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An early 19th Century oak and mahogany cross banded longcase clock, the painted dial with roman numerals and inscribed 'W. Postle, Shotley Bridge', the arch decorated with male and female figures in a country setting, fitted eight day movement striking on a single bell, the hood surmounted by turned urn finials and flanked by turned pilasters, 18 1/2in. x 91in. high.
A late Georgian mahogany rosewood cross banded longcase clock, the swan neck pediment decorated embossed brass spandrels and an urn finial, the arched dial decorated with painted dogs and a hunting scene, the white painted dial with roman numerals and subsidiary seconds dial, inscribed 'Stockton on Tees', fitted eight day striking movement, the hood flanked by turned pilasters with a small panel door below, raised on bracket feet, 20in. x 89in. high.
A late 19th Century mahogany tilt top tripod table, the circular dished top having a raised piecrust rim above a birdcage action, gun barrel turned urn column with blind acanthus leaf carving to the urn, the whole raised on hipped blind carved cabriole supports of square section with claw and ball terminals (with old repairs), diameter 66cm
A late 19th Century trinket bowl of classical design by George Davidson. The bowl having a square terraced base rising to a fluted urn bowl with central bar, the whole in an amethyst and white marble finish, together with a novelty water jug in the form of a fish by Heppel in vertical pose with a tail handle, jug 5.5".
Joris van Son (Antwerp 1623-1667) A vanitas still-life with a skull, a pistol, a lute with broken strings, a flute, shells, peaches, figs, bread and an urn on a partly draped ledge inscribed and dated 'VANITAS· VANITAS ET·OMNIA·/VANITAS·/1651' (mid centre on paper) oil on canvas 26 5/8 x 31 in. (67.6 x 78.7 cm) " We are grateful to Mr. Fred Meijer of the RKD for confirming the attribution based on transparencies.
A rare Swansea porcelain part dessert service, circa 1814-17, each piece painted in the manner of David Evans with a central floral bouquet within a garland of gilt tendrils and leaves and a border of flower sprays, with gilt rims, comprising a sauce tureen, cover and stand, the urn shaped sauce tureen applied with a pair of high looped handles, the domed cover surmounted by a gilt artichoke finial with beaded girdle, the stand impressed with the rare mark 'Dillwyn and Co', (wear to gilding), a matching sauce tureen and cover (both handles broken and restuck), 18.5cm across, a pair of serpentine outlined square dishes (gilt garlands to centre worn away), 24.5cm wide, a further matching pair of dishes (both extensively broken and riveted), a serpentine outlined oval dish (wear to gilding), 29.5cm across, three further matching dishes (one with single break and riveted repair, one broken in three sections to one end and messily reglued and riveted with wear to gilding, the last extensively broken and riveted) and a large serpentine outlined lozenge-shaped centre dish, with gilt scroll decoration to each end (extensively broken, riveted with messy reglueing to one end), 35cm across, all remaining items excluding the sauce tureens and covers bear the impressed 'Swansea' mark (14)
A George III mahogany and brass mounted longcase clock, the arched cornice above an arched glazed door flanked to each side by a pair of stop fluted colulmns and fretted foliate pattern panels, the moulded and arched trunk door flanked by stop fluted chamfered corners, on a reduced panelled box base and later plinth, the associated twelve inch brass dial with subsidiary seconds dial, date aperture, turned winding holes and matted centre within a silvered chapter ring, with Roman hour numerals, signed 'Tho Cackett Cranbrook', and eagle and urn pattern spandrels, with a sunburst engraved silvered boss to the arch flanked by stylised dolphin mounts, the five pillar brass and steel movement with anchor escapement striking on a bell, with alterations to movement, together with a pair of brass cased lead weights, in need of a complete overhaul, 200cm high
A French ormolu and sevres style porcelain mounted clock garniture, circa 1860, in Louis XVI style, the clock surmounted by a two handled urn above a circular porcelain dial painted to the centre with a cherub, within Roman hour numerals, indistinctly signed, above a shaped panel painted with a courting couple, flanked by scrolled acanthus leaf brackets, the apron inset with a D-shaped porcelain panel painted with a trophy, the base with laurel leaf and berry borders, on turned and shaped feet, the J. Marti and Cie twin train brass drum movement with anchor escapement and outside count wheel striking on a bell, 37.5cm high, together with a pair of en suite five light candleabra, the vase shaped gadrooned nozels supported by acanthus leaf cast branches and an urn shaped column, on conforming bases to the clock, 41cm high (3)
A MASSIVE PAIR OF FOUR LIGHT CANDELABRA with a pair of matching candlesticks, after the originals by Paul de Lamerie, the tapering columns with quilt decoration and shell capped shoulders, urn-shaped capitals with calyx leaf decoration, the scroll branches each supporting a spool-shaped capital with foliate borders, the whole on a square base within incurved corners, engraved trellis decoration and shell and foliate motifs, London 1960, by R. Comyns, height of candelabra 18.5", height of candelsticks 14", (c.368oz).
An early Victorian electroplated tea urn, the inverted pear shape body with fluted scrolls and foliage, the reeded tap with ribbed ivory handle, two cast reeded foliage side handles, the conforming waisted cover with decorative finial, the conforming base with cast foliage panel feet. 21in. (53cm).
An electroplated syphon stand with two side handles, a Greek key border with cartouches to the rim, on a moulded foot, 7in. (17.5cm), a circular muffin dish with gadroon edge, an interior cover and a domed main cover with bakelite finial, 8in. (20cm) diameter. Together with a late Victorian electroplated oval sauce tureen with beaded edge having two moulded loop side handles and a pedestal foot, the cover with an urn finial. 9 1/2 in. (24cm) long. Makers William Hutton and Son. (3).
A 19th Century Staffordshire pottery jug with moulded scroll handle and rim, the bulbous body printed in puce and decorated in colours with Adam & Eve under an arch, various other emblems, figures and floral sprays and worded 'May Every Brother Have a Heart to Fill and a Hand to Give', 9.5ins high, and a Victorian cranberry glass vase, the urn shaped body enamelled in white with berries, on cylindrical waisted base, 9.75ins high
A pair of early 20th Century Coalport porcelain two-handled urn shaped vases and covers of classical figures, the narrow necks and scroll handles moulded with acanthus leaf swags, the bodies enamelled in colours with floral sprays within royal blue and gilt borders, 13. 25ins high (printed mark in blue to base)
A set of four 19th century 'Bristol Blue' glass half bottle decanters, each of mallet shape and with oblong gilt title cartouche for 'Brandy', 'Hollands', 'Rum' and 'Shrub' beneath chain suspended gilt urn motif, the target stoppers with gilt lozenge border decoration, some wear to gilding, 24cm high.
A French Empire style cream painted and parcel gilt two-seater settee, the double chair back with baton tied toprails and lyre central splats beneath swan and urn relief carved panels flanked by downswept fluted baluster turned terminal uprights, the seat with plump lavender coloured cushions, on foliate carved turned tapered reeded supports, 92cm high, 232cm long.
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68904 item(s)/page