paintings Martin Tinney Gallery, Cardiff. 2017 Glaslyn AMP, London. 2016 New Paintings Oriel Tegfryn Gallery, Anglesea. New Painting Martin Tinney Gallery, Cardiff. 2015 High Country Gothic-Australia. Gippsland Art Gallery- Sale, Australia. Western Plains Cultural Centre -Dubbo, Australia.   SELECTED GROUP EXHIBITIONS 2020 ING Discerning Eye. Derwent Art Prize. 2019 Border Country- The Sidney Nolan Trust. 2018 Mindscapes- bo.lee gallery, London. Imagine- Gippsland Art Gallery, VIC, Australia. 2017 The National Eisteddfod of Wales- Anglesea. Gallery Representation Zuleika Gallery   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Daniel Crawshaw Llyn Idwal I Oil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Katherine Kittoe About British artist Daniel Crawshaw (b. 1967), is a painter intrigued by the fragile potential of mountains and is an obsessive gatherer of material. Whilst walking he photographs and distils his experiences into studio paintings of varying scale. Through oil paint Daniel aims to articulate lost moments common to us all and enjoys the possibility of transforming empty scenes into settings for others to occupy, suggesting that paintings can be inert objects on the precipice of flux or metaphysical arenas that draw the viewer in. Education 1987- 90 BA Hons Fine Art (Painting) Leicester Polytechnic. 1985- 86 Foundation Studies South Glamorgan Institute of H.E. Cardiff. Select Exhibitions/Awards SOLO EXHIBITIONS 2018 New Paintings Martin Tinney Gallery, Cardiff. 2017 Glaslyn AMP, London. 2016 New Paintings Oriel Tegfryn Gallery, Anglesea. New Painting Martin Tinney Gallery, Cardiff. 2015 High Country Gothic-Australia. Gippsland Art Gallery- Sale, Australia. Western Plains Cultural Centre -Dubbo, Australia.   SELECTED GROUP EXHIBITIONS 2020 ING Discerning Eye. Derwent Art Prize. 2019 Border Country- The Sidney Nolan Trust. 2018 Mindscapes- bo.lee gallery, London. Imagine- Gippsland Art Gallery, VIC, Australia. 2017 The National Eisteddfod of Wales- Anglesea. Gallery Representation Zuleika Gallery   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Daniel Crawshaw Llyn Idwal II Oil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Katherine Kittoe About British artist Daniel Crawshaw (b. 1967), is a painter intrigued by the fragile potential of mountains and is an obsessive gatherer of material. Whilst walking he photographs and distils his experiences into studio paintings of varying scale. Through oil paint Daniel aims to articulate lost moments common to us all and enjoys the possibility of transforming empty scenes into settings for others to occupy, suggesting that paintings can be inert objects on the precipice of flux or metaphysical arenas that draw the viewer in. Education 1987- 90 BA Hons Fine Art (Painting) Leicester Polytechnic. 1985- 86 Foundation Studies South Glamorgan Institute of H.E. Cardiff. Select Exhibitions/Awards SOLO EXHIBITIONS 2018 New Paintings Martin Tinney Gallery, Cardiff. 2017 Glaslyn AMP, London. 2016 New Paintings Oriel Tegfryn Gallery, Anglesea. New Painting Martin Tinney Gallery, Cardiff. 2015 High Country Gothic-Australia. Gippsland Art Gallery- Sale, Australia. Western Plains Cultural Centre -Dubbo, Australia.   SELECTED GROUP EXHIBITIONS 2020 ING Discerning Eye. Derwent Art Prize. 2019 Border Country- The Sidney Nolan Trust. 2018 Mindscapes- bo.lee gallery, London. Imagine- Gippsland Art Gallery, VIC, Australia. 2017 The National Eisteddfod of Wales- Anglesea. Gallery Representation Zuleika Gallery   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Rebecca Hardaker Appreciate me no.1, 2023 Watercolour pencil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Verity Babbs About Rebecca Hardaker's practice is an intersection between painting and drawing. Executed with an unabashed fondness for innocence, each canvas is an ensemble of abstract mark making and figures. Rebecca often never has a plan when she starts a new painting. One mark provokes another and so gives birth to a landscape of abstraction. She moves around the canvas, filling it with painterly strokes and line. The process is fast and intuitive, unencumbered by rules. Her palette is bright and dreamy. Just as she never sets out a plan, Rebecca doesn't cancel out mistakes. These are part of the composition, which is the artist's immediate translation of her cerebral vision giving way for to whimsical uncertainty. Education BA Classical Studies, University of Manchester MA Heritage Management, University of Birmingham Buying and Selling Art at Auction at Sotheby's Institute of Art Art Handling and Installation at University of the Arts London Select Exhibitions/Awards Upcoming 2023 Act One open call winner, show details TBC, 2023 2023 Radio Hair Salon, 'Find Me', 5th September - December 2023 The Nomad Salon, ' The Art Collector's Home', 19th August - 16th September 2023 Intuition Goes Before You, Vittoria Beltrame x BWG, 13 Soho Square W1D 3QF, 11th-20th August 2023 Interrupted art at Somerset House, 8th June 2023 All that matters to me now, Greatorex street gallery, 1st-6th June 2023 Conart Global Group Show, Battersea, 25th April 2023 Selected by Zimmer Stewart Gallery for the New Medical Centre, King Edward VII Call for Artists, January 2023 Old Parcels Office Open Art Space Exhibition, 11th February to 12th March 2023 2022 Girl & Gallery podcast, episode one, December 2022 Fitzrovia Gallery, She Came, She Saw, She Conquered, 18th -23rd October 2022 Interrupted Art live painting and exhibition, 29th September 2022 Palette presents 'Pie in the Sky', 13th-14th September 2022 Phoebe Minson's, Conservations with Creatives, September 2022 The Koppel Project Hive Open Studios Summer Edition, 31st August - 2nd September 2022 The Summer Exhibition at Heal's, 20th June - 11th September 2022 Bright Young Things at Alex Eagle, July - 11th September 2022 The Other Art Fair, 30th June - 3rd July 2022 KCAW X Chelsea Windows, 18th June - 2nd July 2022 https://fadmagazine.com/2022/06/20/artwork-by-london-based-emerging-artists-to-take-over-kings-road-shopfront-windows/ Featured in FAD Magazine, June 2022 Other Art Fair Director's Pick, June 2022 Queen Elizabeth II Platinum Jubilee Corgi Trail, Whitehall Gardens, May - June 2022 Fitzrovia Gallery, 'Post the Surrealist Manifesto', 16th - 22nd May 2022 The Back Room at Holdrons Arcade, 'FLOWERS', 5th - 10th April 2022 The Other Art Fair, 17th - 20th March 2022 Avenue Restaurant, 'Woman's Art for Women's Aid, Artist Talk', 15th March 2022 2021 The Koppel Project, 54 Oxford Circus, End of Year Showcase, 14th - 18th Dec 2021 Peggy Jay Gallery, 'Come hither, Come hither, Come hither', 1st - 19th Dec 2021 https://www.thefrankmagazine.com/rebecca-hardaker-freedom-of-thought/ Featured in The Frank Magazine The Koppel Project, 54 Oxford Circus, Window Showcase, 18th - 20th October The Koppel Project, 193 Piccadilly 'Gardens / Garages' 4th - 8th August 2021 The Gallery Holt 'Fusion' 23rd July - 31st August 2021 Mall Galleries 'The Pastel Society Annual Exhibition 2021' 14th - 24th July 2021 Every Women Biennial, Copeland Gallery 2nd - 9th July 2021 The Holy Art 'Momentum' virtual exhibition 13th - 21st February 2021 Received the Frank Herring & Sons Award by the Pastel Society for 'an analogue state of joy' Linden Hall Studio 'Winter Group Show' 2nd December 2020 - 30th January 2021 2020 Solo Show 'Landscape of an Inner Child' 15th - 18th October 2020 2nd Edition at Highgate Contemporary Gallery 1st October - 30th November 2020 The Koppel Project Showcase 7th -14th October 2020 Featured in Saatchi Art 'New This Week' - May 2020 'Unframed' by Highgate Contemporary Art The 'Feed NHS' charity postcard exhibition by Highgate Contemporary Art Statement about AOAP Submitted Artwork These artworks are directly a response to her large-scale paintings, where she paints with her hands. Through Watercolour pencils she wanted to create the same energy and tactile experience of expression. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Rebecca Hardaker Appreciate me no.2, 2023 Watercolour pencil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Verity Babbs About Rebecca Hardaker's practice is an intersection between painting and drawing. Executed with an unabashed fondness for innocence, each canvas is an ensemble of abstract mark making and figures. Rebecca often never has a plan when she starts a new painting. One mark provokes another and so gives birth to a landscape of abstraction. She moves around the canvas, filling it with painterly strokes and line. The process is fast and intuitive, unencumbered by rules. Her palette is bright and dreamy. Just as she never sets out a plan, Rebecca doesn't cancel out mistakes. These are part of the composition, which is the artist's immediate translation of her cerebral vision giving way for to whimsical uncertainty. Education BA Classical Studies, University of Manchester MA Heritage Management, University of Birmingham Buying and Selling Art at Auction at Sotheby's Institute of Art Art Handling and Installation at University of the Arts London Select Exhibitions/Awards Upcoming 2023 Act One open call winner, show details TBC, 2023 2023 Radio Hair Salon, 'Find Me', 5th September - December 2023 The Nomad Salon, ' The Art Collector's Home', 19th August - 16th September 2023 Intuition Goes Before You, Vittoria Beltrame x BWG, 13 Soho Square W1D 3QF, 11th-20th August 2023 Interrupted art at Somerset House, 8th June 2023 All that matters to me now, Greatorex street gallery, 1st-6th June 2023 Conart Global Group Show, Battersea, 25th April 2023 Selected by Zimmer Stewart Gallery for the New Medical Centre, King Edward VII Call for Artists, January 2023 Old Parcels Office Open Art Space Exhibition, 11th February to 12th March 2023 2022 Girl & Gallery podcast, episode one, December 2022 Fitzrovia Gallery, She Came, She Saw, She Conquered, 18th -23rd October 2022 Interrupted Art live painting and exhibition, 29th September 2022 Palette presents 'Pie in the Sky', 13th-14th September 2022 Phoebe Minson's, Conservations with Creatives, September 2022 The Koppel Project Hive Open Studios Summer Edition, 31st August - 2nd September 2022 The Summer Exhibition at Heal's, 20th June - 11th September 2022 Bright Young Things at Alex Eagle, July - 11th September 2022 The Other Art Fair, 30th June - 3rd July 2022 KCAW X Chelsea Windows, 18th June - 2nd July 2022 https://fadmagazine.com/2022/06/20/artwork-by-london-based-emerging-artists-to-take-over-kings-road-shopfront-windows/ Featured in FAD Magazine, June 2022 Other Art Fair Director's Pick, June 2022 Queen Elizabeth II Platinum Jubilee Corgi Trail, Whitehall Gardens, May - June 2022 Fitzrovia Gallery, 'Post the Surrealist Manifesto', 16th - 22nd May 2022 The Back Room at Holdrons Arcade, 'FLOWERS', 5th - 10th April 2022 The Other Art Fair, 17th - 20th March 2022 Avenue Restaurant, 'Woman's Art for Women's Aid, Artist Talk', 15th March 2022 2021 The Koppel Project, 54 Oxford Circus, End of Year Showcase, 14th - 18th Dec 2021 Peggy Jay Gallery, 'Come hither, Come hither, Come hither', 1st - 19th Dec 2021 https://www.thefrankmagazine.com/rebecca-hardaker-freedom-of-thought/ Featured in The Frank Magazine The Koppel Project, 54 Oxford Circus, Window Showcase, 18th - 20th October The Koppel Project, 193 Piccadilly 'Gardens / Garages' 4th - 8th August 2021 The Gallery Holt 'Fusion' 23rd July - 31st August 2021 Mall Galleries 'The Pastel Society Annual Exhibition 2021' 14th - 24th July 2021 Every Women Biennial, Copeland Gallery 2nd - 9th July 2021 The Holy Art 'Momentum' virtual exhibition 13th - 21st February 2021 Received the Frank Herring & Sons Award by the Pastel Society for 'an analogue state of joy' Linden Hall Studio 'Winter Group Show' 2nd December 2020 - 30th January 2021 2020 Solo Show 'Landscape of an Inner Child' 15th - 18th October 2020 2nd Edition at Highgate Contemporary Gallery 1st October - 30th November 2020 The Koppel Project Showcase 7th -14th October 2020 Featured in Saatchi Art 'New This Week' - May 2020 'Unframed' by Highgate Contemporary Art The 'Feed NHS' charity postcard exhibition by Highgate Contemporary Art Statement about AOAP Submitted Artwork These artworks are directly a response to her large-scale paintings, where she paints with her hands. Through Watercolour pencils she wanted to create the same energy and tactile experience of expression. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Laura Jane Scott Considered Interior paint on card Signed on Verso 10 x 15cm (3¾ x 5¾ in.)   This lot has been curated by Katherine Kittoe About Laura Jane Scott is an artist working in minimalist, geometric abstraction and colour-field painting. Her desire for formal simplicity through geometric form and her striking use of colour enables her to produce work where painting explores a model of architectural form and where colour embodies a physical structure. The resulting work is a refined visual vocabulary of form and colour. "My aim is always to express an idea as simply and as elegantly as possible. To strip everything back to only what is necessary to communicate that idea. My work is primarily an exploration of balance, of positive and negative space, of presence and absence." Education Laura studied at Camberwell College of Arts and Ravensbourne University London. Select Exhibitions/Awards Laura's work has been exhibited widely over the past seven years in London, Edinburgh, New York and Hamburg and has featured twice in the Royal Academy's Summer Exhibition. Gallery Representation Laura is represented by Kittoe Contemporary in London and frequently shows work with &Gallery in Edinburgh. She also sells work independently and accepts commissions for large scale installations. Statement about AOAP Submitted Artwork Laura has submitted two works to Art on a Postcard Winter 2023. The first is a miniature of her relief series 'Necessary Limits' which explores colour, balance and form within the confines of some self-imposed boundaries.   The second piece 'Considered' is a minimalist painting of saturated, clean-edged shapes using colours from Laura's signature palette and the component shapes that often appear in her work.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Laura Jane Scott Necessary Limits (Mini) 2 Greyboard, interior paint Signed on Verso 11.1 x 15.2 x 0.8cm (4¼ x 5 x ¼ in.) This lot has been curated by Katherine Kittoe About Laura Jane Scott is an artist working in minimalist, geometric abstraction and colour-field painting. Her desire for formal simplicity through geometric form and her striking use of colour enables her to produce work where painting explores a model of architectural form and where colour embodies a physical structure. The resulting work is a refined visual vocabulary of form and colour. "My aim is always to express an idea as simply and as elegantly as possible. To strip everything back to only what is necessary to communicate that idea. My work is primarily an exploration of balance, of positive and negative space, of presence and absence." Education Laura studied at Camberwell College of Arts and Ravensbourne University London. Select Exhibitions/Awards Laura's work has been exhibited widely over the past seven years in London, Edinburgh, New York and Hamburg and has featured twice in the Royal Academy's Summer Exhibition. Gallery Representation Laura is represented by Kittoe Contemporary in London and frequently shows work with &Gallery in Edinburgh. She also sells work independently and accepts commissions for large scale installations. Statement about AOAP Submitted Artwork Laura has submitted two works to Art on a Postcard Winter 2023. The first is a miniature of her relief series 'Necessary Limits' which explores colour, balance and form within the confines of some self-imposed boundaries.   The second piece 'Considered' is a minimalist painting of saturated, clean-edged shapes using colours from Laura's signature palette and the component shapes that often appear in her work.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Rebecca Hardaker Appreciate me no.3, 2023 Watercolour pencil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Verity Babbs About Rebecca Hardaker's practice is an intersection between painting and drawing. Executed with an unabashed fondness for innocence, each canvas is an ensemble of abstract mark making and figures. Rebecca often never has a plan when she starts a new painting. One mark provokes another and so gives birth to a landscape of abstraction. She moves around the canvas, filling it with painterly strokes and line. The process is fast and intuitive, unencumbered by rules. Her palette is bright and dreamy. Just as she never sets out a plan, Rebecca doesn't cancel out mistakes. These are part of the composition, which is the artist's immediate translation of her cerebral vision giving way for to whimsical uncertainty. Education BA Classical Studies, University of Manchester MA Heritage Management, University of Birmingham Buying and Selling Art at Auction at Sotheby's Institute of Art Art Handling and Installation at University of the Arts London Select Exhibitions/Awards Upcoming 2023 Act One open call winner, show details TBC, 2023 2023 Radio Hair Salon, 'Find Me', 5th September - December 2023 The Nomad Salon, ' The Art Collector's Home', 19th August - 16th September 2023 Intuition Goes Before You, Vittoria Beltrame x BWG, 13 Soho Square W1D 3QF, 11th-20th August 2023 Interrupted art at Somerset House, 8th June 2023 All that matters to me now, Greatorex street gallery, 1st-6th June 2023 Conart Global Group Show, Battersea, 25th April 2023 Selected by Zimmer Stewart Gallery for the New Medical Centre, King Edward VII Call for Artists, January 2023 Old Parcels Office Open Art Space Exhibition, 11th February to 12th March 2023 2022 Girl & Gallery podcast, episode one, December 2022 Fitzrovia Gallery, She Came, She Saw, She Conquered, 18th -23rd October 2022 Interrupted Art live painting and exhibition, 29th September 2022 Palette presents 'Pie in the Sky', 13th-14th September 2022 Phoebe Minson's, Conservations with Creatives, September 2022 The Koppel Project Hive Open Studios Summer Edition, 31st August - 2nd September 2022 The Summer Exhibition at Heal's, 20th June - 11th September 2022 Bright Young Things at Alex Eagle, July - 11th September 2022 The Other Art Fair, 30th June - 3rd July 2022 KCAW X Chelsea Windows, 18th June - 2nd July 2022 https://fadmagazine.com/2022/06/20/artwork-by-london-based-emerging-artists-to-take-over-kings-road-shopfront-windows/ Featured in FAD Magazine, June 2022 Other Art Fair Director's Pick, June 2022 Queen Elizabeth II Platinum Jubilee Corgi Trail, Whitehall Gardens, May - June 2022 Fitzrovia Gallery, 'Post the Surrealist Manifesto', 16th - 22nd May 2022 The Back Room at Holdrons Arcade, 'FLOWERS', 5th - 10th April 2022 The Other Art Fair, 17th - 20th March 2022 Avenue Restaurant, 'Woman's Art for Women's Aid, Artist Talk', 15th March 2022 2021 The Koppel Project, 54 Oxford Circus, End of Year Showcase, 14th - 18th Dec 2021 Peggy Jay Gallery, 'Come hither, Come hither, Come hither', 1st - 19th Dec 2021 https://www.thefrankmagazine.com/rebecca-hardaker-freedom-of-thought/ Featured in The Frank Magazine The Koppel Project, 54 Oxford Circus, Window Showcase, 18th - 20th October The Koppel Project, 193 Piccadilly 'Gardens / Garages' 4th - 8th August 2021 The Gallery Holt 'Fusion' 23rd July - 31st August 2021 Mall Galleries 'The Pastel Society Annual Exhibition 2021' 14th - 24th July 2021 Every Women Biennial, Copeland Gallery 2nd - 9th July 2021 The Holy Art 'Momentum' virtual exhibition 13th - 21st February 2021 Received the Frank Herring & Sons Award by the Pastel Society for 'an analogue state of joy' Linden Hall Studio 'Winter Group Show' 2nd December 2020 - 30th January 2021 2020 Solo Show 'Landscape of an Inner Child' 15th - 18th October 2020 2nd Edition at Highgate Contemporary Gallery 1st October - 30th November 2020 The Koppel Project Showcase 7th -14th October 2020 Featured in Saatchi Art 'New This Week' - May 2020 'Unframed' by Highgate Contemporary Art The 'Feed NHS' charity postcard exhibition by Highgate Contemporary Art Statement about AOAP Submitted Artwork These artworks are directly a response to her large-scale paintings, where she paints with her hands. Through Watercolour pencils she wanted to create the same energy and tactile experience of expression. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Faith XLVII Untitled (1) Red Wax Crayon on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Frankie Shea About Liberty's journey as an artist began on the streets of South Africa in 1997, as a young graffiti writer known as Faith47. She rose to prominence on the international street art scene before becoming widely recognised for her multidisciplinary artistic practice. Monumental and intimate, private and public, her artwork takes the form of murals, sculptures, video installations, tapestries and drawings. Deconstructing notions of value and place, investigating forms of domination, she explores the shapes of human perception. In quest of the divine, she expresses a longing for a deeper connection to the wisdoms of the natural world. There is too the active investigation and questioning of the human condition, its deviant histories and our own inherent existential search. She has shown at the Musée des Beaux-arts in Nancy, France, the Calais Museum of Fine Art, the Bernard Magrez Foundation in France, Mana Contemporary and the Brooklyn Museum, both in the USA. Select Exhibitions/Awards SELECT EXHBITIONS 2023 CO\LAB 5, Torrence Museum, California, USA CLAIR - OSCUR, Solo Exhibition, Musée des Beaux-arts, Nancy, France CLAIR - OSCUR, Solo Exhibition, Daynsz Gallery, Paris, France Cape Town Art Fair, Cape Town, South Africa Art Residency, Common Ground and KRNT Studios, Kauai, Hawaii 2021 CHANT, Solo Exhibition, Everard Read Gallery, Cape Town, South Africa The Land War Installation, MUCA Museum, Munich, Germany Foundation, Group Show, Heron Gallery, San Fransisco, USA Tiblisi Mural Festival, Tiblisi, Georgia Mural Commission, Johannesburg, South Africa 2020 Staring Straight to the Future, Everard Read Gallery, Cape Town, South Africa One World, Fabien Castanier Gallery, Miami, USA Unprecedented Times, Kunsthaus Bregenz, Vienna, Austria PINK, Everard Read Gallery, Johannesburg, South Africa Cape Town Art Fair, Cape Town, South Africa 2019 20 Year Anniversary Exhibition, Cory Helford Gallery, Los Angeles, USA Together Group Exhibition, KP Projects Gallery, Los Angeles, USA Conquête Urbaine, Calais Museum of Fine Art, Paris, France Veni, Vidi, Vinci, Fluctuart, Paris, France Tàpia, B-Murals, Barcelona, Spain 2018 Elixir, Solo Exhibition - Fabien Castanier Gallery - Miami, USA Short Film Festival CortoLovere - Italy Mana Contemporary Group Exhibition - New York Grand Opening Mirus Gallery - Denver, USA Beyond The Streets - Los Angeles, USA 2017 Dislocation, Group Show - Everard Read Gallery - Cape Town, South Africa Invisible Exhibition, The Centre for the Less Good Idea, Johannesburg Urban Currents, group show, Gallerie Kirk - Denmark Digard Auction, Tribute to Paris - Paris, France Magic Cities exhibition, Munich, Germany 2016 XX: A moment in time - Saatchi Gallery, - London Freedom as Form Group Exhibition - Wunderkameren Gallery - Milan, Italy PM10 - Urban Nation Museum Group Exhibition - Berlin, Germany Agitprop, Brooklyn Museum - New York, USA Cities of Hope Mural Project - Manchester, UK 2015 AQUA REGALIA Solo Exhibition - Jonathan Levine Gallery, New York,USA Landfill Meditation Street Intervention - Johannesburg, South Africa Art Liberté Group Exhibition, Du Mur de Berlin - Gare de l'Est, Paris, France The Psychic Power of Animals Street Intervention - New York, USA Dragon Tiger Mountain Mural Project - Nanachang, China 2014 Aqua Regalia Solo Exhibition - London, UK Berlin Wall 25th Anniversary Group Show - Paris, France Library Street Collective Group Show - Basel, Miami, USA Redux Group Show - Inoperable Gallery, Vienna, Austria A Study of Warrick Triangle at Rush Hour - Large Scale Freeway Overpass Commission, City of Durban, South Africa 2013 Women on the Walls Group Exhibition, Jeffrey Deitch and Wynwood Walls - Miami, USA Wooster Collective 10 Year Anniversary Show, Jonathan Levine Gallery - New York, USA XII. Into the Dark Group Exhibition - Unit44, The Victoria Tunnel, Newcastle, UK Brotkunsthalle Group Show - Vienna, Austria Beyond Eden Group Exhibition - Thinkspace Gallery, Los Angeles, USA   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Faith XLVII Untitled (2) Red Wax Crayon on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Frankie Shea About Liberty's journey as an artist began on the streets of South Africa in 1997, as a young graffiti writer known as Faith47. She rose to prominence on the international street art scene before becoming widely recognised for her multidisciplinary artistic practice. Monumental and intimate, private and public, her artwork takes the form of murals, sculptures, video installations, tapestries and drawings. Deconstructing notions of value and place, investigating forms of domination, she explores the shapes of human perception. In quest of the divine, she expresses a longing for a deeper connection to the wisdoms of the natural world. There is too the active investigation and questioning of the human condition, its deviant histories and our own inherent existential search. She has shown at the Musée des Beaux-arts in Nancy, France, the Calais Museum of Fine Art, the Bernard Magrez Foundation in France, Mana Contemporary and the Brooklyn Museum, both in the USA. Select Exhibitions/Awards SELECT EXHBITIONS 2023 CO\LAB 5, Torrence Museum, California, USA CLAIR - OSCUR, Solo Exhibition, Musée des Beaux-arts, Nancy, France CLAIR - OSCUR, Solo Exhibition, Daynsz Gallery, Paris, France Cape Town Art Fair, Cape Town, South Africa Art Residency, Common Ground and KRNT Studios, Kauai, Hawaii 2021 CHANT, Solo Exhibition, Everard Read Gallery, Cape Town, South Africa The Land War Installation, MUCA Museum, Munich, Germany Foundation, Group Show, Heron Gallery, San Fransisco, USA Tiblisi Mural Festival, Tiblisi, Georgia Mural Commission, Johannesburg, South Africa 2020 Staring Straight to the Future, Everard Read Gallery, Cape Town, South Africa One World, Fabien Castanier Gallery, Miami, USA Unprecedented Times, Kunsthaus Bregenz, Vienna, Austria PINK, Everard Read Gallery, Johannesburg, South Africa Cape Town Art Fair, Cape Town, South Africa 2019 20 Year Anniversary Exhibition, Cory Helford Gallery, Los Angeles, USA Together Group Exhibition, KP Projects Gallery, Los Angeles, USA Conquête Urbaine, Calais Museum of Fine Art, Paris, France Veni, Vidi, Vinci, Fluctuart, Paris, France Tàpia, B-Murals, Barcelona, Spain 2018 Elixir, Solo Exhibition - Fabien Castanier Gallery - Miami, USA Short Film Festival CortoLovere - Italy Mana Contemporary Group Exhibition - New York Grand Opening Mirus Gallery - Denver, USA Beyond The Streets - Los Angeles, USA 2017 Dislocation, Group Show - Everard Read Gallery - Cape Town, South Africa Invisible Exhibition, The Centre for the Less Good Idea, Johannesburg Urban Currents, group show, Gallerie Kirk - Denmark Digard Auction, Tribute to Paris - Paris, France Magic Cities exhibition, Munich, Germany 2016 XX: A moment in time - Saatchi Gallery, - London Freedom as Form Group Exhibition - Wunderkameren Gallery - Milan, Italy PM10 - Urban Nation Museum Group Exhibition - Berlin, Germany Agitprop, Brooklyn Museum - New York, USA Cities of Hope Mural Project - Manchester, UK 2015 AQUA REGALIA Solo Exhibition - Jonathan Levine Gallery, New York,USA Landfill Meditation Street Intervention - Johannesburg, South Africa Art Liberté Group Exhibition, Du Mur de Berlin - Gare de l'Est, Paris, France The Psychic Power of Animals Street Intervention - New York, USA Dragon Tiger Mountain Mural Project - Nanachang, China 2014 Aqua Regalia Solo Exhibition - London, UK Berlin Wall 25th Anniversary Group Show - Paris, France Library Street Collective Group Show - Basel, Miami, USA Redux Group Show - Inoperable Gallery, Vienna, Austria A Study of Warrick Triangle at Rush Hour - Large Scale Freeway Overpass Commission, City of Durban, South Africa 2013 Women on the Walls Group Exhibition, Jeffrey Deitch and Wynwood Walls - Miami, USA Wooster Collective 10 Year Anniversary Show, Jonathan Levine Gallery - New York, USA XII. Into the Dark Group Exhibition - Unit44, The Victoria Tunnel, Newcastle, UK Brotkunsthalle Group Show - Vienna, Austria Beyond Eden Group Exhibition - Thinkspace Gallery, Los Angeles, USA   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Faith XLVII Untitled (3) Red Wax Crayon on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.)   This lot has been curated by Frankie Shea About Liberty's journey as an artist began on the streets of South Africa in 1997, as a young graffiti writer known as Faith47. She rose to prominence on the international street art scene before becoming widely recognised for her multidisciplinary artistic practice. Monumental and intimate, private and public, her artwork takes the form of murals, sculptures, video installations, tapestries and drawings. Deconstructing notions of value and place, investigating forms of domination, she explores the shapes of human perception. In quest of the divine, she expresses a longing for a deeper connection to the wisdoms of the natural world. There is too the active investigation and questioning of the human condition, its deviant histories and our own inherent existential search. She has shown at the Musée des Beaux-arts in Nancy, France, the Calais Museum of Fine Art, the Bernard Magrez Foundation in France, Mana Contemporary and the Brooklyn Museum, both in the USA. Select Exhibitions/Awards SELECT EXHBITIONS 2023 CO\LAB 5, Torrence Museum, California, USA CLAIR - OSCUR, Solo Exhibition, Musée des Beaux-arts, Nancy, France CLAIR - OSCUR, Solo Exhibition, Daynsz Gallery, Paris, France Cape Town Art Fair, Cape Town, South Africa Art Residency, Common Ground and KRNT Studios, Kauai, Hawaii 2021 CHANT, Solo Exhibition, Everard Read Gallery, Cape Town, South Africa The Land War Installation, MUCA Museum, Munich, Germany Foundation, Group Show, Heron Gallery, San Fransisco, USA Tiblisi Mural Festival, Tiblisi, Georgia Mural Commission, Johannesburg, South Africa 2020 Staring Straight to the Future, Everard Read Gallery, Cape Town, South Africa One World, Fabien Castanier Gallery, Miami, USA Unprecedented Times, Kunsthaus Bregenz, Vienna, Austria PINK, Everard Read Gallery, Johannesburg, South Africa Cape Town Art Fair, Cape Town, South Africa 2019 20 Year Anniversary Exhibition, Cory Helford Gallery, Los Angeles, USA Together Group Exhibition, KP Projects Gallery, Los Angeles, USA Conquête Urbaine, Calais Museum of Fine Art, Paris, France Veni, Vidi, Vinci, Fluctuart, Paris, France Tàpia, B-Murals, Barcelona, Spain 2018 Elixir, Solo Exhibition - Fabien Castanier Gallery - Miami, USA Short Film Festival CortoLovere - Italy Mana Contemporary Group Exhibition - New York Grand Opening Mirus Gallery - Denver, USA Beyond The Streets - Los Angeles, USA 2017 Dislocation, Group Show - Everard Read Gallery - Cape Town, South Africa Invisible Exhibition, The Centre for the Less Good Idea, Johannesburg Urban Currents, group show, Gallerie Kirk - Denmark Digard Auction, Tribute to Paris - Paris, France Magic Cities exhibition, Munich, Germany 2016 XX: A moment in time - Saatchi Gallery, - London Freedom as Form Group Exhibition - Wunderkameren Gallery - Milan, Italy PM10 - Urban Nation Museum Group Exhibition - Berlin, Germany Agitprop, Brooklyn Museum - New York, USA Cities of Hope Mural Project - Manchester, UK 2015 AQUA REGALIA Solo Exhibition - Jonathan Levine Gallery, New York,USA Landfill Meditation Street Intervention - Johannesburg, South Africa Art Liberté Group Exhibition, Du Mur de Berlin - Gare de l'Est, Paris, France The Psychic Power of Animals Street Intervention - New York, USA Dragon Tiger Mountain Mural Project - Nanachang, China 2014 Aqua Regalia Solo Exhibition - London, UK Berlin Wall 25th Anniversary Group Show - Paris, France Library Street Collective Group Show - Basel, Miami, USA Redux Group Show - Inoperable Gallery, Vienna, Austria A Study of Warrick Triangle at Rush Hour - Large Scale Freeway Overpass Commission, City of Durban, South Africa 2013 Women on the Walls Group Exhibition, Jeffrey Deitch and Wynwood Walls - Miami, USA Wooster Collective 10 Year Anniversary Show, Jonathan Levine Gallery - New York, USA XII. Into the Dark Group Exhibition - Unit44, The Victoria Tunnel, Newcastle, UK Brotkunsthalle Group Show - Vienna, Austria Beyond Eden Group Exhibition - Thinkspace Gallery, Los Angeles, USA   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.

Rebecca Hardaker Appreciate me no.4, 2023 Watercolour pencil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Verity Babbs About Rebecca Hardaker's practice is an intersection between painting and drawing. Executed with an unabashed fondness for innocence, each canvas is an ensemble of abstract mark making and figures. Rebecca often never has a plan when she starts a new painting. One mark provokes another and so gives birth to a landscape of abstraction. She moves around the canvas, filling it with painterly strokes and line. The process is fast and intuitive, unencumbered by rules. Her palette is bright and dreamy. Just as she never sets out a plan, Rebecca doesn't cancel out mistakes. These are part of the composition, which is the artist's immediate translation of her cerebral vision giving way for to whimsical uncertainty. Education BA Classical Studies, University of Manchester MA Heritage Management, University of Birmingham Buying and Selling Art at Auction at Sotheby's Institute of Art Art Handling and Installation at University of the Arts London Select Exhibitions/Awards Upcoming 2023 Act One open call winner, show details TBC, 2023 2023 Radio Hair Salon, 'Find Me', 5th September - December 2023 The Nomad Salon, ' The Art Collector's Home', 19th August - 16th September 2023 Intuition Goes Before You, Vittoria Beltrame x BWG, 13 Soho Square W1D 3QF, 11th-20th August 2023 Interrupted art at Somerset House, 8th June 2023 All that matters to me now, Greatorex street gallery, 1st-6th June 2023 Conart Global Group Show, Battersea, 25th April 2023 Selected by Zimmer Stewart Gallery for the New Medical Centre, King Edward VII Call for Artists, January 2023 Old Parcels Office Open Art Space Exhibition, 11th February to 12th March 2023 2022 Girl & Gallery podcast, episode one, December 2022 Fitzrovia Gallery, She Came, She Saw, She Conquered, 18th -23rd October 2022 Interrupted Art live painting and exhibition, 29th September 2022 Palette presents 'Pie in the Sky', 13th-14th September 2022 Phoebe Minson's, Conservations with Creatives, September 2022 The Koppel Project Hive Open Studios Summer Edition, 31st August - 2nd September 2022 The Summer Exhibition at Heal's, 20th June - 11th September 2022 Bright Young Things at Alex Eagle, July - 11th September 2022 The Other Art Fair, 30th June - 3rd July 2022 KCAW X Chelsea Windows, 18th June - 2nd July 2022 https://fadmagazine.com/2022/06/20/artwork-by-london-based-emerging-artists-to-take-over-kings-road-shopfront-windows/ Featured in FAD Magazine, June 2022 Other Art Fair Director's Pick, June 2022 Queen Elizabeth II Platinum Jubilee Corgi Trail, Whitehall Gardens, May - June 2022 Fitzrovia Gallery, 'Post the Surrealist Manifesto', 16th - 22nd May 2022 The Back Room at Holdrons Arcade, 'FLOWERS', 5th - 10th April 2022 The Other Art Fair, 17th - 20th March 2022 Avenue Restaurant, 'Woman's Art for Women's Aid, Artist Talk', 15th March 2022 2021 The Koppel Project, 54 Oxford Circus, End of Year Showcase, 14th - 18th Dec 2021 Peggy Jay Gallery, 'Come hither, Come hither, Come hither', 1st - 19th Dec 2021 https://www.thefrankmagazine.com/rebecca-hardaker-freedom-of-thought/ Featured in The Frank Magazine The Koppel Project, 54 Oxford Circus, Window Showcase, 18th - 20th October The Koppel Project, 193 Piccadilly 'Gardens / Garages' 4th - 8th August 2021 The Gallery Holt 'Fusion' 23rd July - 31st August 2021 Mall Galleries 'The Pastel Society Annual Exhibition 2021' 14th - 24th July 2021 Every Women Biennial, Copeland Gallery 2nd - 9th July 2021 The Holy Art 'Momentum' virtual exhibition 13th - 21st February 2021 Received the Frank Herring & Sons Award by the Pastel Society for 'an analogue state of joy' Linden Hall Studio 'Winter Group Show' 2nd December 2020 - 30th January 2021 2020 Solo Show 'Landscape of an Inner Child' 15th - 18th October 2020 2nd Edition at Highgate Contemporary Gallery 1st October - 30th November 2020 The Koppel Project Showcase 7th -14th October 2020 Featured in Saatchi Art 'New This Week' - May 2020 'Unframed' by Highgate Contemporary Art The 'Feed NHS' charity postcard exhibition by Highgate Contemporary Art Statement about AOAP Submitted Artwork These artworks are directly a response to her large-scale paintings, where she paints with her hands. Through Watercolour pencils she wanted to create the same energy and tactile experience of expression. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Labrona Don't Let Me Go Acrylic ink and pen on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Frankie Shea About Labrona is one of Canada's most well-known street artists. He has been a fixture on the Canadian and international street art scene for close to twenty years. Labrona was born in Magog Quebec in 1972 but grew up in Ottawa Ontario. His artistic influences are many but he cites the countless nights spent painting with his friends as the most important. His father who is an architect and an accomplished artist played a huge role in his development. As a child he loved comic books and skateboarding and was greatly influenced by the colourful graphics that adorn the bottom of the boards. During university he spent a lot of time in the library pouring through books but was the most impressed with the works of the German expressionist, the Mexican muralist, Byzantine and Flemish religious iconography traces of which are found in his work. Labrona now spends most of his time creating works in the studio and doing mural commissions. Last summer he and his friend Troy Lovegates were hired by both the city of Toronto and Ottawa to create large scale public murals. He has also been involved in many international mural festivals lately which allows him to travel and paint large scale pieces. He has participated in the Living Walls festival in both Atlanta and Albany, the Wall Therapy festival in Rochester, the Painted Desert project in Arizona, the Montreal mural festival and many more. Education He moved to Montreal in 1997 to attend Concordia University's art program from which he graduated in 2001. It was during his time at art school that he was introduced to the Montreal graffiti scene. He has said that he received two educations at once, one in art school and the other in the train yards and on the streets painting with his friend and mentor, Canadian street art legend other aka Troy Lovegates. Select Exhibitions/Awards In 2004 Labrona appeared in one of the seminal books of its time on the street art and graffiti scene: Graffiti World. The book helped him receive wide recognition for his work and he was soon approached by galleries from around the world. He has exhibited his work in galleries all over Europe and North America and has had major shows in Los Angeles, Paris, New York, London and Montreal.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.    

Labrona Hold Me Acrylic ink and pen on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Frankie Shea About Labrona is one of Canada's most well-known street artists. He has been a fixture on the Canadian and international street art scene for close to twenty years. Labrona was born in Magog Quebec in 1972 but grew up in Ottawa Ontario. His artistic influences are many but he cites the countless nights spent painting with his friends as the most important. His father who is an architect and an accomplished artist played a huge role in his development. As a child he loved comic books and skateboarding and was greatly influenced by the colourful graphics that adorn the bottom of the boards. During university he spent a lot of time in the library pouring through books but was the most impressed with the works of the German expressionist, the Mexican muralist, Byzantine and Flemish religious iconography traces of which are found in his work. Labrona now spends most of his time creating works in the studio and doing mural commissions. Last summer he and his friend Troy Lovegates were hired by both the city of Toronto and Ottawa to create large scale public murals. He has also been involved in many international mural festivals lately which allows him to travel and paint large scale pieces. He has participated in the Living Walls festival in both Atlanta and Albany, the Wall Therapy festival in Rochester, the Painted Desert project in Arizona, the Montreal mural festival and many more. Education He moved to Montreal in 1997 to attend Concordia University's art program from which he graduated in 2001. It was during his time at art school that he was introduced to the Montreal graffiti scene. He has said that he received two educations at once, one in art school and the other in the train yards and on the streets painting with his friend and mentor, Canadian street art legend other aka Troy Lovegates. Select Exhibitions/Awards In 2004 Labrona appeared in one of the seminal books of its time on the street art and graffiti scene: Graffiti World. The book helped him receive wide recognition for his work and he was soon approached by galleries from around the world. He has exhibited his work in galleries all over Europe and North America and has had major shows in Los Angeles, Paris, New York, London and Montreal.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.    

Labrona Woman with Cat Acrylic ink and pen on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Frankie Shea About Labrona is one of Canada's most well-known street artists. He has been a fixture on the Canadian and international street art scene for close to twenty years. Labrona was born in Magog Quebec in 1972 but grew up in Ottawa Ontario. His artistic influences are many but he cites the countless nights spent painting with his friends as the most important. His father who is an architect and an accomplished artist played a huge role in his development. As a child he loved comic books and skateboarding and was greatly influenced by the colourful graphics that adorn the bottom of the boards. During university he spent a lot of time in the library pouring through books but was the most impressed with the works of the German expressionist, the Mexican muralist, Byzantine and Flemish religious iconography traces of which are found in his work. Labrona now spends most of his time creating works in the studio and doing mural commissions. Last summer he and his friend Troy Lovegates were hired by both the city of Toronto and Ottawa to create large scale public murals. He has also been involved in many international mural festivals lately which allows him to travel and paint large scale pieces. He has participated in the Living Walls festival in both Atlanta and Albany, the Wall Therapy festival in Rochester, the Painted Desert project in Arizona, the Montreal mural festival and many more. Education He moved to Montreal in 1997 to attend Concordia University's art program from which he graduated in 2001. It was during his time at art school that he was introduced to the Montreal graffiti scene. He has said that he received two educations at once, one in art school and the other in the train yards and on the streets painting with his friend and mentor, Canadian street art legend other aka Troy Lovegates. Select Exhibitions/Awards In 2004 Labrona appeared in one of the seminal books of its time on the street art and graffiti scene: Graffiti World. The book helped him receive wide recognition for his work and he was soon approached by galleries from around the world. He has exhibited his work in galleries all over Europe and North America and has had major shows in Los Angeles, Paris, New York, London and Montreal.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.    

Jo Peel Springfield Park Ink on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Frankie Shea About Artist Jo Peel is a painter, print maker, animator and film maker. She is best known for her distinctive line drawings documenting ever changing city landscapes. Jo has worked extensively around the world to capture and record in detail the urban landscape around her and a specific moment in time. Inspired by the process of change, particularly the ways in which a city comes to develop its own personality and culture, she often works in acrylic and spray paint. Her exploration of urban metamorphosis is executed in a variety of mediums ranging from large scale public murals and hand painted animations to screen prints. Her works have been commissioned for a wide variety of clients including Chanel, The Southbank Centre, Queen Elizabeth Olympic Park and Chelsea Flower Show. Peel has also exhibited widely, with notable recent solo shows held at the Millennium Gallery in Sheffield, Ben Oakley Gallery in London and Moniker Art Fair in London. Education Falmouth College of Arts   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.    

Jo Peel Growing Through Ink on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Frankie Shea About Artist Jo Peel is a painter, print maker, animator and film maker. She is best known for her distinctive line drawings documenting ever changing city landscapes. Jo has worked extensively around the world to capture and record in detail the urban landscape around her and a specific moment in time. Inspired by the process of change, particularly the ways in which a city comes to develop its own personality and culture, she often works in acrylic and spray paint. Her exploration of urban metamorphosis is executed in a variety of mediums ranging from large scale public murals and hand painted animations to screen prints. Her works have been commissioned for a wide variety of clients including Chanel, The Southbank Centre, Queen Elizabeth Olympic Park and Chelsea Flower Show. Peel has also exhibited widely, with notable recent solo shows held at the Millennium Gallery in Sheffield, Ben Oakley Gallery in London and Moniker Art Fair in London. Education Falmouth College of Arts   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.    

Wiltshire.- Andrews (John) and Andrew Dury. A Topographical Map of the County of Wilts, Describing the Seats of the Nobility and Gentry, Turnpike and Cross Roads, Canals, &c., Surveyed Originally in 1773..., Second edition, title page, table of contents, double-page index map, 18 double-page map sheets, forming a large scale county map with calligraphic title, large vignette after Cipriani in the lower left, table of the market towns and villages, engravings with outline hand-colouring, each map sheet approx. 560 x 760 mm (22 x 29 7/8 in), good margins, offsetting throughout, some surface dirt, original boards, chipped with losses to spine, rubbed and scuffed, folio, 1810.

Collection Of Modelled Vehicles. Good Collection of Boxed Vehicles. Includes Lledo, Matchbox, Also Includes Scale Plastic Vehicles Kits. Good Collection. Please See Photos for Models and Conditions.

Corgi Cadbury Truck Set and Playmat. Scale Models Numbers 58111, 57501, 04420, 59501, 3203.

A set of six Royal Worcester blue fish scale coffee cans with matching saucers, each with a central panel of a painted insect on white ground, gilded decoration and gilded rim, puce mark, 2in. high. * All appear good, light wear etc.

Uberti, Italy - miniature scale reproduction six shot revolver, the cylinder with an engraved shipping scene inscribed 'engraved by Ormsby New York', marked 35CAL, serial no. 316, stamped A Uberti Italy to the underside of the 3.5" barrel, well presented in a walnut case-* pistol 6" long overall, the box measures 8" x 5" x 1.5"

Uberti, Italy - an inert miniature scale reproduction 'Yellow Boy' rifle, presented in a box wood case-* the rifle 18.25" long overall, the box measures 21" x 6" x 1.75" ** the barrel sealed/blocked

1860 Army Colt Miniature - an inert Classic Edition miniature scale reproduction six shot revolver, serial no. 389, the cylinder stamped Colts Patent no.89 with an engraved naval battle scene around, stamped Address Saml Colt New York US America to the top of the 3.5" barrel, well presented in a Colt mahogany case with brass plaque-* the pistol 6.5" long overall, the box measures 9" x 5" x 2"

1861 Navy Colt Miniature - an inert Classic Edition miniature scale reproduction Navy six shot revolver with wooden shoulder stock, serial no. 22, inscribed with a New York address on top of the barrel, the cylinder engraved with a naval battle scene, complete with a detachable walnut stock with brass attaching hardware, well presented in a Colt wooden case with glass hinged cover and brass plaque-* the pistol and stock together measures 12" long overall, the box measures 14" x 6" x 2"

Group of small scale and replica model pistols and rifles; including a Denix Derringer type pistol and another, Umarex walther PPK/S pistol, cap revolver, and various cast metal and wooden miniature model firearms (faults and losses various); also a Colt powder flask (a collection)

Franklin Mint Precision Models Western Chuck Wagon; together with a scale model Wells Fargo Stagecoach, on a dust track display base under a perspex case; also a scale model Western Mountain Buckboard Wagon on a dust track display base under a perspex case (3)

Franklin Mint 1:16 scale Wells Fargo Stagecoach, with some luggage and rifle accessories, 10" long, 7" high

The Franklin Mint Wells Fargo Stagecoach and Four Horse Team 1:16 scale model group, well presented on a wooden display with naturalistic terrain, under a perspex case, 25" wide, 7.5" deep, 9.5" high (with four horse team retail brochure)

Small scale model of the Wells Fargo U.S postal stagecoach with four horses, mounted on a dust track diorama under a perspex display case; together with a small scale model of a Virginia Truckee Railroad steam train 'Genoa', mounted on track under a perspex display case; also a resin figure of a cowboy on horseback titled 'On The Prairie' (3)

Group of 1:18 scale die cast model automobiles; primarily Jaguar and including by Bburago, Maisto etc. (14)

Seven 1:18 scale die cast model Jaguar automobiles; Paragon 1:18 1963 Jaguar Lightweight E-Type no.4 "Atkins 86 PJ" with certificate of authenticity, Neo Scale Models XJ-C, Sun Star XK140, RC2 E-Type, Road Signature XJS, Model Icons Mk II and Burago 1961 E-Type (no boxes) (7)

Seven 1:18 scale die cast model automobiles; AUTOart Jaguar XK (damage), AUTOart F-Type, Minichamps Mercedes-Benz 300 SL, Exoto Racing Legends Ford GT40 MkII, AUTOart Ford Mustang, Maisto Jaguar XK180 and Minichamps Jaguar XK Convertable (7)

Group of seven AUTOart 1:18 scale model Jaguar automobiles; E-type, XK-SS, C-type, XJ 18 (lacking boot cover), D-type 1955 Le Mans and 2 x D-type 1954 Le Mans (no boxes) (7)

Neo Scale Models 1:18 Jaguar Mk10, blue (boxed with cardboard sleeve); together with a Neo Scale Models 1:18 Jaguar Mk IX (boxed with cardboard sleeve) (2)

CMC 1:18 scale die cast model 1955 Mercedes-Benz 300 SLR Mille Miglia; together with a CMC 1954 Rennabteilung Transporter (no boxes) (2)

Large collection of Hongwell Cararama die cast scale model automobiles, including some emergency vehicles; also some Oxford die cast models (in total over 100); with three wall mounting display shelf units

Four Matchbox Models Of Yesteryear Special Edition YS-39 Passenger Coach & Horses C.1820 (boxed and three of them brand new and sealed); together with 2x Trolley Bus 'Diddler' 1931, Stephensons Rocket and 1880 Merryweather Steam Fire Engine (all boxed); also Corgi Bus & Van box set and further die cast and scale model vehicles including buses, trains etc.

Collection of assorted kit scale models; including trains, automobiles etc.

* Pioneer Aircraft Models. A group of 21 extremely finely detailed scratch-built 1/72 scale models of pioneer aircraft before 1914, identified models include 1913 Radley-England No. 1 waterplane, 1912 Curtiss Type E flying boat, 1913 Sopwith Hydro biplane, 1912 Burgess and Gill twin hydroplane, 1901 Kress Drachen Flieger multiplane, 1913 Grahame-White Charabanc, 1908 Roshow multiplane, 1909 A.V. Roe triplane I, 1907 Bleriot V Canard monoplane, 1907 Bleriot VI Libellule, 1907 Marquis d'Equeville multiplane, 1908 Boussin-Borgnis Canard triplane, 1912 Rumpler Taube, 1909 Wynn monoplane, 1910 Bland Mayfly biplane and 1910 Wallbro monoplane, the largest wingspan 46cm, but mostly 15cm and smallerQTY: (21)NOTE:The engineering skill of this anonymous model maker is incomparable, the models themselves exquisite and beautiful. Every piece of every model appears to be hand-made and while there is a little minor, mostly repairable, damage to a few models, the condition is largely fine. The greater part of the original collection, comprising 350 aircraft models built between 1940s and early 2000s, was sold through these rooms on 15 May 2014 for £110,000. The models offered here were not part of that lot having been retained by the family at that point. Please note that due the fragile nature of the models it is not possible to pack and post these models by any standard methods. The models must be collected to bespoke packing and shipping arrangements made with a third party. Please contact us for further information. Viewing by appointment - please contact us to arrange a day and time.

* Operation Tiger. Two relics from an American Sherman tank which was left behind after the Slapton Sands, D-Day dress rehearsal in April 1944, both painted in green, 19 cm and 16 cm longQTY: (2)NOTE:Operation Tiger was one of a series of large scale rehearsals for the D-Day invasion of Normandy, which took place in April 1944 on Slapton Sands, Torcross, Devon. Coordination and communication problems resulted in friendly fire during exercises and the allied positioning for the landing was attacked by German E-Boats resulting in approximately 749 American servicemen being killed.

Large scale classical style figural group of 2 putti with an urn and wheatsheaf 32cm high x 52cm long - has a small loss to the toes of 1 putti otherwise in good used condition

Large scale meersham pipe in the form of a Middle Eastern gentleman in original fitted case - 42cm long & case 31cm long ~ no obvious damage but slight wear to case

Three pieces of Chinese export famille rose porcelain: a bowl with floral decoration and goldfish painted to interior, 14cm diameter; a teacup with floral spray decoration and pink ground fish scale border, 6.5cm high; and a further bowl with floral swag decoration to rim, 13.5cm diameter (3)