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Lot 3
FELICITY AYLIEFF (born 1955); ‘Summer Insects’, a tall porcelain bottle form with onglaze enamel transfers, inscribed signature, made in Jingdezhen, China, 2019, height 56.5cm, diameter 21cm.“This domestic scale piece reflects the feeling and atmosphere of the long, hot summers spent in Jingdezhen. The surface of the pot is alive with insects with brightly coloured enamel transfers made from both my drawings and sourced transfers. Working at this scale allows freedom to experiment with ideas and new possibilities." Condition Report: Appears good with no obvious signs of faults, damage or restoration.
Lot 74
JAMES OUGHTIBRIDGE (born 1977); a near pair of small stoneware carved maquette forms in jet black and white clay, incised signatures dated 2021, tallest 16cm, widest 9cm (2).“For me, there are more possibilities with clay than with pencils, paper, paint. I find opportunities and reach conclusions in a three-dimensional practice that makes more sense to me and is an absolute joy in the process. These smaller carved forms inspire larger works, but their tactility and smaller scale make them desirable in themselves.” Condition Report: Appears good with no obvious signs of faults, damage or restoration.
Lot 13
MARIANNE WEREFKIN (1860-1938)Grüner Berg (Kaunas) tempera, chalk and pen and ink on cardboard40.4 x 29.2cm (15 7/8 x 11 1/2in).Executed in Kaunas in 1910Footnotes:ProvenanceAlexander Werefkin Collection (the artist's nephew, a gift from the artist). Anon. sale, Dr Ernst Hauswedell, Hamburg, 19 November 1966, lot 852.Acquired at the above sale by the previous owner; their sale, Hauswedell & Nolte, Hamburg, 17 June 2009, lot 31. Private collection, Switzerland (acquired at the above sale).ExhibitedWiesbaden, Städtisches Museum Wiesbaden, Marianne Werefkin, 1860-1938, Gedächtnisausstellung, 5 October 1958, no. 17 (later travelled to Bonn, Munich, Bremen, Wuppertal, Baden-Baden, Dortmund and Cologne).Wiesbaden, Museum Wiesbaden, Das Geistige in der Kunst, Vom Blauen Reiter zum Abstrakten Expressionismus, 31 October 2010 - 27 February 2011. Bietigheim-Bissingen, Städtische Galerie Bietigheim-Bissingen, Marianne Werefkin, Vom Blauen Reiter zum Großen Bären, 12 April - 6 July 2014, no. 44 (later travelled to Bremen). Melano, Artrust, Marianne Werefkin, I colori di un'anima in viaggio, 10 October - 10 December 2016.LiteratureN. Brögmann, Marianne Von Werefkin, Oeuvres peintes 1907-1936, exh. cat., Gingins, 1996, no. 68 (illustrated p. 96).Marianne Werefkin was one of the few extraordinary women working at the centre of Munich's avant-garde scene at the beginning of the twentieth century. Having grown up in the south of Moscow, receiving a full education, which included music, philosophy, languages, and drawing, she moved to St Petersburg at the age of 25, where she studied painting under Ilya Repin, the most famous of the Russian realist painters. Making connections with the Russian intelligentsia and holding her own salons at her residence, she shared news of the Parisian Impressionists, which she gleaned through her subscriptions of European art magazines. Influenced by her self-initiated exposure to international art, Werefkin diverged from the Russian aesthetic, boldly developing her identity as a cosmopolitan modernist. Indeed, at the age of 28, Werefkin told her father that she 'had never had any of the obsessions of the young society ladies' and was 'not afraid to be judged by society' (T. Malycheva, 'The Cosmopolitan Approach as a Constituent Aspect of Modernist Thought', in Marianne Werefkin and the Women Artists in her circle, Leiden, 2017, p. 71).In 1892, Repin introduced Werefkin to the painter Alexej von Jawlensky and the pair became romantically involved. Albeit an unconventional relationship - which navigated problems such as artistic rivalry and the birth of Jawlensky's son from his affair with his housekeeper, Hélène Nesnakomoff - it was an intense partnership that lasted eighteen years. Following the death of Werefkin's father in 1896, the couple moved to Munich, enabled by the artist receiving a generous pension from the Tsar as an orphaned daughter. A hub for intellectuals and known for artistic experimentation, Munich was the place where Werefkin could make her artistic mark.Werefkin and Jawlensky formed strong friendships with artists such as Wassily Kandinsky and Gabriele Münter and Werefkin continued her role as salon host for artistic friends at her Munich apartment. Aided by her linguistic skills (she spoke Russian, German, English, French, Polish, Lithuanian, and later Italian), she personally encouraged cultural exchange and helped ignite the direction of twentieth century modernism. It was in 1908 when Werefkin, Jawlensky, Münter and Kandinsky spent their first summer in Murnau, painting the Bavarian landscapes in the Expressionist style, which typically involved bold brushstrokes and flat planes of vivid colour. The four artists were founding members of the Neue Künstlervereinigung München or NKVM (New Artist's Association, Munich) in 1909, whose travelling exhibitions made them well known throughout Germany; Werefkin and Jawlensky were then involved and exhibited with the Expressionist group Der Blaue Reiter but were not official members.As the present work shows, Werefkin yielded paintings of captivating graphic power and daring colours. She created a distinctive style by assimilating the 'surface painting' of Paul Gauguin and Louis Anquetin with the ideals of the Expressionist group, which included a desire to convey spiritual truths through their art. Werefkin used planar division to create rhythmic compositions, enhanced by intricate details, which her Expressionist counterparts sought to reduce. In addition to being a prominent exponent of Expressionism therefore, Werefkin's art also belongs to a tradition of figurative symbolism, as she depicted anonymous people to evoke an emotion or mood.Werefkin's paintings often include sweeping landscapes with small figures going about their daily activities, sharing rueful moments of solidarity. The present work depicts the small town of Kaunas in Lithuania, where the artist spent the winter of 1909 and the spring of 1910, visiting her brother Peter who was governor of the town. Similar to Werefkin's powerful work The Black Women (1910), housed at the Sprengel Museum in Hanover, Grüner Berg (Kaunas) is filled with keen observation and sympathy for the local people, who are returning home after a hard day's work, descending the wide road from the hills. The use of tempera and pen and ink reveals Werefkin's close study of works by Paul Gauguin, Henri de Toulouse-Lautrec and Edvard Munch and the influence of Japanese Ukiyo-e prints.Grüner Berg (Kaunas) is a wonderfully meditative painting, one that inspires quietude and reflection. Spiritual and religious sentiments occupy a special place in Werefkin's oeuvre, as she strove to convey human states such as loneliness, suffering, reconciliation, and mortality. By making the local people of Kaunas so small in scale compared to the vast landscape, the viewer is prompted to question humanity's significance in our world. In the artist's diaries, written during the early 1900s, she highlights the frailty of life and her fear of death: 'I see an open skull, filled with limited thoughts. I see a life path common to all and an inevitable end - death. I am afraid of every feeling, every ecstasy, anticipating a terrible, dubious end in them. The great aspirations of mankind end again and again in a fall with broken wings. Oh, then I close my eyes, I don't want to see, hear anything, I don't want to love [...] Only artistic creation is infinite, limitless...' (M. Werefkin, Pis'ma k neizvestnomu, Moscow, 2011, p. 193). While the Expressionist movement had always been defined by a form of social awareness, Werefkin's work expresses the human concerns more clearly. Her writings demonstrate her fascinating insights and critical mind, which she innovatively harnessed to create her unique visual language.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
![NO RESERVE London.- Hackney Carriages.- [Weston (John, publisher)] The Protector Table; A Scale of legal Fares of Hackney Coa](https://cdn.globalauctionplatform.com/a073cdd8-fef5-425d-89a9-b0980107938b/ef90d8d8-210d-4c8e-9328-b09900d40ec4/468x382.jpg)
Lot 209
NO RESERVE London.- Hackney Carriages.- [Weston (John, publisher)] The Protector Table; A Scale of legal Fares of Hackney Coaches and Cabriolets of London, caluclated from actual admeasurements, broadside with hand-coloured highlighting in blue, c.580 x 470mm (23 x 18½ in), tears and brittleness along folds, light spotting,original boards, spine defective, entered at the Stationer's Hall, 1837.
Lot 326
16 Boxed & unbuilt plastic model plane kits, mostly 1:72 scale, to include Esci, Novo, Eastern Express, SMER, Academy Minicraft & Hawk examples, featuring Hawk 613 Nieuport 17 c-1, Esci 9021 Albatros DIII, Eastern Express 72156, Novo F163 Vickers Vimy Mk IV Heavy Bomber, Academy Minicraft FA-031 WWI Fighter, etc, plus 9 x bagged model kits (featuring Airfix). Kit contents generally appearing gd but unchecked for completeness, boxes gd overall - featuring sealed examples
Lot 328
10 boxed model kits to include 4 x Precision Paper Engineered Aircraft (2 x Moth G-AAAH, Swift G-AARX & Rapide G-AIYR), 2 x Micro Wooden Kits (Easy Bee & Parlor Mite), Peck Polymers Peanut Scale Gipsy Moth, Berkely Championship Flying Scale Fairchild, Guillow's Build By Number Fairchild & Airfix Great Western 1-180 200th Anniversary Of The Birth Of Isambard Kingdom Brunel (part painted) kits unbuilt appearing complete with instructions
Lot 1089
Two boxed Burago 1/18 scale diecast models to include 3005 Bugatti Type 59 - 1934 and 3007 Ferrari 250 Testa Rossa - 1957 (diecast ex, boxes show window squash); together with 8 unboxed diecast models to include 3 x Franklin Mint (featuring 1/10 Harley Davidson Heritage Softail Classic - with tag, 1935 Mercedez-Benz 770 K Grosser - with tag & 1930 Bugatti Royale - showing damage), 4 x Burago 1/18 scale and a Tonka Polistil example (unboxed diecast generally appearing vg unless stated)
Lot 1074
Seven boxed Britains 1:32 scale diecast model tractors to include 9523 Fiat Half-Track Tractor, 9521 County 1884 Tractor, 9528 Lamborghini 1706 Tractor, 9597 Mercedes-Benz Detachable Tractor And Tipper Hopper, 9524 Deutz DX6 Tractor, 9518 Renault TX 145-14 Turbo Tractor & 9515 Volvo Valmet Tractor. Diecast ex, boxes gd overall - some showing storage-related wear
Lot 335
Two boxed Tamiya 1/35 scale 88mm Gun Flak36/37 military plastic model kits to include 35017 and MM117 variants, both unbuilt but contents unchecked, box for MM117 with seam splits to ends, plus a quantity of OO gauge model railway track and plastic kit accessories and a carded Matchbox Thunderbirds Lady Penelope's Rolls Royce Fab 1 diecast model
Lot 364
Collection of six boxed plastic model kits to include 1:25 scale Revell XK-E Jaguar (unbuilt), 1:200 scale Polaris Nuclear Submarine (Unbuilt), 1:72 scale Revell Fokker Dr.1 Triplane (Sealed), 1:35 scale Tamiya S.GL.Einheits Personen Kraft Wagen Horch 4x4 Type 1a, 1:144 Scale Airfix Space Shuttle and 1:72 scale Flying Saucer Haunebu II, together with R/C Porsche 928 and Revell Messer-Schmitt R/C plane, boxes vg overall, contents all appearing complete, but unchecked for completeness
Lot 296
Radio Control - A boxed & unbuilt Tamiya M-05 Chassis 'NSU TT Jagermeister' R/C FWD High Performance Car, with instructions (contents ex, gd box); plus a boxed & unbuilt Tamiya Racing Buggy Sand Scorcher 1/10 Body Parts Set with instructions (part-painted, contents unchecked for completeness; gd box); and a bagged Tamiya Spare Parts 1/10 Scale R/C NSU TT Jagermeister Body Parts Set (no. 51594 - sealed). (3)
Lot 308
Radio Control - Two boxed AE ' Team Associated ' RC10 B3 Electric Offroad Competition Buggies, 1:10 scale, with a spare body shell & spoiler (one tatty box); together with two unboxed 1:10 scale electric buggies (JConcepts & Phoenix BX II); plus three radio control systems (Team Losi, Futaba 'inside' Ripmax RT X-2 & Techniplus Digital Proportional Radio Control System). (Buggies showing wear to bodywork & chassis)
Lot 1045
13 Boxed / cased diecast models, 1:43 scale or similar, mostly racing car examples, to include Werk83 Racing Porsche 956K (W83430003), 9 x IXO Models (featuring 4 x CMR Classic Model Replicas) and 3 x Vanguards (featuring VA12300 Colin McRae Motorsport special edition - Subaru Impreza). (Diecast ex, boxes / cases vg)
Lot 339
31 Boxed & unbuilt Revell plastic model plane kits, mostly 1/72 scale, to include H-75 Sopwith Triplane, H-74 Albatros D-III, H-643 De Havilland D.H.2, H-64 Sopwith Camel, H-71 Fokker D-VII, 04761 Fokker D VII (box shows squash), 04574 Fokker D VII, etc. (Contents generally appearing gd but unchecked for completeness, boxes gd overall)
Lot 346
11 Boxed & unbuilt Revell plastic aircraft model kits, 1:28 to 1:72 scale, to include 04660 Black Panther, 04695 Tornado Tigermeet, 04730 WWI Fighter SPAD XIII, 04747 F.1 Camel, 04684 Albatros D.V, etc. (Contents generally appear gd but unchecked for completeness, boxes show storage wear including squash)
Lot 292
Radio Control - A boxed Tamiya Racing Buggy Rough Rider, 1/10 scale, kit no. RA1015, with Acoms AP.227 Mk II Radio Control System, with instructions, spare decals, Tamiya Mi-Cd 7.2V Battery (boxed, with instructions), Acoms Battery Charger (boxed), Acoms 7.2V Quick-Charger and four spare wheels. (Built, model appears gd overall but dusty, some age related surface staining; gd box)
Lot 307
Radio Control - A boxed AE ' Team Associated ' SC10 4x4 Short Course Electric 4WD Off Road Race Truck, 1:10 Scale, with manual (wear to body shell & chassis, box shows storage wear), with spare body shell; together with an unboxed 'JConcepts' example (gd bodyshell, wear to chassis), and 2 x radio control systems (Spektrum DX2.0 DSM Racing System & Losi Radio System). (2)
Lot 1075
Seven boxed Britains 1:32 scale diecast model tractors to include 9508 Ford TW 25 Tractor, 9522 Renault tractor, 9520 Massey Ferguson Tractor MF 2680, 9527 Ford Tractor 5610, 9530 Deutz Eight-Wheeled Tractor, 9529 Fiat Double Rear Wheel & 9517 Massey Ferguson Tractor. Diecast vg-ex, boxes generally gd - some with storage wear & ink annotations
Lot 340
29 Boxed & unbuilt Airfix plastic models kits, mostly 1:72 scale military aircraft, to include 09253 Cutty Sark 1869, 09252 HMS Victory 1765, 06007 Handley Page 0/400, 01048 Avro 504k, 00078 Albatros DVa, 01050 Hannover CL111A, etc, plus 3 x bagged & unbuilt Airfix plastic model kits. (Kits mainly appearing sealed, boxes generally gd) (2)
Lot 1174
Seven boxed Britains 1:32 scale diecast models to include 9603 Ford Skip Lorry, 9523 Ford Tractor 7710, 9440 JCB Fastrac 1135, 9460 JCB 526S Loadall, 9520 Massey ferguson Tractor MF 2680, 9556 Hay Baler and JCB Fastrac 3185 (condition varies, some boxes showing some discolouration and signs of storage wear, diecast ex), together with a quantity of unboxed Britains examples (diecast gd with signs of play wear)
Lot 1035
Five boxed / cased Corgi diecast model trucks, 1:50 scale, to include 3 x Modern Trucks 'A New Era of Road Transport' (2 x 75201 ERF Curtainside & 75403 Leyland-DAF Curtainside) and 2 x Limited Edition Collectables (CC13201 DAF XF Super Space Cab Curtainside & 75601 Renault Premium Curtainside - heavy wear to box & split to window). Diecast ex, boxes / cases show some storage-related surface wear
Lot 325
21 Boxed & unbuilt plastic aircraft model kits, mostly 1:48 to 1:72 scale, to include Frog, Merit, Heller, Hobby Craft, Glencoe Models, Guillow's, The Lindberg Line, etc, featuring Merit Bristol Bulldog, 4 x Frog (F291, F260, F280 & F272), 2 x Heller (L 395 & L 096), Dragon Models 5901, The Lindberg Line 438:60, etc; plus a bagged Rare Plane Vacforms Bell XFM-1 Airacuda plastic model kit. (Contents generally appearing gd but unchecked for completeness, boxes vary) (2)
Lot 316
Radio Control - A Hirobo Shuttle Z large scale R/C helicopter, with instructions, PCM X-3810 Radio Control System and a quantity of spare parts & accessories - featuring Futaba (spare helicopter blades, battery packs, motors, chargers, Hi-Tork Model Engine Starter, etc). (Helicopter grubby) (3)
Lot 389
Radio Control - Five R/C vehicles to include New Bright Dessert Racer (with transmitter), JiaHong 4x4 Monster Pick-Up Truck (with transmitter), Eztec John Cooper Challenge Mini Cooper (with transmitter), Folin rally car (with transmitter & spare body shell) and a 1/6 scale red Mercedes and transmitter. (3)
Lot 195
Nora Scholly (Slovakian / Austrian, 1905-1965), Fairy, small scale hand coloured etching, signed Nora Scholly to lower right. Scholly wrote a total of 16 Children’s books between 1930 to the 1960’s which she illustrated herself. In her books she often gave animals, trees and flowers a human face. In this way, Scholly tried to bring the unity of humanity and nature closer to children. Framed and glazed, ‘Scholly Verlag Badischl’ label to reverse. 8cm x 11cm.
Lot 400
* A pair of bed curtains, 18th century, 2 hand-sewn large green damask hangings, with repeated pattern of large stylised flowers and leaves, composed of 3 loom widths each 54.5 cm (21.25 ins) wide, 26 cm deep self border to top edges, with looped twisted chord for hanging (1 loop broken), lightly faded and a little discoloured/stained in places, some small holes and markings, one curtain with two 14 cm wide patches (total length 86 cm) to left-hand edge (with fraying above and below), each approximately 307 x 155 cm (121 x 61 ins), together with a hand-sewn 18th century panel of pieced green damask, using 3 different fabrics, those to sides and top woven with metallised gold thread (worn, with some fraying and loss), green fringing towards top, edged with gold metallic braid, backed with coarse linen, top edge with a curtain ring to each corner of verso, 140 x 83.5 cm (55 x 33 ins), plus: 2 non-matching pieces of green damask with large-scale repeated pattern of acanthus leaf motifs, the first an irregular pieced panel, some minor discolouration and marks, 1 or 2 small holes, length 211 cm (83 ins), width 93 cm (36.5 ins) at narrowest point, the second a long length, some marks, 263 x 53 cm (103.5 x 20.75 ins); 2 pieces of matching bright green damask, frayed and discoloured in places, each approximately 155 x 73 cm (61 x 28.75 ins); and a large piece of self-striped green taffeta, some discolouration, occasional small holes, 37 x 55 cm portion cut from one corner, 213 x 213 cm (84 x 84 ins)QTY: (8)
Lot 242
*Company School. View of the Jama Musjid, Delhi, circa 1850, fine large-scale watercolour with pen and ink and opaque watercolour on laid paper, inscribed in brown ink to lower margin 'Jumma Musjid, Delhi' and with further original inscription to the lower margin in arabic script, laid down (to sheet edges) on original backing card with border of pale yellow watercolour and dark brown bodycolour, framed and glazed (355 x 342 mm)QTY: (1)NOTE:Provenance: The David & Sarah Battie Collection.
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