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A 1970s Seiko gentleman's chronograph stainless steel cased wristwatch, model 6139-7070The signed 1 2/8th inch black dial with subsidiary dial, date apertures, tachymeter scale and baton markers, the signed automatic seventeen jewel movement numbered 61398. CONDITION REPORTS: Generally good condition, expected wear, strap associated.
A Baume & Mercier 18 ct gold cased baumatic chronograph wristwatchThe signed 1 1/8th inch black dial with silvered subsidiary dials, date aperture and tachymetre scale within a fixed bezel with Roman numerals, the signed automatic forty jewelled movement numbered BM13283, the case numbered 86104 over 1855308, boxed and with booklet. CONDITION REPORTS: Generally good condition, expected wear, approximately 83 grammes all in.
Three boxed Corgi diecast model trucks in 1:50 scale from their 'Heavy Haulage' series, 31007 Diamond T 'Annis', 17602 Scammell Constructor 'Sunter' and 76802 MAN Tractor Unit, Bogie and Bridge Beam Load. Models appear G to VG, with the 31007 model lacking mirrors and the latter model lacking one of the turntables, although all have certificates present. Packaging is generally G/G+. (3)
A very good quantity of unboxed Lledo diecast models, contained in two boxes, one box containing 'Kit-Kat 50 Years' Model T Vans, the other containing mostly 'Winn Dixie' promotional model vans. Models overall appear VG. Also included in this lot is a small quantity of boxed and unboxed continental diecast models by Vitesse, Eligor and others, a boxed Paya tinplate car and a tray containing sixteen packaged American Revolutionary war figures in 1/32 scale. (Contained in three boxes and a tray)
Eleven boxed Liberty Classics diecast model coin banks in 1:25 scale including 'Castrol 1933 Model A Ford Tanker, a Model A Ford 'Royal Mail' Van, a 'Colman's Mustard' 1933 Model A Ford Pick Up and some duplicates. Models appear VG in generally G to VG packaging. Seven unboxed models are also included as part of this lot. (18)
Five boxed Corgi Classics diecast model trucks and a boxed Corgi 29104 Guy Invincible Platform Lorry in 1:50 scale from the 'Building Britain' series, the latter with bagged mirrors and certificate, overall appear G+/VG in generally G+/VG packaging. A small quantity of Corgi trucks, some missing parts, together with parts of models and some empty packaging also being included as part of this lot.
Twenty nine diecast tank models from the Atlas Editions 'Ultimate Tank Collection', most of the models are loose in pack, together with a quantity of data leaflets. Also included with this lot is a boxed Tamiya 'German Tank Panther A', radio control in 1:25 scale, unchecked for completeness. (30)
A quantity of boxed Lledo Days Gone 'Trackside' branded diecast models in OO scale including BR2002 Railway Depot with AEC Wrecker set and BB1002 Tin Plate Brewery with 'Whitbread' Scammell Box Van from the 'Brewing in Britain' range. Overall models appear G+ in P to G+ packaging with two models lacking outer cardboard sleeve and some loose in pack. (24)
Six boxed/carded Jeep models of plastic or tinplate construction, by Marx and others,some with clockwork mechanisms. Overall models appear G+ although condition of outer packaging ranges from P to G+. This lot also includes a good selection of unboxed Jeep, mostly larger scale models made of plastic, although this lot does contain a resin and a ceramic example, made by Marx, Elvip Toys (Greece) and others. A Hubley Toys 'Amphibious Duck' model is also included as part of this lot. Condition of items vary, some with damage and or missing parts. (39)
Two repainted Dinky Toys Foden Chain lorries, with some damage to chain posts, together with ten Dinky lorry castings, an unboxed Somerville white metal Ford car with damage and a boxed Somerville white metal kit for the Mercedes 300SL in 1:43 scale, the latter unchecked for completeness. (14)
A mixed group of packaged diecast models by EFE, Corgi, Lledo and others including bus and coach models from the Corgi 'Original Omnibus' range and a number of Bachmann OO scale vehicles. Overall models appear G/VG, in packaging ranging from F to G+, with some models loose in pack and or lacking outer card sleeves. (30 approx)
Three Corgi Heavy Haulage Wynns 1:50 scale diecast model sets: 31009 two Diamond T Ballast 24 Wheel Girder Trailer with Boiler Load and Scammell Highwayman Ballast; 31004 Scammell Articulated, Bedford S Articulated and Low Loader Set; 17903 Scammell Contractor. Models overall G, some damage, boxed. (3)
An early 19th Century mahogany cased stick barometer and thermometer by M. Dawson & Co of London, with exposed mercury tube and alcohol thermometer, silvered scale and vernier, contained in mahogany case with angled pediment, folding glazed door over scale and with turned cistern cover, 38ins high
Dolls house - scale model of a Georgian gentleman's house; hand built with separate custom-built stand, hardwood floors, windows and door frames in mahogany, fully wired with lighting inside, extensively decorated with wallpaper, carpeting to stairs, hall and landing, with a tiled kitchen, has been constructed by a gold and silver medal-winning joiner at international woodwork shows, overall dimensions 42inch long, 51inch high and 18inch deep.
Thamsanqa (Thami) Kitty (South African 1967-) SMUTS AND LION carved wooden sculpture height: 74cm Thami Kiti, an extraordinarily gifted carver is little known to collectors despite being well documented and included in prestigious collections and exhibitions in Cape Town. A product of the Community Arts Project during the turbulent 1980’s and 1990’s, Kiti’s work is represented in the holdings of both the Universities of Cape Town and the Western Cape. The artist was well represented in two important exhibitions seeking to redress the marginalization of Western Cape sculptors by their Limpopo counterparts, notably Made in Wood: Work form the Western Cape in 1992, and Against the Grain: Sculptors from the Cape, over a decade later; both at the Iziko South African National Gallery. He followed on this success with a solo show at the Irma Stern Museum. Raised in his father’s lands of the Eastern Cape, where his formative years were spent ranging the verdant area with the family cattle, Kiti invokes the longstanding ancestral traditions of skilled woodcarving from the area. Although on a monumental scale, Kiti’s compositions in hardwood recall the intricate and often amusing combinations of anthropomorphic figures on tobacco pipes, sticks and staffs - a genre for which 19th and early 20th century Xhosa-speaking carvers were renowned. The artist’s use of un-adorned wood, seasoned, finely honed and polished to reveal its natural patina, is a characteristic technique drawn from his cultural roots. Smuts and the Lion, combines a recognizable life size head of the statesman surmounting a classical lions’ head with flowing mane and single, powerful claw composed vertically. Totem like in composition, it can be viewed as an example of the artist’s resolve to seek commercial success by drawing on colonial imagery that would resonate with his privileged clients. - Carol Kaufmann
Peter Clarke (South African 1929-2014) RING-A-RING-OF-ROSES signed, inscribed 'Oslo' and dated 24.10.1978 mixed media on paper PROVENANCE Acquired directly from the artist and thence by descent to the current owner 48cm by 64cm Peter Clarke was invited to work at the Atelier Nord in Norway from October 1978 to the end of January 1979. Below his signature in Ring-A-Ring-Of-Roses, the artist has written ‘Oslo’ next to the date, 24.10.1978. While away in Norway, distance brought a different perspective of his home and a number of the works made while at Atelier Nord depicted South Africa. Ring-A-Ring-OfRoses is an example of a work made in Norway but portraying South African subject matter. To Clarke, Norway epitomised an ordered, contrastingly clean life and an organised society in comparison, however during his time there the artist found that he missed the ‘spontaneous warmth that makes a population alive.’ An example of this spontaneity and warmth can be seen in the expression depicted on the children’s faces. A great observer of the world around him, Clarke often represented children playing games, whether it was with a yo-yo, a windmill, a cricket match played in the street, or in this case the classical game of ring-a-ring-of-roses, which is a popular nursery rhyme commonly found on South African playgrounds. Many know the game and the accompanying song to represent the Great Plague of London, known as the Black Death, although this has never been confirmed. In its game form however, it takes on a jovial nature as depicted by the broad smiles on the faces of the girls in the present work. The painting depicts a group of four children, happily playing the game, by holding hands and dancing in a circle. The colour of the sky and the foreground are painted in various shades of rose-pink. The foreground and background are divided by a thick band of blue representing a wall. The vast landscape is interrupted only by a single electricity pole. A grey, ominous shadow leaks out from below the playing children. During his long career Clarke experimented with a variety of materials. In this mixed media work the artist has overlaid sections of fine gauze bandage (used traditionally for both damage and repair) on top of the blued wall. The gauze extends to just behind the children, who are surrounded by a halo of white. During his stay in Norway, Clarke made works of a larger scale, paintwork that was freer and used strips of coloured paper collage rather than brushwork, to portray clouds. The pink striations in the sky of Ring-A-Ring-of-Roses are created using pieces of paper, their torn edges forming a white lining around the clouds. Strips of silver paper are also incorporated into the sky for this effect. The bright pink sky brings to mind another popular rhyme; ‘Pink sky at night, shepherd’s delight’ meaning that the bright pink sunset signals that the following day will be clear and sunny. This delight is once again expressed on the faces of the dancing children. This work is about finding the silver lining in an area where circumstances seems to be dire, in this case the warmth of the people in South Africa, despite the political turmoil and socio-economic hardships faced by Clarke’s community. Hobbs, P and Rankin, E., Listening to distant thunder: the art of Peter Clarke, Fernwood Press, Cape Town, 2011
A Barkers of Kensington Mega Sport wristwatch, quartz movement, stainless steel back, the grey dial with orange detailing, three digital sub dials, 5 crowns, the bezel with tachymeter scale, on metal bracelet, together with original box, tags and 5 year Barkers of Kensington warranty, in unworn condition.
A Barkers of Kensington Mega Sport wristwatch, quartz movement, stainless steel back, the blue dial with orange detailing, three digital sub dials, 5 crowns, the bezel with tachymeter scale, on metal bracelet, together with original box, tags and 5 year Barkers of Kensington warranty, in unworn condition.

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216134 item(s)/page