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Lot 2205
VICTORIAN EBONISED AND GILT METAL MOUNTED BRACKET CLOCK AND BRACKET, the silvered dial with 7 1/4" chapter ring and gilt spandrils, inscribed Payne & Co, 163 New Bond Street, London, 3403, beneath Slower/Faster and Chime/Silent dials, on a brass, eight day fusee movement with repeater mechanism, striking to one and chiming to four gongs, the back plate inscribed as per the dial, the case with a caddy top surmounted by an urn, gilt metal spandrils, columns and side grilles on Pan feet, height of clock 76cm, width 46cm, height of bracket 27cmFurther images available here
Lot 2192
FRENCH LOUIS XVI STYLE 'BOULLE' MANTEL CLOCK, 19th century, the brass dial with blue enamelled numerals on a brass, eight day movement by H & F Paris, half hourly striking to a bell, the case with flaming urn finial, with pendulum, height 39cmFurther images and video (where applicable) available here
Lot 936
SET OF FOUR GEORGE III SILVER CANDLESTICKS, maker IC (likely John Carter), London 1816, each with a beaded, crest-engraved nozzle above an urn-form sconce, the tapering square stem interspersed with rams-head and foliate swags, above a spreading square base with urns and scrolling acanthus leaves, beaded borders, 31cm high, bases loaded
Lot 553
Late 19th Century French bronzed and gilt spelter, enamel and porcelain mantel clock, Vincenti & Cie, Paris, the red cellular Roman dial and two-train bell striking movement in elaborate two-handled urn or vase-shaped case with detached figural surmount over porcelain profile portrait panel, 42.5cm high including finial
Lot 2102
Floral Marquetry Table & Mirror A floral Marquetry single drawer side table and matching strut - back mirror in late 17th C style, the rectangular table top inlaid with a floral filled urn within a scrolling frame. the lip inlaid with Ivory in an alternate pattern, spiral turned legs joined by a stretcher. The mirror similarly inlaid with bevelled plate, 86cm x 56cm, 73cm high. The mirror 91cm x 66cm (2)
Lot 2063
A 19th Century French gilt ormolu clock garniture, of Baroque design, urn and pineapple finials, 10cm enamel dial with Arabic numerals and swags, the bell striking movement signed Ch Vcne, triple light garnitures, raised on gilt wooden plinths, height of clock 44cm (key and sun pendulum) (3)
Lot 439
A steel and brass mounted firegrate in George III style, 20th century, the arched backplate relief cast with winged maidens holding a scroll, above a three rail basket mounted with urn finials, descending to square section front legs with further finials and a pierced serpentine frieze, 71cm high, 69cm wide, 34cm deep
Lot 190
A PAIR OF WILLIAM III WALNUT CIRCULAR STOOLS in the manner of William Roberts, each with a circular padded top on four "S"-scroll supports carved with cascading foliage and acanthus leaves, and joined by lateral "S"-scroll stretchers centred by an octagonal plinth with an urn finial, 16" dia. (2)
Lot 311
AN ORMOLU "COLZA" CHANDELIER in the manner of AWN Pugin, with four associated opaline glass shades in the form of flowerheads separated by medieval masks from which emanate upright curling leaves to which are attached the decorative suspension chains descending from the corona, the centre with a large urn-shaped finial, now fitted for electricity, 26" high x 24" wide This lot is to be removed at the buyer's risk and expense.
Lot 152
A RARE WILLIAM AND MARY OAK CONSOLE TABLE, the rectangular top with a simple moulded edge over a deep double-arched frieze with a pendant finial, on faceted tapering legs joined by an elaborate cross-over stretchers centred by an urn finial and ending in compressed bun feet, 40.25" wide x 25" deep
Lot 310
A DORSET BRASS LANTERN CLOCK inscribed "Nicholas Hancock, Shaston, Dorset", the dial with a projecting chapter ring, a single hand and a centre engraved with flowers and foliage surmounted by a panel pierced and engraved with entwined dolphins amidst foliage, flanked by urn-shaped finials supporting the belt, on ball feet with peg toes, 14.5" high, together with a later wall bracket, weights, and a brass-cased pendulum. Nicholas Hancock is recorded as working in Shaftesbury (Shaston) Dorset during the latter part of the 17th century.
Lot 167
A PAIR OF EARLY GEORGE III MAHOGANY TORCHERES in the manner of Thomas Chippendale, each with an octagonal top with a pierced fretwork gallery, on a turned and fluted shaft with an elongated baluster lower section incorporating a spirally-fluted urn, on tripod bases with elongated pad feet, 10" wide x 48.75" high Provenance: Originally from the collection at Herriard Park, Hampshire, the home of the Jervoise family. These torcheres, with their fine quality timber and purity of execution, may be compared to similar torcheres supplied to Paxton House by Thomas Chippendale in 1774
Lot 40
A DANISH WALNUT VENEERED AND PARCEL-GILT STANDING CORNER CUPBOARD, circa 1740, with a moulded swan neck pediment centred by a giltwood urn finial mounted with flowers over an arched door set with a bevelled mirror within a parcel-gilt border moulded with leafy scrolls and rocaille-work on a pounced ground, the base with a crossbanded cupboard and shaped bracket feet, 37.25" wide by 86" high
Lot 165
A continental giltwood mirror, 18th century, the cresting in the form of opposed sphinxes issuing foliage from their heads and tails centred by a flaming urn, the later mirror plates with a central bevelled arched panel within panelled margins flanked by ionic capitols, 179cm high, 99cm wide, cuts to the frame
Lot 154
A pair of Victorian cast iron urn finials attributed to the Handyside Foundry, circa 1875, of amphora form, the flared and foliate cast necks above lobed bodies relief cast with fruiting vine, with twin stylied scroll handles, the waisted socles on square section bases, later drilled for electricity, 78cm high overall, 61cm excluding later elements PROVENANCE: Christie's Ashurst, 27 September 2004, lot 243 CATALOGUE NOTE: A vase basically identical to the present design appears in the Handyside Foundry’s 1874 catalogue, page 60. The design is illustrated in John PS Davis, Antique Garden Ornament, Antique Collectors’ Club, 1991, p. 249. The large and prolific Derby-based Britannia Iron Works, owned by Scotsman Andrew Handyside, produced a wide range of objects, from reproduction antique vases to railway bridges. They are probably best known for the vast cast iron National Agricultural Hall in London, now known as Olympia.
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68904 item(s)/page