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Click here to subscribeCorgi Aviation Archive - A boxed 1:72 scale Limited Edition Corgi AA32615 Avro Lancaster RAF 617 Sqn, Operation Chastise , Pilot Officer Les Knight - Eder Dam Raid. The model number 175 of 1501 appears to be in Mint condition and is unchecked for completeness, presented in an Excellent lift off lid pictorial box with some minor wear.
Corgi, EFE - Eight boxed diecast vehicles in a variety of scales. Lot includes Corgi Aviation Archive #47307 1:144 scale Avro Lancaster 9 Sqn RAF Salbani; Corgi Heavy Haulage #31007 Diamond T Ballast with Locomotive Load 'Annis & Co. Ltd'; EFE Code 3 Superdetail Model RM664 Silver Prototype and similar. Models appear to be in Mint condition in Very Good - Mint boxes with some storage wear imperfections.
Janise Yntema The Inbetween Space I, 2021 Wax Encaustic and Pigment on Board Signed verso 15 x 10cm (5¾ x 3¾ in.) Painter known for work in Wax Encaustic. Education BFA Parsons School of Design NYC, MA History and Philosophy of Art, Paris School of Art and Culture Exhibitions 1993 - present: London, NYC, Amsterdam and Belgium Group Exhibitions include: BOZAR Museum Brussels, Royal Academy London, Cape Cod Museum of Art MA, Morris Museum NJ, Scottish Gallery Edinburgh Cadogan Contemporary, London About the postcard artworks Outside of daily existence lies a contemplative space. I sometimes find it between silence and light, where scale is immeasurable, stillness is audible and the feeling of being is eternal. These small works, composed of beeswax, pigment and resin, refer to this space." Please visit janiseyntema.com
Janise Yntema The Inbetween Space II, 2021 Wax Encaustic and Pigment on Board Signed verso 15 x 10cm (5¾ x 3¾ in.) Painter known for work in Wax Encaustic. Education BFA Parsons School of Design NYC, MA History and Philosophy of Art, Paris School of Art and Culture Exhibitions 1993 - present: London, NYC, Amsterdam and Belgium Group Exhibitions include: BOZAR Museum Brussels, Royal Academy London, Cape Cod Museum of Art MA, Morris Museum NJ, Scottish Gallery Edinburgh Cadogan Contemporary, London About the postcard artworks Outside of daily existence lies a contemplative space. I sometimes find it between silence and light, where scale is immeasurable, stillness is audible and the feeling of being is eternal. These small works, composed of beeswax, pigment and resin, refer to this space." Please visit janiseyntema.com
Josie Clouting Collecting Colours 3, 2021 Acrylic and Gouache on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Josie immerses herself in the landscape, from man made cultivated botanic gardens to wild stormy beaches and the rolling hills where she lives. Her paintings are intuitive, emotional responses to her natural environment, inspired by the vastness and wonder of the natural world. Josie's works are saturated with colour, vitality and energy, reflecting her response to light, atmosphere and topography. Painting and sketching en plein air is a vital part of her practice, enabling her to react to the landscape and play with loose, immediate brush marks. Experimenting with acrylics on a variety of surfaces and scales, with many large scale paintings as a result are part of the enjoyment of the creative process. Josie's physical movements creating large expansive works are an expression of the energy she feels within the landscape. Josie graduated with a degree in Fine Art from Norwich University of the Arts in 2012. Her studio is now based in Maidenhead, Berkshire, UK. Exhibitions/Awards RA Summer Exhibition 2020 Wales Contemporary 2020 + 2019 Holly Bush Emerging Woman Painter Prize (Finalist) 2020 Sunday Times Watercolour Competition (Finalist) 2019 About the postcard artworks 'Tulip Eyes' and 'Collecting Colours' refer to moments in my childhood that have shaped the work I make today. In particular they reference the relationship with my mum and the times spent in the garden together. Growing up, the garden was a creative project and a shared experience that sparked my love of the natural world.
Josie Clouting Collecting Colours, 2021 Acrylic and Gouache on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) "Josie immerses herself in the landscape, from man made cultivated botanic gardens to wild stormy beaches and the rolling hills where she lives. Her paintings are intuitive, emotional responses to her natural environment, inspired by the vastness and wonder of the natural world. Josie's works are saturated with colour, vitality and energy, reflecting her response to light, atmosphere and topography. Painting and sketching en plein air is a vital part of her practice, enabling her to react to the landscape and play with loose, immediate brush marks. Experimenting with acrylics on a variety of surfaces and scales, with many large scale paintings as a result are part of the enjoyment of the creative process. Josie's physical movements creating large expansive works are an expression of the energy she feels within the landscape. Josie graduated with a degree in Fine Art from Norwich University of the Arts in 2012. Her studio is now based in Maidenhead, Berkshire, UK. Exhibitions/Awards Recent shows include the Royal Academy Summer Exhibition 2020, Holly Bush Emerging Woman Painter Prize 2020 and the Sunday Times Watercolour Competition 2019. BA (Hons) Fine Art Norwich University of the Arts 2012 RA Summer Exhibition 2020 Wales Contemporary 2020 + 2019 Holly Bush Emerging Woman Painter Prize (Finalist) 2020 Sunday Times Watercolour Competition (Finalist) 2019 About the postcard artworks 'Collecting Colours' refer to moments in my childhood that have shaped the work I make today. In particular they reference the relationship with my mum and the times spent in the garden together. Growing up, the garden was a creative project and a shared experience that sparked my love of the natural world."
Loribelle Spirovski Homme 258, 2020 Oil and Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) "Loribelle Spirovski was born in the Philippines and emigrated to Australia in 1999. She graduated from the College of Fine Arts in 2012 and has been practising as a full time artist since 2015. Since that time, Loribelle has a finalist in a number of prestigious prizes such as the Archibald Prize and has exhibited in Australia, Europe and the United States. She collaborates with Swedish clothing brand Limitato. College of Fine Arts, Bachelor of Art Education 2012 2010: Winner, Oxford Art Supplies Drawing Prize 2014: Finalist, Portia Geach Memorial Award 2015: Finalist, Muswellbrook Art Prize 2015: Highly Commended, International Women's Day Art Prize 2015: Finalist, Black Swan Art Prize 2015: Finalist, Portia Geach Memorial Award 2015: Finalist, Kilgour Art Prize (Winner, People's Choice Award) 2015: Semi-finalist, Doug Moran National Portrait Prize 2015: Finalist, Blacktown Art Prize 2016: Finalist, Hunters Hill Art Prize 2016: Finalist, Mosman Art Prize 2016: Finalist, St. George Art Awards 2016: Semi-finalist, Doug Moran National Portrait Prize 2016: Finalist, Fisher's Ghost Art Prize 2016: Finalist, Bluethumb Art Prize 2016: Finalist, Portia Geach Memorial Award 2016: Finalist, Hornsby Art Prize 2017: Finalist, Wyndham Art Prize 2017: Winner, Cambridge Studio Gallery Portrait Prize 2017: Finalist, 'Emerging', Gosford Art Prize 2017: Finalist, Hunters Hill Art Prize 2017: Finalist, (online category) Lethbridge Small Scale Art Award 2017: Finalist, Waverley Art Prize 2017: Finalist, Agendo Art Prize 2017: Finalist, Archibald Prize 2017: Finalist, Mosman Art Prize 2017: Finalist, Gosford Art Prize 2017: Finalist, Portia Geach Memorial Award 2017: Finalist, Hornsby Art Prize 2017: Finalist, 30 x 30 art prize 2018: Finalist, Collie Art Prize 2018: Finalist, Percival Portrait Prize 2018: Finalist, Bluethumb Art Prize 2018: Finalist, Hunters Hill Art Exhibition 2018: Finalist, Archibald Prize 2018: Finalist, Kilgour Art Prize 2018: Semi-finalist, Doug Moran National Portrait Prize 2018: Finalist, Portia Geach Memorial Art Award 2019: Finalist, Archibald Prize 2019: Winner, ""Art Shed Award"" Lethbridge 20000 Art Award 2019: Finalist, Portia Geach Memorial Art Award 2020: Finalist, Lester Prize 2020: Finalist, Hurford Hardwood Prize 2020: Finalist, Vincent Prize Arcadia Contemporary, New York, House of Fine, Art London, Metro Gallery, Melbourne and Nanda Hobbs, Sydney" Condition Report: Condition Report Disclaimer
Loribelle Spirovski Homme 259, 2020 Oil and Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) "Loribelle Spirovski was born in the Philippines and emigrated to Australia in 1999. She graduated from the College of Fine Arts in 2012 and has been practising as a full time artist since 2015. Since that time, Loribelle has a finalist in a number of prestigious prizes such as the Archibald Prize and has exhibited in Australia, Europe and the United States. She collaborates with Swedish clothing brand Limitato. College of Fine Arts, Bachelor of Art Education 2012 2010: Winner, Oxford Art Supplies Drawing Prize 2014: Finalist, Portia Geach Memorial Award 2015: Finalist, Muswellbrook Art Prize 2015: Highly Commended, International Women's Day Art Prize 2015: Finalist, Black Swan Art Prize 2015: Finalist, Portia Geach Memorial Award 2015: Finalist, Kilgour Art Prize (Winner, People's Choice Award) 2015: Semi-finalist, Doug Moran National Portrait Prize 2015: Finalist, Blacktown Art Prize 2016: Finalist, Hunters Hill Art Prize 2016: Finalist, Mosman Art Prize 2016: Finalist, St. George Art Awards 2016: Semi-finalist, Doug Moran National Portrait Prize 2016: Finalist, Fisher's Ghost Art Prize 2016: Finalist, Bluethumb Art Prize 2016: Finalist, Portia Geach Memorial Award 2016: Finalist, Hornsby Art Prize 2017: Finalist, Wyndham Art Prize 2017: Winner, Cambridge Studio Gallery Portrait Prize 2017: Finalist, 'Emerging', Gosford Art Prize 2017: Finalist, Hunters Hill Art Prize 2017: Finalist, (online category) Lethbridge Small Scale Art Award 2017: Finalist, Waverley Art Prize 2017: Finalist, Agendo Art Prize 2017: Finalist, Archibald Prize 2017: Finalist, Mosman Art Prize 2017: Finalist, Gosford Art Prize 2017: Finalist, Portia Geach Memorial Award 2017: Finalist, Hornsby Art Prize 2017: Finalist, 30 x 30 art prize 2018: Finalist, Collie Art Prize 2018: Finalist, Percival Portrait Prize 2018: Finalist, Bluethumb Art Prize 2018: Finalist, Hunters Hill Art Exhibition 2018: Finalist, Archibald Prize 2018: Finalist, Kilgour Art Prize 2018: Semi-finalist, Doug Moran National Portrait Prize 2018: Finalist, Portia Geach Memorial Art Award 2019: Finalist, Archibald Prize 2019: Winner, ""Art Shed Award"" Lethbridge 20000 Art Award 2019: Finalist, Portia Geach Memorial Art Award 2020: Finalist, Lester Prize 2020: Finalist, Hurford Hardwood Prize 2020: Finalist, Vincent Prize Arcadia Contemporary, New York, House of Fine, Art London, Metro Gallery, Melbourne and Nanda Hobbs, Sydney"
Tiffanie Delune Moments with Self I, 2021 Mixed Media on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Tiffanie Delune is a Paris-born visual artist with a multi-media practice, living and working in London. Expanding from an initial focus on personal trauma and childhood experiences, her practice is instinctively embarking on a wondering wandering. She weaves apparitions in dreams and travel recollections with symbols of her mixed-race family, hints of femininity and flux of spirituality. Navigating between her shadow self and full of light, movement and energy forms, Tiffanie is interested in the magic of storytelling that engages conversations and evokes emotions. Approaching her work with playfulness and an intuitive curiosity, she creates multilayered pieces on cotton canvas, loose linen and smaller pieces of paper; inviting for a dialogue between the scale and the subject. Letting go of any inhibitions in the choice of materials, she longs for textures, meanings and a sense of memory - from acrylic, pastels and papers to glitter, threads, loo roll, keys, bags and dried flowers. In a conflicted world that feels deeply saturated, she puts a special emphasis on sharing a blended, unfiltered narrative in all its depth and authenticity. Self-taught, Tiffanie has fully emerged herself into her practice with daily rituals and creative challenges. Her work has since been exhibited in London, Paris, Lagos and Los Angeles; featured on Forbes, BBC Radio London, Contemporary And, The Financial Times and Artsy; and is held in the permanent collections of the Fondation Gandur pour l'Art in Geneva, Switzerland as well as the New-York Presbytarian Hospital for Women and Newborns in New York City. "The natural world is center stage to my creativity from constellations to the seas, tales of the African Motherland and visions of hope - untouched places without any form of conditioning, birthing a boundless sense of being. Blooming shapes and rich colours give life to unique characters and dreamscapes that infinitely dance between independence and sexuality, strength and vulnerability, stillness and vitality. Exhibitions Solo Shows 2020 Seeds Of Light, Curated by Katherine Finerty, The Gramophone Works, London 2019 Metamorphosis, Someth1ng Gallery, London 2018 Coloriosity, 16/16, Lagos Group Shows 2021 Art On A Postcard for International Women's Day, London 2021 In The Midst Of All That Is, Curated by Terrell Tilford, Band Of Vices, Los Angeles 2020 Art X Lagos, Lagos 2020 Art On A Postcard for International Women's Day, All Bright Mayfair, London 2019 Contemporary African Art, Piasa, Paris 2019 1-54 Contemporary African Art Fair, Somerset House, London 2018 Portraits of Animals, H Factor, Lagos Gallery Representation Ed Cross Fine Art
Tiffanie Delune Moments with Self II, 2021 Mixed Media on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Tiffanie Delune is a Paris-born visual artist with a multi-media practice, living and working in London. Expanding from an initial focus on personal trauma and childhood experiences, her practice is instinctively embarking on a wondering wandering. She weaves apparitions in dreams and travel recollections with symbols of her mixed-race family, hints of femininity and flux of spirituality. Navigating between her shadow self and full of light, movement and energy forms, Tiffanie is interested in the magic of storytelling that engages conversations and evokes emotions. Approaching her work with playfulness and an intuitive curiosity, she creates multilayered pieces on cotton canvas, loose linen and smaller pieces of paper; inviting for a dialogue between the scale and the subject. Letting go of any inhibitions in the choice of materials, she longs for textures, meanings and a sense of memory - from acrylic, pastels and papers to glitter, threads, loo roll, keys, bags and dried flowers. In a conflicted world that feels deeply saturated, she puts a special emphasis on sharing a blended, unfiltered narrative in all its depth and authenticity. Self-taught, Tiffanie has fully emerged herself into her practice with daily rituals and creative challenges. Her work has since been exhibited in London, Paris, Lagos and Los Angeles; featured on Forbes, BBC Radio London, Contemporary And, The Financial Times and Artsy; and is held in the permanent collections of the Fondation Gandur pour l'Art in Geneva, Switzerland as well as the New-York Presbytarian Hospital for Women and Newborns in New York City. "The natural world is center stage to my creativity from constellations to the seas, tales of the African Motherland and visions of hope - untouched places without any form of conditioning, birthing a boundless sense of being. Blooming shapes and rich colours give life to unique characters and dreamscapes that infinitely dance between independence and sexuality, strength and vulnerability, stillness and vitality. Exhibitions Solo Shows 2020 Seeds Of Light, Curated by Katherine Finerty, The Gramophone Works, London 2019 Metamorphosis, Someth1ng Gallery, London 2018 Coloriosity, 16/16, Lagos Group Shows 2021 Art On A Postcard for International Women's Day, London 2021 In The Midst Of All That Is, Curated by Terrell Tilford, Band Of Vices, Los Angeles 2020 Art X Lagos, Lagos 2020 Art On A Postcard for International Women's Day, All Bright Mayfair, London 2019 Contemporary African Art, Piasa, Paris 2019 1-54 Contemporary African Art Fair, Somerset House, London 2018 Portraits of Animals, H Factor, Lagos Gallery Representation Ed Cross Fine Art
Mercedes Helnwein Shelia, 2021 Oil Pastel on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Mercedes Helnwein is a visual artist and writer, born in Vienna, Austria. She moved to Ireland and the US with her family in her teens, consciously choosing not to attend art schools. Heavily inspired by American culture, her work is known for its large scale oil pastels, predominantly populated by nurses, beauty queens, witches, girl gangs, cheerleaders, bridesmaids, and the visual theatrics of American adolescence. Exhibitions/Awards Her first art shows were self-instigated, one-night events in Los Angeles often with one or two other inexperienced young artists, most commonly photographer Alex Prager. Sponsored by various alcoholic beverage companies, magazines, and unlikely supporters such as Land Rover, these shows generated a surprisingly genuine response and enabled Helnwein to continue developing her ideas, styles and experimenting with her interests and themes. She exhibited regularly in Los Angeles during this period at the Merry Karnowsky Gallery, as well as in Europe, steadily garnering interest and collectors, amongst them Damien Hirst, who bought out a London show. With her series "Asleep in the Wind" Helnwein broke from the primarily pencil-focused style of her early work, moving onto large-scale formats and experimenting with oil pastel as a medium. In 2015 she further developed her work in this direction with "Living Room Fire", expanding into a wider range of media and delving deeper into the theme of American living rooms and the "almost normal" activities of its characters. Film and photography has also long been an integral part of Helnwein's work, whether behind the scenes as reference material or in the forefront with films for her exhibitions, such as the "Cops and Nurses" film in 2013. In 2017 she had a solo exhibition at the Edward Hopper House, Nyack NY, with her series "Chaos Theory". Followed by her show "Jerks and Soulmates" in 2019 at the Molesworth gallery in Dublin, Ireland. Her novel "Slingshot" is being published by Wednesday Books/St. Martin's Press in April 2021. Mercedes Helnwein currently lives and works in downtown Los Angeles and Ireland
Mercedes Helnwein Ruby, 2021 Oil Pastel and Black Pencil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Mercedes Helnwein is a visual artist and writer, born in Vienna, Austria. She moved to Ireland and the US with her family in her teens, consciously choosing not to attend art schools. Heavily inspired by American culture, her work is known for its large scale oil pastels, predominantly populated by nurses, beauty queens, witches, girl gangs, cheerleaders, bridesmaids, and the visual theatrics of American adolescence. Exhibitions/Awards Her first art shows were self-instigated, one-night events in Los Angeles often with one or two other inexperienced young artists, most commonly photographer Alex Prager. Sponsored by various alcoholic beverage companies, magazines, and unlikely supporters such as Land Rover, these shows generated a surprisingly genuine response and enabled Helnwein to continue developing her ideas, styles and experimenting with her interests and themes. She exhibited regularly in Los Angeles during this period at the Merry Karnowsky Gallery, as well as in Europe, steadily garnering interest and collectors, amongst them Damien Hirst, who bought out a London show. With her series "Asleep in the Wind" Helnwein broke from the primarily pencil-focused style of her early work, moving onto large-scale formats and experimenting with oil pastel as a medium. In 2015 she further developed her work in this direction with "Living Room Fire", expanding into a wider range of media and delving deeper into the theme of American living rooms and the "almost normal" activities of its characters. Film and photography has also long been an integral part of Helnwein's work, whether behind the scenes as reference material or in the forefront with films for her exhibitions, such as the "Cops and Nurses" film in 2013. In 2017 she had a solo exhibition at the Edward Hopper House, Nyack NY, with her series "Chaos Theory". Followed by her show "Jerks and Soulmates" in 2019 at the Molesworth gallery in Dublin, Ireland. Her novel "Slingshot" is being published by Wednesday Books/St. Martin's Press in April 2021. Mercedes Helnwein currently lives and works in downtown Los Angeles and Ireland
Mercedes Helnwein Linda, 2021 Oil Pastel on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Mercedes Helnwein is a visual artist and writer, born in Vienna, Austria. She moved to Ireland and the US with her family in her teens, consciously choosing not to attend art schools. Heavily inspired by American culture, her work is known for its large scale oil pastels, predominantly populated by nurses, beauty queens, witches, girl gangs, cheerleaders, bridesmaids, and the visual theatrics of American adolescence. Exhibitions/Awards Her first art shows were self-instigated, one-night events in Los Angeles often with one or two other inexperienced young artists, most commonly photographer Alex Prager. Sponsored by various alcoholic beverage companies, magazines, and unlikely supporters such as Land Rover, these shows generated a surprisingly genuine response and enabled Helnwein to continue developing her ideas, styles and experimenting with her interests and themes. She exhibited regularly in Los Angeles during this period at the Merry Karnowsky Gallery, as well as in Europe, steadily garnering interest and collectors, amongst them Damien Hirst, who bought out a London show. With her series "Asleep in the Wind" Helnwein broke from the primarily pencil-focused style of her early work, moving onto large-scale formats and experimenting with oil pastel as a medium. In 2015 she further developed her work in this direction with "Living Room Fire", expanding into a wider range of media and delving deeper into the theme of American living rooms and the "almost normal" activities of its characters. Film and photography has also long been an integral part of Helnwein's work, whether behind the scenes as reference material or in the forefront with films for her exhibitions, such as the "Cops and Nurses" film in 2013. In 2017 she had a solo exhibition at the Edward Hopper House, Nyack NY, with her series "Chaos Theory". Followed by her show "Jerks and Soulmates" in 2019 at the Molesworth gallery in Dublin, Ireland. Her novel "Slingshot" is being published by Wednesday Books/St. Martin's Press in April 2021. Mercedes Helnwein currently lives and works in downtown Los Angeles and Ireland
Mercedes Helnwein Pam, 2021 Oil Pastel on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Mercedes Helnwein is a visual artist and writer, born in Vienna, Austria. She moved to Ireland and the US with her family in her teens, consciously choosing not to attend art schools. Heavily inspired by American culture, her work is known for its large scale oil pastels, predominantly populated by nurses, beauty queens, witches, girl gangs, cheerleaders, bridesmaids, and the visual theatrics of American adolescence. Exhibitions/Awards Her first art shows were self-instigated, one-night events in Los Angeles often with one or two other inexperienced young artists, most commonly photographer Alex Prager. Sponsored by various alcoholic beverage companies, magazines, and unlikely supporters such as Land Rover, these shows generated a surprisingly genuine response and enabled Helnwein to continue developing her ideas, styles and experimenting with her interests and themes. She exhibited regularly in Los Angeles during this period at the Merry Karnowsky Gallery, as well as in Europe, steadily garnering interest and collectors, amongst them Damien Hirst, who bought out a London show. With her series "Asleep in the Wind" Helnwein broke from the primarily pencil-focused style of her early work, moving onto large-scale formats and experimenting with oil pastel as a medium. In 2015 she further developed her work in this direction with "Living Room Fire", expanding into a wider range of media and delving deeper into the theme of American living rooms and the "almost normal" activities of its characters. Film and photography has also long been an integral part of Helnwein's work, whether behind the scenes as reference material or in the forefront with films for her exhibitions, such as the "Cops and Nurses" film in 2013. In 2017 she had a solo exhibition at the Edward Hopper House, Nyack NY, with her series "Chaos Theory". Followed by her show "Jerks and Soulmates" in 2019 at the Molesworth gallery in Dublin, Ireland. Her novel "Slingshot" is being published by Wednesday Books/St. Martin's Press in April 2021. Mercedes Helnwein currently lives and works in downtown Los Angeles and Ireland
Lisa Wright Becoming, 2021 Ink on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Lisa Wright is an award-winning British artist. She is known for her often large scale paintings that explore the transition from childhood to adulthood. Education Maidstone College of Art - BAHons (1983-1987) Royal Academy Schools - post graduate (1990-1993) After studying at The Royal Academy Schools, London, 1990-1993, Wright moved to Cornwall, in the south west of England, where she currently lives and works. Her work has featured in numerous solo and curated group exhibitions both nationally and internationally and is held in many important corporate and private collections. Exhibitions/Awards Notable achievements include her appointment as the Royal Shakespeare Company artist in residence throughout the two year period of the RSC's acclaimed 'Histories' cycle of plays, culminating in an exhibition at the Roundhouse- which ran concurrently with the plays- and subsequently at the Royal Academy of Arts London; consistent selection for the Royal Academy's Summer Exhibition for over 25 years; inclusion in the significant 'Art Now Cornwall', exhibition at Tate St Ives 2008 and winning The National Open Art Prize, the Hunting Art Prize, the 2013 Threadneedle Prize and most recently Future Forest 2019-2020 a collaborative project with Tom Piper to celebrate the centenary of The Forestry Commission, England. 2019 - Infinite Forest, Coates & Scarry London, Future Forest collaboration with Tom Piper for Centenary of The Forestry Commission High Lodge Thetford UK 2018 - In The Eyes Of Each, Faction Art Projects New York 2017 - Young Visionaries, PULSE Miami, Coates & Scarry 2016 - New Work, CONTEXT New York, Coates & Scarry Selected Mixed Exhibitions 2020 - The Royal Academy Summer Exhibition, London Revisiting The Decameron - Flowers Gallery (curated by Laura Gascoigne) RWA 168 Annual exhibition Bristol The Rime of the Ancient Marina - The Big Read (Reading no:1 by Jeremy Irons) 2019 - In Edition Bo Lee Gallery London, London Original Print Fair 34 Royal Academy of Art London Advanced Graphics London, London Art Fair London Advanced Graphics London 2018 - IFPDA International New York Advanced Graphics London, London Original Print Fair 33 Royal Academy of Art London Advanced Graphics London, RWA 166 Annual exhibition Bristol 2017 - VOLTA BASEL Coates & Scarry, 2-person presentation with Penny Byrne, The Royal Academy Summer Exhibition, London, RWA Autumn Exhibition, The Royal West of England Academy, Bristol About the postcard artworks These ink studies are informed by a series of paintings which explored the notion of our connection to nature, which is contained within them. These ideas were developed into life size sculptures which formed part of a public space project for The Centenary of The Forestry Commission England 2019-2020. Condition Report: Condition Report Disclaimer
Lisa Wright Little Folia, 2021 Ink on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Lisa Wright is an award-winning British artist. She is known for her often large scale paintings that explore the transition from childhood to adulthood. Education Maidstone College of Art - BAHons (1983-1987) Royal Academy Schools - post graduate (1990-1993) After studying at The Royal Academy Schools, London, 1990-1993, Wright moved to Cornwall, in the south west of England, where she currently lives and works. Her work has featured in numerous solo and curated group exhibitions both nationally and internationally and is held in many important corporate and private collections. Exhibitions/Awards Notable achievements include her appointment as the Royal Shakespeare Company artist in residence throughout the two year period of the RSC's acclaimed 'Histories' cycle of plays, culminating in an exhibition at the Roundhouse- which ran concurrently with the plays- and subsequently at the Royal Academy of Arts London; consistent selection for the Royal Academy's Summer Exhibition for over 25 years; inclusion in the significant 'Art Now Cornwall', exhibition at Tate St Ives 2008 and winning The National Open Art Prize, the Hunting Art Prize, the 2013 Threadneedle Prize and most recently Future Forest 2019-2020 a collaborative project with Tom Piper to celebrate the centenary of The Forestry Commission, England. 2019 - Infinite Forest, Coates & Scarry London, Future Forest collaboration with Tom Piper for Centenary of The Forestry Commission High Lodge Thetford UK 2018 - In The Eyes Of Each, Faction Art Projects New York 2017 - Young Visionaries, PULSE Miami, Coates & Scarry 2016 - New Work, CONTEXT New York, Coates & Scarry Selected Mixed Exhibitions 2020 - The Royal Academy Summer Exhibition, London Revisiting The Decameron - Flowers Gallery (curated by Laura Gascoigne) RWA 168 Annual exhibition Bristol The Rime of the Ancient Marina - The Big Read (Reading no:1 by Jeremy Irons) 2019 - In Edition Bo Lee Gallery London, London Original Print Fair 34 Royal Academy of Art London Advanced Graphics London, London Art Fair London Advanced Graphics London 2018 - IFPDA International New York Advanced Graphics London, London Original Print Fair 33 Royal Academy of Art London Advanced Graphics London, RWA 166 Annual exhibition Bristol 2017 - VOLTA BASEL Coates & Scarry, 2-person presentation with Penny Byrne, The Royal Academy Summer Exhibition, London, RWA Autumn Exhibition, The Royal West of England Academy, Bristol About the postcard artworks These ink studies are informed by a series of paintings which explored the notion of our connection to nature, which is contained within them. These ideas were developed into life size sculptures which formed part of a public space project for The Centenary of The Forestry Commission England 2019-2020.
Nina Mae Fowler This Is Your Life, 2021 Pencil on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) Known for her sumptuously detailed large-scale drawings and installations, Nina Mae Fowler's work interrogates themes of celebrity, beauty, power and sexuality. Fowler often uses subject matter from a seemingly bygone era to throw into relief strikingly similar contemporary narratives, such as abuses of power across industries and our own role as a consumer of celebrity culture. Education Graduated with a first in Fine Art Sculpture in 2003 from Brighton University Exhibitions/Awards Luminary Drawings: Portraits of Film Directors by Nina Mae Fowler, National Portrait Gallery, London, UK, 2019 The National Portrait Gallery awarded Fowler this major commission which features drawn portraits of British Film Directors, sitters included, Amma Asante, Ken Loach, Sir Ridley Scott, Sir Sam Mendes, Asif Kapadia and Sally Potter. The portraits form part of the museum's permanent collection. Fowler has also been shortlisted for numerous prizes and awards, including the Jerwood Drawing Prize (2015 & 2010), The Discerning Eye Drawing Bursary Award (2016), Aesthetica Art Prize (2014), Drawing Now Award (2014), Young Masters Prize (2012) and the BP Portrait Award (2008). Her works have been exhibited within the context of cultural institutions and museums including; Kunstsaele Berlin, Germany (Drawing WOW, 2020) and Neuer Kunstverein Aschaffenburg, Germany (Starke Frauen, 2013). Fowler has exhibited in galleries internationally, which includes frequent solo and group exhibitions in London (Cob Gallery, Lazarides), Paris (Galerie Suzanne Tarasieve, Galerie Dukan), Hamburg, Berlin (artnow Gallery), Leipzig and Hong Kong (Contemporary by Angela Li). Her works are held in notable private and public collections including; The National Portrait Gallery (UK), Balliol, Magdalen and New Colleges Oxford (UK), ColecciónAl Limite (Chile), Imago Mundi, Luciano Bennetton Collection (Treviso, Italy) and the ' Try-me' Collection, (Virginia, USA). In 2018, film director David Lynch's establishment Silencio in Paris held a retrospective of Fowler's work. Gallery Representation Cob Gallery, UK, Suzanne Tarasieve, France, art Now Gallery, Germany About the postcard artworks The life of actress Frances Farmer has been subject to dramatic fictionalisation, relentless scrutiny and mistruths. Having found fame in the 1930's she struggled with the image Hollywood forced upon her and spent the next decade in and out of psychiatric hospitals where she was mistreated and abused. She subsequently suffered from mental health issues for the rest of her life and was subject to a rumour that she had been lobotomised during one of her involuntary institutionalisations. In 1958 she appeared on "This is Your Life" to dispel years of speculation and innuendo. It is devastating to watch as she feels forced to explain herself, relive the worst times of her life and respond with perfect rationality. Her agony is writ large upon her face as she continues to be probed and pushed in front of an eternally unquenchable audience. This drawing is after a still from the broadcast."
Chloë Manasseh CASA: Meaning home o/ nickname for Casablanca, 2021 Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) I am a British Artist based in Singapore and currently working between Europe and Asia. Education I completed my Master in Fine Arts from The Slade School of Fine Art in 2014, where I was the recipient of the Euan Uglow Memorial Scholarship. Exhibitions/Awards My work has been exhibited internationally with exhibitions in USA, UK, Italy, Israel and Singapore. I have collaborated extensively with artists, musicians, clothing and interior designers on various projects around the world. Working between painting, print, video and large scale installations and sculptures, my work sits between experience and imagination, and considers the limits of representation in relation to the wholeness of experience. Notable projects and exhibitions include a projection onto the canopy of the National Gallery of Singapore in conjuction with Singapore's 55th birthday celebrations (SG 2020); 'The Fruitfulness of Forgetting', a solo exhibition at The British High Commissioner's residence in Singapore with Art Porters Gallery (SG 2019); 'Palma Viva', a 14m public installation at Changi City Point (SG 2018); a 25m mural at Facebook HQ Singapore as part of FB AIR programme (SG 2018), 'The Deepest Blue' exhibition at Block 7 Gillman Barracks (SG 2018), a solo show at NPE Art Residency and Gallery (SG 2017), The Woolwich Contemporary Print Fair (UK 2017), Multiplied at Christies Auction House (UK, 2015) and a commission by Università Cattolica UCSC Milan, for Expo Milan 2015 and the Vatican Pavilion at Expo (IT). Previous artist residencies include, Artist in Residence at The Winstedt School, Singapore; The Vagabond Hotel (SG, 2018); South Hampstead High School (UK 2016/17) and The Joshua Tree Highlands Artist Residency, ( CA, USA 2015)
Chloë Manasseh The Bird's Tale, 2021 Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) I am a British Artist based in Singapore and currently working between Europe and Asia. Education I completed my Master in Fine Arts from The Slade School of Fine Art in 2014, where I was the recipient of the Euan Uglow Memorial Scholarship. Exhibitions/Awards My work has been exhibited internationally with exhibitions in USA, UK, Italy, Israel and Singapore. I have collaborated extensively with artists, musicians, clothing and interior designers on various projects around the world. Working between painting, print, video and large scale installations and sculptures, my work sits between experience and imagination, and considers the limits of representation in relation to the wholeness of experience. Notable projects and exhibitions include a projection onto the canopy of the National Gallery of Singapore in conjuction with Singapore's 55th birthday celebrations (SG 2020); 'The Fruitfulness of Forgetting', a solo exhibition at The British High Commissioner's residence in Singapore with Art Porters Gallery (SG 2019); 'Palma Viva', a 14m public installation at Changi City Point (SG 2018); a 25m mural at Facebook HQ Singapore as part of FB AIR programme (SG 2018), 'The Deepest Blue' exhibition at Block 7 Gillman Barracks (SG 2018), a solo show at NPE Art Residency and Gallery (SG 2017), The Woolwich Contemporary Print Fair (UK 2017), Multiplied at Christies Auction House (UK, 2015) and a commission by Università Cattolica UCSC Milan, for Expo Milan 2015 and the Vatican Pavilion at Expo (IT). Previous artist residencies include, Artist in Residence at The Winstedt School, Singapore; The Vagabond Hotel (SG, 2018); South Hampstead High School (UK 2016/17) and The Joshua Tree Highlands Artist Residency, ( CA, USA 2015)
Leonie Schneider Sexy Lady, 2021 Aquarelle and Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Leonie Schneider (1993), born in Munich and currently living and working in The Netherlands, is a recent graduate from the Royal Academy of Arts, The Hague. Narratives are an inspiration for Leonie her entire life. She builds up characters in her mind and brings them to life, either through painting their interactions on large scale textiles or by welding metal constructions. She works with opposing techniques that both serve the goal of constructing a story. In her paintings, she describes the emotional, sometimes shocking occurrences in the relationships of her characters. She does this in a detailed manner, spending many hours on creating the environments of the scenes. Family constellation plays a big role in the way she assembles the figures. In contrast to her passion for painting, her love for welding metal results in symbolic, powerful, animalistic sculptures. Education Royal Academy of Arts, The Hague Gallery Representation Rademakers Gallery
Leonie Schneider A Tired Smoke, 2021 Aquarelle and Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Leonie Schneider (1993), born in Munich and currently living and working in The Netherlands, is a recent graduate from the Royal Academy of Arts, The Hague. Narratives are an inspiration for Leonie her entire life. She builds up characters in her mind and brings them to life, either through painting their interactions on large scale textiles or by welding metal constructions. She works with opposing techniques that both serve the goal of constructing a story. In her paintings, she describes the emotional, sometimes shocking occurrences in the relationships of her characters. She does this in a detailed manner, spending many hours on creating the environments of the scenes. Family constellation plays a big role in the way she assembles the figures. In contrast to her passion for painting, her love for welding metal results in symbolic, powerful, animalistic sculptures. Education Royal Academy of Arts, The Hague Gallery Representation Rademakers Gallery
Leonie Schneider Siblings in the Bathroom, 2021 Aquarelle and Acrylic on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) Leonie Schneider (1993), born in Munich and currently living and working in The Netherlands, is a recent graduate from the Royal Academy of Arts, The Hague. Narratives are an inspiration for Leonie her entire life. She builds up characters in her mind and brings them to life, either through painting their interactions on large scale textiles or by welding metal constructions. She works with opposing techniques that both serve the goal of constructing a story. In her paintings, she describes the emotional, sometimes shocking occurrences in the relationships of her characters. She does this in a detailed manner, spending many hours on creating the environments of the scenes. Family constellation plays a big role in the way she assembles the figures. In contrast to her passion for painting, her love for welding metal results in symbolic, powerful, animalistic sculptures. Education Royal Academy of Arts, The Hague Gallery Representation Rademakers Gallery
Leonie Schneider Insel, 2021 Aquarelle, Ink and Gouache on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) Leonie Schneider (1993), born in Munich and currently living and working in The Netherlands, is a recent graduate from the Royal Academy of Arts, The Hague. Narratives are an inspiration for Leonie her entire life. She builds up characters in her mind and brings them to life, either through painting their interactions on large scale textiles or by welding metal constructions. She works with opposing techniques that both serve the goal of constructing a story. In her paintings, she describes the emotional, sometimes shocking occurrences in the relationships of her characters. She does this in a detailed manner, spending many hours on creating the environments of the scenes. Family constellation plays a big role in the way she assembles the figures. In contrast to her passion for painting, her love for welding metal results in symbolic, powerful, animalistic sculptures. Education Royal Academy of Arts, The Hague Gallery Representation Rademakers Gallery
Sara Dare Velvet Purse I, 2021 Ink on Watercolour Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Sara Dare is an abstract painter. She primarily works on a large-scale using paper, linen and canvas, combined with a range of mediums informed by finish and viscosity such as ink, oil, emulsion and acrylic. Dare's paintings seek to convey an initial playful interaction with the viewer followed by a sense of unease or tension. Dare is also concerned with the environment surrounding the works and the conversations between them. She consistently works on several pieces as a series and actively encourages a dialogue and visual interaction that connects and holds them together. Sara Dare is based in West Sussex and has sold work to collectors internationally Education Sara Dare graduated in Fine Art Painting at The University of Brighton in 2008. In 2010 she received a Postgraduate Certificate in Education of Art and Design and focused on absorbing these methodologies into her approach as a socially engaged artist and collaborator. She recently studied on the Correspondence Course at alternative art school Turps Education. 2021 London Art Fair, After Nyne Gallery, EDIT online. 2020 'Kite Circus', Group Show, Sidney and Matilda, Sheffield. UK 'Dear Painting', Group show, Nordic Art Agency, Malmo, Sweden. 2019 '2022', Group show, Studio 2, The Ark, Bembridge, Isle of Wight 'Object Meditation', After Nyne Gallery, London. UK 'Putting Ourselves in the Picture', Artist-in-Residence. Fabrica Gallery, Brighton UK 'Black Stuff', Group exhibition, Unit 3 Projects, ASC Studios. London. Solo Show, Rye Creative Centre. Rye, East Sussex. UK Solo Show, Sid Motion Gallery, London. 2018 'C'est De La Peinture'. Bankley Studios & Gallery, Manchester. UK 'Not 30%'. Curated by Kate Bryan, The Other Art Fair. Saatchi Art. London. Featured at ''100% Design. London Design Festival. Olympia. West Kensington. UK Featured at 'Decorex International'. London Design Festival. Syon Park. UK 'Girls Just Wanna Have Fun'.Group Show, Unit 3 Projects. ASC Studios. London 'Third Order'. Group show, Unit 3 Projects. ASC Studios. London. Gallery Representation After Nyne Contemporary About the postcard artworks Applying new sequences of colour across familiar forms, these pieces are an investigation into feelings of nostalgia and vulnerability.
Sara Dare Velvet Purse VI, 2021 Ink on Watercolour Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Sara Dare is an abstract painter. She primarily works on a large-scale using paper, linen and canvas, combined with a range of mediums informed by finish and viscosity such as ink, oil, emulsion and acrylic. Dare's paintings seek to convey an initial playful interaction with the viewer followed by a sense of unease or tension. Dare is also concerned with the environment surrounding the works and the conversations between them. She consistently works on several pieces as a series and actively encourages a dialogue and visual interaction that connects and holds them together. Sara Dare is based in West Sussex and has sold work to collectors internationally Education Sara Dare graduated in Fine Art Painting at The University of Brighton in 2008. In 2010 she received a Postgraduate Certificate in Education of Art and Design and focused on absorbing these methodologies into her approach as a socially engaged artist and collaborator. She recently studied on the Correspondence Course at alternative art school Turps Education. 2021 London Art Fair, After Nyne Gallery, EDIT online. 2020 'Kite Circus', Group Show, Sidney and Matilda, Sheffield. UK 'Dear Painting', Group show, Nordic Art Agency, Malmo, Sweden. 2019 '2022', Group show, Studio 2, The Ark, Bembridge, Isle of Wight 'Object Meditation', After Nyne Gallery, London. UK 'Putting Ourselves in the Picture', Artist-in-Residence. Fabrica Gallery, Brighton UK 'Black Stuff', Group exhibition, Unit 3 Projects, ASC Studios. London. Solo Show, Rye Creative Centre. Rye, East Sussex. UK Solo Show, Sid Motion Gallery, London. 2018 'C'est De La Peinture'. Bankley Studios & Gallery, Manchester. UK 'Not 30%'. Curated by Kate Bryan, The Other Art Fair. Saatchi Art. London. Featured at ''100% Design. London Design Festival. Olympia. West Kensington. UK Featured at 'Decorex International'. London Design Festival. Syon Park. UK 'Girls Just Wanna Have Fun'.Group Show, Unit 3 Projects. ASC Studios. London 'Third Order'. Group show, Unit 3 Projects. ASC Studios. London. Gallery Representation After Nyne Contemporary About the postcard artworks Applying new sequences of colour across familiar forms, these pieces are an investigation into feelings of nostalgia and vulnerability.
Suzanne Moxhay Pines, 2021 Print Hand Finished with Gouache Signed verso 15 x 10cm (5¾ x 3¾ in.) Moxhay (b.1976, Essex) lives and works in London. Education After completing a BA Hons in Painting at Chelsea College of Art she went on to The Royal Academy Schools where she graduated with a Post Graduate Diploma in Fine Art in 2007. Exhibitions/Awards She has exhibited widely, both nationally and internationally since 2002 and her work is held in many significant public and private collections including the University of the Arts Collection, The Royal Academy of Arts, The Cooper Union New York, the FSC, the Lodeveans Collection and Oxford University. She has featured in numerous publications including The Guardian, The FT, A-N Magazine and Art World Magazine and has been profiled and interviewed on the BBC Culture Show. Exhibitions include 'GSK Contemporary: Earth Art of a Changing World' and 'Constructed Landscapes' at the Royal Academy of Arts, 'Saatchi's New Sensations/ The Future Can Wait' at Victoria House, London and 'Human Made Things' at Aspex Gallery, Portsmouth and 'Modell-Naturen' which toured public museums in Germany in 2019. Her animation work has been shown as part of the programme 'Do Billboards Dream of Electric Screens?' on BBC public screens in cities across the UK and she has had three prints commissioned by the Royal Academy of Arts. BA Hons Fine Art: Painting, Chelsea College of Art, 2001-2004 Post Graduate Diploma Fine Art, Royal Academy Schools, 2004-2007Solo Exhibitions: 2020 Tableaux Vivants Galerie G, La Garde, France 2019 Conservatory James Freeman Gallery, London 2017 Tableau Vivant Anderson Gallery, Bridgewater State University, MA, USA 2016 Selected Works START with The LOFT at Lower Parel, Saatchi Gallery 2016 Tableau Vivant Anima-Mundi Gallery, St Ives 2014 Finta Realta TEN Gallery, Milan Group Exhibitions: 2021- High Art Orchestra, Galerie Jean-Louis Ramand, Aix-en-Provence, France 2020- Electric Avenue, James Freeman Gallery, London, online 2020- The Birds are Singing in the Distant Woods, The Violet Hour, London, online 2020- Royal Academy Winter Exhibition, Royal Academy of Arts, London 2019- RA Schools 250, Royal Academy of Arts, Exhibition of prints commissioned by the RA 2019- Modell- Naturen, Alfred Ehrhardt Stiftung, Berlin. Touring public galleries in Germany 2019-20 2019- STRATA, 1PROJECTS Bangkok, part of Photo Bangkok 2019- Expanded Landscapes, Galerie Jean-Louis Ramand, Paris 2019- In Edition, Bo Lee Gallery, London 2018- ABSRACT : REALITY, Saatchi Gallery, London 2018- Adventitious Encounters- Open Space Contemporary at Whiteleys, London 2017- Mixed Winter Exhibition- Anima-Mundi, St Ives 2017- Nature's Alchemy, Bo Lee Gallery, London 2017- You See Me Like a UFO, Marcelle Joseph Projects, Berkshire 2017- Nocturne, James Freeman Gallery, London 2017- Arles Summer Show / Voies Off, Arles, France 2017- Royal Academy of Arts Summer Exhibition, London 2017- Jamais on n'a vu..., Galerie Jean-Louis Ramand, Paris 2017- Traces, Bo Lee Gallery, London 2017- Selected Works, Galerie Jean-Louis Ramand, MIA Art Fair, Milan 2016- Trace Elements, James Freeman Gallery, London 2016- Liminal Space, The Loft at Lower Parel, Kochi, India 2016- Merge Visible, Mall Galleries, London 2016- Royal Academy of Arts Summer Exhibition, London 2016- Hinterlands and Pleasure Gardens, James Freeman Gallery, London 2015- Somewhere in Between- curated by Huma Kabacki, Karavil Contemporary, London. 2015- Brilliant Creatures, The Violet Hour at Strand Gallery, London 2015- Multiplied, Christies, London 2015- Royal Academy of Arts Summer Exhibition, London 2015- Progetto Pompeii- Andrea Ingenito Contemporary Art at MIA Art Fair Milan 2015- Eccentric Spaces- curated by Futurecity, The Gallery At Foyles, London 2014- Noir/ Blanc, The Loft at Lower Parel, Mumbai, India 2014- Vanitas, Karin Janssen Project Space, London 2014- The Combinational, Studio 1-1, Shoreditch, London 2014- Archaeologies, The Griffin Gallery, London 2014- Under Nature / Andrea Ingenito Contemporary Art, Naples, Italy 2014- Up and Coming Award/ Kids of Dada, Hoxton Art Gallery, London (Joint winner) 2013- Human Made Things, ASPEX Gallery, Portsmouth 2011- Saatchi's New Sensations/ The Future Can Wait, Victoria House, London 2011- Afternoon Tea, 54th Venice Biennale, Italy 2011- Royal Academy Editions (Print Commissioned), Royal Academy of Arts 2011- Constructed Landscapes, Royal Academy of Arts 2009- Earth: Art of Changing World, Royal Academy of Arts, London Awards: 2019 Print Commission- Royal Academy of Arts (RA Schools 250) 2015 Print Commission- Royal Academy of Arts (RA Editions) 2014 BNL BNP Paribas Group Award Finalist (MIA, Milan) 2014 Kids of Dada Up and Coming Award (Joint winner) 2011 Print Commission- Royal Academy of Arts (RA Editions) James Freeman Gallery, London/ The Contemporary London/ Galerie Jean-Louis Ramand, France About the postcard artworks Drawing from an archive of collected material, Suzanne Moxhay creates intricate and complex photomontages. Her method was derived in part from the early filmmaking technique of matte painting, where backdrops were painted on sheets of glass and integrated by the camera with the live-action on set. She builds up the image in her studio using cut-out fragments of source material, which she makes into small stage sets on glass panels. She then re-photographs the sets and manipulates the images digitally, an act of reprocessing which takes them further away from their original context and broadens the narrative potential. Her source material is drawn from an archive of collected imagery, which includes her own photographs of abandoned buildings as well as material collected from old books and magazines and fragments of paintings. She works intuitively with the material, finding points of connection between details, either through shared subject matter or formal considerations such as following the path of light from one image through another to create spaces, which at first may appear real but on closer inspection begin to dissolve. She plays with anomalies - of texture, surface, depth, space, scale, movement and architecture - to involve the viewer in the construction of the image, and to make them question it. In the finished work there is often an uneasy sense of a space that does not quite fit together - either formally or conceptually, but possesses a reality of its own. One which we are unable to pinpoint as factual or fictitious.
Claudette Johnson Ink Study No.4, 2021 Ink and Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Claudette Johnson (born 1959) is a British visual artist. She is known for her large-scale drawings of Black women and involvement with the BLK Art Group. She was described by Modern Art Oxford as "one of the most accomplished figurative artists working in Britain today Education 1992-1994 Post Graduate Certificate in Education (F.E), University of Greenwich, 1979-1982 BA Hons Fine Art, University of Wolverhampton, 1978-1979 Foundation course in Art and Design, Manchester Polytechnic Exhibitions Upcoming 2021 Hollybush Gardens, London [solo], 2023 People of Colour: Black Portraiture Now, National Portrait Gallery, London [group] Selected solo exhibitions 2019 I Came to Dance, Modern Art Oxford, UK 2017 Claudette Johnson, Hollybush Gardens, London 1999 Studio Show, Deborah House Studios, London 1995 Portraits from a Small Room, 198 Gallery, London [artist in residence] 1992 In This Skin, The Black Art Gallery, London 1990 Pushing Against The Boundaries, Rochdale Art Gallery [artist in residence] Claudette Johnson, The Tom Allen Centre, London 1986 Claudette Johnson - Recent Works, The City Art Gallery Manchester [artist in residence] 1984 Claudette Johnson - Drawings, The Drill Hall, London
Caroline Coon I am... for The Hepatitis C Trust 2021, 2021 Watercolour and Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Caroline Coon (75) is a British artist, writer and political activist, best known for her large-scale painted works challenging patriarchal and binary sexual stereotypes. www.carolinecoon.com
Florence Hutchings Dining Room Chair I, 2021 Oil Paint, Ink, Oil Pastel and Collage on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Florence Hutchings (b. 1996) originally from Kent now lives and works in London. Education: Florence graduated with a first class honours from The Slade School of Fine Art, where she also won the Lynn Painter's Stainers Scholarship during her studies. Exhibitions/Awards: Florence has had three solo shows in the past two years and has exhibited her work widely throughout the UK and abroad. The largest show of her work was in 2019 at the Saatchi Gallery where eight large scale paintings were displayed in an exhibition titled Kaleidoscope. The paintings from that show remain part of Charles Saatchi's collection. Florence has taken part in a few residences too, her most recent being in September 2019 in LA, which resulted in a show of the work at the Cabin. Florence's work revolves around the poetry of the everyday, taking elements of her life whether it be the studio, the clothes rail in her bedroom or even the toilet in the bathroom. Florence depicts these objects into almost abstract forms giving them the life and vitality that she sees in them. Her work is extremely textured and layered, this occurs due to the constant repainting in almost all of her works, collage also plays a vital role in this process. Slade School of Fine Art Scholarships Lynn Painter's Stainers Prize 2016-2019 Residency's The Cabin, LA, September 2019 Plop, London, June 2018 Exhibitions Solo Shows Union Gallery- The Place I call Home, August 2020 Beers London- The Poetry of the Everyday, August 2019 Delphian Gallery- Seating Arrangement, September 2019 Two Person Shows Setareh Gallery - The Space Between, December 2020-Jan 2021 Beers London- A Kindred Spirit, Feb-March 2020 The Cabin LA- Florence Hutchings and Danny Romeril, Sept-Oct 2019 The Halpern Gallery- Objects in Translation, June 2019 Other Exhibitions Saatchi Gallery - Antisocial Isolation, October 2020 Mall Galleries- FBA Future, Jan 2020 Delphian x Guts, November 2019 Delphian Gallery- Divergent Motion, Nov 2019 Guts Gallery Opening, May 2019 Slade Degree Show, May 2019 Saatchi Gallery - Kaleidoscope, March-June 2019 Beers London -Works on paper, December 2018 New Arts Project- Places and Faces, July 2018 Take Courage Gallery- Numerous and Often Varied, May 2018 5th Base Gallery- Juice, Feb 2018 The Chopping Block Gallery- Pretty Hot Pink, December 2017 The Crypt Gallery- All's Well, Nov 2017 The Chopping Block Gallery- Do I Beg This Slender Inch, Oct 2017 Doomed Gallery- Mud, Feb 2017 Geddes Gallery- Magical Offspring, June 2016 About the postcard artworks: These three pieces for AOAP are all based on chairs i've been surrounded by recently, depicted in a variety of media. Working on this small scale was definitely a challenge, for them to work there was a constant process of painting out and painting back in to resolve the end images of the works. "
Florence Hutchings Dining Room Chair II, 2021 Oil Paint, Ink, Oil Pastel and Collage on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Florence Hutchings (b. 1996) originally from Kent now lives and works in London. Education: Florence graduated with a first class honours from The Slade School of Fine Art, where she also won the Lynn Painter's Stainers Scholarship during her studies. Exhibitions/Awards: Florence has had three solo shows in the past two years and has exhibited her work widely throughout the UK and abroad. The largest show of her work was in 2019 at the Saatchi Gallery where eight large scale paintings were displayed in an exhibition titled Kaleidoscope. The paintings from that show remain part of Charles Saatchi's collection. Florence has taken part in a few residences too, her most recent being in September 2019 in LA, which resulted in a show of the work at the Cabin. Florence's work revolves around the poetry of the everyday, taking elements of her life whether it be the studio, the clothes rail in her bedroom or even the toilet in the bathroom. Florence depicts these objects into almost abstract forms giving them the life and vitality that she sees in them. Her work is extremely textured and layered, this occurs due to the constant repainting in almost all of her works, collage also plays a vital role in this process. Slade School of Fine Art Scholarships Lynn Painter's Stainers Prize 2016-2019 Residency's The Cabin, LA, September 2019 Plop, London, June 2018 Exhibitions Solo Shows Union Gallery- The Place I call Home, August 2020 Beers London- The Poetry of the Everyday, August 2019 Delphian Gallery- Seating Arrangement, September 2019 Two Person Shows Setareh Gallery - The Space Between, December 2020-Jan 2021 Beers London- A Kindred Spirit, Feb-March 2020 The Cabin LA- Florence Hutchings and Danny Romeril, Sept-Oct 2019 The Halpern Gallery- Objects in Translation, June 2019 Other Exhibitions Saatchi Gallery - Antisocial Isolation, October 2020 Mall Galleries- FBA Future, Jan 2020 Delphian x Guts, November 2019 Delphian Gallery- Divergent Motion, Nov 2019 Guts Gallery Opening, May 2019 Slade Degree Show, May 2019 Saatchi Gallery - Kaleidoscope, March-June 2019 Beers London -Works on paper, December 2018 New Arts Project- Places and Faces, July 2018 Take Courage Gallery- Numerous and Often Varied, May 2018 5th Base Gallery- Juice, Feb 2018 The Chopping Block Gallery- Pretty Hot Pink, December 2017 The Crypt Gallery- All's Well, Nov 2017 The Chopping Block Gallery- Do I Beg This Slender Inch, Oct 2017 Doomed Gallery- Mud, Feb 2017 Geddes Gallery- Magical Offspring, June 2016 About the postcard artworks: These three pieces for AOAP are all based on chairs i've been surrounded by recently, depicted in a variety of media. Working on this small scale was definitely a challenge, for them to work there was a constant process of painting out and painting back in to resolve the end images of the works. "
Florence Hutchings Dining Room Chair III, 2021 Oil Paint, Ink, Oil Pastel and Collage on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Florence Hutchings (b. 1996) originally from Kent now lives and works in London. Education: Florence graduated with a first class honours from The Slade School of Fine Art, where she also won the Lynn Painter's Stainers Scholarship during her studies. Exhibitions/Awards: Florence has had three solo shows in the past two years and has exhibited her work widely throughout the UK and abroad. The largest show of her work was in 2019 at the Saatchi Gallery where eight large scale paintings were displayed in an exhibition titled Kaleidoscope. The paintings from that show remain part of Charles Saatchi's collection. Florence has taken part in a few residences too, her most recent being in September 2019 in LA, which resulted in a show of the work at the Cabin. Florence's work revolves around the poetry of the everyday, taking elements of her life whether it be the studio, the clothes rail in her bedroom or even the toilet in the bathroom. Florence depicts these objects into almost abstract forms giving them the life and vitality that she sees in them. Her work is extremely textured and layered, this occurs due to the constant repainting in almost all of her works, collage also plays a vital role in this process. Slade School of Fine Art Scholarships Lynn Painter's Stainers Prize 2016-2019 Residency's The Cabin, LA, September 2019 Plop, London, June 2018 Exhibitions Solo Shows Union Gallery- The Place I call Home, August 2020 Beers London- The Poetry of the Everyday, August 2019 Delphian Gallery- Seating Arrangement, September 2019 Two Person Shows Setareh Gallery - The Space Between, December 2020-Jan 2021 Beers London- A Kindred Spirit, Feb-March 2020 The Cabin LA- Florence Hutchings and Danny Romeril, Sept-Oct 2019 The Halpern Gallery- Objects in Translation, June 2019 Other Exhibitions Saatchi Gallery - Antisocial Isolation, October 2020 Mall Galleries- FBA Future, Jan 2020 Delphian x Guts, November 2019 Delphian Gallery- Divergent Motion, Nov 2019 Guts Gallery Opening, May 2019 Slade Degree Show, May 2019 Saatchi Gallery - Kaleidoscope, March-June 2019 Beers London -Works on paper, December 2018 New Arts Project- Places and Faces, July 2018 Take Courage Gallery- Numerous and Often Varied, May 2018 5th Base Gallery- Juice, Feb 2018 The Chopping Block Gallery- Pretty Hot Pink, December 2017 The Crypt Gallery- All's Well, Nov 2017 The Chopping Block Gallery- Do I Beg This Slender Inch, Oct 2017 Doomed Gallery- Mud, Feb 2017 Geddes Gallery- Magical Offspring, June 2016 About the postcard artworks: These three pieces for AOAP are all based on chairs i've been surrounded by recently, depicted in a variety of media. Working on this small scale was definitely a challenge, for them to work there was a constant process of painting out and painting back in to resolve the end images of the works. "
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