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A pair of Royal Crown Derby "Old Imari" Ltd edition 220/500 bone china dressing table candlesticks, produced for exclusively for The Guild Of Specialist China and Glass Retailers and dated 1994, 17.5 cm overall height, together with a pair of Royal Crown Derby "Old Imari" mallet form squat vases (differing dates), a small two handled urn and cover, and a flared trumpet spill vase and mantel clock and porcelain table bell. (8) Pair squat vase OK 1stsBell Ok 1stsMantel clock case Ok movement unknown, no battery, 1stsSpill vase Ok, 1stsPair candlesticks Ok, 1sts.

A large and impressive Royal Crown Derby "Old Imari" pattern (1128) bone china two-handled urn and cover, bearing the date mark for 1988, in its original presentation box, 41 cm overall height (size of urn)

A pair of large Royal Crown Derby "Old Imari" pattern bone china two handled "Thorpe" vases, bearing differing date marks for 2007 and 2011 respectively, both in their original presentation boxes. 29 cm overall height (size of urn) These items formed part of the collection of the late Peter John Mitchell of the West Midlands.Peter found an interest/ fascination later in life in the collecting of any manner of items and was a regular and well-loved attendee at the local auction houses in and around the West Midlands and sometimes further afield. He had a good eye for detail and an appreciation of quality, coupled with a discernment for the finer things in life, namely fine writing equipment mostly by the prestigious manufacturer Mont Blanc and extending in a very large way to his passion for Royal Crown Derby especially his beloved “Old Imari” pattern 1128 and of course Waterford crystal. As can be seen from the breadth of items in his porcelain collection he enjoyed his chosen fields and was an active buyer, and I am sure he would have approved of the items we curated for his estate in his absence.James Lees In very good, clean condition. No chips, cracks or crazing. Minor marks to underside of the base edges, from being on display. No strike-through lines to the marks to denote quality issues

A Royal Crown Derby "Old Imari"two matching bone china heavy baluster potpourri with pierced domed covers bearing date marks for 1927 and 1932, 10 cm overall height, together with a Royal Crown Derby miniature Sevres style two handled boat form vase and cover, and a Royal Crown Derby Imari pattern squat urn form potpourri and cover (1928) These items formed part of the collection of the late Peter John Mitchell of the West Midlands.Peter found an interest/ fascination later in life in the collecting of any manner of items and was a regular and well-loved attendee at the local auction houses in and around the West Midlands and sometimes further afield. He had a good eye for detail and an appreciation of quality, coupled with a discernment for the finer things in life, namely fine writing equipment mostly by the prestigious manufacturer Mont Blanc and extending in a very large way to his passion for Royal Crown Derby especially his beloved “Old Imari” pattern 1128 and of course Waterford crystal. As can be seen from the breadth of items in his porcelain collection he enjoyed his chosen fields and was an active buyer, and I am sure he would have approved of the items we curated for his estate in his absence.James Lees No chips, cracks, damage or repair. Some minor wear to the gilt and other decoration in places, visible on close inspection. No strike-throughs to the marks to denote 2nd or below quality.

A boxed Royal Crown Derby "Green Derby Panel" quartz mantel clock, bearing the date marks for 1997, together with other boxed Royal Crown Derby, including, "Old Imari" honey pot, Covered Urn, Square Bell, Tazza(1933), Sandwich tray. Cruet Set (2 pc) and other items.

A scarce Royal Worcester porcelain Ltd edition 6/10 for Goviers of Sidmouth large two-handled urn and cover, painted with cock and hen pheasant in a gorse-filled upland landscape signed P. Stanley (Paul Stanley), with high domed cover above a baluster body with Etruscan-style mask head, handles over pedestal with plinth foot, in original presentation box of issue. 34 cm (overall height of urn)Paul Stanley; Is regarded as one of Royal Worcester's most experienced and celebrated artists of the late 20th century and is considered a master of the still life genre, However, very few of his excellent game bird painted works were produced reflected by the very limited edition of ten of which the above vase is number six. These items formed part of the collection of the late Peter John Mitchell of the West Midlands.Peter found an interest/ fascination later in life in the collecting of any manner of items and was a regular and well-loved attendee at the local auction houses in and around the West Midlands and sometimes further afield. He had a good eye for detail and an appreciation of quality, coupled with a discernment for the finer things in life, namely fine writing equipment mostly by the prestigious manufacturer Mont Blanc and extending in a very large way to his passion for Royal Crown Derby especially his beloved “Old Imari” pattern 1128 and of course Waterford crystal. As can be seen from the breadth of items in his porcelain collection he enjoyed his chosen fields and was an active buyer, and I am sure he would have approved of the items we curated for his estate in his absence.James Lees No damage or repair

Two matching Royal Crown Derby 'Old Imari' bone china two handled urns and covers, one bearing the date mark for 2008, both in their original presentation boxes. 31cm overall height (size of the urn) These items formed part of the collection of the late Peter John Mitchell of the West Midlands.Peter found an interest/ fascination later in life in the collecting of any manner of items and was a regular and well-loved attendee at the local auction houses in and around the West Midlands and sometimes further afield. He had a good eye for detail and an appreciation of quality, coupled with a discernment for the finer things in life, namely fine writing equipment mostly by the prestigious manufacturer Mont Blanc and extending in a very large way to his passion for Royal Crown Derby especially his beloved “Old Imari” pattern 1128 and of course Waterford crystal. As can be seen from the breadth of items in his porcelain collection he enjoyed his chosen fields and was an active buyer, and I am sure he would have approved of the items we curated for his estate in his absence.James Lees Very good, clean condition with no damage or repair. Minor wear to the underside of the bases. Boxes good. No strike-throughs to the marks to indicate lower quality.

R Camotta, Halifax, an early 19th century mahogany and ebony strung wheel barometer, the swan-neck pediment with brass urn, over a hygrometer and thermometer with silvered dials, convex mirror and silvered main dial, inscribed spirit level, 110 cm high (refurbished)

A large and impressive Royal Crown Derby "Old Imari" pattern (1128) bone china two-handled urn and cover, bearing the date mark for 1998, in its original presentation box, 41 cm overall height (size of urn)

A scarce Royal Worcester porcelain Ltd edition 5/10 for Goviers of Sidmouth large two-handled urn and cover, painted with a cock and hen pheasants against the backdrop of a fine English country house, signed P. Stanley (Paul Stanley), with high domed cover above a baluster body with Etruscan-style mask head, handles over pedestal with plinth foot, in original presentation box of issue. 34 cm (overall height of urn)Paul Stanley; Is regarded as one of Royal Worcester's most experienced and celebrated artists of the late 20th century and is considered a master of the still life genre, However, very few of his excellent game bird painted works were produced reflected by the very limited edition of ten of which the above vase is number five. No damage or repair

A Royal Crown Derby "Old Imari" bone china pedestal potpourri and cover of urn form, bearing the date mark for 1920, 13 cm high, together with other Royal Crown Derby small vases of varying form. These items formed part of the collection of the late Peter John Mitchell of the West Midlands.Peter found an interest/ fascination later in life in the collecting of any manner of items and was a regular and well-loved attendee at the local auction houses in and around the West Midlands and sometimes further afield. He had a good eye for detail and an appreciation of quality, coupled with a discernment for the finer things in life, namely fine writing equipment mostly by the prestigious manufacturer Mont Blanc and extending in a very large way to his passion for Royal Crown Derby especially his beloved “Old Imari” pattern 1128 and of course Waterford crystal. As can be seen from the breadth of items in his porcelain collection he enjoyed his chosen fields and was an active buyer, and I am sure he would have approved of the items we curated for his estate in his absence.James Lees All OK, 1sts.

A Royal Crown Derby "Old Imari" bone china globular two-handled urn and cover, bearing the date mark for 2005, in its original presentation case, 36 cm overall height (size of the urn) These items formed part of the collection of the late Peter John Mitchell of the West Midlands.Peter found an interest/ fascination later in life in the collecting of any manner of items and was a regular and well-loved attendee at the local auction houses in and around the West Midlands and sometimes further afield. He had a good eye for detail and an appreciation of quality, coupled with a discernment for the finer things in life, namely fine writing equipment mostly by the prestigious manufacturer Mont Blanc and extending in a very large way to his passion for Royal Crown Derby especially his beloved “Old Imari” pattern 1128 and of course Waterford crystal. As can be seen from the breadth of items in his porcelain collection he enjoyed his chosen fields and was an active buyer, and I am sure he would have approved of the items we curated for his estate in his absence.James Lees Boxed as new, 1st.

An extremely large Victorian-turned brass and iron plumbob of urn form, in a hand-made elm rustic stand. 13 cm diameter x 31 cm overall length of bob, 35 cm overall height in stand.

A collection of Royal Crown Derby "Old Imari" bone china items including an octagonal section tea caddy and cover, bearing the date marks for 1933, 12 cm high, together with a large amphora urn and cover with pierced finial, 19 cm high, squat campagna urn and cover, two-handled vase, two globular ewers. (6) These items formed part of the collection of the late Peter John Mitchell of the West Midlands.Peter found an interest/ fascination later in life in the collecting of any manner of items and was a regular and well-loved attendee at the local auction houses in and around the West Midlands and sometimes further afield. He had a good eye for detail and an appreciation of quality, coupled with a discernment for the finer things in life, namely fine writing equipment mostly by the prestigious manufacturer Mont Blanc and extending in a very large way to his passion for Royal Crown Derby especially his beloved “Old Imari” pattern 1128 and of course Waterford crystal. As can be seen from the breadth of items in his porcelain collection he enjoyed his chosen fields and was an active buyer, and I am sure he would have approved of the items we curated for his estate in his absence.James Lees No apparent damage or repair

A Royal Crown Derby bleu celeste bone china amphora-style pedestal urn, painted with sprays of cut blooms by R. Barrat within raised gilt borders, bearing the date mark for 1916, 8 cm wide x 22 cm overall height, together with another Royal Crown Derby covered urn painted with a loose posy of cut blooms. These items formed part of the collection of the late Peter John Mitchell of the West Midlands.Peter found an interest/ fascination later in life in the collecting of any manner of items and was a regular and well-loved attendee at the local auction houses in and around the West Midlands and sometimes further afield. He had a good eye for detail and an appreciation of quality, coupled with a discernment for the finer things in life, namely fine writing equipment mostly by the prestigious manufacturer Mont Blanc and extending in a very large way to his passion for Royal Crown Derby especially his beloved “Old Imari” pattern 1128 and of course Waterford crystal. As can be seen from the breadth of items in his porcelain collection he enjoyed his chosen fields and was an active buyer, and I am sure he would have approved of the items we curated for his estate in his absence.James Lees Both pieces with no damage or repair.

A very large Royal Crown Derby, bone china, two-handled amphora urn and cover, bearing the date for 2003, in original presentation box. 44 cm (overall height of urn)Boxed as new, 1st.

Joseph Rose of London, a George III 8-day blue lacquered longcase clock, the arched face with strike/silent dial and dolphin form mounts to the arch, silvered chapter ring, subsidiary seconds dial, date aperture and urn form spandrels,the four pillar movement striking on a bell, the case with ball finials, over a blind fret carved hood, the trunk door and base depicting scenes of figures outside buildings and landscapes, 50.5 cm wide, 25 cm deep, 237 cm highFirstly, I think that it is probable that this movement didn't begin its life with this case the hood door when open shows the mask to be too cramped and also the addition of quadrant moulding to the inner edge of the mask to frame the current dial, perhaps the owner wanted the splash of colour of a lacquer case or the old case became damaged.The five pillar movement has been extensively cleaned and I am slightly suspicious that the back plate is an old replacement as the gauge and tone of the brass plate is inconsistent with that of the front plate, the chapter ring and strike silent and second scale ring have been resilvered and pitched.To sum up I think this clock is very decorative and the movement seems to be intact and freshly (ish) wound with synthetic gut, the chapter ring has some blemishes at 9 o'clock and would require some silvering to make good.The clock comes with two brass-cased weights and a brass strip and brass lens pendulum with lead weighting.On the issue of the case, it shows old historic worm that is now covered in paint in an effort to cover the wormholes, I can not rule out that this case may have been lacquered later in the 18th century.Please see the extra images for clarification.

PAIR OF GEORGE V SILVER TABLE CANDLESTICKS S. BLACKENSEE & SONS, BIRMINGHAM 1922 each with fluted urn form sconce over a fluted tapered body and oval foot, base loaded21cm highBoth sconces with dents to rim, both with knocks and nicks to feet, one with very slight wobble on flat surface, stand relatively straight and no splits, usual light scratches and tarnish

PAIR OF GEORGE V SILVER PEPPERETTES ROBERT SCOTT, GLASGOW 1921 each of urn form, on a domed foot, in fitted case7.8cm highQty: approx. 49g gross

PAIR OF ELIZABETH II MODERNIST SILVER CANDLESTICKS L.J. MILLINGTON, BIRMINGHAM each with urn shaped nozzle over a plain cylindrical column and spreading circular base, on loaded circular bases, no year mark20cm high

SILVER PLATED TWIN BRANCH CANDELABRUM WALKER & HALL, LATE 19TH/EARLY 20TH CENTURY with three detachable urn-form sconces issuing from a central tapered square-section column, embossed with rams' heads, urns, bows and swags, stamped marks to base55cm high

A substantial George V silver trophy cup, and stand, London 1927, maker Charles Boyton & Son Ltd. the detachable lid with urn form finial, the waisted, gadrooned and acanthus leaf embossed body flanked by two angular foliate cast handles and engraved "SHAW CHALLENGE CUP" to the centre, raised on an acanthus leaf and gadrooned foot, the stand with white metal band engraved with winners details from 1951-2000, 73cm high, the cup 96.3oz

A cold painted bronze lion skin rug, stamped 'Austria' and with a 'B' in an urn, possibly Franz Bergman, 10cm long

G.B. - Mixed 18th century Provincial Copper Token - coinage to include Half Pennies, Lancashire, Lancaster Obv: Bust of John of Gaunt 1791 AF (D&H 9-20), 1794 AVF (D&H 39-47), Lincolnshire, Sleaford Rev: Success to navigation (undated) AVF (D&H 3) Sussex, Northiam John Foller's 1794 VG-AF (D&H 34), Somerset Bath F. Heath Rev: Tea urn GEF-AU (D&H 39), Warwickshire, Birmingham Allin's Panorama 1796 VF, scarce (D&H 62), Oxfordshire, Banbury, W M Rusher Rev: Sun face GEF-A.UNC, scarce (D&H 1), Liverpool Obv: Ship Rev: Bishop Blaize (undated) EF (D&H 115), Penny Suffolk, Bury St Edmunds, Obv: Marquis of Cornwallis (N.B. Edge bruises) otherwise GF (D&H 4), Farthings, Somerset Bath Obv: Bust of Bladud 1794 EF (D&H 115) & Birmingham Rev: Cypher H.H 1792 VF (D&H 481a) (11 tokens)

A Georgian gilt metal seal, with an oval intaglio engraved agate matrix, depicting two doves drinking from an urn with a coronet above, a silver gilt seal c.1840 with a cushion shaped opaque white paste matrix, intaglio engraved with the motto “WE BLOOM TODAY, TOMORROW DIE” a gold cased seal c.1830, with a cushion shaped cornelian matrix, and a small gilt metal purple paste set seal, 24.05g total (4) Condition ReportScratches and marks consistent with its age. Noticeable scratches and marks, with wear to the gilding and gold casing throughout. The opaque white matrix is very scratched and abraded.

A reconstituted stone urn shaped planter

A VINTAGE CHROME TEA URN

A PAIR OF VINTAGE CAST IRON GARDEN URN PLANTERS (H:58CM)

Pair of Imari pattern plates, 19th Century, a Davenport porcelain sugar bowl, a porcelain box and cover, with gilt and floral decoration, a Vienna style porcelain urn, a Royal Copenhagen globular vase, two Vienna plates and a Carltonware bowl (Qty)

Minton & Co pair of spill vases, shape number 1376, the blue ground painted with flowers and grasses, H 19cm, one vase impressed, impressed '1376'., and a Coalport urn, H 18cm (with damage and restoration to all pieces - see condition report). Provenance: From Munstead Wood. The contents of the property are being sold by the former owners of the important country house which has now been purchased by the national trust. Munstead Wood is a Grade I listed house and gardens in Godalming Surrey. The garden was created by garden designer Gertrude Jekyll and became very well-known through her designs, and her books and articles in magazines such as Country Life. The Arts and Crafts style house was built for Jekyll and she lived there until 1932, Munstead Wood was designed by the architect Edwin Lutyens to compliment the garden with Jekylls influence on the original design. Munstead Wood was the first, and perhaps therefore the most important, collaboration between Jekyll and Lutyens in garden and house design. These collaborations number around 120, with other well-known examples including Deanery Garden in Berkshire and Hestercombe House in Somerset. Jekyll transformed the site over the years, first meeting Lutyens at Munstead Wood in 1889 when the collaboration began, and she lived there until her death in 1932. Prior to the sale to the National Trust, Munstead Wood was the vendors family home for more than 50 years, the owners over this time were Sir Robert Clark and Lady Clark who were responsible for the house and gardens regeneration to return it to its original concept.

English porcelain Campana urn, 19th Century, decorated with a vignette of cherubs eating grapes, within gilt borders, with gilt foliage and designs to the reverse, 22.5cm highCondition Report: Wear to the gilding on the rimLight brown discolouration to the interior and baseSome typical glaze cracking.Firing crack between handle and body

A Chinese elm urn stand, of square section, raised on square legs united by a carved undertier, 73cm high, 36.5cm wide, 36.5cm deep.

A Chinese hardwood urn table, of square section, with one long and two short drawers, raised on square legs united by a carved undertier, 78cm high, 43cm wide, 43cm deep, together with a circular stand, with carved floor and foliate scroll decoration, raised on four cabriole legs, 55cm high, 44cm wide. (2)

A Chinese hardwood urn stand, of rectangular section, raised on square legs united by a carved undertier, 79cm high, 42cm wide, 28cm deep.

A Chinese hardwood urn stand, with one long over two short frieze drawers, raised on square legs united by a carved undertier, 78cm high, 43cm wide, 43cm deep.

A Chinese elm urn stand, with a single frieze drawer, raised on square legs united by a carved undertier, 81cm high, 45cm wide, 50cm deep.

A Chinese hardwood urn stand, of square section, with a square undertier above a pierced undertier, united by square legs,78cm high, 37cm wide, 37cm deep.

A Chinese hardwood urn stand, of square section, with a square undertier above a pierced undertier, united by square legs,74.5cm high, 41cm wide, 41cm deep.

A Victorian circular salt, embossed with flowers, raised on three paw feet, William Comyns & Sons, London 1887, Victorian Adams style silver pepperette, of spiral fluted urn form, raised on a square base, Nathan & Hayes, London 1890, and a further pepperette of semi fluted baluster form, Birmingham 1898, 2.76oz.

A Chinese hardwood urn stand, of square section, with a square undertier above a pierced undertier, united by square legs, 79cm high, 38.5cm wide, 38.5cm deep.

A Chinese hardwood urn stand, of square section, raised on square legs united by an undertier, 90.5cm high, 32cm wide, 32cm deep.

A Chinese hardwood urn stand, of square section, with a square undertier above a pierced undertier, united by square legs, 69cm high, 39.5cm wide, 39.5cm deep.

A Chinese hardwood urn stand, with a foliate carved frieze, raised on square legs united by an undertier, 79cm high, 41.5cm wide, 41.5cm deep.

A pair of Chinese graduated red lacquer side tables, or urn stands, each with a single frieze drawer, raised on square supports united by an under tier, 90cm high, 31cm wide, 31cm deep, and 83cm high, 33cm wide, 33cm deep.

A Chinese elm urn stand of square section, with carved detailing, raised on square legs united by an undertier, 82cm high, 45.5cm wide.

A Chinese hardwood urn stand, of square section, with one long and two short frieze drawers, raised on square legs united by carved undertier, 79cm high, 45cm wide, 45cm deep.

A pair of Georgian mahogany demi lune side tables, with a carved urn, floral and foliate scroll frieze, raised on fluted and carved tapering square legs, on spade feet, 78cm high, 130cm wide, 65.5cm deep.

A Chinese hardwood urn stand, with floral carved decoration, having an undertier above a single frieze drawer, raised on square legs, 84cm high, 44cm wide, 44cm deep.

An early 20th century German gilt colt blue porcelain urn. Converted from a lamp. 18x26cm.

PAIR OF URN SHAPED LAMPS

Buddha model and a concrete urn

ORNATE RECTANGULAR WALL MIRROR, GILT & SCUMBLE GLAZE FINISH, capped with urn finials, 108 x 49cms and rectangular gilt frame chimney mirror, 19th Century, with inverted breakfront moulded cornice, rectangular plate flanked by reeded half columns, 66.5 x 38cms

HAND PAINTED URN 27 CMS (H) APPROX WITH HAND PAINTED CUP & SAUCER & 3 ROYAL CROWN DERBY ITEMS

P. K. AGAR ( 20TH CENTURY) STILL LIFE FLOWERS IN AN URN. WATERCOLOUR SIGNED LOWER RIGHT . 45 X 37 cm.   Condition of lots is NOT referred to in the lot descriptions.The absence of a condition report does NOT indicate that the lot if free from damage.Detailed condition reports and additional images are available on all lots upon request, please use the “ask a question” button against the lot you have an interest in. We strongly advise that unless you are able to view the lots in person that you request all of the details you feel may be pertinent to your intention to bid.

Regency design 6' SuperKing mahogany bedstead, shaped headboard with crossbanding and sunburst veneer with moulded edge, the four posts with finials and reeded coration with urn shaped bases, on four stepped plinth basesDimensions: Height: 239cm  Length/Width: 210cm  Depth/Diameter: 238cm

Concrete garden urn on a plinth

An assortment of silver plate, including a pair of trumpet spill vases; a Walker & Hall Campana style cooler urn and related items (a lot)

A large classical style urn shaped circular pedestal garden planter.

A good large composite garden statue modelled as a classical female semi nude with an urn on her shoulder.

A composite garden ornament modelled as a classical standing female semi nude holding an urn.