Mogg (Edward). A Survey of the Roads from London to Brighton, Southampton, Portsmouth, Hastings, Tunbridge Wells, Margate, Ramsgate & Dover, Laid down on a Scale of one Inch to a Mile, pub. 18 June, 1808, engraved title and explanation (both a little browned and stained), 56 numbered strip road maps on 28 sheets with original hand colouring, contemp. calf-backed boards, rubbed and marked with some fraying to extrems., 8vo. (1)
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Tithe Maps. Wood (Wm. Bryan), surveyor, Banbridge, Chippenham. A collection of 6 Monmouthshire parish plans, surveyed by Wm. Bryan Wood and lithographed by Standidge & Co., London, on the scale 6 chains to an inch, comprising the Parishes of Llansoy, 1842; Micheltroy (on 2 sheets), 1845; Raglan (on 2 sheets), 1843; Gwernesney (mounted on linen), 1843; Llangeview, 1843; and Bettws Newidd, 1843; plus an additional original pen-and-ink plan, believed to be of Monkswood; various sizes, the sheets varying between 1090 x 760 mm and 760 x 550 mm, some soiling and creasing at the edges, four of the maps with the accompanying manuscript tabular reference books, giving details of land owners, occupiers, reference number on the map, names and description of the land, state (arable, pasture, wood, garden, etc.) and quantity; two books per map, one listed numerically by map reference, the other alphabetically by landowner, with the books only relating to the Parish of Llanishen, without the map, one of the books in printed form, with a printed title-page with imprint of Shaw & Sons Printers and Publishers of the Books and Papers of the Tithe and Factory Commissions, with the indelible stamp of the Tithe Commission, repeated in one other book, the volumes generally stained, with some wear, in wrappers, small folio. (-)
A Corgi Classics No.97885, Scammell Highwayman, Trailer and Caravan 'Chipperfields Circus'; a No.97889, A.E.C. Cage Truck and Trailer 'Chipperfields Circus'; a No.97887, Bedford O Articulated Horsebox 'Chipperfields Circus'; a Corgi 1/18th scale M.G. B; andother models, most mint or near mint and boxed.
A Rio No.90, Mercedes-Benz 300 W189, black; a Matchbox 'Dinky Collection' No.DY13B, Bentley 'R' Continental, dark metallic blue; a Matchbox 'Dinky Collection' No.DY-15, Austin A40 Van, 'Brooke Bond'; two Corgi Classics 1/43 scale models; and eleven Lledo Vanguards, including one two-model gift set, each mint or near mint and boxed, (seventeen models in sixteen boxes).
An Asahi No.7841, radio-controlled 1/30th scale Hapag-Lloyd Speeder tractor and trailer, boxed; a Dinky No.654, 155mm Mobile Gun, generally good condition; a Dinky No.694, Hanomag Tank Destroyer, good condition; three further Dinky military vehicles, all unboxed; two Solido 'Models of Age D'Or', boxed; and other items.
4 C18th F/G Maps Exact Draught of The Bay & Harbour of Vigo scale 4 English Miles showing ships & mouth of the river, inscription dating 12th Oct 1702 approx19" x 15", Aeth a strong Frontier Town in Bradant taken by the Duck of Marlborough in 1706 scale 200 rods with explanation detailing gates & bastion etc. for Mr Tindals Continuation of Mr Rapines History of England 19" x 15 1/2", Plan of the Encampment of the Allies at Prats Del Rey under the command of Count Staremberg Sept 17th-25th Dec 1711 approx15 1/2" x 19" with full explanation of artillery, allies batteries & trenches etc. scale 700 toises/fathem, Plan of the City of Aire & Fort St Francis with a View of St Venant, Aire being a very strong city & castle in the lake countries & the Elden of Artois taking by the allies in 1710 with explanation showing major churches, bastions etc. approx19" x 15 1/2"
19th Century mahogany bowfront stick barometer by Adie of Edinburgh having reeded pediment and cistern, doubled beaded edges, the silvered register plate signed A J Adie, Edinburgh, the top with detachable key to adjust the vernier scale and to adjust the level of mercury, 102.5cm high - Alexander James Adie (1775 - 1858) was a highly acclaimed maker of scientific instruments and patented his sympiesometer in 1818. Adie was elected a Fellow of the Royal Society of Edinburgh in 1819 - see illustration
Late 19th/early 20th Century bone china circular box and cover having Chelsea style decoration depicting birds amongst foliage on a gilt highlighted blue scale ground, 9cm diameter together with an early 20th Century miniature Dresden mug having decoration depicting figures amongst foliage, 4cm high
A George III carved mahogany sofa, circa 1770, in the manner of Thomas Chippendale, with serpentine back, seat and scroll arms, on eight cabriole legs with acanthus carved terminals and scroll toes, 212cm wide (damage, repair, lacking scroll toes to outer back legs) Provenance: Purchased by the current owner from Dreweatt's sale of the property of Sir Francis Burdett's Will Trust, 21st May 1986. Literature: Country Life.Ramsbury Manor, p468-477, 9th October 1920. This sofa is illustrated on page 468. Christopher Gilbert. The Life and Works of Thomas Chippendale. Studio Vista/ Christies 1978. By the 18th century the Burdett family held land and estates in Berkshire, Wiltshire, Derbyshire, Leicestershire and Staffordshire. The principal seats were in Derbyshire at Foremark Hall near Repton, and after about 1790, Ramsbury Manor in Wiltshire. Sir Robert Burdett, 4th Bart. (1716-1797) built the present hall at Foremark. Sir Robert commissioned Thomas Chippendale to produce furniture for the new house. The scale of the commission is revealed by the records kept that between February 1766 and April 1774 he paid Chippendale a sum of ú1228/16/6 (ú1014/14/0 of which was paid for the year 1769 alone). Although no certain attributions to Chippendale were made concerning the furniture in the sale of 1986, several of the pieces, including this sofa, present themselves as prime candidates of being produced as part of the Chippendale commission. The various elements of the design and carving of this sofa, with its serpentine mahogany frame carved with rococo motifs, bears particular similarities to a suite (including a pair of sofas) supplied by Chippendale to the Earl of Dumfries for Dumfries House in 1759 (See Gilbert. pages 195, 133 & 137) The design of this sofa and the Dumfries House example are derived from plate 22 (dated 1759) in the third edition of The Gentleman and Cabinet Makers Director. The design of Chippendale's 'French' chairs such as these, was ingeniously adapted to the taste and wealth of his clients by the subtle use of carved ornament , adapted to suite the decor of the room in which they were to be placed.
A lacquered brass theodolite, circa 1800, the sighting tube with simple draw focus and spirit level mounted onto pivoted armature with rack and pinion adjustment above circular base with silvered dial compass, further spirit level and vernier scale to circumference, signed Silberrad No.34 Aldgate London, in original mahogany box 26cm wide.
An oak cased barograph, early 20th century, with three-part expansion chamber within brass armature operating inked pointer for the rotating paper scale lined drum, signed YEATES & SON LTD DUBLIN to an applied brass plaque beneath five bevelled glass cover on moulded base incorporating apron drawer and pad feet, 37cm wide.
A George III mahogany stick barometer, late 18th century, with broken pediment above rectangular silvered scale with mercury thermometer, vernier scale and signed DOM'co BARELLI, LONDON behind glazed door, above caddy moulded and line border inlaid trunk with exposed tube and moulded domed cistern cover to the circular base, 96cm high overall. Provenance: Private collection, Worcestershire.
A George III mahogany stick barometer, circa 1800, with broken pediment above rectangular silvered scale with alcohol thermometer, vernier scale and signed F. Bernascone, Haverfordwest, Warranted behind glazed door, above caddy moulded trunk with exposed tube and moulded domed cistern cover to the circular base, 98cm high overall. Provenance: Private collection, Worcestershire.
An unusual mahogany lever dial timepiece Brockbank & Atkins, London, circa 1830 The substantial four-pillar single fusee back-wound movement with Harrison's maintaining power and massive underslung lever platform escapement with monometallic balance and curved silvered regulation scale to rear edge, the backplate with hand setting screw and pointer for a silvered disc calibrated for minutes above signature Brockbank & Atkins LONDON 1959, the similarly signed 10 inch cream painted Roman numeral dial with gilt hands within fixed cast brass bezel and turned wood surround, the rectangular box case with stepped top and hinged rear door, 29cm diameter. Evidence to the sides of the case and the fact that it has a rear door for winding and setting up of hands suggests that this clock was designed to be fixed to a screen probably in a semi-public building, perhaps a bank. The partnership between George Atkins and the firm of Brockbanks is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as existing between 1815 and 1835 predominantly making marine chronometers.
A Continental silver and faux red shell pair-cased quarter-repeating clock watch with alarm Unsigned, late 18th century The frosted gilt fusee verge movement with foliate pierced and engraved balance bridge, engraved regulation scale and four columnar pillars dividing the plates, with two hammers for quarter repeat and a third for the alarm sounding on a bell mounted within the rear of the case, the white enamel Arabic numeral dial with asterisk minute markers, gilt hour and minute hands and blued steel alarm pointer, the inner case with a border of ring-turned piercings to rear cover, the outer case with similar piercings to rear cover and front bezel, 11.5cm diameter, in a later English leather-covered carrying case.
A fine George III gilt brass mounted mahogany musical bracket clock George Suggate, Halesworth, circa 1775 The substantial six-pillar triple fusee movement with verge escapement and playing a choice of four tunes on eight bells with thirteen hammers on the hour or at will and striking the hour on a further bell, with foliate scroll engraved backplate and 8 inch brass break-arch dial with calendar aperture to the matted centre within an applied silvered Roman numeral chapter ring with Arabic five minutes and foliate scroll cast spandrels to angles, the arch with chime/not chime and strike/not strike subsidiary dials with foliate scroll engraved centres flanking shaped recessed silvered nameplate SUGGATE, HALESWORTH beneath arched tune selection scale with moveable pointer to upper edge, the figured mahogany bell-top case with five leaf and berry cast finials above hinged handles and foliate scroll cast rectangular frets to sides, female caryatid applied angles and on moulded base with leafy scroll and cartouche cast mount to the pierced apron, on foliate cast bracket feet, 61cm high overall. George Suggate is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in Halesworth, Suffolk 1767 - early 19th century. The four lively tunes played by this clock are A Dutch Dance, Britton's Strike Home, 104 Psalm and Lady Coventry's Minuet, all these tunes, with the possible exception of A Dutch Dance, were very popular and regularly feature on musical clocks of this date. The complexity of the movement and the quality of the case indicate that this would have been a very expensive clock thus was probably made to order for a wealthy local landowner.
A George III Irish brass sundial Lynch, Dublin, late 18th century The octagonal plate engraved with a central rose within equation of time scale, directions indicating relative locations of International cities and Roman numeral chapter ring with fleur de lys half hour markers and Arabic ten minute intervals, with scroll pierced angled gnomen to centre, signed Lynch Dublin to plate at foot of angle plane, 29.5cm wide.
A William IV mahogany brass inlaid bracket clock, the 8’ white painted dial signed ‘Dwerrihouse Carter, Ogston & Bell, Davies Street’ with two central winding holes and silent strike adjustment, the blacked steel hands indicating on a ring of roman numerals, the twin fusee chain driven movement striking on a single bell, the engraved back plate marked ‘Dwerrihouse Carter, Ogston Bell, Davies Street.’ behind an arched glazed back door, the front with brass stringing and brass inlaid lozenge motif, the sides with ring handles over arched gilt metal pierced fish scale sides, raised on four gilt metal ball feet, 43 cm high
A Regency mahogany pad top bracket clock, the 6’ painted convex dial indistinctly signed Grimaldi & Johnson, Strand, London, the brass inlaid arched case (lacking some brass stringing), the twin fusee movement striking on a replaced single bell with engraved back plate between pierced fish scale gilt metal sides, 37 cm high Literature: Samuel Grimaldi and Johnson are listed in ‘Watchmakers and Clockmakers of the World’ by G H Baillie as watch and clock makers 1809-25
A late 20th Century stainless steel 2 button chronograph Wrist Watch, Polljot in "Blue Angel, Navitimer", the 23 jewelled movement to a black dial with subsidiary for minutes and half-hours with rotating bezel with scale of 0-95, luminous filled hands and centre seconds, with date aperture at 6, in a polished steel case with 2 buttons flanking a winding crown, with screw down back, and fitted brick link bracelet with deployant clasp, width 1 ?"
Holy Land. Savery (Jacob), De Gelegentheyt van tParadys ende t Landt Canaan Mitsgaders de Eerst Bewoond Landen der Patriarchen, [1648],. uncoloured engraved map with inset biblical scenes, 325 x 480 mm, together with Blome (Richard), Canaan comonly called the Holy Land or the Land or Promise, c.1671, uncoloured engraved map, 265 x 450 mm, and Jansson (Jan), Lumen Historiarum per Orientem, [1666], uncoloured engraved map, inset larger scale map and title cartouche, 385 x 480 mm Blome (Richard), A Mapp of the Travels and Voyages of the Apostles, c.1680s, uncoloured engraved map with inset portraits of the disciples, 305 x 465 mm, and three other untitled 18th century maps of the Holy Land (7)

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216134 item(s)/page