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Click here to subscribeA boxed Penguin series 4 clockwork powered model of tugboat Annie, together with two boxed Triang Minic clockwork scale model breakdown trucks, and a boxed Triang Minic clockwork dump truck Condition Report / Extra Information All boxes missing end flaps.All models fair to good condition at best.
An Oak Eight Day Longcase Clock, signed S.Lomax, Blackburn, circa 1770, swan neck pediment, wavy shaped trunk door flanked with inset pilasters, plinth with canted corners, 13-inch square brass dial with chapter ring signed, dial centre with engraved scroll decoration, date aperture, penny moonphase and lunar scale apertures, four pillar movement with an anchor escapement and inside countwheel striking on a bell, 225cm high see illustration . 19.06.18, Hood with some moulding detail missing to the sides, swan neck front capital has come off, some wood is slightly lifting to the left hand side of the trunk, right hand side of the plinth with side panel and mouldings have come apart due to dry joints, sides of the skirting have come apart, plinth with the top right hand side corner moulding is missing, plinth left hand side with wood lifting, dial is discoloured, chapter ring needs silvering, later seatboard, movement needs cleaning.
A 19th century oak and cast iron Jockey scales / sack scales by Young and Son Bear Street, wooden chair and plateau upper with cast iron roberval scale frame, 82cm W x 49cm D, with a selection of brass and cast iron weights including some examples by Young. Provenance: Formerly the property of the Earl of Alisa, Culzean Castle Ayrshire. Possibly ordered in the 19th century by one of the Earls for the castle. Originally sold at auction in Edinburgh it was later purchased by the current vendor at Great Western Auctions in 2011
GENTLEMAN'S HEUER PVD COATED AUTOMATIC CHRONOMETER WRIST WATCH the round black dial with baton hour markers, outer seconds track in white, index style hands, subsidiary dials at 6, 9 and 12, date aperture at 3, bevelled tachymeter scale, 41mm case tonneau shaped case, on a black strap, lacking box and papers CONDITION REPORT: In partial working condition at the present time; ticking. Chronograph starts but does not stop or reset as the buttons do not fully function. Glass is in good condition with a few surface scratches. Dial in good condition. All hands intact; hands and date changing. Coating has worn off of the bracelet on both sides. Bracelet and clasp scratched.
ULYSSE NARDIN - a gentleman's yellow metal chronograph wrist watch, cream dial with rose gold Roman numeral hour markers to six and twelve, subsidiary recording dials to three and nine, blue outer telemetry scale, blued-steel luminous hands. Signed hand-wound movement marker 14" CHR calibre 15. Case back stamped 14k with poincon, serial 787484. Fitted to an unsigned black leather strap with pin buckle. 38mm
A LATE 19th CENTURY NAUTICAL FRENCH INDUSTRIAL DESK CLOCK formed as a barrel enclosing a 2.5" silvered engraved Roman dial fronting an eight-day spring driven movement with platform escapement, the anchor with calibrated scale and mercury thermometer, the capston with silvered compass mounted on onyx base 17.5cm highConditionIn good original condition. Movement ticks when wound
Mao Wen Biao (Chinese b.1952) Italian landscape Oil on canvas 179 x 362cm (70 1/2 x 142 1/2in.) Mao Wen Biao was born in Beijing and in 1984 he moved to London to study at the Royal College of Art. Already recognized as one of China's foremost military painters of the '70s and '80s, Mao’s arrival in England exposed him to ‘Western’ art history which inspired more creative social works. More specifically, there are two areas in which Mao has defined his career over the past 30 years. Firstly, by his extraordinary ability in capturing the dynamism of the racehorse, Mao has firmly established himself as a world leader in Sporting Art and secondly, Mao has gained an international reputation for his monumental paintings and murals. In London, he has notable murals at The Ritz (2005-06), The RAC Club (1997) and Orangery Arcade in Holland Park (1994-95). His most monumental however is in the State Museum of China. The Battle of Lugou Bridge, completed by Mao and five other contemporary artists, was commissioned by the Chinese Government in 1990 and tells the story of a key battle in the War of Resistance Against Japanese Aggression (1937-45). The vast composition and size of the present lot, coupled with the beautifully refined light and colour are all prominent features which distinguish Mao’s large-scale work.
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