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19th Century mahogany longcase clock case, the hood with swan neck pediment and tapered reeded columns, the trunk with shaped door having inlaid Masonic square and compass and urn within a serpent surround, flanked to either side with bell husk decoration and reeded split pillars, 241cm high.
19th Century French gilded spelter and porcelain cased mantel clock, urn shaped finial with lion mask decoration, porcelain dial with cherub and bird decoration and with Roman numerals flanked either side by conforming foliate panels and interspersed with caryatids, brass movement striking on a bell and enclosed by a door, 38cm high.
19th Century ormolu and bronze figural vase stand formed as a classical lady holding her arms aloft and standing on a white marble base, 25.75cm high, a 19th Century bronze urn shaped pastille burner having gilded mask head handles and standing on triple lion claw supports with a triform platform base, 9cm diameter, a brass candlestick, the reeded column with flared pierced decoration, standing on a circular pedestal with applied boss, circular foot, 21.5cm high and a bronze figure of a cherub, his arms outstretched, standing on a black slate base, 24.5cm high.
A PAIR OF 19TH CENTURY GERMAN PORCELAIN PEDESTAL VASES AND COVERS, of urn shape, with open scroll handles, painted with figural vignettes and insects, encrusted with floral swags with gilded borders, the domed covers with bud finial, on square moulded plinths, AR monogram in underglaze blue, 36cms high (one broken from the base)
A PAIR OF EARLY 19TH CENTURY PORCELAIN SAUCE TUREENS, COVERS AND STANDS each painted in the Japanese manner in underglaze blue, green , orange and heavily gilt with panels of flowers issuing from a garden urn, together with four matching plates, tureens 14cms high, plates 21.5cms diameter. See illustration
French green marble portico clock garniture , the gilt brass drumhead mount surmounted by an urn, on square section columns, white enamel arabic dial, twin barrel movement, Brocot suspension, external count wheel striking the half, backplate stamped Ad. Mougin, floral basket pendulum bob, height 42cm, together with a pair of candelabra side ornaments. (Suspension lacking)
A George III figured mahogany longcase clock with eight day movement striking on a bell, the brass break arch dial with strike/silent indicator to arch above a silvered chapter ring with Roman hours and Arabic minutes, framing a matt centre with subsidiary seconds, date aperture and applied plaque inscribed `StepN. Ganeron, London` all cornered by pierced gilt dolphin, urn and scroll spandrels, the arched hood with three brass ball and spire finials above a pair of fluted columns and glazed door, the arched trunk door above a plain base and bracket feet, height approx 236cm, together with pendulum and two brass weights (faults).
Henry Dasson, (1825-1896), A 19th century five branch ormolu wall light, c. 1881, a semi nude cherub, head down holding five foliate decorated branches and candle holders, standing in front of a single Corinthian column, surmounted with a twin handled, fluted, garland decorated urn with flame finial, height 99 cm.
A pair of French Neo Classical gilt bronze mounted marble three branch candelabra, early 19th century, the three scrolling arms, with applied oak leaves, foliate drip and nozzle, surmounting on a garland and face mask decorated urn, upon a fluted truncated columnar plinth base, beaded and foliate borders, upon bun feet, height 60 cm, (2).
A 19th century French gilt metal and porcelain mantel clock garniture by Henry Marc, Paris, the architectural form case with column corners inset with porcelain panels, with eight day striking movement stamped Hy Marck, Paris and no.61965, with pair of matching urn vases, each raised on wooden plinth bases, complete with pendulum and key, height including base 42cm (illustrated)
A William IV brass mounted ebonised bracket clock Arnold & Dent, London circa 1835 The five pillar twin fusee bell striking movement with anchor escapement and signed Arnold & Dent, Strand, London to backplate, the unusual wavy outline 6 inch arched silvered brass Roman numeral dial with repeat signature and numbered 432 to lower margin, the case with raised bell-top upstand to the break-arch cornice with brass urn finials above shaped brass fillet inset front door flanked by gilt foliate trail applied canted angles, the sides flaring towards the base and applied with ring handles above cast brass frets, on moulded base applied with repeating rosette decorated gilt moulding and substantial relief cast ball feet, 49cm (19.5ins) high. CATALOGUE ENTRY TO BE READ IN CONJUNCTION WITH IMPORTANT NOTES REGARDING THE CATALOGUING OF CLOCKS PRINTED IN THE SALE CATALOGUE OR AVAILABLE FROM THE SALEROOM ON REQUEST. The partnership between the celebrated clock and chronometer makers John Roger Arnold and Edward Dent was formed on 30th September 1830. The partnership benefitted both parties as it allowed Arnold to concentrate on development work and provided Dent with the opportunity to raise his profile and broaden the scope of his work. Throughout the 1830`s the partnership built a reputation for producing clocks watches and marine chronometers of the highest quality. In 1837 they were granted the Royal Warrant, however by 1838 tensions between Arnold and Dent had begun to develop resulting in the partnership being dissolved in 1840.
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68904 item(s)/page