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Lot 6211
Walthers: A collection of five boxed Walthers items to comprise: Amtrak Superliner I Coach, 932-6162; 85' Superliner II Dining Car, 932-6131; American Car & Foundry Baggage Dormitory, Chicago & North Western, 932-9564; All Purpose Stand Alone Husky Stacks, 932-61003; and Milwaukee Road Rib Side Caboose 932-7662; HO Scale, all in original boxes. (5)
Lot 6209
Walthers: A collection of five boxed Walthers 1955 Twin Cities Hiawatha, Milwaukee Road, to comprise: Express Car w/Cond Window #1331, 932-9202; 48-Seat Diner, 115-120 Series, 932-9203; Railway Post Office, 2153-2153 Series, 932-9201; 26-Seat Tap Lounge, 162-173 Series, 932-9204; and Express Car 1309-1314 Series, 932-9209; HO Scale, all within original boxes. (5)
Lot 6200
Walthers: A collection of four boxed Walthers Proto items to comprise: 40' Trinity 14,000 Gallon Molten Sulfur Tank Car, TGOX - First Union Rail #1822, 920-100007; 53' AAR Flat Car Chesapeake and Ohio #80633, 920-104101; 53' AAR Flat Car SOO Line #5205, 920-104113; and 50' SIECO Pulpwood Flatcar, Southern #141028, 920-104507; all HO Scale, in original boxes, slight crushing. (4)
Lot 6207
Walthers: A collection of five boxed Walthers Proto, Pullman to comprise: 82' 12-1 Sleeper, Pullman (Green), 920-17201; 82' 10-1-2 Sleeper, Pullman (Green), 920-17151; 82' 8-1-2 Sleeper, 920-17101; 82' 14-Section Sleeper, 920-17001; and 6-3 Sleeper, 920-17051; HO Scale, all in original boxes, slight crushing to boxes. (5)
Lot 6188
Walthers: A boxed Walthers Proto Series, F7A Locomotive, 920-40607, Great Northern #270-A, with Mars Light, HO Scale, within original box, slight scuffing to box corners; together with a boxed Walthers Proto Series, F7B Locomotive, 920-40607, Great Northern #270-B, HO Scale, within original box. (2)
Lot 502
THIS IS A FINE 1826 MAP OF RUSSIA IN ASIA, DRAWN BY J. ASSHETON AND ENGRAVED BY J. SHURY. THIS BEAUTIFULLY DRAWN BLACK AND WHITE MAP COVERS THE ENTIRE AREA OF RUSSIA AND THE ADJACENT PARTS OF THE CHINESE EMPIRE. MAKES NOTE OF NUMEROUS RIVERS, MOUNTAIN RANGES, GULFS, SEAS, AND MAJOR CITIES. SCALE IS SHOWN IN THE UPPER CENTER QUADRANT. PUBLISHED BY THOMAS TEGG OF 73 CHEAPSIDE, LONDON. APP.SIZE:
Lot 540
* RICHARD "TURNERAMON" TURNER A.R.C.A (BRITISH 1940 - 2013), THE DAUGHTERS OF BABYLON oil on canvas, signed 102cm x 152cm Framed Note: Richard Turner was noted post modernist artist born in Derby England and was educated at Bemrose Grammar School. In 1960, he enrolled at the Derby College of Art where he won the J. Andrew Lloyd scholarship for Landscape, enabling him to study at the Royal College of Art in London, from 1963. There, he was tutored by Carol Weight and Sir Peter Blake. He graduated in 1966 with an Associate of the Royal College of Art Degree, as well as prizes in Life Drawing, Life Painting, and Landscape Painting. His work was much admired by his contemporaries and his tutors. For the next two years, Turner was a lecturer at the Guildford School of Art; working on environmental installation projects with Australian artist Tony Underhill. He was introduced to etching by Peter Olley and Norman Ackroyd. In 1968, he was employed as an epigraphic artist and photographer by the Oriental Institute of the University of Chicago. For five years, he was based at Chicago House in Luxor, Egypt making facsimile drawings of the reliefs on the walls of the Temple of Khonsu, Karnak and Medenet Habu, adjacent to the Valley of the Queens. In 1973, Turner returned to England, lecturing at Salisbury College of Art for three years, before being re-employed in Egypt by the University of Chicago, for a further four years. During this time he made full scale tracings of all columns in the Great Hypostyle Hall of Luxor Temple. In 1980 he moved to the USA; built a split-level chalet style house in Big Bear, California, and ran his own gallery, named Minnelusa Gallery, on the shores of Big Bear Lake. He also worked as a graphic designer with Treasure Chest Advertising, based in Los Angeles. Four years later, Turner returned to the United Kingdom, and briefly lived in Edinburgh before moving south for five years. He returned to Scotland in 1989, and ran a successful "art holiday" home business from Park House in Kirkcudbright, as well as lecturing part-time in various colleges and schools. In 1993, Turner met HM The Queen and Prince Philip, at the opening of Tolbooth Art Centre in Kirkcudbright. Prince Philip commented on Turner's work saying it looked "refreshingly different". Turner exhibited widely throughout his career including multiple solo shows in London, Manchester, San Francisco, Palm Springs, San Bernardino, Los Angeles, Paris, Cairo, Luxor, Kirkcudbright and around the UK.
Lot 667
A Fine Victorian mahogany RegulatorBy Thomas Porthouse, 10 Northampton Square, London, Maker to the AdmiraltyWith an arched case, fully glazed door, on plinth base, the 12in dial, fully signed, with subsidaries for hours and seconds, and sweep centre minutes, finely made blued steel hands, the substantial plates with turned pillars screwed to each end, wheels of six crossings, deadbeat escapement with jewelled pallets, maintaining power, with steel pendulum rod supporting a glass jar (for mercury not supplied)183cm high, (1 weight, 1 pendulum, 2 case keys and 1 bent scale)Active 1821-1860. Succeded by Porthouse and French and moved to 16 Northampton Square in 1863. Condition Report The case has been repolished and restored. There is carcass movement to the veneers on the arch which have cracked. There is no inspection door in the arch. The movement is clean albeit dusty and with some finger marks. There is no mercury to the pendulum. Weight replaced. The weight pulley is from a longcase clock. Pillar screws are all 'chewed' in the slots but using the wrong sized screwdriver. Not currently working.
Lot 610
A George III mahogany bow-front barometerBy Adie & Son, EdinburghThe 8in silvered scale with vernier above the trunk with inset thermometer99cm high Condition Report The barometer is in good working condition. The pediment block is a slightly different colour than the stem and there is a new brass hook for hanging. Both silvered scales are tarnished. The bow front fillet below the main dial is a different colour, more orange as is the base fillet. New brass screwed strap across back of cistern cover. Marks and scratches across trunk consistent with age.
Lot 609
A George III mahogany stick barometerBy Cary, LondonWith arched silvered scale96cm high Condition Report The stick barometer is in good overall condition. It has probably been repolished at some stage but some time ago. The silvered scale is clear and not bright. The cistern cover is a little loose and the lower oulding has lost some sections (see image). The fillet edge has some slight chipping to its corners.
Lot 608
A Chinoiserie decorated stick barometerIn the manner of Daniel Quare, Early 18th Century and later The silvered scale with two verniers, set by the brass finials above, tapering column and spiral twist base, losses to decoration and replacement97cm high Condition Report The lacquer decoration work has flaked off in vertical narrow sections all over the tapered trunk section. Is this perhaps due to the wood shrinkage? The spiral twist section has traces of black lacquer and gilt and is worn off on the high sections showing the wood below (walnut or mahogany?). The cistern is lacquered and has similar degrading as well as some worm holes. The back of the cistern has a flattened edge to sit against the wall. The two brass rings on the trunk are well turned and deeply patinated.The two side panels of the pediment appear to have a later black lacquer application. With this later lacquer, it is very difficult to judge if the pediment sides and base are original, hence the qualification in cataloguing. The top fillet below the finials, appears original and the lacquer is worn and chipped. The finials are brass and lacquered which is dirty and patinated. The back panel is decorated and is reasonable condition, although cracked and with some losses. Behind the dial the internal wood surface is painted with a red/pink colour perhaps with glued paper below.
Lot 1922
A group of English porcelains, early 19th century, comprising; a Chamberlain's Worcester oblong sucrier and cover, painted with panels of exotic birds and insects against a cobalt blue and gilt scale ground, red script mark Chamberlain Worcester, 11cm. high; a Flight, Barr & Barr chinoiserie pattern coffee can, impressed mark; and two H & R Daniel claret ground coffee cups and saucers, pattern 4412, (7). Condition Report Sucrier and cover- finial of cover restored. Some repair to inner flange of sucrier.Coffee can- minor wear to gilding.Coffee cups and saucers- one cup with restoration and crack to rim. The other cup with one glued foot. Some wear to gilding. Saucers- one with haircrack to rim. Minor wear.
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216136 item(s)/page