We found 68875 price guide item(s) matching your search

A pair of Adam style gilt brass wall brackets with urn finials, 43cms high (2).

An impressive pair of Anglo-Irish Regency cut glass urn vases with fan scalloped rims above cross cut diamonds, on square cut hobnail bases, the largest 44cms high (2). Condition Reportvase one - one minor nicks and a slither chip to the outside of the scalloped rim, square base has chips to all four corners.vase two - chips to all four corners of the base, one large chip has been polished, no cracks or other damage

Attributed to G.B Cipriani (1727-1785) Italian, A young woman with an urn, grey wash drawing, inscribed indistinctly, 13.5" x 10.5".

Large composite trophy urn on circular plinth, height 67cm.

Pair of modern cast brass five branch chandeliers, another five branch cast brass chandelier with pineapple finial, and a pair of brass "urn" table lamps

Large terracotta urn on rectangular plinth. Urn height: 55cm, plinth height: 51cm.

Set of garden ornaments, to include 3 flower pots, 3 figurative statues and 1 jug. Largest urn height 29cm. (7)

Set of 2 composite garden urns on pedestals, with additional composite urns and two plinths. Largest urn height 47cm.

A Reconstituted Stone Campana Urn Shaped Garden Planter, 49cm Diameter

A Late 19th Century Brass Desktop Inkwell in the Form of a Campana Style Urn with Tripod Support and Set on Hexagonal Base, 19cm wide and 11.5cm high

A substantial Victorian gilt metal mounted Ebonised Musical Bracket Clock, in the George II taste, 19cm arched brass dial, silvered chapter ring inscribed with Roman and Arabic numerals, Strike/Silent to arch, triple winding holes, eight-day fusee movement striking and chiming on five gongs, the arched case with flaming urn finials and scroll feet, 69cm high, 43cm wide, 28cm deep, bracket en suite, 47cm wide, 32cm deep, c.1880

Royal Crown Derby Imari Pattern Twin Handle Urn Shaped Lidded Vase with Embellished Painted Gold Highlights. Date 1913. Royal Crown Derby Stamp and Date Mark to Base. Height 7.75 Inches - 19.45 cms. 1st Quality and Mint Condition.

Wedgwood - Superb Quality Collectors Item Blue Jasper Urn Shaped Twin Handle Lidded Vase, Raised on a Square Shaped Plinth, Excellent Size and Proportions. No 2547. Height 11.5 Inches - 28.75 cms. 1st Quality and Mint Condition.

ITALIAN CRYSTAL & BRASS URN LAMP - 56CMS (H)

A quantity of miscellaneous china to include Carlton ware, Rouge Royale dishes, Wedgwood urn AF, Spode Christmas decorated plates, various teaware, Goebel cruet sets etc.

An Edwardian silver and blue glass caster, Chester, 1910, S Blanckensee & Son Ltd, in the style of Robert Adam, of urn form with pierced lid and sides and blue glass liner

Two early 19th century oak chairs, both with turned legs, the largest with plain slated back, 46 by 45.5 by 112cm high the other with urn form slated back support and a later drop in upholstered sea, 45 by 44.5 by 90cm high. (2)

A group of three white carved alabaster table lamps, comprising a pair of urn form and another similar. (3)

A good quality 19th century marquetry inlaid walnut cabinet with ormulu mounts the single flowering urn inlaid door enclosing a fitted interior of pigeon holes above three drawers, in good condition

A rare antique Blue John, slate and marble urn, 27cm high.

Morestone Series, Sams Snack Bar, comprising of green body with yellow removable roof, horse, attendant figure, mug and urn, housed in the original card box, rare example (VGNM-BVG)Condition report: See extra images

ROYAL WORCESTER VASE AND COVER BY HARRY DAVIS,of urn form with twin scrolling acanthus handles, hand-painted with sheep in a Highland landscape, signed, puce printed marks and date code for 1908 to base, 34cm highCondition report: Lid finial restored, otherwise good condition, residue in places which appears to simply be old dirt and possibly from old applied labels or tape keeping lid attached to body, this again to one of the handles, some light overall general wear including some rubbing and tarnish to gilt as well as glaze pitting and very small inclusions but no visible damage

ROYAL WORCESTER VASE AND COVER BY JAMES STINTON,of urn form with twin scrolling acanthus handles, hand-painted with cattle in a Highland landscape, signed, puce printed marks to base, 35cm highCondition report: Lid finial top chipped, has been off and restored; residue and probable touch up to lid rim; flared rim has been badly damaged and extensively restored; small chip to foot; tarnish and some rubbing to gilt; further light general wear overall, no visible crazing

A PAIR OF OLD SHEFFIELD PLATE URN SHAPED WINE COOLERS.

A VICTORIAN WALNUT DESK by MORANT, BOYD & BLANDFORD, 91 NEW BOND ST., the rectangular top of breakfront outline, with concave ends, inset with a green leather writing surface over three frieze drawers on carved bracketed supports, urn form legs on stretchered block feet. Note: The firm of Morant, Boyd & Blandford were responsible for the design of The Resolute Desk, as used by several of the presidents of The United States of America as the Oval Office desk. 5ft 0ins long x 2ft 8ins wide x 2ft 5ins high.

EDWARDIAN SILVER SUGAR CASTER,maker Millar Wilkinson, London 1910, of Neo-Classical urn form, the pierced cover with flame finial, the body draped with swags, on a domed foot, 17.5cm high, 177g, with original blue glass liner

A pair of cased silver condiment pots, of urn form, Birmingham 1906, maker T Heatley, height 3.5ins

A Vista Alegre Portugal porcelain urn, in white and gold, height 11.5ins, together with a white urn, Made in Italy

A fine 18th century walnut elbow chair in the manner of Giles Grendey, with relief carved urn-shaped back, eagle head carved arms, with needlework drop-in seat raised on shell carved cabriole legs with ball and claw feet, width of arms 70cm, height to front rail 41cm, overall height 101cmThe splat has a faint horizontal crack across the veneer, there is a Roman II impressed into the back seat rail, eagle heads are slightly worn, no sign of restoration or previous damage but seat blocks are probably a later replacement

An antique white metal menorah, possibly Spanish, with urn and foliate design to the back, flanked by twill tall candlesticks, on a stepped base, (a/f), 22 cm high x 27.5 cm x 9.5 cm, 990g.Condition report: In need of repair and restorationThe back is held on with one remaining hand made screw and nut and a further four are missing.The stepped front is split near the candlesticksThe scroll openwork behind the oil jugs is damaged The item is apparently unmarkedSee images

An early 19th century bronzed brass clock of classical form with twin handled urn finial, laurel wreath mounts and ouroboros bezel, the dial signed 'Berthoud Frères, Paris', raised on four block feet. 37cm high.Berthoud Frères active in Paris from 1813 is recorded 'Watchmakers and Clockmakers of the World', Complete 21st Century Edition by Brian Loomes, 2006. Condition report: Some wear to metal body and decorations with minor blemishes and some small scracthes to glass clockface. Very slight dent underneath, not visable while clock is standing.

2 reconstituted stone urn planters

Marble urn planter

3 metal urn style table lamps along with one other table lamp

Pair of reconstituted stone urn planters

3 reconstituted stone urn planters

Pair of reconstituted stone urn planters

A cut out wooden screen with easel back, with decoupage flowers in a painted urn. Signed A. Churchill, 96. H.80 W.85

A cut out wooden screen with easel back, with decoupage flowers in a painted urn. Signed A. Churchill, 96. H.81 W.85

A late 19th century mahogany urn stand with pierced galleried top on carved pedestal with tripod cabriole ball and claw supports. H.103 W.43 D.43 (sections of gallery missing as photographed).

A FINE mid 19th century ENGINE TURNED GILT CARRIAGE TIMEPIECE WITH SUBSIDIARY SECONDS AND DAY AND DATE CALENDAR DIALSBarwise, LondonThe case on turned feet with plain corner columns flanking engine turned side and top panels, scalloped urn finials, latched back panel with shuttered winding aperture, turned handle with scroll supports, the circular guilloché silver Roman chapters with subsidiary seconds at XII, above silver subsidiary day and date dials, each within polished bezel in engine turned mask, the movement with rectangular plates joined by four pillars, platform lever escapement with cut and compensated balance and chain fusee. Size: 13cms (5 1/8 in) highThis lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

A late 18th century French ormolu and bronze mantel clock inset with glass jewelsGille Laine, a ParisThe case surmounted by a swagged lidded urn over the circular drum decorated with laurels mounted on top of a prowling lion on a jewelled plinth base decorated with plaque depicting putti on toupie feet, the 3 1/2 inch signed white enamel Roman and Arabic dial with fancy jewelled hands (the glass to the front door lacking), the later 19th century circular movement now fitted with a lever platform escapement mounted onto the backplate, striking the hours and half hours on a bell. Ticking and striking. Together with an associated double ended winding key. 39.5cms (15 1/2ins) high (2)For further information on this lot please visit Bonhams.com

A late 17th century brass winged Lantern ClockThomas Bradford, Londini fecitThe strapped bell over urn finials, heraldic frets, turned columns and ball feet, (doors and back panel now lacking, frets later), the 6.5 inch brass Roman chapter ring with double wheat-ear half-hour markers and single hand, signed 'Thos. Bradford Londini fecit' above a floral spray to the centre, the weight driven movement with knife-edge verge escapement and central short bob pendulum situated between the two trains, with countwheel strike on the bell. Together with a later wooden wall bracket (17.5cms) high. 39cms (15 ins) highFootnotes:Literature: Loomes, B. (2008) Lantern Clocks and their Makers. Mayfield: Mayfield Books, figure 9.54 with the caption 'Lantern clock with original centre pendulum (no wings) signed 'Tho Bradford Londini fecit'...'For further information on this lot please visit Bonhams.com

A mid 19th century French ormolu mounted white marble mantel clockRaingo Freres A Paris, case and movement numbered 1035The highly elaborate case surmounted by a floral urn and a large ribboned bow leading to flowing swagged garlands held by two bronze putti, on a stepped classical base with egg and dart moulding on beaded toupie feet. The 3 1/2 inch signed white enamel Roman and Arabic dial with gilt fancy hands, the circular movement with with outside countwheel striking the hours and half hours on a bell. Ticking and striking, together with a pendulum and an associated double ended winding key. 32cms (12 1/2ins) high (3)Footnotes:Property of a Gentleman.For further information on this lot please visit Bonhams.com

A late 18th Century French ormolu mantel clock with centre seconds and concentric dateBouchetSurmounted by an urn finial over foliage and berried swags on a reeded column to a stepped base and shaped plinth on adjustable turned feet, the signed five inch white enamel dial with black Roman and Arabic numerals framing the red Arabic date ring, with finely pierced and engraved gilt hands for the time, a serpentine hand for the date, and a tapering centre seconds hand, the large circular movement with deadbeat 'scape wheel cocked on the backplate, with pierced outside countwheel strike on a bell. Running and striking, with pendulum and a winding key. 44cms (17ins) high.Footnotes:Provenance:Single family ownership for 67 years. Purchased from Richard Grose Ltd, South Kensington and Brighton, a copy of a letter from Grose Ltd dated 5th November 1964 is included with this lot.For further information on this lot please visit Bonhams.com

A late 17th century and later walnut and marquetry Longcase clockThe later dial unsigned, The formerly rising hood with blind cut fret over ebonised spiral columns, (the front now cut for a hinged door) over a long trunk with five panels of bird, urn and flower inlay on an oyster-cut ground, the sides with boxwood panels, the base with a further panel depicting a bird in flight, the 10.5 inch later dial with winged cherubs head spandrels, silvered Roman chapter ring with each minute numbered, matted centre with late 18th century matching hands, the 17th century movement with five knopped and ringed latched pillars, the backplate cut for the anchor but now with later anchor escapement cocked from the backplate, the backplate further set with the outside countwheel for the strike on the bell above. (Case and movement seemingly original to one another, dial and hands later replacements). 1.96m (6ft 5ins) high.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

An 18th century brass lantern clockWilliam Jackson, LondonThe strapped bell over urn finials and side frets, tapering columns and ball feet, with hoop and spike wall fixings, the signed 8 inch arched brass dial with silvered Roman chapter ring with floating half hour markers with single hand, weight driven movement with pivotted verge escapement with short bob pendulum, striking the hours on the bell. 38cms (14 1/2ins) highFor further information on this lot please visit Bonhams.com

An impressive late 19th century French three-colour gilt and silvered brass grande-sonnerie striking carriage clockNumbered 8716The Anglaise style case with substantial handle over a raised bevelled glass inspection panel and glazed sides, four urn finials over a bold dentil cornice flanked by Corinthian style columns with 'pink gold' capitals, on a stepped base, the rectangular white enamel Roman and Arabic dial with blued steel hands set above an alarm-setting dial, the silvered lever platform escapement with cut and compensated bimetallic balance striking and repeating the hours and quarters on a pair of blued steel coiled gongs, with three-position selection lever in the base offering 'grande sonnerie', 'petite sonnerie' or 'silence'. Running, striking and repeating. 21cms (8.25ins) high.For further information on this lot please visit Bonhams.com

A 19th century porcelain ormolu and glass jewelled lyre clock garnitureHowell & James Ltd, To the Queen, 5,7,9 Regent Street, LondonThe lyre shaped case surmounted by a sunburst medallion and floral festoon over boldly cast and crisply finished rope twists and foliage on a concave socle applied with beading and a swagged garland on toupie feet, the dial and movement in the centre with a grid iron pendulum and a glass jewelled bezel attached to the pendulum (some stones lacking), the 4 inch signed white enamel Arabic dial with gilt fancy hands, decorated with floral swagged garlands to the inner circle, the circular movement stamped Paris 513, striking the hours and half hours on a bell, striking but not currently ticking. The clock is accompanied by a pair of floral and foliate inspired candelabra on an urn stem decorated with glass jewel banding, swagged garlands and centaur masks on stepped plinth base on toupie feet. The candelabra: 47cms high. 49cms (19ins) high (3)Footnotes:Howell James & Co. was a firm of jewellers and silversmiths based in London's Regent Street for almost a century, from 1819 to 1911. The firm exhibited at the Great Exhibition in London in 1851 and at the 1862 International Exhibition. In 1884 it became a Limited Company.For further information on this lot please visit Bonhams.com

A good late 17th/early 18th century silver-mounted turtleshell-veneered table clock with pull quarter repeatG.Etherington, LondonThe caddy top surmounted by a silver handle with central foliate and bud knop, over a moulded cornice, and four rectangular repousse side panels depicting flowers in an urn and bust portraits, on cast squat ball and claw feet, both front and rear doors with applied escutcheon plates.The 6.25 inch square brass dial with subsidiaries in the top corners for rise-and-fall regulation and strike/silent over the silvered Roman and Arabic chapter ring signed between V and VII, with blued steel hands the matted centre with chamfered mock pendulum and date apertures decorated with characteristic decorative ringed detailing, the lower corners with winged cherubs spandrels. The twin fusee movement with six knopped and ringed pillars and a seventh plain but latched uniting the two plates, the backplate deliberately larger in order to fill as much of the rear of the case as possible and signed within a flat oval palm-frond reserve amid a symmetrical pattern of foliate scrolls and strapwork. The going train terminating in a verge escapement with rise-and-fall regulation effected via a shaped steel lever on a rack and pinion set-up on the backplate, the pendulum with hook fixing to the top and terminating in a lenticular bob, with unusual shaped steel securing bracket. The strike train sounding the hours on a single bell, with pull quarter repeat sounding the quarters on a run of three bells and hammers. Ticking, striking and repeating. Together with a case key. 33.5cms (13ins) high (3)Footnotes:George Etherington was free of the Clockmakers Company in 1684 and Master in 1709. He attended until 1720 and supposedly died in 1729.This lot is subject to the following lot symbols: * Y* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.Y Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com

A first half of the 17th century German gilt brass table clockPossibly Nicholas Schmidt. Surmounted by an obelisk raised on an open gallery housing the bell, with engraved finials and fretwork balustrade, above three quarter columns of the Corinthian order, raised on a spreading plinth base on crouched lion feet, each of the four sides decorated with engraved fruit, flowers and an urn, the front with silvered Roman chapter ring and Arabic alarm disc within a polychrome enamel decorated band, with gilt brass hands, the rear panel with matching dial the countwheel and quarters, the rebuilt movement with twin engraved spring barrels and blued steelwork, the going train with unsprung steel balance and verge escapement, the strike barrel with tandem drive to the countwheel strike and alarm on the bells above. 37cms (14 1/2ins) high (1)Footnotes:The stamp looks to be that of Nikolaus Schmidt the Younger. An example of this stamp can be found in Klaus Maurice, Die deutsche Raderuhr, Band II, Figure 395b.Nikolaus Schmidt the younger (1582-1637) became a master clockmaker in 1620.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

A good late 18th century French ormolu and marble portico mantel clock with date and day of the week indicationGermain Dubois, ParisThe case surmounted by a smoking urn finial over the circular main body decorated with foliate laurels on a socle mid-section, flanked by four urn shaped finials united with swagged chainwork over an elaborate portico with four baluster columns enclosing a burning flame flanked by two bare-breasted mermaids on a canted plinth base on toupie feet, the signed 5.75 inch white enamel Roman and Arabic dial with gilt fancy fleur de lys hands with inner calendar dial and days of the week indicator (in French) with blued-steel arrow hands, the large circular movement with silk suspension and outside countwheel striking the hours and half hours on a bell, with silk suspended sunburst pendulum. Ticking and striking, together with an associated winding key and two further keys. 63cms (24 1/2) ins. high (6)Footnotes:Germaine Dubois, active in Paris between 1757-1789.For further information on this lot please visit Bonhams.com

A unique and previously unrecorded mid 19th century engraved and gilt brass-mounted, coromandel calendar timepiece with long duration movement and thermometerRetailed by Howell James and Co, supplied by Thomas Cole, London. The French movement by Achille Brocot, No. 2803The case:veneered in richly grained coromandel, with darker sections used on the plinth mouldings and frames for the side panels, surmounted by a crisply engraved gilt-brass cupola on a plinth set at a 45 degree angle and decorated all over with engraved palmettes and interlocking latticework, on a beaded base, over curved shoulders to the canted corners, each corner set with a male or female term figure, the men with winged helmets, (representing Mercury), the women holding their own hair, (possibly representing Opportunity?), the stepped moulded base with heavy gilt brass band, (the original adjustable bun feet lacking, and now sold with replacement scroll feet, removed for the purposes of illustration, but accompanying the lot), the two arched glazed sides mounted with remarkable cut and engraved brass panels displaying a central urn of flowers within an exotic niche with anthemion border and quatrefoil arch framing a pair of crossed palm trees.The dial:the arched silvered dial measuring 12.5cms x 27cms (5ins x 10.5ins) with typical finely cut and finished blued steel hands reading against a Roman chapter ring with minute track framing an engraved centre of quartered anthemions, the mid section of the dial plate engraved with a repeat shaded quatrefoil pattern centred by the polished steel winding square shrouded by a shaped gilt brass escutcheon, over a curved glass mercury thermometer with lettered scale (FREEZG. - TEMPE. - SUMR. - BLOOD.- FEVER.) and the manual calendar table of engraved panels numbered 1-31, reading against a manually rotated day-of-the-week drum, flanked by engraved tendrils. The movement:The French long-duration movement by Achille Brocot, using his special jewelled deadbeat escapement behind the dial and driven by five spring barrels to give extended duration, the 12.5 inch long pendulum suspended from the original gilt brass pendulum block mounted on the underside of the cupola section, the brass base panel below mounted with the original sprung pendulum lock, in typical Cole fashion. 63cms (25ins) on the scroll feet. 57.5cms (22.5ins) high without the scroll feet. Footnotes:The two Cole brothers, James Ferguson (1798- 1880) and his younger brother Thomas (1800-1864) made an indelible mark on English horology in the 19th century. J.F.Cole has been dubbed 'The English Breguet' because of the exceptional watches and travelling clocks he produced. Thomas was awarded a medal for 'excellence of taste and design' in the 1862 London Exhibition, and the leader of the jury, Charles Frodsham wrote 'nothing could exceed the beauty of design and good taste of the varied models and general excellence of workmanship.' As well as signing his own name, Thomas was happy to supply various high class retailers.Most of Thomas's output was concentrated on his strut timepieces, usually less than 6 or 7 inches in height and occasionally incorporating manual calendar mechanisms. He also produced a range of 'novelty' timepieces in various forms such as cheval mirrors, mortars, bonbon dishes, candlesticks, inkstands and urns. Larger tripod clocks were also part of his stock. Mantel clocks - as opposed to strut, novelty or tripod clocks - account for a tiny percentage of his output. Hawkins in 'Thomas Cole & Victorian Clockmaking' Sydney, 1975, pp95-101 describes just three. Two of these are in gilt brass, and one is in coromandel. The latter example is illustrated in colour on the front cover of the book. Another coromandel example was sold in these rooms on 8th July 2015, lot 109, for a hammer price of £50,000. The current lot is now the third such clock to come to light; each is unique, suggesting that they were only made in exceptional circumstances, possibly for one of the international exhibitions at which Cole exhibited, 1851 Crystal Palace, 1855 Paris and 1862 London. The three known coromandel examples in summary:Hawkins front cover: Un-numbered, month duration movement, wound below VI. Dial divided into quarters, no seconds indication, but with power reserve hand, manual calendar table and vertical thermometer. Lattice-work engraved mask. Four applied winged figures. Glazed sides with pierced and engraved gilt mask. Hawkins suggests possibly made for the 1862 London Exhibition. Bonhams July 2015: Numbered 1594, retailed by Thomas Boxell, Brighton. Long duration movement wound below VI. Dial divided into quarters, subsidiary seconds dial, but no further features or side panels. Two applied winged figures.The current lot: Un-numbered, retailed by Howell James & Co. Replacement long duration movement. Dial divided into quarters, no seconds indication, but with manual calendar table and curved thermometer. Lattice-work engraved mask. Four applied figures. Glazed sides with pierced and engraved gilt mask. The figures of this clock allude to trade and enterprise - perfect symbols for international exhibitions of the mid 19th century. The figure of Mercury is instantly recognizable by his winged hat, or petasus. One of the twelve Greek gods of Olympus, he also appears in Roman art and was revered by them as the god of Commerce, hence the purse he points to in his raised left hand. In allegorical terms, he personifies Eloquence and Reason - none of this would have been lost on Cole's highly educated, and by definition, commercially successful, clientele.For further information on this lot please visit Bonhams.com

A lot comprising a pair of silver backed hair brushes, a comb, a silver spoon and pusher & a silver urn shaped etui assorted marks (6) Condition Report: Available upon request

ALYS HARPER Mixed flowers and fruit and urn on a ledge, signed, oil on canvas, dated, 1933, 74 x 62cm Condition Report: Available upon request

A lot comprising a gilt and floral decorated Noritake lidded urn, a Japanese coffee service, a Cow Parade cow, a Chinese turquoise ground teapot, a Porcelain figure of a girl etc Condition Report: Not available for this lot

An Imari plate, a Wood & Son floral decorated plate, a Maling lustre bowl, a Chinese lidded urn, Carltonware dishes Condition Report: Not available for this lot

Walnut whatnot with urn inlay together with cane chair

A late 19th century French ormolu mounted white marble mantel clock, the eight day movement with platform escapement and striking on a gong, the balloon shaped case with urn surmount and rococo scroll mounts, height 31.3cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

A late 19th century French gilt metal and Sèvres style porcelain clock garniture, the mantel clock with eight day movement striking on a bell via an outside countwheel, the porcelain dial and panels within bleu céleste and gilt borders, the case with urn surmount and cast with scrolls, height 39.5cm, flanked by a pair of five light candelabra, height 41.5cm, together with a 20th century French gilt metal mantel clock, the case cast with cherubs, height 27cm (faults).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.