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A contemporary reproduction wall mirror of rectangular form in the Georgian style, the gilt moulded frame with raised classical urn and swag detail, together with a further contemporary wall mirror of rectangular form with painted frame, a white wood cheval mirror and matching triple folding dressing table example
***PLEASE NOTE THIS LOT IS INCORRECTLY ILLUSTRATED IN PRINTED CATALOGUE***A PAIR OF EARLY 20TH CENTURY KASHMIRI LACQUERED AND PAINTED PAPIER MACHE CANDLESTICKS, the urn shaped sconces raised on open spiral turned columns, decorated in the traditional floral pattern and raised on circular bases. 52cm high
A GROUP OF FOUR ANCIENT TERRACOTTA OBJECTS, comprising:ANCIENT CYPRIOTIC TERRACOTTA COSMETICS URN, CIRCA 500-300 BCmade with two handles to hang in the boudoir, one handle missing, red painted body with brown painted line decoration and geometric small circles painted around the body, height: 7.5 cm (3 in.), unearthed on the Island of CyprusPROVENANCESusette Khayat, Ancient Arts Gallery, 505 Fifth Avenue, New York, 1969AN ANCIENT TERRACOTTA JAR WITH FOUR FEETof globular form with a cylindrical neck, with molded ornament on three sides, supported by four small feet, height: 14 cm (5 1/2 in.)AN ANCIENT TERRACOTTA JAR WITH A PAINTING OF A BIRD AND A CHIMERAof globular form with a handle, height: 12.5 cm (4 5/8 in.)AN ANCIENT MINIATURE TERRACOTTA JUGof globular form with a handle, the body hand-painted with nature-inspired motifs, height: 5.2 cm (2 in.)THIS LOT IS BEING SOLD WITHOUT RESERVE.
A PARCEL GILT ANTIQUE SILVER AND NIELLO COVERED JUG, POSSIBLY JOHAN HEINON, MOSCOW, CIRCA 1847, with an urn-shaped body, supported by a flared foot, the exterior extensively decorated with scrolling niello acanthus leaves and C-scroll cartouches with engraved flowers, fully-gilded interior, with a scrolling handle, the cover with conforming decoration and a cast silver finial in the form of a rose, height: 17.5 cm (6 7/8 in.), assayer`s mark of Andrey Antonovich Kovalsky, 84 standard
A GROUP OF FIVE ROYAL VIENNA STYLE PORCELAIN PIECES, AUSTRIA, 19TH CENTURY, including a covered sugar dish, a covered creamer, a covered milk jug, an octagonal serving tray and a small covered urn, each with mythical scenes surrounded by extensive gilded ornament on a burgundy and white background, height of sugar dish: 8 cm (3 1/8 in.), length of tray: 33.5 cm (13 1/4 in.), each with a Bindenschild mark on base
Regency mahogany wheel barometer signed G Croce, broken pediment with urn finial over rosette inlay trunk thermometer, further shell inlay, brush metal dial, H 97cm CLOCKS & BAROMETERS - as we are not a retailer, these items are sold as seen and may or may not be in full working order, if you would like any advice on buying clocks or barometers, or a full condition report, please contact our valuation team Condition Report Click here for further images, condition, auction times & delivery costs
A fine and impressive late 19th Century French Bronzed and black Slate MANTEL CLOCK of breakfront design with ornate leaf cast front and scrolled sides beneath seated cherubs flanking a central flower filled urn; with brass edged white enamel Fahrenheit and Centigrade Thermometer dials flanking a brass rimmed enamel dial with Roman numerals and recessed centre with visible Brocot escapement fronting an eight spring driven movement with anchor escapement and outside count wheel strike on a bell above a geared perpetual calendar dial beneath with moon phases 47cm wide 58cm high Conditionin restored condition, damage to Centigarde thermometer dial
An ornate late 19th Century French Cast Brass MANTEL CLOCK with urn surmount, ringed mask side handles and cast leaf work claw feet. The embossed dial with Roman enamel numeral plaques and recessed centre signed Cap Martin, 36 bis Rue Jouffroy fronting an eight day two train spring movement with outside count wheel strike on a bell 41cms high
An ornate late 19th Century French large Cast Brass MANTEL CLOCK with draping urn surmount above griffin side pieces and a decorated shield shaped centre with scrolled border and feet. The cream Arabic dial with a gilt filigree centre fronting an eight day spring driven movement with outside count wheel strike on a bell 60cms high
An unusual mid to late 19th Century French Regency style grey Marble and Gilt Brass mounted MANTEL CLOCK with urn surmount, lions mask and swag side handles and scrolled leaf work base with centre swag on a shaped cut-out plinth. The dial with a Roman chapter ring and eight day spring driven movement striking the hours and halves on a bell 41cms high
A stylish late 19th Century French Cast Brass MANTEL CLOCK with bowed leaf cast base, scrolled sides and adjoining swag with urn surmount finial. The embossed dial with enamelled Roman chapter ring bearing retailers plaque. The eight day spring driven movement with pendulum escapement and outside count wheel strike on a bell – bears makers stamp of H & F Paris 41cms high 28cms across base
A good late 19th Century Winterhalder & Hofmeier caddy-top Oak MANTEL CLOCK with caryatid corner mounts, cast feet and urn finial. The arched bras and silvered dial with chapter ring and spandrels fronting an eight day two train spring driven movement striking the hours and quarters on two coiled gongs 42cms high to top of finial
An ornate late 19th Century French matched three piece Cast Brass MANTEL GARNITURE CLOCK SET with five branch Candelabra and urn surmount to the clock above caryatid sides and an enamelled cream mask dial with Roman chapter ring fronting an eight day spring driven movement with outside count wheel strike on a bell numbered 124 – clock 49cms high candelabras 61cms high
WILLIAM TAYLOR, DUMFRIESA George III satinwood crossbanded and inlaid Mahogany eight day LONGCASE CLOCK with reeded quarter columns to the trunk and swan neck pediment to the hood with unusual glass patras beneath turned urn finial surmounts. The 13”arched painted dial with Roman chapter ring, subsidiary date and seconds dial fronting an eight day weight driven movement with anchor escapement and bell strike 234cms high to top of finial
A stylish late 19th Century Cast Brass and White Marble THREE PIECE MANTEL GARNITURE CLOCK SET with scrolled arm three branch Candelabra with snuffers and pillar supports to the clock. The suspended movement with urn surmount and draping side pieces enclosing an enamel dial with Arabic chapter ring and painted floral swags fronting an eight day two train spring driven movement with outside count wheel strike on a bell and suspended mask and sunburst pendulum – bears makers stamp for Japy Freres et Cie - the clock 38cms high 23cms across feet candelabra 32cms high
A stylish late 19th Century bronzed Gilt Metal and White Marble THREE PIECE GARNITURE MANTEL CLOCK SET with plinth bases and cast leaf work feet, five branch Candelabra with urn stems and partially draped female figure playing a Lyre above a love bird cresting and balloon-shaped clock with enamelled Arabic chapter ring and painted floral swags fronting a two train spring driven movement with pendulum escapement and outside count wheel strike the clock 45cms high 30cms across feet candelabra 50cms high
Friendly/Secret Societies - an Ancient Order of Druids silver and garnet velvet ceremonial collar, the silver chains, Presented To A.O.D. Lodge 96 in the 60th Year of The Reign of her Majesty Queen Victoria 1897, possibly Israel Rosenthal & Co, Birmingham 1896, the white metal oval pendant cast with a druid playing a harp before a flaming urn within a band of laureate oak leaves and acorns, Presented TO A.O.D. Lodge 96 By P.A. Bro. G. Pratt, February 15th 1897, white metal N and A pins Presented By Bro: J. Hill N.A. To A.O.D. Lodge 96, March 1891; other A.O.D. sashes, belts, applied with metal mounts of oaks, foliage, druids, heads (6)
An early 19th Century English porcelain two handled urn and cover painted with a continuous band of figures in a landscape with castle ruins, and fishing above panel of pink roses, the lid painted with figures fishing in a wooded landscape to match the body, and with gilded decoration, no marks, 25.5cms high
A GEORGE III MAHOGANY AND LINE INLAID CUTLERY URN, C1790 the rising lid with turned vase finial, having fitted, tiered interior with engraved silver escutcheon, on square foot, 65cm h ++The lid rising smoothly, the tiered interior in good condition, small chip to ring turning around vase finial. Minor old repairs at base of urn, feet with slight damage; repolished
Browne (Thomas). Hydriotaphia, Urne-Buriall, or, a Discourse of the Sepulchrall Urnes lately found in Norfolk. Together with the Garden of Cyrus, or the Quincunciall, Lozenge, on Net-work Plantations of the Ancients, Artificially, Naturally, Mystically Considered. With Sundry Observations, 1st edition, printed for Henry Brome, 1658, two engraved plates (plate of urns trimmed at fore margin just affecting image and imprint), advertisement leaf at end, lacking errata leaf, a few leaves close-trimmed shaving a few shoulder notes, lower corner of title torn away, some light soiling, later sprinkled calf, edges slightly rubbed, 8vo, together with Pseudodoxia Epidemica: Or, Enquiries into very many Received Tenents and Commonly Presumed Truths, the fifth edition... Whereunto are now added two Discourses the one of Urn-Burial, or Sepulchrall Urns, lately found in Norfolk. The other of the Garden of Cyrus, or Network Plantations of the Antients, printed for the Assigns of Edward Dod, 1669, engraved portrait frontispiece (trimmed at foot with slight loss), two engraved plates, some spotting and toning, annotations to rear pastedown, crude tape reinforcement to front hinge, armorial bookplate, 18th century mottled calf, joints splitting, slight loss at head of spine, 4to, plus Posthumous Works of the Learned Sir Thomas Browne, Late of Norwich: Printed from his Original Manuscripts, 1712, 16 engraved plates only (of 22), a few repairs to folding plates, some spotting and water stains, contemporary panelled calf, rebacked and repaired, 8vo ESTC R202039; Grolier, Wither to Prior 108; Pforzheimer 110; Wing B5154 for first work. (3)
An impressive Victorian oak chiming double fusee bracket clock, the pediment with brass urn finials, the canted corners with gilt mask mounts, 7 inch arched brass dial with silvered chapter ring, three dials in the arch for chime/silent, fast/slow and Westminster/chime on eight bells, quarter chiming with eight hammers striking a nest of eight bells and a further hammer striking a gong for the hours, raised on gilt paw feet, height 71cm.
A large Bow white-glazed figure of Flora c.1756-60, emblematic of Smell from a set of the Five Senses, holding a small posy up to her nose, standing beside a pierced urn resting atop a square pillar garlanded with flowers, a small amount of good restoration, 28cm. This figure derives from a similar one modelled for the Meissen factory by J F Eberlein.
A large and impressed Vienna porcelain twin handled pedestal urn vaseHaving a large hand-painted panel depicting a semi-nude female seated beside river scene with cherubs, inside gilt scrolls and motifs, painted factory marks to base, height 39cm CONDITION REPORT: Please note there are elements of printing to the central panel. This area has then been overpainted, this area has a printed signature alsoExtensive rubbing to the gilt at both handles and upper rimExtensive rubbing to the gilt at the base, most notable at the lower plinth sectionMinor rubbing to the gilt throughoutLate Vienna, c.1900-1920Ceramic fine, no damage, no restoration, some gilding wornPlease note panel is mainly printed and then over painted in partsOverall ok but not great quality
A Wedgwood hand-painted pedestal urn vase and cover Decorated with bunches of roses inset within a gilt and cobalt blue border, printed factory marks to base, height 20cm CONDITION REPORT: Possible re-gilding to the upper gilt rimWear to areas at the upper gilt rimWear and rubbing loss to the gilt at stem and baseFaint line visible to the lower section of the cover finial, possibly indicating a professional repair and re-gilding
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68875 item(s)/page