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Lot 480
A fantastic contemporary replica of the iconic British Red Telephone Box. Incredibly well made replica from fibreglass, wood, and metal. Opening door to front, with ' Telephone ' signs to top. Fabulous 1/1 scale replica exhibition / events / advertising display prop. Measures approx 230cm tall. As new. The box itself collapses down for ease of transport.
Lot 2267
AMENDED DESCRIPTION Full set of wartime deck plans for RMS Queen Mary, comprising 14 deck plans, each 2ft x 11ft and a scale of 1/8th inch to 1ft, the Sun Deck and Sports deck plan bearing the modificationstamp showing theAdmiralty mark to lower right, together with two discs of digitalised plans, and numerous personal archives. Provenance: the plans were acquired by the vendor in a car boot sale in 1996. They had come from a house repossession at Henley upon Thames belonging to Mr David Gough an Emeritus fellow of Oriel College Oxford who was executor for Miss K Rintoul, daughter of Colonel D Rintoul. The personal archives relate to Miss K Rintoul, her brother DrS Rintoul and Colonel D Rintoul.The vendor did extensive research and Liverpool Museum have verified them as a full set of deck plans. The Maritime Archives and Library, Liverpool, as stated in printed correspondence, hold the original builder's plans of the Queen Mary as part of the Cunard Ships Plans Collection and the collection contains several sets of QM deck plans, including original copies of the trooping conversion plans. The Queen Mary is currently berthed in Los Angeles. Over the years they have shown at Westminster Halls at the Annual Ocean Liner society's meet.
Lot 1244
FRANZ ABART(1769 - 1863)Figur des Winkelrieds. Nussbaumholz ungefasst. Ganzfigurige Plastik des bärtigen, leicht nach vorne geneigten Winkelried, der mit dem Arm (das nicht mehr vorhandene) Spiessbündel umfasst, steht auf einer runden flachen Basis. Kleidung, Halbharnisch mit Sturmhaube in der Art des 16. Jahrhunderts. Mit der linken Hand hält er einen grossen ovalen auf dem Boden ruhender Schild mit dem als Nidwaldner Wappen dienenden Schlüssel. Eine grosse Schärpe erstreckt sich von der rechten Schulter an die linke Hüfte. Der rechte Fuss ruht auf abgebrochenen Spiesseisen und Federn, welche an die besiegten Österreicher erinnern. Die Figur steht auf einem geschwärzten, achteckigen Holzsockel.H Figur 24 cm.Die Figur des Winkelried, der 1386 bei Sempach den Heldentod erlitten haben soll, inspirierte sowohl den Nidwaldner Bildhauer Josef Maria Christen (1767-1838) als auch den seit 1821 in Obwalden ansässigen Franz Abart. Eine in Holz geschnitzte Winkelried-Version von Christen wurde 1818 zusammen mit einer Bruder Klaus Statue dem Berner Schultheissen von Mülinen geschenkt. 1810 erhielt Abart an der Kunst- und Industrieausstellung in Bern für seine Winkelriedfigur eine Goldmedaille. In seiner Dynamik unterscheidet sich diese Abart zuzuschreibende Winkelriedfigur deutlich vom statischen Konzept eines Christen. Einziger profaner Grossauftrag Abarts waren zwei lebensgrosse Granitbären, die das Murtentor der Stadt Bern flankierten; sie stehen heute vor dem Bernischen Historischen Museum. Vgl. Otto Hess. Franz Abart. Obwaldner Geschichtsblätter 3, 1913. SIKART, Lexikon zur Kunst der Schweiz, „Abart Franz“. FRANZ ABART(1769 - 1863)Figure of Winkelried. Painted walnut. The figure is standing on a blackened octagonal wooden base.H (figure) 24 cm.The figure of Winkelried, who is said to have suffered a heroic death at Sempach in 1386, inspired both the sculptor Josef Maria Christen (1767-1838) from Nidwald and Franz Abart, who had lived in Obwalden since 1821. A version of Winkelried carved in wood by Christen was presented to the Bernese mayor von Mülinen in 1818 together with a statue of Brother Klaus. In 1810, Abart received a gold medal for his Winkelried figure at the Art and Industry Exhibition in Bern. In its vitality, this Winkelried figure, which can be attributed to Abart, clearly differs from the static concept of the work by Christen. Abart's only large-scale secular commission was for two life-size granite bears that flanked the Murten Gate in the city of Berne; they now stand in front of the Bernese Historical Museum. Cf. Otto Hess. Franz Abart. Obwaldner Geschichtsblätter 3, 1913. SIKART, Lexikon zur Kunst der Schweiz, "Abart Franz".
Lot 1014
SCHATULLE MIT SILBER- UND GOLDFADENSTICKEREIRenaissance, Italien, wohl Florenz, 16./17. Jh.Holz geschnitzt mit Perl- und Schuppenfries sowie vergoldet. Rechteckiger Korpus mit leicht vorstehenden Klappdeckel auf gerader leicht profilierter Zarge und Tatzenfüssen. Die vier Ecken mit Akanthusblatt beschnitzt. Drei Seiten und Deckel belegt mit Silber- und Goldfadenstickerein in Form von Blättern, Ranken und Blüten auf grünem Samtfond. Rückseite beklebt mit bedrucktem floral gemusterten Papier (wohl später). Innen eingeteilt mit mehreren Fächern sowie später grün bemalt. 1 Schlüssel.B 47 cm, T 37 cm, H 27 cm.Diverse Fehlstellen an Holz und Stickerei. BOX WITH SILVER- AND GOLD-THREAD EMBROIDERYRenaissance, Italy, probably Florence, 16th/17th century.Wood, carved with pearl and scale frieze, and gilt. Rectangular body with hinged cover, on paw feet. Three sides and the cover, applied with silver- and gold-thread embroidery on a green velvet ground. The back, pasted with florally patterned paper (probably later). Fitted interior with several compartments, painted green later. 1 key.W 47 cm, D 37 cm, H 27 cm.Various losses to the wood and to the embroidery.
![A 1/24 SCALE SMALL WHEELS [WESTERN MODELS] FERRARI 250GT BERLINETTA LUSSO red, good to fair condition (one side window frame](https://cdn.globalauctionplatform.com/d457bba3-72fc-4604-b57a-ac9900d9453d/fb1672c0-19a7-4225-95d0-ace9009c82b7/468x382.jpg)
Lot 404
THREE 1/43 SCALE BROOKLIN WHITE METAL MODEL CARS comprising a No.BRK15, 1949 Mercury Two Door Coupe, metallic green, good condition (paintwork scratched away over brightwork areas), boxed, the box fair; No.BRK22, 1958 Edsel Citation Two Door Hardtop, good condition (very slight depression to roofline), boxed, the box worn; and No.BRK12, 1931 Hudson Greater 8 Murray Body, orange over cream, very good condition, boxed, the box worn.
![[OO-9 SCALE]. ASSORTED UNMADE KITS comprising a Centre Models Leek & Manifold 2-6-4 tank locomotive; and four Centre Mod](https://cdn.globalauctionplatform.com/d457bba3-72fc-4604-b57a-ac9900d9453d/faff1db2-0972-4012-9d96-ace9009cd9ee/468x382.jpg)
![[OO-9 SCALE]. A MISCELLANEOUS COLLECTION comprising locomotives (including two Peco kits), coaches and wagons, variable cond](https://cdn.globalauctionplatform.com/d457bba3-72fc-4604-b57a-ac9900d9453d/21652fe5-d5df-4978-9b48-ace9009cdae6/468x382.jpg)
Lot 445
A 1/12 SCALE DOLL'S ANTIQUE SHOP of sectional medium density fibreboard and wooden construction, the ground floor retail area and first floor accommodation each accessed from the top of their respective box section, overall 81.5cm high, 49.5cm wide, 33cm deep, set to a stand with a single drawer; together with a small quantity of accessories.
Lot 313
* Dorigny (Louis, 1654–1742). Saint Francis of Assisi, lying on his death bed, welcomed by angels and saints on his ascension to Heaven, pen and brown and black ink on laid paper, with brown ink outer ruled border, unidentified collector's mark to lower left corner, 112 x 66 mm (4.4 x 2.6 ins), inscribed in pencil in an early hand to verso 'Dorigny', together with French School. 'La Representation de Charles-magne sur son lit de parade, 814', circa 1680-1700, pen brown ink, brown and grey wash on laid paper, with watermark of a shield with letter L above (Colin to take a look please), with title inscribed in brown ink to lower centre, some short tears and small losses to right sheet edge, and upper left corner, sheet size 204 x 332 mm (8 x 13.1 ins)Qty: (2)NOTESProvenance: Private Collection, Herefordshire, UK. A group of similar small-scale pen and brown ink studies by Dorigny of scenes from the Old Testament, Neuf études représentant des scènes de l'Ancien Testament, 60 x 80 mm and smaller was sold by Christie's Paris, Arts Decoratifs - Tableaux et Dessins du XVIeme au XIXeme Siecle, 16 November 2008, lot 513.
Lot 319
* French School. Landscape with Waterfall, later 18th century, large-scale colour pastel on laid paper, with later canvas relining, 58 x 71 cm (23 x 28 ins) frame aperture, period moulded gilt frame, glazed, with slight damage to frame mouldings, remains of old Agnew's of London label to verso, and modern auction stencil to stretcher FA949Qty: (1)NOTESProvenance: Private Collection, Monmouthshire, UK.
Lot 361
* After Mary Beale (1633-1699). Portrait miniature of King Charles II (1630-1685), late 17th century, oval oil on tin, head & shoulders portrait, half-profile to left, of Charles II wearing a full-bottomed curled brown wig, plate armour comprising cuirass and spaulders, and a white lace jabot, sometime re-varnished, later manuscript annotation on verso identifying sitter, 75 x 60mm (3 x 2.25ins), loose backing card with printed green circular label 'H.J. Hatfield & Sons Ltd', oval yellow metal pendant frame with hanging loop, glazedQty: (1)NOTESMary Beale's small-scale three-quarter length portrait of Charles II, executed around 1675, was itself a copy after a portrait by Sir Peter Lely. The friendship between the two artists is well-documented, and Mary Beale frequently produced copies of Lely's works, often in a reduced format.
Lot 666
* Belleroche (Albert de, 1864-1944). Portrait of Alice Milbank, the artist's mother, oil on canvas, head and shoulders portrait of a woman wearing a low cut gown and with her brown hair piled up on her head, some small surface scratches and consequent minor losses, 64 x 47.8cm (25.25 x 18.75ins)Qty: (1)NOTESProvenance: Estate of William de Belleroche (1913-1969), son of the artist; estate of William's partner Gordon ‘Andy’ Anderson. Celebrated socialite Alice Sidonie Milbank Vandenburg née Baruch (circa 1840-1916) was said to be blessed with beauty "almost legendary". Her first marriage, to Edmund Charles, Marquis de Belleroche, was an unhappy one, although it produced a son, artist Albert Gustave de Belleroche. In 1871 she married Harry Vane Milbank, a celebrated duellist, huntsman and adventurer as well as an inveterate gambler. The family moved to Paris, where they entertained on a lavish scale, noted personalities such as Oscar Wilde, Edward VII, and John Singer Sargent frequenting their soirées. In fact the latter became a lifelong friend of Albert de Belleroche, the two artists going on to share studios in Paris and London, and each showing influences of the other in their work. In Paris Belleroche was a founder member of the Salon d'Automne, where he exhibited alongside the Impressionists and associated with the likes of Emile Zola, Albert Moore, Renoir, Degas, and Toulouse-Lautrec. Artist and printmaker William de Belleroche was greatly influenced by Frank Brangwyn, and he and his partner Gordon ‘Andy’ Anderson maintained a large circle of friends, many of them well-known artists, authors, actors and personalities of the post-war era, for example Duncan Grant, Augustus John, Dirk Bogarde, Judy Garland, and the Oliviers, to name but a few.
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186094 item(s)/page