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Mixed metalware including Salter family scale no 45. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133

A coffee potPortuguese silverSpiralled decoration of fish scale like motifs alternating with beaded friezesDomed cover of identical decoration and bulb lid pommelCarved exotic wooden handleEagle hallmark 916/1000 (1938-1984) and same date maker's markSigned "Baptista" R. Passos Manuel 2" stamped "1º Título"Height: 24 cm807 g

Josette Urso OooLaLa 1 Watercolour on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Teetering between urban and natural subjects I make exploratory paintings and drawings working directly and urgently in response to my immediate environment. My approach involves "moment-to-moment" extrapolation governed by intuitive leaps of scale, color and wayward geometry. Contrasts and cross-fertilizations unfold and are cumulative, non-linear, free flowing and interpretive. Space becomes an ambiguous and malleable substance and I delight in its manipulation as I meander acrobatically in a kind of gymnasium of convoluted mark making and image collision. All along the way, I engage the known as well as the unknown in unforeseen ways. For me, drawing and painting parallel the act of seeing and are the most direct links to private time with the physical world. Despite the urgency of my process, as I work, time still slows down. My work becomes a record of this exploration and a reflection of my inherent energy and reason for living.   Education MFA/ Painting, University of South Florida, Tampa, FL   Select Exhibitions/Awards Recipient of awards including an Adolph & Esther Gottlieb Foundation grant, two Pollock-Krasner Foundation grants, a Mid-Atlantic NEA, the Basil H. Alkazzi Award and a Ruth and Harold Chenven Foundation Award. Residencies include Ucross (2014 and 1995); Yaddo; Stock 20, Taiwan; AIEP American Artist's Abroad, Cambodia; Ballinglen Arts Foundation, Ireland; Camargo Foundation, France; Millay and the VCCA. Her work has been shown widely in the United States and abroad in galleries, public institutions, and museums including the New York Public Library, the Drawing Center, the Bronx Museum of the Arts, Markel Fine Arts and Kenise Barnes Fine Art.   Gallery Representation Markel Fine Arts, New York, NY Kenise Barnes Fine Art, Kent, CT   Statement about AOAP Submitted Artwork In my studio, the outside literally comes in through large windows that look across Brooklyn's lower lying factory buildings toward the tall grandness of Manhattan. This view merges with a studio interior filled with playful arrangements from my nature and hand-made object collections: rocks, plants, pinecones, metal and velvet flocked figurines as well as chenille and wire constructions that I often hang in the windows, bringing attention to the spaces between the inside and the outside. In these small works on paper, from my "OooLaLa" series, as in all of my paintings, I engage in the moment with deep curiosity and awe of my surroundings.

Josette Urso OooLaLa 2 Watercolour on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Teetering between urban and natural subjects I make exploratory paintings and drawings working directly and urgently in response to my immediate environment. My approach involves "moment-to-moment" extrapolation governed by intuitive leaps of scale, color and wayward geometry. Contrasts and cross-fertilizations unfold and are cumulative, non-linear, free flowing and interpretive. Space becomes an ambiguous and malleable substance and I delight in its manipulation as I meander acrobatically in a kind of gymnasium of convoluted mark making and image collision. All along the way, I engage the known as well as the unknown in unforeseen ways. For me, drawing and painting parallel the act of seeing and are the most direct links to private time with the physical world. Despite the urgency of my process, as I work, time still slows down. My work becomes a record of this exploration and a reflection of my inherent energy and reason for living.   Education MFA/ Painting, University of South Florida, Tampa, FL   Select Exhibitions/Awards Recipient of awards including an Adolph & Esther Gottlieb Foundation grant, two Pollock-Krasner Foundation grants, a Mid-Atlantic NEA, the Basil H. Alkazzi Award and a Ruth and Harold Chenven Foundation Award. Residencies include Ucross (2014 and 1995); Yaddo; Stock 20, Taiwan; AIEP American Artist's Abroad, Cambodia; Ballinglen Arts Foundation, Ireland; Camargo Foundation, France; Millay and the VCCA. Her work has been shown widely in the United States and abroad in galleries, public institutions, and museums including the New York Public Library, the Drawing Center, the Bronx Museum of the Arts, Markel Fine Arts and Kenise Barnes Fine Art.   Gallery Representation Markel Fine Arts, New York, NY Kenise Barnes Fine Art, Kent, CT   Statement about AOAP Submitted Artwork In my studio, the outside literally comes in through large windows that look across Brooklyn's lower lying factory buildings toward the tall grandness of Manhattan. This view merges with a studio interior filled with playful arrangements from my nature and hand-made object collections: rocks, plants, pinecones, metal and velvet flocked figurines as well as chenille and wire constructions that I often hang in the windows, bringing attention to the spaces between the inside and the outside. In these small works on paper, from my "OooLaLa" series, as in all of my paintings, I engage in the moment with deep curiosity and awe of my surroundings.

Josette Urso OooLaLa 3 Watercolour on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Teetering between urban and natural subjects I make exploratory paintings and drawings working directly and urgently in response to my immediate environment. My approach involves "moment-to-moment" extrapolation governed by intuitive leaps of scale, color and wayward geometry. Contrasts and cross-fertilizations unfold and are cumulative, non-linear, free flowing and interpretive. Space becomes an ambiguous and malleable substance and I delight in its manipulation as I meander acrobatically in a kind of gymnasium of convoluted mark making and image collision. All along the way, I engage the known as well as the unknown in unforeseen ways. For me, drawing and painting parallel the act of seeing and are the most direct links to private time with the physical world. Despite the urgency of my process, as I work, time still slows down. My work becomes a record of this exploration and a reflection of my inherent energy and reason for living.   Education MFA/ Painting, University of South Florida, Tampa, FL   Select Exhibitions/Awards Recipient of awards including an Adolph & Esther Gottlieb Foundation grant, two Pollock-Krasner Foundation grants, a Mid-Atlantic NEA, the Basil H. Alkazzi Award and a Ruth and Harold Chenven Foundation Award. Residencies include Ucross (2014 and 1995); Yaddo; Stock 20, Taiwan; AIEP American Artist's Abroad, Cambodia; Ballinglen Arts Foundation, Ireland; Camargo Foundation, France; Millay and the VCCA. Her work has been shown widely in the United States and abroad in galleries, public institutions, and museums including the New York Public Library, the Drawing Center, the Bronx Museum of the Arts, Markel Fine Arts and Kenise Barnes Fine Art.   Gallery Representation Markel Fine Arts, New York, NY Kenise Barnes Fine Art, Kent, CT   Statement about AOAP Submitted Artwork In my studio, the outside literally comes in through large windows that look across Brooklyn's lower lying factory buildings toward the tall grandness of Manhattan. This view merges with a studio interior filled with playful arrangements from my nature and hand-made object collections: rocks, plants, pinecones, metal and velvet flocked figurines as well as chenille and wire constructions that I often hang in the windows, bringing attention to the spaces between the inside and the outside. In these small works on paper, from my "OooLaLa" series, as in all of my paintings, I engage in the moment with deep curiosity and awe of my surroundings.

Tamara Jovandić-Everson Tanya Ink and Mixed Media on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Tamara finished the Academy of Art in Sarajevo and has lived and worked in North London since 1992. She has over thirty group exhibitions in the UK, Ireland, France and the USA, and five solo shows. Tamara has exhibited at prestigious art galleries such as Mall Gallery, Cork Street, Royal College of Art, and many more. Tamara's paintings, for a period of years, were about exploring female sexuality and nudity through expressionistic imagery, highlighting spiritual and religious themes which suggest a paradox. Tamara's preoccupation for dramatic contrast and religious themes, using live models and working quickly and directly onto canvas, comes from a fascination with Italian Baroque and Caravaggio's use of chiaroscuro and his rich and dark palette. Intending to relate to the viewer on the most intimate level, these works are always faceless and express the universality of torment through human emotion. Exploring the human body through suffering, sacrifice, isolation, and emptiness is autobiographical: based on life in exile, and a homeland torn apart in the civil war (former Yugoslavia). The works are generated from studies of life models. Drawings are then enlarged and painted on a larger scale. In recent works, there is further development in growing out of the narrative, investigating 'painting within painting', freeing and enlarging further parts of figurative artworks, bringing dramatic contrasts by using a variety of mediums to build texture including sand, plaster, and resin...   Education 1986-1991 Academy of Art, Sarajevo   Select Exhibitions/Awards 2018: Highgate Gallery - solo show 2002: Mediterraneo Gallery, Chiswick, London 2000: Terra Gallery, Chiswick, London 1999: Workhouse Art Gallery, Chelsea, London 1994: Locus Gallery, Hampstead, London 1991: Zvono Gallery, Sarajevo 1991: Silver Medal on graduation 1992: Member of ULUBIH (Society of Contemporary Artists of Bosnia and Herzegovina) 1995: Sponsorship by Prof August Wiedmann (Goldsmiths College) 2000: The Hesketh Hubbard Art Society Award, Mall Galleries, London 2017: International Award - the best painting at Chelsea Town Hall show

Tamara Jovandić-Everson Jessica Ink and Mixed Media on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Tamara finished the Academy of Art in Sarajevo and has lived and worked in North London since 1992. She has over thirty group exhibitions in the UK, Ireland, France and the USA, and five solo shows. Tamara has exhibited at prestigious art galleries such as Mall Gallery, Cork Street, Royal College of Art, and many more. Tamara's paintings, for a period of years, were about exploring female sexuality and nudity through expressionistic imagery, highlighting spiritual and religious themes which suggest a paradox. Tamara's preoccupation for dramatic contrast and religious themes, using live models and working quickly and directly onto canvas, comes from a fascination with Italian Baroque and Caravaggio's use of chiaroscuro and his rich and dark palette. Intending to relate to the viewer on the most intimate level, these works are always faceless and express the universality of torment through human emotion. Exploring the human body through suffering, sacrifice, isolation, and emptiness is autobiographical: based on life in exile, and a homeland torn apart in the civil war (former Yugoslavia). The works are generated from studies of life models. Drawings are then enlarged and painted on a larger scale. In recent works, there is further development in growing out of the narrative, investigating 'painting within painting', freeing and enlarging further parts of figurative artworks, bringing dramatic contrasts by using a variety of mediums to build texture including sand, plaster, and resin...   Education 1986-1991 Academy of Art, Sarajevo   Select Exhibitions/Awards 2018: Highgate Gallery - solo show 2002: Mediterraneo Gallery, Chiswick, London 2000: Terra Gallery, Chiswick, London 1999: Workhouse Art Gallery, Chelsea, London 1994: Locus Gallery, Hampstead, London 1991: Zvono Gallery, Sarajevo 1991: Silver Medal on graduation 1992: Member of ULUBIH (Society of Contemporary Artists of Bosnia and Herzegovina) 1995: Sponsorship by Prof August Wiedmann (Goldsmiths College) 2000: The Hesketh Hubbard Art Society Award, Mall Galleries, London 2017: International Award - the best painting at Chelsea Town Hall show

Tamara Jovandić-Everson Mia Ink and Mixed Media on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Tamara finished the Academy of Art in Sarajevo and has lived and worked in North London since 1992. She has over thirty group exhibitions in the UK, Ireland, France and the USA, and five solo shows. Tamara has exhibited at prestigious art galleries such as Mall Gallery, Cork Street, Royal College of Art, and many more. Tamara's paintings, for a period of years, were about exploring female sexuality and nudity through expressionistic imagery, highlighting spiritual and religious themes which suggest a paradox. Tamara's preoccupation for dramatic contrast and religious themes, using live models and working quickly and directly onto canvas, comes from a fascination with Italian Baroque and Caravaggio's use of chiaroscuro and his rich and dark palette. Intending to relate to the viewer on the most intimate level, these works are always faceless and express the universality of torment through human emotion. Exploring the human body through suffering, sacrifice, isolation, and emptiness is autobiographical: based on life in exile, and a homeland torn apart in the civil war (former Yugoslavia). The works are generated from studies of life models. Drawings are then enlarged and painted on a larger scale. In recent works, there is further development in growing out of the narrative, investigating 'painting within painting', freeing and enlarging further parts of figurative artworks, bringing dramatic contrasts by using a variety of mediums to build texture including sand, plaster, and resin...   Education 1986-1991 Academy of Art, Sarajevo   Select Exhibitions/Awards 2018: Highgate Gallery - solo show 2002: Mediterraneo Gallery, Chiswick, London 2000: Terra Gallery, Chiswick, London 1999: Workhouse Art Gallery, Chelsea, London 1994: Locus Gallery, Hampstead, London 1991: Zvono Gallery, Sarajevo 1991: Silver Medal on graduation 1992: Member of ULUBIH (Society of Contemporary Artists of Bosnia and Herzegovina) 1995: Sponsorship by Prof August Wiedmann (Goldsmiths College) 2000: The Hesketh Hubbard Art Society Award, Mall Galleries, London 2017: International Award - the best painting at Chelsea Town Hall show

Vanessa Jackson RA Uptown I Acrylic/Collage on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Lives and works in London   Education St Martin's School of Art 1971-75, Royal College of Art 1975 -78   Statement about AOAP Submitted Artwork Making postcards for the Hepatitis C Trust charity is always a challenge, to make very small paintings, usually including collage to construct a sense of scale in the miniature.

Vanessa Jackson RA Uptown II Acrylic/Collage on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Lives and works in London   Education St Martin's School of Art 1971-75, Royal College of Art 1975 -78   Statement about AOAP Submitted Artwork Making postcards for the Hepatitis C Trust charity is always a challenge, to make very small paintings, usually including collage to construct a sense of scale in the miniature.

Vanessa Jackson RA Uptown III Acrylic/Collage on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Lives and works in London   Education St Martin's School of Art 1971-75, Royal College of Art 1975 -78   Statement about AOAP Submitted Artwork Making postcards for the Hepatitis C Trust charity is always a challenge, to make very small paintings, usually including collage to construct a sense of scale in the miniature.

Jane Wachman Sea and Sand I Acrylic on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Prior to becoming an artist, she worked in the fashion industry surrounded by beautiful fabrics and textures. This, she believes, has been a big influence on her practice. She lets the colours and layers mix themselves on the canvas. The use of bold, strong colours is integral to her work For her the act of painting is a continuous process always changing, always taking away to create something new. Jane works as a full-time artist and is based at Wimbledon Art Studios. Jane undertakes commissions and works with interior designers.   Education 2008-09 Wimbledon School of Art - Art Foundation 2009-11 The John Cass School of Art, London Metropolitan University - BA (Hons) in Fine Art Select Exhibitions/Awards 2021 The Other Art Fair - Truman Brewery E1 2021 Dancing with Trees - Gustavo Bacarisas Gallery, Gibraltar 2020 Three (Group Show) - Graham Hunter Gallery, W1 2020 Spring Show/Art Buyer (Group Show) - Upstart Gallery, Putney, SW15 2020 Lloyd's Art Society - Lloyd's of London, EC3 2020 The Affordable Art Fair - Battersea, SW11 2020 Gestural 2 (Solo Show) - Graham Hunter Gallery, W1 2019 Revisited (Solo show) - A&D Gallery, W1 2019 The Affordable Art Fair - Battersea, SW11   Gallery Representation Jane works with several galleries out of London. She works with design consultants on a regular basis who house her work in commercial buildings, offices and hotel projects. She undertakes commission work as she works on a large scale. Her paintings have been sent to the USA, Australia and Europe.   Statement about AOAP Submitted Artwork The works for Art on a Postcard are inspired by The Witterings in West Sussex. Jane sails with her husband out of Chichester Harbour and is familiar with the views of the Downs. Jane's work is inspired by travel. When painting Jane pulls together memories of places through mark making. As an artist she references the ever-changing outlines of the landscape. She identifies with shape, form and structure when creating her paintings. Influences as far as the wild colours of India and Morocco sit alongside more familiar coastal hues of West Sussex and the Downs which she frequents often. Colour is integral to her work. Her paintings are intuitive; the colours are an extension of her personality coming through into her work however hard she tries to curb it. Travelling to new places she is inspired by all she encounters.

Jane Wachman Sea and Sand II Acrylic on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Prior to becoming an artist, she worked in the fashion industry surrounded by beautiful fabrics and textures. This, she believes, has been a big influence on her practice. She lets the colours and layers mix themselves on the canvas. The use of bold, strong colours is integral to her work For her the act of painting is a continuous process always changing, always taking away to create something new. Jane works as a full-time artist and is based at Wimbledon Art Studios. Jane undertakes commissions and works with interior designers.   Education 2008-09 Wimbledon School of Art - Art Foundation 2009-11 The John Cass School of Art, London Metropolitan University - BA (Hons) in Fine Art Select Exhibitions/Awards 2021 The Other Art Fair - Truman Brewery E1 2021 Dancing with Trees - Gustavo Bacarisas Gallery, Gibraltar 2020 Three (Group Show) - Graham Hunter Gallery, W1 2020 Spring Show/Art Buyer (Group Show) - Upstart Gallery, Putney, SW15 2020 Lloyd's Art Society - Lloyd's of London, EC3 2020 The Affordable Art Fair - Battersea, SW11 2020 Gestural 2 (Solo Show) - Graham Hunter Gallery, W1 2019 Revisited (Solo show) - A&D Gallery, W1 2019 The Affordable Art Fair - Battersea, SW11   Gallery Representation Jane works with several galleries out of London. She works with design consultants on a regular basis who house her work in commercial buildings, offices and hotel projects. She undertakes commission work as she works on a large scale. Her paintings have been sent to the USA, Australia and Europe.   Statement about AOAP Submitted Artwork The works for Art on a Postcard are inspired by The Witterings in West Sussex. Jane sails with her husband out of Chichester Harbour and is familiar with the views of the Downs. Jane's work is inspired by travel. When painting Jane pulls together memories of places through mark making. As an artist she references the ever-changing outlines of the landscape. She identifies with shape, form and structure when creating her paintings. Influences as far as the wild colours of India and Morocco sit alongside more familiar coastal hues of West Sussex and the Downs which she frequents often. Colour is integral to her work. Her paintings are intuitive; the colours are an extension of her personality coming through into her work however hard she tries to curb it. Travelling to new places she is inspired by all she encounters.

Mary Yacoob Manifold 02 Ink on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Mary Yacoob's work encompasses ink on paper, printmaking, large-scale vinyl artworks and light boxes. She appropriates the visual languages of electrical and engineering diagrams, architectural plans, cartography, and alphabetical systems. Playing with repetition and geometry, systems and chance, her work involves transfiguring source materials, creating intricate, yet monumental and mysterious thought forms.   Education Based in London, Mary Yacoob gained a MA in Fine Art at Central Saint Martins, and a BA in Fine Art at London Metropolitan University. She received a BA in English Literature and Political Science.   Select Exhibitions/Awards Solo exhibitions include Five Years Gallery, The Hospital Club, The Centre for Recent Drawing and Seven Seven Gallery. Group exhibitions include The Royal Academy Summer Exhibitions in 2019 and 2021, Gallery 46, &Model, PayeShurvell, Guest Projects, Saturation Point, and Dark Matter Studio. Residencies include The Delta (Δ) Research Placement at Flat Time House with the Diagram Research Group, The North Devon Artist Residency in 2020, Mutton Fist Press in 2019 and the AA2A residency at Camberwell College of Art print department in 2011. Mary Yacoob's works are in the collections of Yinka Shonibare / Guest Projects, Brunel University Art Collection, and private collections. Her artist books are in the Tate Gallery Archive; Chelsea College of Art Special Collection and in the London College of Communication Library.   Statement about AOAP Submitted Artwork Mary Yacoob's drawings are inspired by geometric proof pictures. The drawings deconstruct simple forms, such as circles and triangles, reconstructing them with fractured lines, forming complex perceptual fields. The drawings explore how simple diagrams can be repurposed for playful, gestural and creative encounters.

Angelina May Davis Last Tango Gouache on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About I am a painter currently working in Birmingham Artspace, in an industrial building in Aston. After graduating with a degree in Fine Art Painting in 1988 from Coventry Lanchester Polytechnic I exhibited at Ikon Gallery, Lanchester Gallery, Leicester City Gallery and MAC amongst other spaces before completing an MFA at UCE in 1998 Throughout those years I was involved in setting up and running various collaborative artist studios in Birmingham. Raising a family from 1997 I moved my practice to the dining table for 10 years before beginning to make large paintings again in a studio from 2007. In 2020 I began the Turps Banana Correspondance Course and have enrolled for a 2nd year. I recently had 2 large paintings included in Bloomberg New Contemporaries 2021 and reached the 2nd round of John Moores in 2020. I was also longlisted for this years Contemporary British Painting Prize and have been shortlisted for the last 2 years in the Jacksons Painting Prize. My large scale water colour 'Pond' was selected by Juliette Losq for the Outstanding Water Colour Prize and I was highly commended in the Beep Painting Bienniel 2020.   Education BA Hons Fine Art Coventry Polytechnic 1985-88 MA Fine Art UCE 1996-98 Turps Banana Correspondence Course 2020/21 and 2021/22   Select Exhibitions/Awards 1991 Secret Life of Objects, Ikon Gallery, Birmingham 1992 Solo Exhibition, Lanchester Gallery, Coventry Polytechnic 1992 Solo Exhibition, Behind Closed Doors, City Gallery, Leicester 1993 Solo Exhibition, Living on the Ceiling, MAC, Birmingham 2020 BEEP, Elysium Gallery, Swansea 2021 Ikon for Artists Ikon Gallery Birmingham 2021 Without Borders Touring Exhibition Elysium Gallery Swansea 2021 Bloomberg New Contemporaries , Firstsite Colchester and South London Gallery 2021 Worcester Open The Art House Worcester Jacksons Outstanding Water Colour Award 2021 Shortlisted for Jacksons Painting Prize 2020 and 2021 2nd Round John Moores 2020 Long Listed Contemporary British Painting Prize 2021   Statement about AOAP Submitted Artwork This is based on a series of drawings of logs from the wood pile that transformed through the act of drawing. I enjoy finding relationships and humour in inanimate objects and use this to explore narratives and reflect on my own life.

Jo Dumpleton Pierrot Graphite on Bristol Board Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Hertfordshire based Jo Dumpleton studied illustration at Camberwell College of Arts, London. Having experimented with various drawing styles she became absorbed by intricate pencil drawings. Mostly made at small scale, they are delicately intimate. She takes inspiration from 18th century portrait miniatures and the black and white musical sequences of Busby Berkeley. Focusing mainly on portraiture, she uses antique photographs as source material.   Select Exhibitions/Awards   Recent Group Exhibitions 2021/2022 Trinity Buoy Wharf Drawing Prize, London/Wiltshire 2021 Purslane (Online) 2021 Project Papyrophilia (Online) 2021 Mothflower (Online)   Awards 2021 Trinity Buoy Wharf Drawing Prize (Shortlisted)   Gallery Representation Jo has work available at Project Papyrophilia and Rise Art.

Sonja de Graaf Four Contemplative Moments 1/4 Watercolour and Graphite on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Sonja de Graaf was born in The Netherlands and in 2001 she moved to Florence where she graduated at the Libera Accademia di Belle Arti. Her paintings investigate the beauty, the energy and the turmoils of women's youth. With a skilful and evocative use of colour she breaks the veil of the dominant aesthetic models to reveal the innocence, the fragility and the sweetness, in one word humanity of the subjects in which their real and intimate sensuality lies.   Education BA Fine Arts, Florence 2008   Select Exhibitions/Awards 2021 Questione di Forme, Libri Liberi, Florence Italy 2015 And there she was, Creative Collective, Florence, Italy 2014 The flower Electric, OPC Chianti 2013 The story of the creative, Angel Orensanz Foundation 172 Norfolk Street, New York NY 2012 International Art exhibition and art forum in Shanghai CEIBS 'L arte della fuga' Casa Masaccio, San Giovanni sull'arno Gallery Representation New Blood Art UK   Statement about AOAP Submitted Artwork I usually work on a larger scale so it was quite a challenge having to restrain so much. I really enjoyed the process understanding what would work for the format and in what direction to take the drawings. It was quite meditative and I'm glad I managed to pour as much of myself in as I would normally.

Sonja de Graaf Four Contemplative Moments 2/4 Watercolour and Graphite on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Sonja de Graaf was born in The Netherlands and in 2001 she moved to Florence where she graduated at the Libera Accademia di Belle Arti. Her paintings investigate the beauty, the energy and the turmoils of women's youth. With a skilful and evocative use of colour she breaks the veil of the dominant aesthetic models to reveal the innocence, the fragility and the sweetness, in one word humanity of the subjects in which their real and intimate sensuality lies.   Education BA Fine Arts, Florence 2008   Select Exhibitions/Awards 2021 Questione di Forme, Libri Liberi, Florence Italy 2015 And there she was, Creative Collective, Florence, Italy 2014 The flower Electric, OPC Chianti 2013 The story of the creative, Angel Orensanz Foundation 172 Norfolk Street, New York NY 2012 International Art exhibition and art forum in Shanghai CEIBS 'L arte della fuga' Casa Masaccio, San Giovanni sull'arno Gallery Representation New Blood Art UK   Statement about AOAP Submitted Artwork I usually work on a larger scale so it was quite a challenge having to restrain so much. I really enjoyed the process understanding what would work for the format and in what direction to take the drawings. It was quite meditative and I'm glad I managed to pour as much of myself in as I would normally.

Sonja de Graaf Four Contemplative Moments 3/4 Graphite on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Sonja de Graaf was born in The Netherlands and in 2001 she moved to Florence where she graduated at the Libera Accademia di Belle Arti. Her paintings investigate the beauty, the energy and the turmoils of women's youth. With a skilful and evocative use of colour she breaks the veil of the dominant aesthetic models to reveal the innocence, the fragility and the sweetness, in one word humanity of the subjects in which their real and intimate sensuality lies.   Education BA Fine Arts, Florence 2008   Select Exhibitions/Awards 2021 Questione di Forme, Libri Liberi, Florence Italy 2015 And there she was, Creative Collective, Florence, Italy 2014 The flower Electric, OPC Chianti 2013 The story of the creative, Angel Orensanz Foundation 172 Norfolk Street, New York NY 2012 International Art exhibition and art forum in Shanghai CEIBS 'L arte della fuga' Casa Masaccio, San Giovanni sull'arno Gallery Representation New Blood Art UK   Statement about AOAP Submitted Artwork I usually work on a larger scale so it was quite a challenge having to restrain so much. I really enjoyed the process understanding what would work for the format and in what direction to take the drawings. It was quite meditative and I'm glad I managed to pour as much of myself in as I would normally.

Katherine Bernhardt Pikachu V Max Acrylic on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Bernhardt's boundless visual appetite has established her as one of the most energetic painters working today. She first attracted notice in the early 2000s for her paintings of supermodels taken straight from the pages of fashion magazines such as Elle and Vogue. In the decade following, she began making pattern paintings that feature an ever-expanding list of quotidian motifs. Tacos, coffee makers, toilet paper, cigarettes, E.T., Garfield, Darth Vader, and the Pink Panther make unlikely visual combinations within expansive fields of exuberant color. She takes pleasure in variety, and fully investigates each of her obsessions before moving to another. Bernhardt's trust in the fundamental underpinnings of painting gives her the freedom to depict anything she wants, and the democratizing surfaces of her canvases work without illusion, perspective, logical scale shifts, or atmosphere. With Bernhardt's blunt yet lyrical approach, each painting has the feel of a complete thought that engages the artist's rich and raucous free association. Through her index of images, from childhood sticker books to a ketchup bottle seen during travel, Bernhardt chronicles her life and the broader culture, synthesizing her visual material with hard-won ease. Her influences span from Henri Matisse and the Pattern and Decoration movement to Peter Doig and Chris Ofili. She is an artists' artist, admired by many contemporary peers working today as a singular voice in painting. In a palette that ranges from restrained to vivid Day-Glo, Bernhardt paints the canvases face up on her studio floor, employing spray paint, puddles of thinned-out acrylic, and utilitarian brushwork to emphasize aspects of her motifs. Bernhardt's process is improvisational and loose, at times inviting accident and chance into the works, as well as asserting an equal relationship between artist and material.

Victoria Cantons Change is the Natural Order Watercolour and Archival Ink on Paper Signed on Front and Verso 15 x 10cm (5¾ x 3¾ in.) About Victoria Cantons is an artist who happens to be a woman, transgender, and gay. As a trans woman she is keenly aware of limitations and stigmas, which leads her to question how much freedom we have and where our boundaries lie. Cantons wants to understand as much as she can about what it means to be human. She believes that what we as individuals present to the world is multifaceted and not always visible; a continuous evolution in response to experience, and in relationship to each other. The human condition and questions of identity are central to her work. Cantons is interested in themes of power, identity, and male and female perceptions of each other. She says "These aspects connect us all and yet we are also unique individuals". Cantons' painting is figurative and she could be described as a colourist. She is interested in the dialogue between painting's contemporary iterations and its histories. Cantons uses drawing and written notes combined with found and made photographs to navigate between intuitive, intellectual, and aesthetic content informed by a multinational, -cultural and -religious background. An interest in the internal-external dichotomy manifests in an attention to scale, to how shadows form, and to where absences appear. Memories of being different suggest the need to use masks and camouflage as protection, while influencing the paintings as they evolve in an exploration of identity, self, and representation.   Education 2018 - 21 MFA Painting (Distinction), Slade School of Art, University College London 2017 - 18 Painters Studio Programme, Turps Art School, London 2014 - 17 BA (Hons) Fine Art: Painting, Wimbledon College of Arts, University of the Arts London 2013. . . . Summer Foundation Course, Slade School of Art, University College London 1995 - 97 Drama Studies, Academy of Live and Recorded Arts (ALRA South), London

Victoria Cantons Hope is Everything Watercolour and Archival Ink on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Victoria Cantons is an artist who happens to be a woman, transgender, and gay. As a trans woman she is keenly aware of limitations and stigmas, which leads her to question how much freedom we have and where our boundaries lie. Cantons wants to understand as much as she can about what it means to be human. She believes that what we as individuals present to the world is multifaceted and not always visible; a continuous evolution in response to experience, and in relationship to each other. The human condition and questions of identity are central to her work. Cantons is interested in themes of power, identity, and male and female perceptions of each other. She says "These aspects connect us all and yet we are also unique individuals". Cantons' painting is figurative and she could be described as a colourist. She is interested in the dialogue between painting's contemporary iterations and its histories. Cantons uses drawing and written notes combined with found and made photographs to navigate between intuitive, intellectual, and aesthetic content informed by a multinational, -cultural and -religious background. An interest in the internal-external dichotomy manifests in an attention to scale, to how shadows form, and to where absences appear. Memories of being different suggest the need to use masks and camouflage as protection, while influencing the paintings as they evolve in an exploration of identity, self, and representation.   Education 2018 - 21 MFA Painting (Distinction), Slade School of Art, University College London 2017 - 18 Painters Studio Programme, Turps Art School, London 2014 - 17 BA (Hons) Fine Art: Painting, Wimbledon College of Arts, University of the Arts London 2013. . . . Summer Foundation Course, Slade School of Art, University College London 1995 - 97 Drama Studies, Academy of Live and Recorded Arts (ALRA South), London

Olivia Strange Stud Acrylic on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Olivia Strange's multi-disciplinary practice spanning sculpture, painting, installation, moving image and poetry, is characterised by a layered narrative and highly visceral aesthetic. The work is concerned with disarming patriarchal descriptors via exploration of her Italian roots and draws on themes of Greco-Roman mythology, the female body & jouissance to portray an empowering image of queer female subjectivity. Since graduating with Distinction from Chelsea College of Art- MA Fine Art (2017) having received the Vice Chancellor Scholarship, Strange has exhibited at Annka Kulty's Gallery presenting an ambitious large scale immersive installation as part of the inaugural Cacotopia show, Southwark Park Galleries, Liminal Gallery, Every Woman Biennial and Basis Projektraum. Strange has been selected for the 2021 cohort of the SPACE Studios X London Creative Network Artist Development Programme and the Ellipsis Prints 2021Commissioning Project. Most recently, Strange was shortlisted to receive the prestigious Ingram Collection Purchase Prize 2021.   Education MA Fine Art (Distinction) - Chelsea College of Art   Select Exhibitions/Awards   S E L E C T E D E X H I B I T I O N S 2022, Liminal Gallery, Solo Show (upcoming) - Online 2021, Ingram Collection Purchase Prize 2021 shortlisted artists show- Unit 1 Gallery & Workshop, London - UK 2021, Every Woman Biennial, New York - US 2021, Instructions for Waiting, Liminal Gallery, London - UK 2021, Ellipsis Prints Commissioning Project for womxn + non binary artists, London - UK 2021, CARE DONT CARE, Basis Projektraum, Frankfurt - Germany 2021, Art On A Postcard, International Womens Day 2021, 36th Annual Open, Southwark Park Galleries, London (online) - UK 2017, Cacotopia, Annka Kultys Gallery, London - UK A W A R D S 2021 Ingram Collection Purchase Prize (shortlisted) Ellipsis Prints Commissioning Project for womxn + non binary artists, London 2020-21 London creative Network x SPACE Artist Development Programme 2016 Space Studio Award (shortlist), London 2015 Vice Chancellor Scholarship 2015 MA Fine Art Chelsea College of Art   Statement about AOAP Submitted Artwork The three postcards I have presented for International Women's Day each aim to surface queer experience and offer an alternative empowering image of female subjectivity in an eroticized state. Oppressive bodily narratives are criticised via a whimsical and subversive language to refute binary ideals of 'femininity' and womxnhood.

Olivia Strange Pepto Bismol Buff Baby Acrylic on Board Signed on Verso 10 x 10cm (3¾ x 3¾ in.) About Olivia Strange's multi-disciplinary practice spanning sculpture, painting, installation, moving image and poetry, is characterised by a layered narrative and highly visceral aesthetic. The work is concerned with disarming patriarchal descriptors via exploration of her Italian roots and draws on themes of Greco-Roman mythology, the female body & jouissance to portray an empowering image of queer female subjectivity. Since graduating with Distinction from Chelsea College of Art- MA Fine Art (2017) having received the Vice Chancellor Scholarship, Strange has exhibited at Annka Kulty's Gallery presenting an ambitious large scale immersive installation as part of the inaugural Cacotopia show, Southwark Park Galleries, Liminal Gallery, Every Woman Biennial and Basis Projektraum. Strange has been selected for the 2021 cohort of the SPACE Studios X London Creative Network Artist Development Programme and the Ellipsis Prints 2021Commissioning Project. Most recently, Strange was shortlisted to receive the prestigious Ingram Collection Purchase Prize 2021.   Education MA Fine Art (Distinction) - Chelsea College of Art   Select Exhibitions/Awards   S E L E C T E D E X H I B I T I O N S 2022, Liminal Gallery, Solo Show (upcoming) - Online 2021, Ingram Collection Purchase Prize 2021 shortlisted artists show- Unit 1 Gallery & Workshop, London - UK 2021, Every Woman Biennial, New York - US 2021, Instructions for Waiting, Liminal Gallery, London - UK 2021, Ellipsis Prints Commissioning Project for womxn + non binary artists, London - UK 2021, CARE DONT CARE, Basis Projektraum, Frankfurt - Germany 2021, Art On A Postcard, International Womens Day 2021, 36th Annual Open, Southwark Park Galleries, London (online) - UK 2017, Cacotopia, Annka Kultys Gallery, London - UK A W A R D S 2021 Ingram Collection Purchase Prize (shortlisted) Ellipsis Prints Commissioning Project for womxn + non binary artists, London 2020-21 London creative Network x SPACE Artist Development Programme 2016 Space Studio Award (shortlist), London 2015 Vice Chancellor Scholarship 2015 MA Fine Art Chelsea College of Art   Statement about AOAP Submitted Artwork The three postcards I have presented for International Women's Day each aim to surface queer experience and offer an alternative empowering image of female subjectivity in an eroticized state. Oppressive bodily narratives are criticised via a whimsical and subversive language to refute binary ideals of 'femininity' and womxnhood.

Olivia Strange Arcades and Peaches Acrylic on Board Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Olivia Strange's multi-disciplinary practice spanning sculpture, painting, installation, moving image and poetry, is characterised by a layered narrative and highly visceral aesthetic. The work is concerned with disarming patriarchal descriptors via exploration of her Italian roots and draws on themes of Greco-Roman mythology, the female body & jouissance to portray an empowering image of queer female subjectivity. Since graduating with Distinction from Chelsea College of Art- MA Fine Art (2017) having received the Vice Chancellor Scholarship, Strange has exhibited at Annka Kulty's Gallery presenting an ambitious large scale immersive installation as part of the inaugural Cacotopia show, Southwark Park Galleries, Liminal Gallery, Every Woman Biennial and Basis Projektraum. Strange has been selected for the 2021 cohort of the SPACE Studios X London Creative Network Artist Development Programme and the Ellipsis Prints 2021Commissioning Project. Most recently, Strange was shortlisted to receive the prestigious Ingram Collection Purchase Prize 2021.   Education MA Fine Art (Distinction) - Chelsea College of Art   Select Exhibitions/Awards   S E L E C T E D E X H I B I T I O N S 2022, Liminal Gallery, Solo Show (upcoming) - Online 2021, Ingram Collection Purchase Prize 2021 shortlisted artists show- Unit 1 Gallery & Workshop, London - UK 2021, Every Woman Biennial, New York - US 2021, Instructions for Waiting, Liminal Gallery, London - UK 2021, Ellipsis Prints Commissioning Project for womxn + non binary artists, London - UK 2021, CARE DONT CARE, Basis Projektraum, Frankfurt - Germany 2021, Art On A Postcard, International Womens Day 2021, 36th Annual Open, Southwark Park Galleries, London (online) - UK 2017, Cacotopia, Annka Kultys Gallery, London - UK A W A R D S 2021 Ingram Collection Purchase Prize (shortlisted) Ellipsis Prints Commissioning Project for womxn + non binary artists, London 2020-21 London creative Network x SPACE Artist Development Programme 2016 Space Studio Award (shortlist), London 2015 Vice Chancellor Scholarship 2015 MA Fine Art Chelsea College of Art   Statement about AOAP Submitted Artwork The three postcards I have presented for International Women's Day each aim to surface queer experience and offer an alternative empowering image of female subjectivity in an eroticized state. Oppressive bodily narratives are criticised via a whimsical and subversive language to refute binary ideals of 'femininity' and womxnhood.

Carrie Reichardt Untitled Ceramic Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Carrie Reichardt's ancestry can be traced back through a long line of aristocratic eccentrics. Her grandfather, Joseph Reichardt owned estates in the Austrian Empire and was known as The Camel Hair King of America after making a fortune shipping camel hair wool from Persia via his offices in New York. He worked for the Tsar of Russia during World War I and was awarded the title of Count before fleeing the Russian Revolution. Count Reichardt was bankrupted after losing the cutting rights to all the trees on the Caspian Sea. He moved to England with three sons. The eldest became a Nuclear Scientist. The youngest was Tony Reichardt, who prospered as an influential dealer in Modern Art in post-war London and was close friends with Francis Bacon. The second son was Carrie Reichardt's father Roland, who became a Rigsbyesque property landlord as well as being a faith healer with a keen interest in erotica. Carrie Reichardt gained a First Class degree in Fine Art at Leeds University and has had a career spanning many media, including film, performance and sculpture. She is perhaps best known as a ceramicist and mosaicist, working internationally on large scale public murals. A renegade who is revered in anti-establishment circles, Reichardt's preoccupation with seditious ceramics places her within an artistic tradition extending back to William Morris. She creates anarchic artworks where vintage floral, kitsch, royal and religious crockery is given a new twist by re-firing with layers of new ceramic decals They are modified in a "radical use of traditional things" and often adorned with skulls, cheeky slogans and political statements. Her first solo exhibition, entitled "Mad in England", provided an exploration of this theme, which she has continued to pursue in subsequent work. Carrie Reichardt has spoken publicly about the use of craft and art as protest and her skills have been put to good use as a vehicle for her own political activism, most notably her campaigning for prisoners on Death Row and her involvement with the fight to gain justice for the Angola 3. Despite having a rebellious streak, it is testament to her talent and vivacious personality that Reichardt was awarded the Winston Churchill Travelling Fellowship in 2013, enabling her to work with local communities in Chile and Mexico. Carrie Reichardt has been an outspoken advocate for using Art as a form of personal therapy and "Mad In England" is a perfect back stamp for her work. It is fitting that her house and studio in Chiswick is famously called The Treatment Rooms.

Carrie Reichardt Untitled Ceramic on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Carrie Reichardt's ancestry can be traced back through a long line of aristocratic eccentrics. Her grandfather, Joseph Reichardt owned estates in the Austrian Empire and was known as The Camel Hair King of America after making a fortune shipping camel hair wool from Persia via his offices in New York. He worked for the Tsar of Russia during World War I and was awarded the title of Count before fleeing the Russian Revolution. Count Reichardt was bankrupted after losing the cutting rights to all the trees on the Caspian Sea. He moved to England with three sons. The eldest became a Nuclear Scientist. The youngest was Tony Reichardt, who prospered as an influential dealer in Modern Art in post-war London and was close friends with Francis Bacon. The second son was Carrie Reichardt's father Roland, who became a Rigsbyesque property landlord as well as being a faith healer with a keen interest in erotica. Carrie Reichardt gained a First Class degree in Fine Art at Leeds University and has had a career spanning many media, including film, performance and sculpture. She is perhaps best known as a ceramicist and mosaicist, working internationally on large scale public murals. A renegade who is revered in anti-establishment circles, Reichardt's preoccupation with seditious ceramics places her within an artistic tradition extending back to William Morris. She creates anarchic artworks where vintage floral, kitsch, royal and religious crockery is given a new twist by re-firing with layers of new ceramic decals They are modified in a "radical use of traditional things" and often adorned with skulls, cheeky slogans and political statements. Her first solo exhibition, entitled "Mad in England", provided an exploration of this theme, which she has continued to pursue in subsequent work. Carrie Reichardt has spoken publicly about the use of craft and art as protest and her skills have been put to good use as a vehicle for her own political activism, most notably her campaigning for prisoners on Death Row and her involvement with the fight to gain justice for the Angola 3. Despite having a rebellious streak, it is testament to her talent and vivacious personality that Reichardt was awarded the Winston Churchill Travelling Fellowship in 2013, enabling her to work with local communities in Chile and Mexico. Carrie Reichardt has been an outspoken advocate for using Art as a form of personal therapy and "Mad In England" is a perfect back stamp for her work. It is fitting that her house and studio in Chiswick is famously called The Treatment Rooms.

Emilia Dubicki Riverview - Spring Acrylic on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About I am primarily an abstract painter, but there is a representational aspect to some of my work. I like to work large scale but also do smaller paintings and drawings. My work is in private and corporate collections nationally and internationally. I am represented by the Fred.Giampietro Gallery in New Haven, CT. I have received artist residency grants from the Pouch Cove Foundation, I-Park Foundation, The Vermont Studio Center, and the Wurlitzer Foundation.   Select Exhibitions/Awards SOLO Oracle, Fred.Giampietro Gallery, New Haven, CT 6/18-8/18 solo show Fred.Giampietro Gallery, New Haven CT; 6/23/16 -8/5/16 Gallery East, Norwalk Community College, Norwalk, CT; "Abstractionx2," 11/2/15-1/8/16 GROUP Jason McCoy Gallery, NY, NY; Drawing Challenge XXIV online exhibit 11/21 Jason McCoy Gallery, NY, NY; Drawing Challenge XXII online exhibit 6/21 Jason McCoy Gallery, NY, NY; Drawing Challenge XVIII online exhibit 3/21 Five Points Gallery, Torrington, CT; 7/20-8/22 True Blue Susan Powell Fine Art, Madsion, CT 4/20- 5/20 Bridging Realism to Abractraction Jason McCoy Gallery, NY, NY; Drawing Challenge II online exhibit 2020 6x6 Invitational Show, City Gallery, New Haven, CT 1/19-3/19 Museum of Modern Art, New York, New York; digital exhibition, 1/18 Five Points Gallery, Torrington, CT; 5/17-6/17 Fred.Giampietro Gallery, New Haven, CT; 12/16 Palazzo dell' Annunziata, "Arte Internazionale" Matera, Italy; 5/16-6/16

Emilia Dubicki Riverview - Summer Acrylic on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About I am primarily an abstract painter, but there is a representational aspect to some of my work. I like to work large scale but also do smaller paintings and drawings. My work is in private and corporate collections nationally and internationally. I am represented by the Fred.Giampietro Gallery in New Haven, CT. I have received artist residency grants from the Pouch Cove Foundation, I-Park Foundation, The Vermont Studio Center, and the Wurlitzer Foundation. Select Exhibitions/Awards   SOLO Oracle, Fred.Giampietro Gallery, New Haven, CT 6/18-8/18 solo show Fred.Giampietro Gallery, New Haven CT; 6/23/16 -8/5/16 Gallery East, Norwalk Community College, Norwalk, CT; "Abstractionx2," 11/2/15-1/8/16 GROUP Jason McCoy Gallery, NY, NY; Drawing Challenge XXIV online exhibit 11/21 Jason McCoy Gallery, NY, NY; Drawing Challenge XXII online exhibit 6/21 Jason McCoy Gallery, NY, NY; Drawing Challenge XVIII online exhibit 3/21 Five Points Gallery, Torrington, CT; 7/20-8/22 True Blue Susan Powell Fine Art, Madsion, CT 4/20- 5/20 Bridging Realism to Abractraction Jason McCoy Gallery, NY, NY; Drawing Challenge II online exhibit 2020 6x6 Invitational Show, City Gallery, New Haven, CT 1/19-3/19 Museum of Modern Art, New York, New York; digital exhibition, 1/18 Five Points Gallery, Torrington, CT; 5/17-6/17 Fred.Giampietro Gallery, New Haven, CT; 12/16 Palazzo dell' Annunziata, "Arte Internazionale" Matera, Italy; 5/16-6/16

Emilia Dubicki Riverview - Fall Acrylic on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About I am primarily an abstract painter, but there is a representational aspect to some of my work. I like to work large scale but also do smaller paintings and drawings. My work is in private and corporate collections nationally and internationally. I am represented by the Fred.Giampietro Gallery in New Haven, CT. I have received artist residency grants from the Pouch Cove Foundation, I-Park Foundation, The Vermont Studio Center, and the Wurlitzer Foundation. Select Exhibitions/Awards   SOLO Oracle, Fred.Giampietro Gallery, New Haven, CT 6/18-8/18 solo show Fred.Giampietro Gallery, New Haven CT; 6/23/16 -8/5/16 Gallery East, Norwalk Community College, Norwalk, CT; "Abstractionx2," 11/2/15-1/8/16 GROUP Jason McCoy Gallery, NY, NY; Drawing Challenge XXIV online exhibit 11/21 Jason McCoy Gallery, NY, NY; Drawing Challenge XXII online exhibit 6/21 Jason McCoy Gallery, NY, NY; Drawing Challenge XVIII online exhibit 3/21 Five Points Gallery, Torrington, CT; 7/20-8/22 True Blue Susan Powell Fine Art, Madsion, CT 4/20- 5/20 Bridging Realism to Abractraction Jason McCoy Gallery, NY, NY; Drawing Challenge II online exhibit 2020 6x6 Invitational Show, City Gallery, New Haven, CT 1/19-3/19 Museum of Modern Art, New York, New York; digital exhibition, 1/18 Five Points Gallery, Torrington, CT; 5/17-6/17 Fred.Giampietro Gallery, New Haven, CT; 12/16 Palazzo dell' Annunziata, "Arte Internazionale" Matera, Italy; 5/16-6/16

Emilia Dubicki Riverview - Winter Acrylic on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About I am primarily an abstract painter, but there is a representational aspect to some of my work. I like to work large scale but also do smaller paintings and drawings. My work is in private and corporate collections nationally and internationally. I am represented by the Fred.Giampietro Gallery in New Haven, CT. I have received artist residency grants from the Pouch Cove Foundation, I-Park Foundation, The Vermont Studio Center, and the Wurlitzer Foundation. Select Exhibitions/Awards   SOLO Oracle, Fred.Giampietro Gallery, New Haven, CT 6/18-8/18 solo show Fred.Giampietro Gallery, New Haven CT; 6/23/16 -8/5/16 Gallery East, Norwalk Community College, Norwalk, CT; "Abstractionx2," 11/2/15-1/8/16 GROUP Jason McCoy Gallery, NY, NY; Drawing Challenge XXIV online exhibit 11/21 Jason McCoy Gallery, NY, NY; Drawing Challenge XXII online exhibit 6/21 Jason McCoy Gallery, NY, NY; Drawing Challenge XVIII online exhibit 3/21 Five Points Gallery, Torrington, CT; 7/20-8/22 True Blue Susan Powell Fine Art, Madsion, CT 4/20- 5/20 Bridging Realism to Abractraction Jason McCoy Gallery, NY, NY; Drawing Challenge II online exhibit 2020 6x6 Invitational Show, City Gallery, New Haven, CT 1/19-3/19 Museum of Modern Art, New York, New York; digital exhibition, 1/18 Five Points Gallery, Torrington, CT; 5/17-6/17 Fred.Giampietro Gallery, New Haven, CT; 12/16 Palazzo dell' Annunziata, "Arte Internazionale" Matera, Italy; 5/16-6/16

Pippa Blake Little Amal: The Walk I Acrylic, Gouache and Pastel on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Pippa Blake was born in Portsmouth, England in 1954, and studied Fine Art (Painting) at Camberwell College of Art, London from 1972 to 1976 gaining BA Honours (First Class). In 2005 she graduated from the Visual Arts Programme, West Dean College, Sussex with a Postgraduate Diploma (Distinction). Blake has travelled the world extensively but now lives and works on Chichester Harbour near the Hampshire/Sussex border, UK. She exhibits frequently both in the UK and New Zealand. She serves as a founding Trustee for BLAKE, an organisation in New Zealand inspiring environmental leadership. Education Camberwell School of Art, 1972 - 76: BA Hons Fine Art (First Class) West Dean College , 2004-2005: Post Graduate Diploma (Distinction)   Select Exhibitions/Awards Several solo exhibitions from 1995 onwards with the last 'On the Road 'at Candida Stevens Gallery in July 2020 - next solo show being there in October 2022. I have exhibited frequently in both New Zealand and the UK, I have twice been artist in residence at Chichester Festival Theatre with three large scale paintings being shown at Pallant House Gallery in 2016. I was also an artist in residence on a research vessel between Newfoundland and Iceland back in 2006.   Gallery Representation Candida Stevens Gallery   Statement about AOAP Submitted Artwork Being International Women's Day I looked for a subject that fitted, a deviation from my landscape-based work. I chose Little Amal, the 3.5 metre high puppet who 'walked' with puppeteers from Syria to Manchester on an art project called The Walk to highlight the urgent needs of young refugees. I feel she represents the many marginalised women having to deal with life under dire circumstances.

Anastasia Lopoukhine Someone's Hands Pen on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Anastasia Lopoukhine is a French-Russian artist educated in the UK, the US and Russia. Anastasia makes large scale pen and ink drawings, sometimes adding watercolour and oil pastel to build a sense of tactility. The detailed nature of the process gives Anastasia's work an intensity, often lifted with a hint of wry humour. Her approach is that of a narrator inspired by events in history or by personal experiences in different corners of the world. Anastasia holds an MAScot from the University of Edinburgh in History and Russian studies and an MFA from the New York Academy of Art, where she majored in Drawing and Printmaking. Over the past decade Anastasia has participated in group exhibitions and auctions in London, Moscow and New York.   Education Stowe School, UK: 2009-2014 The University of Edinburgh, UK: MAScot, 2015-2019 The New York Academy of Art, US: MFA, 2019-2021.   Select Exhibitions/Awards TriBeCa Ball, New York, 2020/2021 Réaction Exhibition, London, 2020 Susan Eley Fine Art, Online Show 'Ghost of Presence', New York, September 2021 The Russian Artist Fund, Group Show at the Museum of Applied Arts, Moscow, October 2021 The Christmas Group Show, A3 Gallery, Moscow 17 December 2021 - 17 January 2022   Statement about AOAP Submitted Artwork I wanted to draw what was around me when I opened the envelope with the cards: my favorite chair at my friend's house and my boyfriend's hands. I drew both in pen for that is my medium of choice.

Pippa Blake Little Amal: The Walk II Acrylic, Gouache and Pastel on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Pippa Blake was born in Portsmouth, England in 1954, and studied Fine Art (Painting) at Camberwell College of Art, London from 1972 to 1976 gaining BA Honours (First Class). In 2005 she graduated from the Visual Arts Programme, West Dean College, Sussex with a Postgraduate Diploma (Distinction). Blake has travelled the world extensively but now lives and works on Chichester Harbour near the Hampshire/Sussex border, UK. She exhibits frequently both in the UK and New Zealand. She serves as a founding Trustee for BLAKE, an organisation in New Zealand inspiring environmental leadership. Education Camberwell School of Art, 1972 - 76: BA Hons Fine Art (First Class) West Dean College , 2004-2005: Post Graduate Diploma (Distinction)   Select Exhibitions/Awards Several solo exhibitions from 1995 onwards with the last 'On the Road 'at Candida Stevens Gallery in July 2020 - next solo show being there in October 2022. I have exhibited frequently in both New Zealand and the UK, I have twice been artist in residence at Chichester Festival Theatre with three large scale paintings being shown at Pallant House Gallery in 2016. I was also an artist in residence on a research vessel between Newfoundland and Iceland back in 2006.   Gallery Representation Candida Stevens Gallery   Statement about AOAP Submitted Artwork Being International Women's Day I looked for a subject that fitted, a deviation from my landscape-based work. I chose Little Amal, the 3.5 metre high puppet who 'walked' with puppeteers from Syria to Manchester on an art project called The Walk to highlight the urgent needs of young refugees. I feel she represents the many marginalised women having to deal with life under dire circumstances.

Pippa Blake Little Amal: The Walk III Acrylic, Gouache and Pastel on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.)   About Pippa Blake was born in Portsmouth, England in 1954, and studied Fine Art (Painting) at Camberwell College of Art, London from 1972 to 1976 gaining BA Honours (First Class). In 2005 she graduated from the Visual Arts Programme, West Dean College, Sussex with a Postgraduate Diploma (Distinction). Blake has travelled the world extensively but now lives and works on Chichester Harbour near the Hampshire/Sussex border, UK. She exhibits frequently both in the UK and New Zealand. She serves as a founding Trustee for BLAKE, an organisation in New Zealand inspiring environmental leadership. Education Camberwell School of Art, 1972 - 76: BA Hons Fine Art (First Class) West Dean College , 2004-2005: Post Graduate Diploma (Distinction)   Select Exhibitions/Awards Several solo exhibitions from 1995 onwards with the last 'On the Road 'at Candida Stevens Gallery in July 2020 - next solo show being there in October 2022. I have exhibited frequently in both New Zealand and the UK, I have twice been artist in residence at Chichester Festival Theatre with three large scale paintings being shown at Pallant House Gallery in 2016. I was also an artist in residence on a research vessel between Newfoundland and Iceland back in 2006.   Gallery Representation Candida Stevens Gallery   Statement about AOAP Submitted Artwork Being International Women's Day I looked for a subject that fitted, a deviation from my landscape-based work. I chose Little Amal, the 3.5 metre high puppet who 'walked' with puppeteers from Syria to Manchester on an art project called The Walk to highlight the urgent needs of young refugees. I feel she represents the many marginalised women having to deal with life under dire circumstances.

A 19th century brass balance scale on mahogany plinth with 5 graduating bell weights 10gm-100gm

3 originally boxed sets of 19th/20th century postage scales in "The Airweigh Letter Balance", "The Challenge Spring Letter Balance" and "Letts Scale New Bilateral System"

3 sets of hanging spring balances by Salter; a counter weighted letter scale

A Victorian brass and glass oil lamp and shade; a set of kitchen scales and weights and a salter balance scale

A 1960's Tri-ang battery operated Ford Zephyr, 1-20 scale, in original box

A scale blue Worcester style jardinière (a.f.); 6 pieces of Royal Crown Derby china; other decorative china

A scratch built three inch scale model traction engine,Marshall 'Old Nightmare', with coalbox, fitted with dummy horizontal cable drum, the chassis detail including spoked and straked rear wheels, wooden running board with vice127cm long48cm wide75cm highNo boiler certificateCondition report: No bolier certificate, some of work seems crude, especially soldered or welded joints

A silver line electric grinder, stone polishing kit, together with two boxes containing vinyl records, a ceramic plant stand, a scale model aircraft etc

Collection of jewellery, wristwatches and sovereign scale.

A Collection of Curios to Include Scale Rule, Cigarette Case, Portable Alarm Clock, Paperweights, Magnifying Glass, Spanish Bull etc

Collection of model cars, including 1:18 scale, Burago, Ertl Collectibles American Muscle Classics, and some loose diecast.

Scale head leather sheathed wooden handled knife, blade L: 15 cm. P&P Group 2 (£18+VAT for the first lot and £3+VAT for subsequent lots)

A large collection of model railway related parts and accessories, including Jouef 5108 carriage, Airfix 00 scale Biggin Hill and Mamod miniature polishing machine and more Condition Report: Unable to confirm if sets are complete

Quantity of boxed various scale models including Revell and Ertl

GMP 1/18th scale model, G1803109, 1970 Plymouth Roadrunner, black

Minichamps First Class Collection 1/18th scale, 107139820 1938 Bentley Embiricos

Exoto Racing Legends 1/18th scale 18008 Cobra Daytona coupe

GMP 1/18th scale model, G1803102, 1970 Plymouth GTX 440 plus 6

Wooden scale model of HMS Victory, 29insTitle showing Victory in 1805

Hand-coloured (contemporary) engraving depicting Aquitaine, with scale and title cartouche with inscription: Aqvitania Australis Regnv Arelatense cum confinijs.Copper engraving on a double page, central fold as published, in the margin at the top several folds and cracks, but else in good condition. Verso: French.I.: 46 x 34,6 / sheet.: 56 x 46 cm.

Hand-coloured (contemporary) engraving adorned with scale (Milliaria Italica & Germanica communia, the respectively indicated metric systems) title cartouche with inscription: Calabria Vtra / olim / Altera Magnae Graeciae / pars.Copper engraving on a double page, folio format, vertical fold as published, 4 cm. Torn vertical fold, minimal toning of the paper, but else in good condition.Originating from: H. Hondius, Nouveau Theatre du Monde ou Nouvel Atlas comprenant Les Tables et Descriptions de toutes les Regions de la Terre, Amsterdam, 1641. (Van der Krogt 1, 412)I.: 34,8 x 37,9 / sheet: 38,5 x 49 cm. Litt.:- Van der Krogt 1 - 7492:1.1Joannes Janssonius (Arnhem, 1588-1664) married Elisabeth Hondius in Amsterdam in 1612. He was the son of the Arnhem publisher Jan Janssen, she was the daughter of Jodocus Hondius, a Flemish engraver and cartographer. Thus they were both linked to the mapmaking industry. After their marriage they settled down in Amsterdam, while he was occupied as a bookseller and publisher of atlases and maps. In 1618 he established his bookshop next to Blaeu in Amsterdam. The competition became even more serious when he started copying Blaeu’s ‘Licht der Zeevaert’ in 1620, after the expiration of the privilege previously held by Blaeu’s succesor. Besides publishing atlases, books and single maps Janssonius was deeply involved in booktrading business with branches in amongst others Berlin, Frankfurt, Copenhagen and Stockholm.In 1631 he started cooperating with Henricus Hondius. In 1640 Henricus Hondius left the business completely to Janssonius. Rivalry with Willem Blaeu’s succesor Joan encouraged him to enlarge his own Atlas Novus into six volumes, also enclosing a sea atlas and an atlas of the Old World.

Hand-coloured (contemporary) map, surrounded by allegorical figures depicting the 12 wind directions and according to pre-Colombian ideas about the known world. The continents rudimentary depicted and joined at the lower part by one single Southern continent (Terra Incognita Secundum Ptolemaeum). Also depicted on a large scale is the mythological island Taprobana (Sumatra or Ceylon) and India, devided into 'India infra Gangem' (India proper) and 'India Extra' (Thailand, Cambodia, Vietnam). Only the Northern part of Africa depicted up to the sources of the Nile. With inscription: 'Ptolomeisch General Tafel / Die halbe Kugel der Welt begreiffende', numbered 872 and 750 in pencil. Engraving on a double page, fold as published, minor crack below, the paper jellowed, some minor holes. Originating from: 'Cosmographia​' (1544).I.: 30,9 x 35,2; sheet: 34,8 x 45,1 cm.Note: The 'Cosmographia' by Sebastian Münster is the oldest German published description of the world.

Hand-colored engraving depicting Celebes (Sulawesi), getiteld and with scale (French and Engelse nautical miles).With inscription: Karte von der Insel Celebes oder Macassar. / Zu der allegemeinen Geschichte der Reisen', and numbered upper right: 20, and in pencil: 223.Engraving on a single page, the paper with some discoloration and some minor stains, but else in good condition. Engraved by Jacob van der Schley (1715-1779), published in AF Prévost's 'Histoire générales des Voyages', Paris, 1747 & 1775.I.: 20.5 x 14.4; Sheet: 24,1 x 17,3 cm.

Consisting of: a scale, Christmas bells, train carriage, bunch of roses, scroll, gift, rocking chair, wine botlle and glasses and a mobile phone. Complete with original boxes in various conditions. Estimated: €10 - €50

Hallmarks: D-A, 925S, scale (Oslo), Norway-Sterling. Ring size: adjustable. Weight: 10.3 gram.