A group of three ceramic scale weight plates one by Day & Milward Birmingham, 23cm diameter; one depicting Justitia et Fides, 33cm diameter; the other depicting Justitia Virtuten Regina, 23cm wide x 21cm deep; together with a metal adjustable stand on enamelled base, 42cm high (4)Condition report: All three with some scratches to the enamel and signs of wear, crazing to the glaze all over but no cracks or chips; stand with oxidisation and some chips to the edge of the enamel base
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Three 1:18 scale diecast models, Corgi MGF Open Top limited edition 2898/11000 with certificate, Corgi MGF Hard Top 95101 and Franklin Mint Ford Pick Up (af). All boxed CONDITION REPORT Ford Pick Up- mirror broken off but present, bull bar off but all present, dog present but ducks missing, all as images show
Circa 100-300 ADA well blown ancient Roman green glass bowl, featuring a bulbous globular body tapering to the rim. The internal area of the glass bowl is decorated with ribbing. Glass bowls with ribbed decoration have been manufactured since the Hellenistic period, from the 1st century BC into the first few decades of the 1st century AD. This bowl would have been crafted by blowing a bubble of glass into a mould, creating the ribs on the vessel’s external surface and leaving extremely thin areas between the ribs. By the time of the end of the 1st century AD manufacturing became large scale, which allowed glass to become commonly available material in the Roman world.For similar see:Roman Glass in the Corning Museum Volume 1-3.For further reading on Roman glass:Bergman, S.; Ancient Glass, Carnegie Museum of Natural History, Pittsburgh.Bianchi, Robert S.; Reflections on Ancient Glass, from the Borowski collection. Size: L:70mm / W:154mm; 130g Provenance: Private London collection; acquired in the 1990s on the UK art market.
Christian Richter (Swedish 1678-1732) Portrait miniature, watercolour on vellumHead and shoulder portrait of Carey (n�e Fraser) Countess of Peterborough (1655-1709)Within gilt frame with scrolled crest, bearing Burlington Fine Arts Club exhibition label versoOval 8.5cm x 7cmProvenance Charles Lees Collection: the miniature is accompanied by the original receipt of purchase by Lees for the sum of �20, dated April 9th 1883, from Ernest Renton Jeweller Art Designer and Collector of Curios, 1B Pall Mall Place, London.Charles Edward Lees was a successful British industrialist who curated his collection of paintings and miniatures during the latter half of the nineteenth century. Lees acquired examples by many notable artists with the assistance of known art dealers William and George Agnew. One hundred portrait miniatures from his collection were sold at Bonhams forming The Charles E Lees collection sale in November 1997.ExhibitedBurlington Fine Arts Club London, Exhibition Portrait Miniatures,1889, case 29, no.37Cf. A comparable example sold at Bonhams London, The Albion Collection of Fine Portrait Miniatures, Apr 2004, Lot 11Further miniatures of Carey:Charles Lees Collection, Bonhams, November 1997, Lot 20 - also by RichterEdward Grosvenor Paine Collection, Christie's, October 1980, Lot 40 - by Peter Cross.Portrait Miniatures The Property of a Lady, Bonhams, April 2005, Lot 9 - by Peter CrossCarey Countess of Peterborough was an English courtier, and maid of honour to Queen Catherine from 1674 to 1680.Carey was one of the 'Hampton Court Beauties' painted by leading portrait painter Sir Godfrey Kneller depicting eight of the most fashionable and glamourous ladies of the court of William III. During the early part of his career Christian Richter is believed to have studied under leading Swedish portrait miniaturist Elias Brenner, later working in Berlin and Dresden where he gained a strong following. Upon arrival in London in 1704 Richter began by copying full scale portraits of other popular artists including Michael Dahl and Godfrey Kneller.The antiquary and engraver George Vertue said of Richter's work: 'his Manner of Painting very tender and Curious, his tincts had a great variety his pencil regular and neat, his lines of drawing very just & toucht with freedom'.Condition Report:Good overall condition.Light signs of wear commensurate with age to frame.
19th century mahogany travelling apothecary cabinet, with recessed brass carry handle to top, and twin deep section doors to front, opening to reveal a fitted interior containing sixteen clear glass bottles, many with labels, and two pull out drawers with turned ivory handles containing further bottles and jars, glass mixing bowl and various accessories including a balance scale, H27cm W22cm D17.5cmCondition Report:Good overall condition with some general light wear commensurate with age and use, including surface scratches and nicks.Please enquire directly for a more in depth condition report.
Historical and Medical Interest: An earthenware culture vessel for the large-scale production of penicillin, circa 1941, oblong in shape with cylindrical spout, glazed in the interior, 22.5cm x 28cm x 6cm, signed and enscribed in pen - 'The Penicillin culture vessel was designed by Norman Heatley 1940 - a member of the team who developed the drug administered later that year Sir William Dunn Pathology lab University of Oxford', with a letter of provenance from the vendor: A similar vessel was recently shown on the Antique Roadshow with a valuation of £15,000 to £20,000 .Dr Norman Heatley, OBE DM - Penicillin's Unsung Hero In the early 1940s, a team of Oxford University scientists, led by Professor Howard Florey, carried out pioneering research work which led to the large-scale production of penicillin - the 'miracle drug' that saved thousands of Allied troops' lives and literally millions since. Dr Norman Heatley was a key member of that team. Born in 1911 in Woodbridge, Suffolk and with a doctorate from Cambridge, Heatley joined Florey's research team at the Sir William Dunn School of Pathology in Oxford in 1936. Soon after the start of World War II, work began on penicillin after Sir Ernst Chain read Sir Alexander Fleming's 1929 paper on penicillin and thought the subject worthy of further research. With limited resources in wartime Britain, the Oxford team's ingenuity was taxed to the full. Heatley was responsible for many of the technical innovations that were necessary to carry out the extremely difficult processes of purification and extraction of penicillin. He also became expert at growing the mould from which penicillin was extracted. Initially all kinds of containers were used ranging from sheep-dip tins to gallon juice bottles, biscuit tins and bedpans. The solution was a stackable rectangular ceramic vessel designed by Heatley who organised their immediate production. Heatley also monitored the experiment on mice in 1940 which first showed penicillin's great potential, and grew the penicillin for the first clinical tests on human patients in Oxford in 1941. Britain's full engagement in the war meant that further development and large-scale manufacture of penicillin could not realistically take place here; the collaboration of the USA would be needed. Ignoring the danger, Heatley and Florey flew to the US in 1941 to share their knowledge and to try to enlist American support. Fortunately this was forthcoming, and treatment of soldiers began in North Africa in April 1943. Soon, increased production of penicillin became the second highest priority at the American War Department. Only the development of the atom bomb was considered more important. The US government encouraged chemical and pharmaceutical firms to collaborate without fear of potential antitrust violations with the result that penicillin became available in time for the closing stages of the war. Fleming, Florey and Chain shared the Nobel prize for their work on penicillin in 1945. Various studies since the 1980s have argued that Heatley's contribution was seriously underestimated. In apportioning the credit for penicillin's development, Professor Sir Henry Harris linked the four principal scientists: 'Without Fleming, no Chain or Florey; without Chain, no Florey; without Florey, no Heatley; without Heatley, no penicillin'. In 1990 Heatley was awarded an honorary Doctorate of Medicine - an unprecedented award from Oxford University - in recognition of his great contribution. Norman Heatley, a kind, much loved, and self-effacing man, died in January 2004

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