Margaux Carpentier Stone, 2023 Ink on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Margaux Carpentier is an image maker and story-teller working mainly in London, sometimes in France, and further away. She studied in both Paris and Surrey and spent her early twenties playing poker, playing with pens and various mediums until she developed her unique graphic style. She now adapts her illustrations in 3D as well as large scale murals. Earthy and folk inspired, her work also draws on fantastical elements and wild imagination. She creates pictures using a symbolic language, so each piece can be read by all, in many different ways. Her work is inspired by the infinite combinations of colours offered by the world; her images transcribe the choreography of living things. She works on varied projects, from large murals, installations and paintings to detailed book illustrations, and even toys! You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
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Peter Randall-Page RA Li VI (detail), 2023 Linocut Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Artist Peter Randall-Page was born in the UK in 1954 and studied sculpture at Bath Academy of Art from 1973-1977. During the past 40 years Peter Randall-Page has gained an international reputation through his sculpture drawings and prints. He has undertaken numerous large-scale commissions and exhibited widely. In 2015, he was elected as a Royal Academician in the category of sculpture. His work is held in public and private collections throughout the world including Japan, South Korea, Australia, USA, Turkey, Eire, Germany and the Netherlands. A selection of his public sculptures can be found in many urban and rural locations throughout the UK including London, Edinburgh, Manchester, Bristol, Oxford and Cambridge and his work is in the permanent collections of the Tate Gallery and the British Museum amongst others. Education 1973-1977, Studied at Bath Academy of Art Select Exhibitions/Awards Recent Solo Shows (Selected) 2020 A Little bit of Infinity Rabley Gallery, Marlborough 2019 Peter Randall-Page Solo show Kloster Schoenthal sculpture park, Switzerland 2017-18 Peter Randall-Page at Castle Drogo National Trust Castle Drogo, Dartmoor, Devon 2016 Peter Randall-Page RA: Works on Paper City Art Centre Edinburgh Caught in the Act Gibberd Gallery, Harlow On the Particular Experience of Being Alive Art Center Antares, Finland You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Laura Jane Scott Measured, 2023 Interior Paint on card Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Laura Jane Scott is an artist working in minimalist, geometric abstraction and colour-field painting. Her desire for formal simplicity through geometric form and her striking use of colour enables her to produce work where painting explores a model of architectural form and where colour embodies a physical structure. The resulting work is a refined visual vocabulary of form and colour. "My aim is always to express an idea as simply and as elegantly as possible. To strip everything back to only what is necessary to communicate that idea. My work is primarily an exploration of balance, of positive and negative space, of presence and absence." Education Laura studied at Camberwell College of Arts and Ravensbourne University London. Select Exhibitions/Awards Laura's work has been exhibited widely over the past seven years in London, Edinburgh, New York and Hamburg and has featured twice in the Royal Academy's Summer Exhibition. Gallery Representation Laura is represented by Kittoe Contemporary in London and frequently shows work with &Gallery in Edinburgh. She also sells work independently and accepts commissions for large scale installations. Statement about AOAP Submitted Artwork Laura has submitted two works to Art on a Postcard Summer 2023. The first is a miniature of her relief series 'Necessary Limits' which explores colour, balance and form within the confines of some self-imposed boundaries. The second, 'Measured', is a minimalist painting of saturated, clean-edged shapes using colours from Laura's signature palette and the component shapes that often appear in her work. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Alice Miller A Window To The World or The World Itself, 2023 Oil and Acrylic on watercolour paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Both secretive and sincere, Alice Miller's small figurative paintings sit somewhere between glowing coals and neon lights. Working directly from phone photographs, she draws parallels between the hedonism of the nighttime social scene and ideas of religion. We edge into the scenes, unsure if we are friend, guest, spectator or voyeur. Education BA Fine Art, Loughborough University, 2017-2020 Select Exhibitions/Awards 2023: Skin Deep, Studio West Gallery, London; Night Light, Cob Gallery, London; January resident at The Fores Project, London. 2022: A Kind of Human Clothing, Liliya Art Gallery, London; The Waverton Art Prize [finalist], Alice's Oyster Bar & Gallery, London; RBA Rising Stars [finalist], Royal Over-Seas League, London; Works on Paper 4, Blue Shop Cottage [online] Statement about AOAP Submitted Artwork 'Strangers' and 'A Window To The World Or The World Itself' offer a tightly cropped, devotional-scale glimpse into an unspecified nocturnal scene. Disembodied hands hint at an awareness of seeing and being seen in these environments. Both postcards are painted with oil over a neon pink acrylic ground, a technique recently introduced in Alice's work. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Christopher Gee Birch Trees at Night, 2023 Acrylic on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Christopher Gee (b.1987) is a British artist from Portsmouth, England. He lives and works on the Thames Estuary, Essex. His small scale works on paper explore stillness and isolated scenes. His paintings are informed by historic houses and landmarks, often forgotten or overlooked sites of familiarity and intrigue. Walking and collecting are key to his practice. His graphic yet naïve-looking paintings, conjure places both historical and imagined, taking us on a fragmented journey through forested landscapes, vernacular architecture, and archaic towers. The intimacy and execution of these paintings convey themes of silence and solitude. His influences include Northern Renaissance painting, Folk Art, the Romantic landscapes of Caspar David Friedrich and the naive paintings of Alfred Wallis. He also takes inspiration from the novels of Hermann Hesse and W.G. Sebald. Education MA Drawing UAL Wimbledon College of Art London, 2012 BA Drawing UAL Camberwell College of Art London, 2010 Fine Art Foundation UAL Byam Shaw School Central Saints Martins London, 2007 Select Exhibitions/Awards Small is Beautiful, Flowers Gallery, Cork Street, London Nov 2022 - Jan 2023 Small is Beautiful, Flowers Gallery, Cork Street, London 2021 Winter Show, Amanda Aldous Gallery, Hampshire 2021 Winter Exhibition, 155a Gallery, Dulwich, London 7 Dec 2020 - 23 Jan 2021 Small is Beautiful, Flowers Gallery, Cork Street, London Dec 2020 - Jan 2021 Sophie Breitmeyer, The Art Registry, London 2020 You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Margaux Carpentier Piss, 2023 Ink on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Margaux Carpentier is an image maker and story-teller working mainly in London, sometimes in France, and further away. She studied in both Paris and Surrey and spent her early twenties playing poker, playing with pens and various mediums until she developed her unique graphic style. She now adapts her illustrations in 3D as well as large scale murals. Earthy and folk inspired, her work also draws on fantastical elements and wild imagination. She creates pictures using a symbolic language, so each piece can be read by all, in many different ways. Her work is inspired by the infinite combinations of colours offered by the world; her images transcribe the choreography of living things. She works on varied projects, from large murals, installations and paintings to detailed book illustrations, and even toys! You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Simon Laurie Big Fish and Wine, 2023 Pencil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Simon Laurie is a contemporary Scottish landscape and still life artist, whose paintings are characterised by references to Scottish life and society, incorporating fish, boats, religious symbols and everyday items. These objects are arranged upon a rich textural ground created by the application of multiple layers of acrylic paint. He has worked with acrylic paint for almost 30 years, developing his own individual style and fundamental visual language. Simon was born in Glasgow and studied at Glasgow School of Art from 1982 to 1988. He was elected a member of the Royal Scottish Society of Painters in Watercolours (RSW) in 1991 and the Royal Glasgow Institute (RGI) in 2000, where he served as convener for six years. He has had many solo shows, both in the UK and abroad, and has won many prestigious and major awards. His work is held in many public, private and corporate collections. Education Glasgow School of Art Select Exhibitions/Awards Selected Solo Exhibitions 2020 Scottish Arts Club, Edinburgh 2017 Veneer Gallery, Glasgow 2017 Artists' Open House, Dulwich 2016 Open Eye Gallery, Edinburgh Leiper Fine Art, Glasgow 2014 Fidra Fine Art, North Berwick 2013 Panter and Hall Gallery, London 2013 Open Eye Gallery, Edinburgh 2013 Artists' Open House, Dulwich 2010 Open Eye Gallery, Edinburgh 2009 John Davies Gallery, Moreton on Marsh Scottish Arts Club, Edinburgh Panter and Hall Gallery, London 2008 Open Eye Gallery, Edinburgh 2007 Panter and Hall Gallery, London 2006 Gatehouse Gallery, Glasgow 2005 The Open Eye Gallery Panter and Hall Gallery, London 2004 Roger Billcliffe Gallery, Glasgow 2003 Open Eye Gallery, Edinburgh Panter and Hall Gallery, London 2001 Open Eye Gallery, Edinburgh Panter and Hall Gallery, London 2000 Roger Billcliffe Gallery, Glasgow 1999 Open Eye Gallery, Edinburgh 1998 Glasgow Print Studio 1996 Scottish Arts Club, Edinburgh 1995 Mercury Gallery, London 1993 Mercury Gallery, London Elektra Fine Art, Toronto 1991 Mercury Gallery, London Kelly Gallery, Glasgow Gallery Representation Panter and Hall, Morningside Gallery Edinburgh, Lemond gallery Glasgow Statement about AOAP Submitted Artwork The paintings are fairly representative of my work but obviously on a much smaller scale. Simple objects on strong colour. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Christopher Gee Boy at Night, 2023 Acrylic on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Christopher Gee (b.1987) is a British artist from Portsmouth, England. He lives and works on the Thames Estuary, Essex. His small scale works on paper explore stillness and isolated scenes. His paintings are informed by historic houses and landmarks, often forgotten or overlooked sites of familiarity and intrigue. Walking and collecting are key to his practice. His graphic yet naïve-looking paintings, conjure places both historical and imagined, taking us on a fragmented journey through forested landscapes, vernacular architecture, and archaic towers. The intimacy and execution of these paintings convey themes of silence and solitude. His influences include Northern Renaissance painting, Folk Art, the Romantic landscapes of Caspar David Friedrich and the naive paintings of Alfred Wallis. He also takes inspiration from the novels of Hermann Hesse and W.G. Sebald. Education MA Drawing UAL Wimbledon College of Art London, 2012 BA Drawing UAL Camberwell College of Art London, 2010 Fine Art Foundation UAL Byam Shaw School Central Saints Martins London, 2007 Select Exhibitions/Awards Small is Beautiful, Flowers Gallery, Cork Street, London Nov 2022 - Jan 2023 Small is Beautiful, Flowers Gallery, Cork Street, London 2021 Winter Show, Amanda Aldous Gallery, Hampshire 2021 Winter Exhibition, 155a Gallery, Dulwich, London 7 Dec 2020 - 23 Jan 2021 Small is Beautiful, Flowers Gallery, Cork Street, London Dec 2020 - Jan 2021 Sophie Breitmeyer, The Art Registry, London 2020 You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Mathew Gibson Drying Station, 2023 Watercolour on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Mathew Gibson is an artist who lives and works in London. He makes small scale paintings primarily in egg tempera of imaginary interiors and still lives. Education Kent Institute of Art & Design 1990-91. Interdisciplinary M.A. in Art & Architecture Norwich School of Art 1987-90. B.A. Fine Art Camberwell College of Art & Design 1986-87. Foundation Studies Select Exhibitions/Awards 2023 PREVIEW Grammercy Park Studios, Gt Pulteney st, London 2022 DELTA GAMMA Saatchi Gallery Chelsea, London 2016 BLACK PAINTINGS Charlie Smith/Galerie Heike Strelow, London Art Fair 2015 THE FUTURE CAN WAIT Bermondsey Project Space, London 2010 MATHEW GIBSON England & Co. Westbourne Grove, London 2005 SUNDAY TIMES Watercolour Prize, Mall galleries, London 2004 SUNDAY TIMES Watercolour Prize (runner up), Mall galleries, London 2003 HUNTING ART PRIZE, Royal College of Art, London 2002 DISCERNING EYE (prize winner), Mall Galleries, London Statement about AOAP Submitted Artwork Studies for new work. These explore architectural settings informed by municipal buildings, shared spaces that are ambivalent about growing and becoming or falling into decay and disuse. The spaces are equipped for personal washing and drying, focusing on handwashing. The images invite viewers to ask what the spaces are for and who will use them. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Joseph Black Pavonini, 2023 Ink on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Joseph Black's work conveys a quiet and eternal atmosphere, where the timeless and ephemeral co-exist. His peaceful and spellbinding works make striking use of stillness, movement, and time; underscoring meticulous attention to surfaces and scale. With this serene ambience, Joseph's paintings offer a truly remarkable experience rooted in a timeless and beautifully honest simplicity. Education Courtauld Institute of Art Gallery Representation Jonathan Cooper Gallery You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Alice Miller Strangers, 2023 Oil and Acrylic on watercolour paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Both secretive and sincere, Alice Miller's small figurative paintings sit somewhere between glowing coals and neon lights. Working directly from phone photographs, she draws parallels between the hedonism of the nighttime social scene and ideas of religion. We edge into the scenes, unsure if we are friend, guest, spectator or voyeur. Education BA Fine Art, Loughborough University, 2017-2020 Select Exhibitions/Awards 2023: Skin Deep, Studio West Gallery, London; Night Light, Cob Gallery, London; January resident at The Fores Project, London. 2022: A Kind of Human Clothing, Liliya Art Gallery, London; The Waverton Art Prize [finalist], Alice's Oyster Bar & Gallery, London; RBA Rising Stars [finalist], Royal Over-Seas League, London; Works on Paper 4, Blue Shop Cottage [online] Statement about AOAP Submitted Artwork 'Strangers' and 'A Window To The World Or The World Itself' offer a tightly cropped, devotional-scale glimpse into an unspecified nocturnal scene. Disembodied hands hint at an awareness of seeing and being seen in these environments. Both postcards are painted with oil over a neon pink acrylic ground, a technique recently introduced in Alice's work. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Simon Laurie Bottle and Fish, 2023 Acrylic on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Simon Laurie is a contemporary Scottish landscape and still life artist, whose paintings are characterised by references to Scottish life and society, incorporating fish, boats, religious symbols and everyday items. These objects are arranged upon a rich textural ground created by the application of multiple layers of acrylic paint. He has worked with acrylic paint for almost 30 years, developing his own individual style and fundamental visual language. Simon was born in Glasgow and studied at Glasgow School of Art from 1982 to 1988. He was elected a member of the Royal Scottish Society of Painters in Watercolours (RSW) in 1991 and the Royal Glasgow Institute (RGI) in 2000, where he served as convener for six years. He has had many solo shows, both in the UK and abroad, and has won many prestigious and major awards. His work is held in many public, private and corporate collections. Education Glasgow School of Art Select Exhibitions/Awards Selected Solo Exhibitions 2020 Scottish Arts Club, Edinburgh 2017 Veneer Gallery, Glasgow 2017 Artists' Open House, Dulwich 2016 Open Eye Gallery, Edinburgh Leiper Fine Art, Glasgow 2014 Fidra Fine Art, North Berwick 2013 Panter and Hall Gallery, London 2013 Open Eye Gallery, Edinburgh 2013 Artists' Open House, Dulwich 2010 Open Eye Gallery, Edinburgh 2009 John Davies Gallery, Moreton on Marsh Scottish Arts Club, Edinburgh Panter and Hall Gallery, London 2008 Open Eye Gallery, Edinburgh 2007 Panter and Hall Gallery, London 2006 Gatehouse Gallery, Glasgow 2005 The Open Eye Gallery Panter and Hall Gallery, London 2004 Roger Billcliffe Gallery, Glasgow 2003 Open Eye Gallery, Edinburgh Panter and Hall Gallery, London 2001 Open Eye Gallery, Edinburgh Panter and Hall Gallery, London 2000 Roger Billcliffe Gallery, Glasgow 1999 Open Eye Gallery, Edinburgh 1998 Glasgow Print Studio 1996 Scottish Arts Club, Edinburgh 1995 Mercury Gallery, London 1993 Mercury Gallery, London Elektra Fine Art, Toronto 1991 Mercury Gallery, London Kelly Gallery, Glasgow Gallery Representation Panter and Hall, Morningside Gallery Edinburgh, Lemond gallery Glasgow Statement about AOAP Submitted Artwork The paintings are fairly representative of my work but obviously on a much smaller scale. Simple objects on strong colour. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
A Roman bronze statuette of Zeus Labraundos Asia Minor, circa 2nd Century A.D.10cm highFootnotes:Provenance:Anonymous sale; Münzen und Medaillen, Basel, Auktion 60, 21 September 1982, lot 143.Aldo Branca collection, Ascona, Switzerland, acquired from the above sale.Anonymous sale; Bonhams, London, 5 October 2011, lot 287.Private collection, USA, acquired from the above sale.Published:H. Seyrig, 'Statuette d'un Dieu Anatolien', in Revue de l'histoire des religions', vol. 98, 1928, pp.87-93.The sanctuary of Zeus Labraunda in Caria, Asia Minor, rose to prosperity under the Hekatomnid Dynasty during the 4th Century B.C. Images of the cult icon Zeus Labraundos survive on coins and on small scale bronzes such as this. For a bronze of a similar type, cf. M. Comstock & C. Vermeule, Greek, Etruscan & Roman Bronzes in the Museum of Fine Arts, Boston, Boston, 1971, pp.117-8, no.124.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A Built Up Airfix Motor Racing 1:32nd Scale Motorised M.G.1100, (pattern No. 5092) hand painted cream over green, boxed, a fourth edition Airfix motor racing catalogue; together with an Airfix 1:32nd scale M.G 1100 Saloon (pattern No. M7C) plastic model kit, opened bag with loose parts off sprues, unchecked.
A limited edition boxed Corgi Eddie Stobart Scania die-cast box set (CC99155) 1:50 scale, with paperwork, together with other Corgi Eddie Stobart boxed vehicles, to include Curtain side Trailer CC19904; United Glass - Volvo Curtain side CC86701; Volvo Short Wheelbase Lorry with close couple trailer 59516; ERF Curtain side trailer 59502; Fork Lift Truck TY87601; Ford Cargo Box Van 59601; Transit Van 66201. (8)
A large collection of various boxed Corgi Classics die-cast vehicles to include Scammell Scarab Eskimo Foods 97335; Scammell Scarab 97916; Scammell Scarab Watneys 97917; Scammell Scarab with barrels Websters 97318; Scammel Scarab BRS Parcels 97914; Atkinson 8 Wheel Rigid with trailer & load Tennant 97366; F. B Atkins Atkison 8 Wheel Truck & trailer with loads set 27601; Foden 8 Wheel Rigid Robson's of Carlisle 97971; Scammel Scarab with barrels set HP Bulmer Limited 15202; Express Dairy Scammell Scarab set 15101; Scammell Scarab Delivery Truck set Mitchells & Butlers; Wimpey Luffing Shovel 30901; Royal Mail Scammell Scarab 15002; Scammell Highwayman Crane 97368; R A Kembery & Sons Thames Trader Drop side set 30201; Blue Circle Cement Foden 4 Wheel Rigid Truck set 12501; Authentic Scale load 31602; Mr Beans Mini 96011. (19)
A collection of eight boxed Airfix Railway System 00 scale rolling stock comprising plank wagon Broadoak 54381-3; plank wagon Gloucester Gas Co 54380-0; 20 ton brake van LMS 54361-9; G.W.R. conflat and container 54331-8; 5-plank wagon Spencer 54375-8; plank wagon Hale Fuels 54383-9; plank wagon Harts Hill Iron 54377-4; plank Alloa LMS 54388-4. (8)
A Chinese patinated bronze two handled vaseprobably 19th century, deep red brown patination, copper-brown patinated interior to neck, cast with pairs of dragons and flaming pearls, the neck and base with lappets enclosing foliage and the base with scale border, the shoulder with archaic style elephant handles, 14in. (35.5cm.) high, faults to patination. *Both sides of the body have heavily rubbed / polished areas to the patination. The joint between the neck and body is loose and the neck can be lifted away from the body a little. Small dent to footrim and there is a rough area to the casting above this which has a hole through the bronze.
A small mixed group of unmade white metal kits (1) Wessex Models Military Bedford Series 103 Bedford OW Royal Navy 1/60th scale Code 3 model; (2) Reviresco 1/64th scale Rolls Royce Continental Alpine Eagle British Navy Staff Car; (3) Langley Models G187 OO/HO Scale Lister 1-ton Auto Truck; (4) SHQ Miniatures small scale Trailer; (5) Sergeant's Mess Auto Truck or similar - Excellent to Mint in Good to Excellent packaging. (5)
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