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Lot 3352
Sun Star 1:24 Scale Bedford OB Coach Yelloway Motor Services with certificate 729/3250 and Minichamps display case (E box G-E) together with London Transport Museum EFE buses Routemaster Prototype and STL Bus Set 9, Conham Bus Museum (box damaged) and Beatties London Transport Gift Set No.1, various Corgi and other buses (all E boxes G-E) (14)
Lot 861
Attributed to George Vicat Cole (1833-1893) Large scale Lakeland view with a figure standing up within a boat, to the fore the waters edge can be seen, dense with reeds, a luminous sky beyond, oil on canvas, signed with a monogram lower left and dated 1887, in contemporary frame, 100 x 75 cm (114 x 90 cm total)
Lot 1111
Darren Marshall (British, b.1971). 'Liberty Meadows', 2001. Acrylic on canvas, 244 x 196 cm. Provenance: From a reputable private collection. Acquired from New Contemporaries, London by the present owner in 2003. Exhibitions: New Contemporaries 2002, New Contemporaries, London, 2002. Literature: Saatchi Gallery Loan of Art, pp.230. From Saatchi Gallery Loan of Art, pp.231: Many of the young artists featured in this book first came to prominence through the annual touring exhibition "New Contemporaries", a showcase for the talent of artist-graduates. Marshall was selected for the show in 2002, when these works were completed. He paints large-scale acrylic works that feature much-simplified motifs - an aeroplane wing, a melting cornet - locked to the surface by abstract rounds of ice-cream colour.
Lot 1112
Darren Marshall (British, b.1971). 'Techno Rabbit', 2002. Acrylic on canvas, 233 x 183cm. Provenance: From a reputable private collection. Acquired from New Contemporaries, London by the present owner in 2003. Exhibitions: New Contemporaries 2002, New Contemporaries, London, 2002. Literature: Saatchi Gallery Loan of Art, pp.230. From Saatchi Gallery Loan of Art, pp.231: Many of the young artists featured in this book first came to prominence through the annual touring exhibition "New Contemporaries", a showcase for the talent of artist-graduates. Marshall was selected for the show in 2002, when these works were completed. He paints large-scale acrylic works that feature much-simplified motifs - an aeroplane wing, a melting cornet - locked to the surface by abstract rounds of ice-cream colour.
Lot 1235
Brian Duffy (British, 1933-2010) / Alan Waldie (British, 1940-2016). Birdcage with large 'packet' of Benson and Hedges cigarettes inside. This piece was created by photographer Brian Duffy and Art director Alan Waldie for the successful 1979 advertising campaign for the brand. 49 x 32 x 32cm. Provenance: obtained by the vendor from the advertising agency. This piece was used in the award winning Benson & Hedges campaign for the agency Collett Dickenson & Pearce in 1977 with art director Alan Waldie. New laws had restricted the use of conventional images of people smoking cigarettes and they decided to play with scale and dimension to create a surreal illusion. Duffy enjoyed technical challenges and projected a black & white negative through an old Rank spot projector light to create the bird shadow. Today this would be easily created in Photoshop. This initial series of photographs consolidated the concept which other photographers were to follow and Duffy is recognised as one of the top 100 most influential photographers of all time. As time went on Duffy became anti-smoking and withdrew from cigarette advertising.
Lot 143
Dugdale (Sir William) Monasticon Anglicanum, 3 vol., first editions, additional engraved architectural title to vol. 1, titles printed in red and black, 109 engraved plates only of 120 by Wenceslaus Hollar (some double-page), some plates cut down and mounted, a few ff. with ink marks, 18th century manuscript note on the wooden church at Greensted, new endpapers, modern calf, gilt, vol. 1 lower joints slight splitting, spines a little faded, g.e., [Wing D2483-5-6], folio, Richard Hodgkinsonne, 1655-61-73; sold not subject to return.⁂ The Monasticon Anglicanum revealed the importance of charters as sources for the study of medieval history, and 'established for the first time since the Reformation the importance of monasteries and the scale of their territorial possessions' (ODNB).
Lot 265
NO RESERVE Architecture.- English School (early 19th century) Design for a fireplace in white marble, pen and black ink, grey wash and watercolour, brown ink inscriptions and scale measurements, on J Whatman watermarked laid paper but without date, sheet 460 x 320 mm (18 1/8 x 12 1/2 in), surface dirt, particularly in the upper right corner, tear to lower left edge, other minor nicks, handling creases, unframed, [early 19th century]
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