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Lot 647
A LATE 18TH CENTURY ANGLO INDIAN VIZAGAPATAM SHERATON STYLE IVORY BOW-FRONT TOILET MIRROR with ink engraved floral ribbon tied designs around a central urn; the oval swinging mirror plate with shaped arm supports above three fitted frieze drawers, standing on silvered brass bun feet and side carrying handles 47cm wide 28cm deep 60cm high.
Lot 371
A RARE EARLY 19TH CENTURY REGENCY OVAL PRESSED TORTOISESHELL AND IVORY TEA CADDY with hinged top revealing a paper-lined interior with inner lift off lid, having a caddy moulded top with urn-shaped ivory finial. Above a silver escutcheon plate and pressed ribbed front; standing on turned ivory bun feet 12cm wide 8cm deep 14cm high.
Lot 559
CLAUDE GRIVOLAS. AN EARLY 20th CENTURY FRENCH FOUR GLASS STYLE GILT BRASS AND ONYX 400 DAY MANTEL CLOCK GARNITURE with gilt lion pediment on onyx plinth supported by four Corinthian columns and brass framed bevelled glass panels on matching plinth base enclosing a 3.5" porcelain Arabic dial fronting a 400 day spring driven timepiece movement with decorative brass rotating bob pendulum; The clock flanked by two matching urn-shaped garnitures. Clock measures 41cm highConditionThe clock is in very nice condition, small chip to bottom corner of back door glass panel, no damage to dial.
Lot 1329
Good English mahogany triple fusee bracket clock, the 8" painted white dial signed Benjamin Lautier, Bath, with strike/silent dial to the arch, the five pillar movement striking the quarters on a nest of eight bells and the hours on a separate bell, the movement back plate also signed B. Lautier, Bath with locking pendulum, within an attractive stylised foliate brass inlaid case surmounted by a rounded arched cornice and stepped pediment with ormolu urn, 24" high (pendulum and keys)
Lot 1514
French red marble and gilt metal mounted two train mantel clock garniture, the Japy Freres movement striking on a bell, the 3.75" recessed dial with fancy foliate centre, within a classical drumhead casing supported upon a flaring stepped rectangular base and surmounted by a Classical urn, 20" high (pendulum and keys); also with a pair of five light matching candelabra, 23" high (all on shaped stepped wooden bases)
Lot 336
A French patinated and gilt metal mounted marble figural mantel clock garniture, late 19th century, the eight-day bell striking movement with circular white enamel Arabic numeral dial, set into a case cast with foliate surmount and with dolphins behind, on shaped pink and brown veined moulded white marble base with cast feet, 47cm high; with a pair of matching urn side pieces, 37cm high
Lot 172
A Coalport Tiger Moth Limited Edition plate; A Royal Worcester Christmas loving cup; a Royal Worcester Butterflies pattern spill vase; cake plate; and ginger jar; A Queen's Virginia Strawberry urn and cover; an Aynsley Cottage Garden pen tray; a Coalport Hong Kong pattern ginger jar and cover; and a Portmerion Botanic Garden pattern vase (9)
Lot 219
An Early 19th Century Chinese Carved and Pierced Ivory Brisé Fan, Qing Dynasty, twenty-four inner sticks, two of the tips are damaged. The recto is painted with a central vignette of a lady by a riverbank, beside a column and an urn. On the verso a central oval is painted with simple pink flowers and green foliage. The guards are more deeply carved with intricate flowers. Guard length 22.5cmSome slivers missing from the sticks/tips and the border of the painted vignette is rubbed.
Lot 29
Bacchus and Ariadne: A Mid-18th Century Ivory Fan, the monture with carved and pierced, gilded and silvered and quite substantial sticks. The upper guard is carved with a large figure, the lower section with rounded shoulders to complement the gorge sticks. The gorge carving and piercing is almost trompe l'oeil, with borders meandering around to enclose vignettes in a very fluid fashion. Within these borders, some fashioned with chains some with more regular designs, are three vignettes. The inner and larger vignette features four gilded figures in 18th century dress, variously seated or standing, with musical instruments. The two to the side are more angular and backed with burgau, containing gilded cherubs playing. The lower section of the gorge is plain ivory and leads to a rivet topped with diamanté. The vellum leaf, mounted à l'anglaise, is painted in pastel colours, showing a large clearing where a group of friends are at rest, variously seated or standing next to a stone all supporting a large grey urn. Two young maidens are close to Bacchus, who is accepting a goblet of wine from Ariadne. Slightly to the left, Silenus is seated on the grass, playing a curved horn, others dancing further inside the field. At each side of the central gathering, groups of four cherubs are playing with carts. The cart to the left is being pulled by a dog, one winged cherub riding on its back. To the right, the cart is being pulled by one cherub whilst two others hitch a ride, the smallest cherub leading the procession playing another wind instrument. The reserves are painted in shades of soft turquoise with pink and white flowers and fruits, with the addition of a large turquoise diamond with gold highlights. The verso is plain save for a floral border in blues and pink, with green leaves, some highlighting in gold, and a gold bird. Guard length 28cmOne of four applied panels of burgau is missing. Some slight ivory loss to several gorge tips/shoulders. The silvering is dull but the gilding is mainly bright. Some rubs to leaf folds.
Lot 33
Flora and Zephyr: An 18th Century Carved and Pierced Ivory Fan, with mother-of-pearl thumb guards. The upper guards are elaborately carved with two figures and a large urn, with some light colour painting. The lower sections are more classical. The gorge is carved to the left with a lady dancing, her skirts swirling, and to the right with three more dancers, the background piercing very finely worked. The vellum leaf, mounted à l'anglaise, depicts Flora, Goddess of Flowers and of the Spring and her husband Zephyr, the Wind God, a winged cherub to the side, a lady gathering flowers with a child to the right, the verso with a simple painting of a lady with a panier. Guard length 26cmThe leaf is quite rubbed at each side. The verso is dirty and has a few stains. The upper guards are likely to be later replacements.
Lot 39
An Early 18th Century Ivory Fan, the monture carved and pierced, and painted in green and blue with hints of gold. The guards each have a carved figure. The gorge is centrally carved with two couples, left unpainted, the woodland background in dark green, a decorative urn in strong blue, the decoration to both sides continuing with the blue which creates a fresh effect along with gold. The vellum leaf, mounted à l'anglaise, shows a finely dressed lady in a vibrant blue open robe with pink skirt, seated in a clearing, picking fruit which is growing from a bush backed by a stone wall. Behind this wall to the right is a young shepherd, his sheep grazing, peeking around the wall to gaze upon the unsuspecting lady. The reserves are predominantly floral with a large urn to the right. The verso is painted with a tree, a stone ruin in the distance. Red stone at the rivet. Guard length 28.5cmThe upper guard is broken but present. Brown marks to the verso in line mainly with the ribs.
Lot 440
Fine French triple colour gold verge pocket watch, the fusee movement signed Ferdinand Bethoud á Paris, with pierced balance bridge, silver regulating dial and cylindrical pillars, signed enamel dial with Roman numerals and outer Arabic numerals and fancy gilt hands, consular triple colour case decorated with a twin-handled urn with a foliate border, 88.4gm in total, 44mm diameter; together with short chain and gold watch key - Condition Report: - Movement - currently functioning when briefly tested. Dial - appears clean with some possible rim restoration. Glass - light marks. Hands - matching. Case - visible rubbing and surface wear to the case back, release button on the case reverse is worn. - Condition reports are provided for general guidance only. Please view images and further information can be obtained upon request. Gardiner Houlgate do not guarantee the working order or time accuracy of any lots. Due to the opening of the wristwatch case backs, it is recommended watches are re-sealed by professional technicians to ensure any stated water resistance is retained
Lot 219
A electroplated Britannia metal table centrepiece in the form of a central urn flanked by Emu's, on a rectangular base moulded with leaves and scrolls with spreading feet, marked E.M & Co, 19.5cm high x 24.5cm wide CONDITION REPORT: The central column is twisted, surface scratches, plating is worn in places
Lot 140
A large Napoleon III clock Gilt bronze decorated in relief, lower part with painting and sculpture allegories Richly decorated with floral motifs, garlands and acanthus leaves with masks at the centre Urn-shaped upper part flanked by satyr heads with snakes and garlands Enamel dial with arabian and roman numbers, marked "Julien Leroy A Paris" France, 19th century (working, in need of maintenance; small defects) 94x66x22 cm
Lot 203
A Toothpick holder Brazilian silver of the 19th century Representing a native woman with bow and arrows and feather crown Square pierced and chiseled base with floral motifs and four claw feet; urn-shaped plinth Porto apocryphal assay mark used in Rio de Janeiro in the mid-19th century and Francisco Duarte Graça maker's mark (mid-19th century) (wear signs, defect at the bow) Height: 19,7 cm 243 g
Lot 3458
19th century AD. Made on a shilling token of Doncaster, dated 1812. Obv: smoothed with finely engraved scene of man leaning in repose against an urn on a pedestal inscribed H L / 1815 in two lines, with willow tree and building behind with ELIZABETH LEMON DECEMBER 3 AD 1807 inscription. Rev: normal seated Commerce holding scales and cornucopia with Y&D and sword below, ship to right and ONE SHILLING SILVER TOKEN legend and date. See Davis, Doncaster 10 for host token. 4.23 grams. ("). The host token was struck in 1812 but the piece also refers to dates of 3 December 1807 and 1815 so this token presumably dates to around 1815; the initials H L on the pedestal are likely to refer to another family member, the token could relate to a commemoration of the birth of Elizabeth Lemon or perhaps to her death in infancy. [No Reserve] Extremely fine.
Lot 3561
336-337 AD. Constantinople mint. Obv: FL HANNIBALLIANO REGI legend with bare-headed, draped and cuirassed bust right. Rev: SECVRITAS PVBLICA legend with river-god Euphrates recking left resting on sceptre, overturned urn at side from which water flows; mintmark CONS and officina number in exergue. RIC vii, p.589, 147; LRBC 1036; Sear 16905. 1.43 grams. [No Reserve] Very fine.
Lot 2258
Wedgwood black Jasper ware two-handled urn-shape vase and cover decorated with terracotta classical dancing ladies, on circular base and square socle - impressed marks to base, 26.5cm high CONDITION REPORT One small chip or column (not visible until vase is turned upside down) where column joins bottom of vase
Lot 3522
Late 19th / early 20th century mantel clock with eight day movement striking on a gong, back plate stamped - Coventry Astral, silvered dial with Roman numerals, in a mahogany lancet-topped case with inlaid boxwood stringing and marquetry diamond, brass-capped columns and turned urn finials on four bun feet (keys present)
Lot 875
A Georgian military pattern sword, the 82 cm blade etched with crowned 'GR' cypher, foliate chased brass folding hilt, wooden grip and urn pommel, to/w a short sword with vestigial engraving to the 50 cm blade, on one-piece cast brass handle and a World War I Remington bayonet (3 - all lacking scabbards)
Lot 171
A small collection of silver smalls, to include a Georgian pepper caster, John Lambe, London, date letter indistinct, plain baluster body with applied reeded borders, hand-pierced pull off urn shaped finial, sitting on pedestal foot together with a smaller pepper pot, napkin ring & a mother of pearl folding fruit knife, gross weight without knife 5.3 tr.oz. (4)
Lot 197
A George III silver swing handled sugar basket, John Roberts & Co., Sheffield 1775, in the Adam manner, with guilloche and rosette handle over an urn form body with pierced trellis and swags over stiff leaf decoration, on a pedestal base with ball feet, blue glass liner, 4«in. (11.5cm.) high, 4.6 tr. oz. silver weight.
Lot 728
An Edwardian silver lidded mustard potGeorge Nathan & Ridley Hayes, Chester 1903, bombe form with gadrooned decoration, blue glass liner; together with a silver mustard spoon, Sheffield 1946; and a Victorian urn form pepper caster on square base, Thomas Hayes, Birmingham 1898, silver weight 3.35 tr.oz. (3)
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68875 item(s)/page