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Click here to subscribeAn Reproduction Trix Twin Railway OO Gauge 3-rail AC Deluxe Train Set Box with Repainted SR Coaches, the box in blue cloth covering, as repro VG, containing brake/3rd, full 3rd, 1st class and restaurant car scale-length coaches in lined SR green, believed to be by John Hopkinson, together with a similarly-finished 4-wheel brake van, all as repaints VG-E, and a blue super-controller (6 items in box)
Trix Twin Railway OO Gauge Rolling Stock, freight stock including Bassett-Lowke PO wagon, LMS loco coal (3), SR brake van and refrigerator van and 15 others, together with 4 scale-length BR red/cream coaches, one American gloss green observation car and two plastic BR green coaches, mostly G-VG (28)
Unboxed Vintage Vehicles, A collection of mostly 1:43 scale private, emergency and commercial models many with branding, including examples by Matchbox, Lledo, Corgi, EFE, Solido and others, together with some white metal models of coaches and buses one by Ambrico and an Autocraft RAC motorcycle, rider and sidecar, F-G, (100+) in two boxes
Unboxed Vintage and Modern Vehicles and Collectibles, A collection of 1:18, 1:43 and smaller scale, commercial and private vehicles including examples by Burago, Corgi, Solido, Matchbox, Joal and others, together with boxed gas pump replicas by Road Signature and Anesco, novelty pocket and table lighters in the form of cars and trains, and desk furniture ornamented with vintage cars, P-E, (Qty) in two boxes
Boxed Land Rover Models, A group of vintage and modern vehicles, some limited edition including 1:18 scale, ERTL Grand Marques Land Rover discovery 3 and Universal Hobbies Defender 90 Station Wagon (2), 1:32 scale Britains models (5), and 1:43 scale Vanguards and Corgi models (3) G-E, Boxes F-E, (11)
Jodocus Hondius, Dutch 1563-1612, The Countie Pallatine of Lancaster Described and Divided into Hundreds 1610, a hand coloured engraved map, published by John Speed and sold by Thomas Bassett Fleet Street, with title Cartouche, plan of Lancaster, eight medallion Portraits, two armorials and scale of miles, 38cm by 50cm
“The Karuizawa Distillery was established in 1955 in the foothills of Mount Asama – an active volcano. The area is a popular mountain resort and the distillery is the highest in Japan at 850m above sea level. Traditional, small-scale, high-quality production is the aim, with wooden wash backs, small stills, and sherry casks from Spain, all contributing to the process. The environment is also ideal for whisky production, with low temperatures and high humidity. Karuizawa is the gold standard of rare Japanese whisky. The distillery closed its doors in 2011, although it had not been producing whisky for over a decade. This particular whisky from Karuizawa was distilled last 1984 in a single Bourbon Barrel #3660 for about 26 years before being bottled in 2011. It is presented in an original box. If you’d like to know the taste of a rare whisky from the legendary distillery, then this is your bottle!”
A VERY UNUSUAL SCALE MODEL, RED PAINTED AND PARCEL GILT SHOP FRONT, with double glazed main window and two doors. The windows enclosing various facsimile advertisements for Guinness, Paddy, Jameson etc. AND a small miniature dresser; a scale model boat etc. 29" (74cm) high x 43" (110cm) wide. (1)
A MASSIVE VICTORIAN POLLARD-OAK AND EBONY MOUNTED SIDEBOARD. Large mirror-back with a cartouche crest above a shelf on inverted breakfront base with plain frieze. Two pedestal cupboards with panel doors flanked to either side with angled scale-moulded pilasters, headed with leaf scrolls. Each raised on a plinth base. Approx. 8ft (244cm)h x 8ft (244cm)w. (1)
A DR. WALL FIRST PERIOD BLUE SCALE WORCESTER PORCELAIN DISH, of oval ribbed form. Unmarked. c.1770, Centre panel decorated with exotic bird amongst foliage. Four smaller panels with conforming decoration depicting birds and small vignettes, decorated with insects on blue fish-scale ground. 10" (26cm) high. (1)
A COLLECTION OF SURVEYOR'S MEASURING INSTRUMENTS by Cary, Troughton & Simms etc to include a mahogany cased set of five boxwood scale rules with Marquois triangle and three further rules, various makers, an Abney level, an optical square and a planimeter, all cased along with Hoppus tables and measurer books for the timber trade
David Roche (b.1983) TWO FIGURES, 2009 ink signed and dated lower right 13.25 by 19.25in. (33.7 by 48.9cm) Before gaining an MA in Printmaking from the Royal College of Art in 2009, Sligo born Roche completed a BA (Hons.) in Printmaking from NCAD. He has exhibited his work in galleries in London and Dublin and was awarded CAP Foundation Award and Residence in 2005. In 2005 Roche's process was rooted in drawing on both a large and small scale. Using thin bamboo paper, ideas are worked out in sketchbooks and on loose A4 paper. His work is rooted in history yet departs into nostalgia and dreams. A sizeable work by Roche entitled Machina, 2006 comprising Metal mechanical machine, clothes rail, roll of paper was acquired by IMMA for their collection in 2006. His work is held in many private collections in the United States, Britain and Ireland.
Julie Robinson (b.1967) PATTERN DRAWING, 1999 pencil and watercolour signed, titled and dated lower left 29.50 by 21.75in. (74.9 by 55.2cm) Born in Donegal Robinson obtained a Diploma in Fine Art from Sligo Regional Technical College and later her BA from NCAD in 1998. Robinson works in various media. Using strong contrasting colours, she explores the fragility of the human condition in a clinical and small scale. The scenes she creates inside boxes employ intricate patterns and comment on family issues, memory and experience. Robinson has exhibited extensively in Ireland and was recipient of the CAP Foundation Award in 1998. "The boxes represent the constraints, the containment of marriage as an institution", she has said of her works for the CAP Award.
David Roche (b.1983) HARD TO MEASURE ink on bamboo paper signed and titled on reverse 10 by 8in. (25.4 by 20.3cm) Before gaining an MA in Printmaking from the Royal College of Art in 2009, Sligo born Roche completed a BA (Hons.) in Printmaking from NCAD. He has exhibited his work in galleries in London and Dublin and was awarded CAP Foundation Award and Residence in 2005. In 2005 Roche's process was rooted in drawing on both a large and small scale. Using thin bamboo paper, ideas are worked out in sketchbooks and on loose A4 paper. His work is rooted in history yet departs into nostalgia and dreams. A sizeable work by Roche entitled Machina, 2006 comprising Metal mechanical machine, clothes rail, roll of paper was acquired by IMMA for their collection in 2006. His work is held in many private collections in the United States, Britain and Ireland.
JESUS CARRIES HIS CROSS and JESUS FALLS FOR THE FIRST TIME, 1927 pencil and watercolour; (2)14 x 8 in. Literature:Nicola Gordon Bowe, Harry Clarke, The Life of Work, History Press Ireland, Dublin, 2012, pp. 266-267 (Jesus Falls for the First Time, illustrated) Two full scale designs for the second and third Stations of the Cross inset panels in pencil and watercolour dating to 1927 for the Basilica at St. Patrick's Purgatory, Lough Derg. This commission was the largest of Clarke's church commissions at this time, others included a three-light window for the Catholic church at Tullycross, Co. Galway, a two-light at Killaloe, a three-light ordered by Colthursts for Blarney, Co. Cork and three windows for St. Patrick's College, Thurles. The commission - for Professor William Scott's new basilica in Lough Derg - comprised a series of Stations conceived as small oval panels leaded into a scheme of fourteen windows depicting The Apostles, St. Paul and Jesus. Clarke sent pencil designs and three full-scale colour studies of the inset Stations of the Cross panels in these to his patron, Canon Keown in February 1927. Two years later, in June, The Lough Derg Windows were consecrated to great acclaim. Alice Curtayne (1898-1981) the author and lecturer referred to them thus in her text Lough Derg (Dublin 1944): In St Patrick's Basilica on Station Island, Lough Derg, the Station of the Cross are set up in a very distinctive manner… Each of these fourteen … holds up a Station, which is shown on an inset plaque of lighter glass, more delicately coloured, so that it stands out in bold relief from the window. In this way it is the Station chiefly which holds the attention, while the attendant Apostle seems to hover attentively in the background. For further reading see: Nicola Gordon Bowe, Harry Clarke, The Life of Work, History Press Ireland, Dublin, 2012, chapters 9 & 10, pp.253-277
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