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A late 18th century French two colour gold, tortoiseshell and lacquer oval snuff box, maker’s mark ‘LV’?, Paris charge and discharge marks (indistinct), the cover and base with an urn in a oblong reserve, on an engine turned ground, a foliate thumb piece, the sides with further urns and engine turning, 6.3cm (21/2 in) wide (the hinge mounts replaced)
A LATE 19TH/EARLY 20TH CENTURY CHINESE EXPORT SILVER FIGURE of a standing gentleman, export marks to base. 7.5cm(h); sold along with a Chinese export silver model palanquin, possibly Woshing, marked WS to base along with export marks. 9cm(L) and a model urn stand, unmarked. 6.5cm(h). 49grams. (total).
A LATE VICTORIAN SILVER PEPPERETTE or castor, of rounded cylindrical form, the turn off cover with urn form finial, embossed spiral foliate scrolls and pierced apertures, the body with foliate scrolls centred by a shaped cartouche engraved with the letter G, all raised on four ball feet, marks for London 1898, numbers 70263 & 27, maker Horace Woodward & Co Ltd. 7.5cm(h). 43grams.
A 19TH CENTURY MARBLE-TOPPED GILTWOOD CONSOLE TABLE having a shaped bow-fronted white marble top with moulded edge detail the guilloche moulded frieze with cast plaster caryatid supports, the underside having a large central rectangular mirror plate flanked by two smaller plates and centred with a carved urn and swag ornament with bowed stretchers. 99cm(h) x 194cm(w) x 61cm(d).
A George III tea urn makers mark IB within a rectangle, London 1766, the inverted pear shaped body with sei spiralled fluting and trailing foliate designs, with twin S scroll handle with cane work, the straight spout with simple wooden spigot handle with cast serpent detail trailing with figural terminal, the whole raised on a domed base with pieced swags and raised on three scrolling leaf capped feet 56cm high, 115oz
THREE ENGLISH DELFT BLUE AND WHITE URN-SHAPED VASES MID-18TH CENTURY Each with moulded lion-mask handles, everted rims, supported by conical feet, the first painted with Oriental huts in landscapes, the next with geometric flower pattern, the smallest with a stile by rockwork in a wooded landscape The tallest 5 5/8 in. (14.3 cm.) high (3) View on Christie's.com
Edward VII silver caster of faceted urn form, raised on a circular base with pierced lid and shaped finial. Hallmarked Elkington & Co. Ltd, London 1907. Height measures 7 inches (18 cm), weighing 6.09 ozt (189.9 grams). Condition: The caster is tarnished but otherwise generally in quite good condition for its age. Armorials clear as are the Hallmarks to body and inside cover rim. The spread base does however stand slightly uneven due to distortion and a small crease. The finial is also slightly bent. One deeper nick to the body panel below the Armorials along with several scratches.
Pair of Victorian silver candlesticks, each raised above oval bases with fluted detail leading to shaped tapered stems with bow and swag and reeded decorations, urn shaped sockets conforming in design and detachable nozzles. Hallmarked John Aldwinckle & Thomas Slater London 1894. Height measuring 11 1/2 inches (29 cm). (S/D). Condition: The pair of Victorian silver candlesticks display some noticeable wear and tear with general scratches, marks and tarnishing. There is discolouration and would benefit from a clean and polish. Numerous dents and bumps around the base, top rim and nozzles. One socket sits noticeable uneven and one nozzles also with splits and repairs to the silver. The material to the underside has worn. The hallmarks rubbed, but legible, the makers marks very rubbed and part illegible.
AN ITALIAN NEO CLASSICAL GILTWOOD MIRROR, TUSCANY the rectangular plate crested by a bust of a Ceasar surmounted by a two handled urn framed by leaves and flanked by finials or urns on brackets, 171cm h x 69cm w, c1800 Comparative Literature: Child (Graham), World Mirrors 1650-1900, 1990, plts 633-635. ++The plate replaced, old regilding and retouching, elements reattached, repaired breaks, etc. Generally in need of cosmetic restoration in similar state to the following lot.
A DERBY FIGURE OF ANDROMACHE WEEPING OVER THE ASHES OF HECTOR after the picture by Angelica Kauffman engraved by T Burke, Andromache in a flowered chiton and mauve drapery, a garland in her left hand, her right arm resting on an urn, on Greek key base, 23cm h, incised N100 2Si[ze] G, c1785 ++A good example in fine condition with a tiny nick on the front of the base, no restoration
A GOLDSCHEIDER FIGURE OF THE CAPTURED BIRD MODELLED BY JOSEF LORENZL as a dancer, her costume with wings painted in deep pinkish red, blue, yellow and black, poised on an oval base with roses spilling from an urn, 47cm h, impressed 5230/3042/65, incised 16 P, printed mark, painted decorator`s monograms and initials including AS in compendium and 22, c1922 The figure was inspired by a dance performed by Niddy Impekoven (1904-2002). Comparative Literature: Pinhas (O), Goldscheider A Catalogue of Selected Models, Shepton Beauchamp 2006, p118 and dust jacket illustrations. ++Minute flat chip on the lower edge of one end of the base, no restoration
A FRENCH BOULLE BRACKET CLOCK in Louis XV style with gilt bronze mounts, the cast dial with enamel chapters, the movement with medallic backplate and espagnolette pendulum, the case crested by a two handled urn and with lentical, veneered in red stained shell and inlaid with engraved brass scrollwork, 48cm h, c1900 ++One or two small losses to the inlaid decoration on the rounded parts of the apron. Lacking the lower part of one of the two trellis inserts from the sides. Generally rather dirty but not regilded, the movement original and apparently complete
A FRENCH GILT BRONZE AND STATUARY MARBLE CLOCK signed on the enamel dial Caron à Paris and painted with swags, the movement striking on a bell and with circular medallic backplate, set in a marble urn surmounted by Putto on a cloud and flanked by bacchantes, a trophy at their feet, on oval base, 41cm h, late 19th c ++In good original condition free from damage and complete, the gilding rubbed in places but original and largely in tact. Some light discolouration on the enamel dial, the enamel with minute chip on the extreme edge, not noticeable when the door is shut
A 19TH CENTURY VIENNA PORCELAIN LIDDED TANKARD with gilt metal mounts and thumbpiece, scroll handle, the flattened cover painted with two lovers in an interior, the tankard with a frieze of a Classical group of figures, on steps around a stone urn, and a group of celestial beings succouring a reclining damsel, amidst clouds, between rich blue borders with gilt ornament, underglaze blue shield and printed mark, no. 2091 and 2092, 15cms high. See illustration
A George III Silver tea urn, by Thomas Watson & Co, Sheffield 1800, the spherical body with gadrooned girdle and two lion mask and ring handles raised on four paw feet supports over a concave sided square base on four ball feet, the cover with ball finial, the spigot with wooden insulator to the handle, crested, 34.5cm high, 108oz
A GEORGE III EIGHT DAY LONG CASE CLOCK, the arched brass dial with silvered strike/silent ring above a silvered chapter ring with Roman numerals and Arabic five minutes, the matted centre with subsidiary seconds, date aperture and oval name plaque, signed Danl. Wood, London with flowering urn and bird spandrels. The figured walnut case with flat moulded top, plain pilasters above a quarter veneered and feather banded panel door with matching skirt base, 89" high.
AN 18TH CENTURY FRENCH WHITE MARBLE AND GILT METAL MOUNTED MANTEL CLOCK, the white enamel convex Roman dial with Arabic five minutes signed Charles Bertrand, the twin train movement also signed with bell strike, the break arch case with flowering urn finials over column supports with foliate mounts and turned feet, 18" high.
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68904 item(s)/page