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A Pair of Victorian Terracotta Garden Urns, of fluted campana form with stiff leaf borders, on square columns and plinths89cm highUrn one - the rim has numerous chips and losses. The inner-section has various flaking which is possibly from frost damage. The plinth base has further damages (as photographed). Urn two - in better condition, however there are still faults around the rim. Further frost damage to the internal section. Some chips and faults around the base.
A Set of Six (5+1) George III Mahogany Dining Chairs, late 19th century, covered in floral pink striped fabric, with drop-in seats, the flower-carved top rails above carved splats in the form of a twin-handled urn with acanthus scrolls, the plain seat rails on square chamfered legssingles 52cm by 50cm by 91.5cmcarver 60cm by 46cm by 88cm
A George III Style Green Painted and Marble Top D Shape Table, 19th century, with original purple veined marble top within a stiff leaf carved border, the frieze decorated with ribbons and swags centred by an urn, on square tapering legs with spade feet74cm by 33cm by 84cmtable has various old repairs but due to its green painted finish cosmetically okay, the table is structurally sound- see further images
A Dutch Mahogany and Marquetry-Inlaid Games Table, mid 19th century, of inverted breakfront rectangular form, the hinged leaf later inlaid with an urn issuing flowers and leaves, the polished interior inlaid with playing cards and circular panel of flowers, the hinged base enclosing three divided compartments above a dummy drawer, on fluted tapering legs with boxwood stringing and block feet94.5cm by 37cm by 75cm
An Early 20th Century French Polished Brass Spark Guard, the handle in the form of flowers flanked by laurel leaves and centred by ribbons, the single mesh screen surmounted by musical trophies and an urn issuing leaves, on splayed legs with hoof feet93cm by 25cm by 74cmA French Mid 20th Century Three-Leaf Spark Guard, each panel within an egg and dart moulded border surmounted with handles in the form of urns and leaveslargest panel 50cm by 73cm (2) 2nd spark guard max length 105cm
Japy Freres & Co Brass style mantel clock with French twin train movement striking on a bell. Elaborately decorated metal case with with urn finial on top. x 2 carrying handles Dimensions: 9" x 16" x 6" Condition report: Movement mounting loose but not tested, case appears to be complete with pendulum.
A Royal Worcester Porcelain Vase and Cover, by Terence Nutt, 1989, of urn shape with pine cone finial and leaf scroll handles, painted with birds pecking fruit from a basket and with a parrot on a branch within moulded, marbled and gilt borders, on square foot, signed with initials, printed Royal Warrant Bicentenary Commemorative mark in gilt38cm high
An English Porcelain Vase and Cover, probably Coalport, circa 1835, of urn shape with coronet cover and angular handles, painted with putti amongst clouds and a spray of fruit and flowers in panels on a pink ground highlighted in gilt, on a circular socle and square foot, 33cm highFinial re attached and restoresed. No other damage or restoration. Some heavy gilt wear.
A Pair of Baccarat Candle Holders, the fluted urn-shaped socket on petal-moulded drip pans, fluted baluster stems and oval moulded domed circular bases picked out in gilding, with cut-glass tulip-shape storm shades 58.5cm highOriginally with lustre drops, all but one now missing. Some typical minor surface wear and tiny flakes. Some wear throughout to gilding.
A Pair of Regency Gilt Metal and Cut Glass Lustre Candlesticks, with urn shaped sconces on baluster stems issuing curved arms hung with faceted button drops, on oval bases27.5cm highBaluster stems with small edge chips. Oval bases with small edge chips. Free from cracks Metal with soome wear and discolouration only.
A Pair of "Vienna" Porcelain Vases, Covers and Stands, late 19th/early 20th century, of twin-handled urn form, painted with classical figures in landscape in panels on a blue ground highlighted in gilt, bear shield marks in blue21cm highNo chips, cracks or restoration. The bolts are currently quite loose. Some loss to the gilding.
A Creamware Chestnut Basket and Two Stands, circa 1780, of oval form with entwined handles, printed with exotic birds in branches within pierced basketweave borders20cm wideA Similar Chestnut Basket, Stand and Cover, with cherub and basket of fruit finial27cm wideA Similar Urn Shaped Salt and Liner9cm wideA Pair of Leeds Pottery Cream-Coloured Earthenware Urn Shaped Pot Pourri Vases and Covers, impressed marks11cm highA Similar Twin-Handled Basket24cm wideA Basket-Moulded Vase and Pieced CoverTwo Oval DishesAn Oval Pedestal Dish (qty)
A Helena Wolfsohn Porcelain Urn-Shaped Vase and Cover, early 20th century, with entwined serpent handles, painted with romantic 18th century figures in oval landscapes hung with moulded and painted swags within pink and gilt gadrooned borders, on a circular foot, AR monogram mark in blue32cm highVery minor surface wear, three chips to the rim of the main body, some very minimal crazing and gilt wear,free from restoration
Binding.- Book of Common Prayer (The), And Administration of the Sacraments, and other Rites and Ceremonies ..., previous owner's ink signature to title, contemporary blue and red crushed morocco, richly decorated in gilt with a Grecian urn, light rubbing to joints and spine extremities, 16mo, Oxford, 1787.
Pair of Malagueño barros, mid-19th century."Dancers with castanets".Pair of polychrome terracotta figures.Wooden base and glazed urn.Damage in one of them (detached from the base) and breakage in a glass urn.Measurements: 33 cm. high (larger figure); 41 x 23 x 27 cm. (the larger one, with urn).Pair of statuettes in polychrome terracotta, representing regional dancers captured in full dance movement. They have been worked in the round, with great attention to detail, both in the precise modelling and in the attentive polychromy, which reproduces the costumes and movements with verism and reliable study.The 'barros malagueños' are baked and polychrome clay sculptures, baked in the oven, which reproduce popular types and scenes of customs typical of the city of Málaga. They were the most popular handicraft from the end of the 18th century onwards. They included depictions of local or national folklore festivals, popular characters, professions, dancers, etc., standing out for the descriptive precision of the clothing and the quality of the figures. They are the best representation of artistic Romanticism in the city. The antecedents of this type of work are to be found in Naples, in the 18th century and the figures for nativity scenes.
THE ANDREW WEAVING COLLECTION, Constance Spry (1886-1960) for Fulham Pottery, Urn form wall pocket vase moulded as draped cloth with tassels, 1930s, Unglazed exterior, cream glazed interior earthenware, Unmarked, 44cm wide, 20cm high Provenance From the private collection of author and mid-century design specialist, Andrew Weaving.Please refer to department for condition report
Manner of Jean-Baptiste Monnoyer, 19th CenturyTulips, sunflowers, poppies and other flowers in an urnoil on canvas 169.1 x 121.1cm (66 9/16 x 47 11/16in).Footnotes:ProvenanceSale, Sotheby's, 19 February 1986, lot 40 (by Jan Baptiste Morel)Private Collection, UKThis lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A Sheraton Revival satinwood crossbanded mahogany and marquetry pier table, of small and neat proportions, shaped serpentine cresting inlaid with a Classical urn, oversailing top above an arched frieze, tapered square legs, outlined throughout with boxwood stringing, spade feet, 92cm high, 61cm wide, 29cm deep, c.1905
An English thirty hour clock movement and dial, Tho Dicker Silchester, early 18th c, the 10" brass dial engraved to the centre with birds and foliage, having single hand, silvered chapter ring, urn spandrels and lantern type movement Dusty / dirty, some restoration, including replacement hand
A collection of silver to include a George V silver swing handled preserve pot and cover and a late 19th century German .800 Rococo cast table salt and spoonfirst Birmingham, 1920 by Henry Williamson Ltd, fitted with a clear glass liner, second, German marks, oval with foliate surround on scroll feet, well gilt, an Edwardian octagonal baluster form sugar caster with presentation inscription, a William IV fiddle pattern sauce ladle, London, 1823 by William Bateman I, crested, an oval mustard pot with blue glass liner, a silver topped faceted clear glass scent bottle, an ogee baluster form pepper pot, a silver lidded cut glass preserve pot, a plated urn shaped pepper caster etc., (qty)first height weighable silver approx. 21 ozt Condition: Mostly condtion. Salt and spoon with some salt corrosion. dings and knocks to caster, chip to blue glass liner. Other items with occasional knocks. Lid of cut glass preserve pot slightly pushed. Leaf dish a/f/
A George III longcase clock, with inset pillared hood, full length moulded trunk door and plain base, the square arch dial having silent/strike roundel to the arch, the chapter ring having Roman hour and Arabic minute numerals, enclosed by cast brass urn and scroll spandrels, the matted centre with seconds ring and date aperture, makers cartouche for Charles Watts BOURNE, eight day movement striking a bell, with pendulum and weights, 213cm high. Note: Charles Watts is recorded in the Lincolnshire town of Bourne from 1770, being the son of John Watts clock maker of Stamford.
A 19th century copper and brass coal bucket of cylindrical form, with applied lion head mask handles and copperwork with twin handled urn and floral detail, on three paw feet, height 38cm, diameter 40cm.Additional InformationComplete with liner, denting, the rim is slightly turning, minor losses and wear.
An early 20th century French gilt metal and alabaster three piece clock garniture, the clock with urn surmounts above applied floral and fruit decoration surrounding the circular enamelled dial set with both Arabic and Roman numerals, on bun feet, height 35cm and a pair of two branch candelabra, height 24cm (3).Additional InformationThe clock is complete with pendulum, we offer no guarantee of working order, the enamelled dial with numerous hairline cracks running through and small chips to the dial, the odd minor scuffs and chip to the edges, scuffing and marks to the gilt metal, minor chipping to the corners.
An early 20th century French marble and gilt metal mounted three piece clock garniture, the clock with twin handled urn pediment and pineapple finial above the enamelled dial set with Arabic numerals, height 32cm, and a pair of candle holders, raised on three mask head and hoof feet, height 18cm (3).
WILLIAM GALLOWAY DALRY; an early 19th century longcase clock, the hood with urn finial flanked by broken swan neck surmount and pierced decoration above a pair of Corinthian columns flanking the glazed door, painted face with an oval portrait of Britannia above the dial, set with both Arabic and Roman numerals with two further subsidiary dials, the case with rectangular door flanked by quartered carved columns with bracket feet, height 222cm, complete with key, pendulum and weights.Additional InformationThe clock is not currently working.
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68904 item(s)/page