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Lot 95
CRICKET, books, inc. The Tests of 1930 by Fender, From the Boundary by Robinson, CT Studd by Grubb (1936), The Urn Returns by Gilligan (1955), Herbert Farohns Cricket Bag (1946), Farewell to Cricket by Bradman (1950), Cricket Triumphs & Troubles by Parkin (1936), Test Cricket England v Australia 1877-1929 by Sparks, Run Digger by Lawry, Twenty Four Years of Cricket by AA Lilley, c.1913, pub. by Mils & Boon etc., ex-library Wisden Almanacks, some dj, FR to VG, 29*
Lot 420
CLOISONNE RECTANGULAR PLAQUE, QIANLONG PERIOD, decorated in coloured enamels with a flowering urn and vase, and a fruiting basket, reserved against a turquoise ground, framed, 40cm wide, 32cm highNote: Related examples are illustrated in Brinker and Lutz, Chinese Cloisonne: The Pierre Uldry Collection, nos. 307-10; Avitabile, Die Ware aus dem Teufelsland: Chinesische und japanische Cloisonne- und Champleve- Arbeiten von 1400 bis 1900, no. 97, pp. 174-5; and Getz, Catalogue of the Avery Collection of Ancient Chinese Cloisonnes, no. 9.PLEASE NOTE: LIVE BIDDING IS NOT AVAILABLE FOR THIS LOT 很抱歉，该拍品不支持网上竟拍。谢谢合作。
Lot 440
EXCEPTIONALLY FINE CARVED BOXWOOD FIGURE OF THE 'QUEEN MOTHER OF THE WEST' (XIWANGMU), JIAQING / DAOGUANG PERIOD, finely carved to depict the goddess wearing a voluminous long robe standing on a naturalistic base with crashing waves, and surmounted by an urn filled with lingzhi fungus and blossoming flowers, with a fitted carved zitan stand, bears seal mark for Shang Xun, 13.5cm high (including the stand), 11.5cm high (without) Provenance: Private collection, Kent. Note: This exceptional carved boxwood figure bears the seal mark of Shang Xun, active 1796-1850. Xun was a renowned bamboo carver of the Jiaqing (1796-1820) and Daoguang (1821-1850) periods, known for his work in the liu qing technique, or 'positive relief' carving. The impeccable craftsmanship of this piece mirrors the quality and skill of Xun, and this could be a fascinating example of the artist experimenting with non-typical form and material. Alternatively, this figure could have originated from Xun's own personal collection which would have contained revered works of his contemporaries. It was common practice at the time to apply one's own signature to prized artworks as an acknowledgement of quality. For another example of this practice see the jade buffalo included in this sale (lot 396). Is it also feasible that another highly skilled master applied the seal of Shang Xun to pay homage to his artistry through their own work, another common occurrence in the artist community in China during this period. Undeniable, is the exquisite pedigree of this carving, underlined by the inclusion of a fitted zitan stand. Zitan is a rare, dark wood of the rosewood family, reserved for works of the Imperial court during the eighteenth and nineteenth centuries.PLEASE NOTE: LIVE BIDDING IS NOT AVAILABLE FOR THIS LOT 很抱歉，该拍品不支持网上竟拍。谢谢合作。
Lot 234
A collection of assorted mainly Goss crested cabinet china, to include model of the British Urn found at Hen Cloud near Leek, model of Ancient Lamp found at Lake Claypits in Hanworthy Poole, model of a Dutch sabot, model of the Pilgrim leather bottell in the Canterbury Museum; together with various Goss crested china reference books
Lot 543
A large and impressive French Sevres porcelain twin handled urn, circa. 1844 with Royal Provenance, of baluster form, extensively decorated with ornate floral swag bouquets, Greek key, scroll and anthemion gilt designs throughout, alternating jewelled bands, with two ormolu foliate scroll lugs, to a square form gilt base, interior paper label reading 'Given by His Majesty Louis Phillippe First, King of the French - to W M. Standish Standish, Esquire, September 1844', marked 'Serves 1844' to inside lip, 58cm high (at fault)For condition information please view this lot on our website HERE
Lot 414
A Royal Worcester three opening handkerchief bowl with ribbon design to top and puce mark to base, together with a Royal Worcester two opening vase with bamboo handle with green mark to base and a Royal Worcester urn with pieced design to top and floral design with puce mark to base dated 1922, height 28.5cm.
Lot 18
A 19th century Vienna porcelain twin handled urn and cover decorated with a vignette of lovers within gilt borders on a poly chrome ground with further gilt embellishment, together with a pair of 19th century Continental landscape painted plates (3)Vase and cover - gilding rubbed in parts. Enamelled dot decoration is rubbed in parts. The underside of the square base with one minor chip. Both cabinet plates with rubbing to the gilt decoration. One with a large crack through the centre of the plate. Painted decoration on plates with scratches and some rubbing.
Lot 698
A late 19th Century high Victorian silver hallmarked mustard pot of oval form having shaped handle with the body having pierced and engraved swag decoration. The hinged cover having engraved borders and urn shaped finial atop. Blue glass liner (A/F). Hallmarks for London date letter C 1898, makers mark for Hawksworth, Eyre & Co Ltd. Weight without liner 82.1g. Measures 6cm tall by 9cm wide. Together with a non matching silver hallmarked mustard spoon of twist design. Hallmarked for Birmingham. Weighs 7.7g.
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