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Click here to subscribeA box of china and other wares to include a Wedgwood "Hathaway Rose" pattern urn shaped vase, two Royal Worcester oven to tableware lidded tureens, various equestrian cups and saucers, a quantity of dog figures, lobster serving dish, lace, etc, together with a modern glass and metal mounted table lamp in the form of an oil lamp
A collection of ceramics and metalwares to include a Keswick School of Industrial Arts brass vase decorated in the Art Nouveau taste, the base stamped "KSIA", together with a Continental pottery lamp base, a 19th Century urn shaped vase decorated with putti, acanthus and grapes, the base stamped "WF & F", a Royal Tudor ware coffee pot and three further items of metalware
A silver cruet Thomas Daniell and John Wall, London circa 1782, of oval form, the sides pierced with classical urn motifs and joined by engraved garlands and pierced banding, raised on four ball and claw, bracket feet and with central ring handle, 23.5cm high, weight 20oz and eight faceted bottles (probably associated), to include four pouring bottles, three with pierced covers and a further bottle (9)
A Royal Crown Derby campana shaped urn, decorated in the Imari pattern, 15cm high; a pair of 19th Century Coalport style vases, having swan neck handles, painted floral panels heightened in gilt, 18cm high, AF (restored); a Coalport vase and cover, AF; a Sevres style bowl and cover on stand; a Chamberlain`s Worcester cup and saucer; and a Flight Barr and Barr cup and saucer, AF, (7)
A George III gold and enamel mourning brooch, of navette shape. With a central glazed panel enclosing a classical urn. The reverse engraved `catharine wigram died 22 jan 1786 aged 35 years`, approx 3.8cm long. Also a Georgian silver small snuff box and cover, of circular shape, the cover engraved with a classical tied ribbon and oval ornament, approx 2.5cm diam. (2)
A gilt metal and Sevres style porcelain mantel clock, retailed by Garrard, 20th century, flaming finial leading to a swag handled urn, upon foliate decorated shaped rectangular gilt metal case, inclosing a painted and Roman numeral dial, movement striking on a gong, painted applied plaques decorated with cherubs, four bun feet, in fitted centre opening leather case by Garrard, height 36 cm.
A pair of early 20th Century electroplated three light Candelabra, each with detachable square section nozzles to urn-shaped sconces, on reeded and knopped scrolling arms, to a central light and tapering and knopped column, raised on a spreading and shaped square base (loaded), height 20” (2)
A late 19th Century cast Brass Mantel Clock, the waisted case surmounted by a lidded urn with rams mask detail, over further floral, foliate and shell applied detail, to a shaped base and raised on splayed paw feet, to a beaded bezel with bevelled glass enclosing a 4” Gothic Roman enamel chapter ring with outside minute track and cast centre, with blued steel hands, to a circular Brass movement with back mounted count wheel and anchor escapement, strike on a bell, height 19”
A late 19th Century French lacquered Brass Mantel Clock, the high polished case with overhanging cornice surmounted by a shaped pediment, topped with a floral urn, over caryatid mounts, to a foliate plinth base and raised on beaded feet, to a further beaded bezel set with bevelled glass enclosing a 3 ¾” Arabic gilt dial, with applied foliate centre and blued steel fleur de lys hands, to a circular Brass movement with anchor escapement and strike on a blued steeled coiled gong, mounted on a giltwood and velvet lined stand, contained beneath a glass dome, (dome repaired), on an ebonised base, height 17”
A late 18th Century Walnut Cased 8 Day Long Case Clock, John Nevill of Norwich, the associated walnut case with overhanging cornice surmounted by three globe and spike finials, to ¾ columns and moulded throat with long and shaped trunk door, decorated with concentric line inlaid detail and glazed lentical, to a panelled plinth base on bracket feet, the 12” arched brass dial signed to a silvered boss to the arch with cast and pierced urn spandrels enclosing a Roman and Arabic silvered chapter ring with outside minute track and matted centre, with subsidiary seconds and date sector, to black painted hands, the movement with plates united by four knopped pillars with anchor escapement and strike on a bell, height 91”
A 19th century S Marti three piece gilt metal and porcelain clock garniture, the central Louis XV style clock with eight day twin drum movement with circular floral painted dial and inset landscape decorated panels, the finial in the form of two cherubs holding an urn, complete with pendulum, key, with a matching pair of flanking vases, clock height 45.5cm (3) (illustrated)
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