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Martinot a Paris, A 19th century French blonde tortoiseshell and brass inlaid bracket clock in the Louis XIV Boulle style, the eight-day duration movement striking the hours on a bell, the backplate stamped 'C Taylor & Son, Paris & London', the shaped rectangular case with gilt metal mounts, urn finials and female caryatids and maskheads, the glazed door enclosing a gilt metal dial with black Roman numerals to the white enamel Roman cartouche chapters and engraved with outside Arabic minutes, with the white enamel plaque signed 'Martinot a Paris', height 50.5cm, a/f. *The Martinot clockmaking dynasty was founded in 1549 by Gilbert Martinot and continued into the late 19th century. Charles Taylor & Son are recorded as working in London and Paris from before1840 until 1881.
An 18th century North Italian walnut and olive wood veneered bureau cabinet with inlaid bandings, the upper part with an architectural scroll broken pediment and cartouche mirror plate etched with a design of an urn of flowers and foliage, the interior fitted with pigeon holes, small drawers and a central enclosed cupboard, the whole enclosed by a pair of domed arch bevelled mirror panel doors, the lower part having a sloping hinged fall enclosing a shaped and fitted interior with small drawers, pigeon holes, central enclosed cupboard and well with sliding cover, containing three long block fronted drawers below on a moulded base with bun-shaped feet, 120cm wide x 245cm high.
An early 19th century Dutch walnut and floral marquetry rectangular card table bordered with boxwood lines, the baize lined hinged top decorated with an urn of flowers and foliage within foliate scrollwork and cheauer banded border, the interior with a surround of inlaid playing cards on square tapered legs, 84.5cm wide.
An English porcelain flower-encusted pot-pourri urn, domed cover and saucer, pink and gilt, 15.5cm high; a similar green-tint scent bottle and stopper, 11.5cm high, mid 19th century; and other items including a vase cover and two flower-encrusted pottery vases and a cover. Visit www.dnfa.com for condition reports.
A George III silver tea urn of half reeded form, the domed cover with ball finial above bands of engraved flowers and scrolls framing an armorial, flanked by a pair of reeded loop handles on a circular foot and square base on scroll feet, London 1791 by Andrew Fogelberg & Stephen Gilbert, height approx 32.5cm.
A late 19th Century French gilt metal and porcelain mantel clock with eight day movement striking on a bell, the porcelain dial with Roman numerals, the case with urn finial above a pair of columns, each porcelain section painted with flowers and figures within turquoise borders, on paw feet (faults).
An English porcelain vase of campana urn form, early 19th Century, the reserve oval panels painted with flowers within gilt framing against a cobalt blue ground above gilt lion mask and loop handles, on a flared circular base, marked with a 'B' in underglaze blue to base (handles restored) together with a mid-19th Century English porcelain vase with flared narrow neck, the baluster body applied with two handles and painted with floral reserve panels and heightened in gilt against a cobalt blue ground.
A late 19th century Japanese urn and cover decorated in the Imari palette with four floral decorated shaped panels within intricate main body and a similar circular bowl, the central circular panel decorated with vase of flowers within phoenix and foliate border, height of urn and cover 33.5cm, diameter of bowl 25.5cm, both with painted marks (2) (Illustrated)
AN 18TH CENTURY OAK DOUBLE DOME TOPPED TWO DOOR CUPBOARD, the doors with raised and fielded panels flanking centre fielded panel with urn finial above, on a projecting base with two long and one centre short drawers having raised and fielded panels, standing on bun feet. C1720. 54" Wide x 82" High x 25" Deep. Provenance :- National Trust Llandeilo.
AN 18TH CENTURY THIRTY HOUR LONGCASE CLOCK BY BAKER OF APPLEBY, now in later case, having moulded cornice over square apeture flanked by spirally turned pilasters, the waist with shaped crossbanded door having inlaid urn decoration, panelled base with similar cross banding on bracket feet. Brass 11" dial with pieced spandrels Roman numerals and date apeture. Thirty hour movement striking on one bell. 78" High,
Measham treacle-glazed Bargeware Teapot, the domed cover with urn finial, shaped handle and spout, moulded with floral sprays and ferns and with plaque inscribed "A Present from Mr. J. Tunnicliffe, 1884",and a Measham treacle-glazed Bargeware Milk Jug, shaped handle, moulded with flower sprays and with plaque, "Love at Home - 1888, , (a.f.), (2).
A group of two Royal Crown Derby figures of peacocks comprising: a peacock standing on a flowering urn with applied flowers and gilt scroll rococo base, with red printed marks, signed J. Gould and E.N. Bailey, 21cm high; and a peacock sitting on a flowering branch with applied flowers on a gilt scroll rococo base, with red printed marks, date code for 1984, signed J. Plant and L. Purdy, 15cm high -2
A George III mahogany pole screen the arched shield shape screen enclosing needle point of a young lady with a foliate boarder, raised on a urn finial mounted support, cross-banded triform base on spade feet 44cm wide, 140cm high, 30 cm deep. Provenance: The Estate of the late Mrs J R F (Cookie) Matheson
A George III mahogany linen press the carved and fretted swan-neck pediment centred by an urn, dentil cornice, two doors to the upper section with kingwood banded ovals, fitted with two short and two long drawers below, bracket feet (lacking slides) 128cm wide, 225cm high. Provenance: The Estate of the Late John Silburn
A seven piece neo-classical style satinwood bedroom suite comprising: a bed with tall head board with arched broken pediment and dentil cornice over a cushioned back with stepped foot board of similar design, 163cm wide, 180cm high, 225cm long; a dressing table with broken pediment framed rectangular mirror flanked by two short drawers over moulded bowfront top, the central long drawer flanked by two short drawers and fluted columns, raised on square tapering legs and united by shelves, terminating in ceramic castors,145cm wide, 194cm high, 65cm deep; a wash stand with grey marble splash board over a moulded bowfront top with three frieze drawers raised on square tapering legs united by shelves with ceramic castors, 122cm wide,116cm high, 66cm deep; a pot cupboard with pierced gallery over a moulded top panelled door flanked by fluted columns raised on tapering square legs united by a shelf, 43cm wide, 84cm high, 43cm deep; a pair of side chairs with stepped top-rail over vertical splats cushioned seat tapering reeded legs; towel rail with urn finials, baluster turned supports, raised on splayed bracket feet, stamped 'John Taylor & Son Edinburgh U9495', 83cm wide, 92cm high, 25cm deep (7)
Four late Victorian table candlesticks, the bell shaped sconces with swags in low relief and lotus leaf bases, the detachable nozzles with foliate borders, raised on fluted columns with ram mask head capitals conjoined by swags and oval paterae set to the column base, the square bases each with an urn to three sides and a shaped plain cartouche to the fourth, all conjoined by a continuous garland of bell drops with lotus leaves to the corners and acanthus leaf border, 30.5cm (12") high, 1894 by William Gibson and John Langman (the first directors of the Goldsmiths and Silversmiths Co Ltd) (see illustration)
A 19th Century mahogany secretaire bookcase, the architectural cornice with shell inlay over a pair of Gothic arch astral glazed doors, enclosing adjustable shelves, the associated base with drop down dummy drawer, enclosing a fitted interior over a pair of cupboards, each with urn marquetry inlay, raised on bracket feet, 102 cm wide x 275 cm high .
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68904 item(s)/page