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Click here to subscribe*William Marshall (1923-2007), a tenmoku-glazed lidded stoneware urn, of slight baluster form, with a recessed lid, the sides impressed with squares, impressed artist's monogram,30.5cm high Provenance: The Trevor Coldrey Collection. *Artist's Resale Right may apply to this lot.Condition report: Good condition, no obvious chips or cracks. Displays usual marks typical of stoneware and manufacturing.
A pair of porcelain vases and covers by KPM, late 19th/ early 20th century, German, Berlin, each of urn shape, with an acanthus finial, twin handles and a stepped circular base, with figural and floral decoration with gilt highlights, printed marks to base, 26cm wide, 44cm high (2)Condition report: One rim chipped beneath the cover. Otherwise, general light surface wear and scratches.
Only Fools & Horses - 40th Anniversary Auction - Ashes To Ashes (Series 2) - a vintage ceramic small oriental style lidded urn, decorated with printed floral patterns in red, blue and white. Identical to the central prop from the episode which sees the Trotter brothers unsuccessfully trying to dispose of the cremations within. This jar has been signed to the front by Sir David Jason in black ink. Lid repaired. Measures approx 15cm tall. Supplied with a COA from the Only Fools and Horses Appreciation Society. 'You've sucked up our urn!' 'Your Ern?! Oh my gawd, what was he? A little kitten?'
A 17th Century brass lantern clock by Deodatus Threlkeld (1658-1723), Newcastle, circa 1680, strapped bell over urn finials, foliate frets, turned columns and ringed ball feet, the top plate with hoop over a pair of spikes set into the column bases, the 6.25 inch Roman numeral chapter ring with D. Threlkeld, Newcastle engraved with foliate decoration, the weight driven movement with two independent wheel trains, the later restored verge escapement with balance wheel control and countwheel strike on the bell. 36cm HDeodatus Threlkeld did his apprenticeship with London clockmaker Abraham Fromanteel at the age of 14 until he was 21, then he set up his own business based in Newcastle in 1680. His business outwitted competitors with Threlkeld’s craftsmanship and his shrewd business skills, the likes of John Davies, George Carter and John Carter in the early years of Threlkeld’s business.
A 19th Century Fruitwood and gilt quarter chime bracket clock by Tiffany & Co model 393, mounted with pointed floral in classical urn finials to each corner, flanked with side handles above pierced grills, with arched glazed panel door enclosing a silver chapter and gilt metal 8.5inch dial engraved with Arabic numerals, twin wind-up movement holes, flanked by fluted outset columns on plinth base, arch glazed rear door enclosing one gong and four chime with pendulum and key. 48cm H x 31cm W x 21cm D
A late 19th Century French gilt spelter and porcelain mantle clock, porcelain urn finial, above a 3.5inch dial, roman numerals, twin 8 day movement keyholes, flanked by a beaded frame, over a painted porcelain plaque of a loving couple, raised on serpentine base, mounted with a glass dome. 43cm H (50cm H with glass dome) x 33cm W (41cm W with glass dome)
A George III revival brass mounted ebonised quarter chiming bracket clock, unsigned, chiming graduated nest of bells and an hour gong, brass urn finials and brass foliage mounts on a moulded top, above an (18cm H x 12cm W) arched brass dial with matted centre within applied silvered Roman numeral chapter ring with fleur-de-lys half hour markers and Arabic five minutes to outer track, foliate scroll cast gilt spandrels beneath arch incorporating subsidiary chimes or silent and chime on eight bells/Cambridge chimes, flanked by pierced handles, above foliate sound frets, winged by brass female cherubs on foliate decoration to the angle, on a plinth apron raised on scrolling feet. 41cm H x 21cm W x 16cm D
An Edwardian Sheraton Revival mahogany crossbanded and satinwood display cabinet, circa 1905, moulded cornice over foliage scrolling urn inlay decorated frieze, above a single panel astragal glazed door enclosing three tier interior shelves, on a bow front cupboard, single panel with satinwood foliage classical urn inlay decoration enclosing two tier shelves, raised on tapered supports. 185cm H x 65cm W x 43cm D
An Edwardian rosewood and satinwood strung corner mirror back display shelves, circa 1905, a Sheraton Revival, carved foliage fretwork mounted with finials, over two bow form shelves on a inverted shape shelves, flanked by finial tops on satinwood strung decoration of an urn, on a base with a satinwood decorated frieze on turned columns, two shelves with an inner bow shaped gallery shelf, raised on trio bracket feet and two other globe feet. 203cm H x 63cm W x 40cm D
A GILT METAL CHIMING DRUMHEAD CLOCK, the gilt dial inset with enamel roman numeral hour markers, the dial and movement are unsigned, the body of the clock is raised on four columns and is surmounted by an urn and floral swags, together with pendulum, a gilt wooden base and a further unassociated base and key, clock chimes but only runs briefly and requires some attention
[MOST LIKELY] FRENCH ORMOLU CLOCKthe porcelain face set in tiered foliate scrolled brass setting, flanked by two goat heads, a garland swag with a mounted man's head in the center, terminating from the bottom an acanthus leaves with an acorn finial, the top features an urn with an eternal flame, the face with black Roman Numerals with Arabic Numerals all against a white ground, the interior stamped with the initials P.R. with serial number 3088 on interior of mechanism, all hidden behind a conforming square door; length: 75 cm (29 1/2 in.)CONDITION The clock appears in age-appropriate condition. Scattered patina resulting in variation and discoloration. The clock is not in working condition. Shapiro Auctions does not guarantee the working of this nor any other timepiece in the sale. It should be assumed that all timepieces will require professional attention.Kindly note, the auction is comprised of two sessions:Session I: Russian and Asian Art, Antiques and Jewelry, lots 1-331Session II: European, North and South American, and Ethnographic Art, Antiques, Jewelry, and Design, lots 500-827N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
The 1953 XX Mille Miglia 'Coppa Commissariato per il Turismo - Roma' trophy, presented to Tom Cole, driving Ferrari 340MM Spider,embossed plated metal urn, 30cm high, mounted on a turned wooden base with engraved presentation plaque, 38cm high overall. Tom Cole, race number 608, drove Ferrari 340 MM Spider, Chassis number 0248MM in the 1953 Mille Miglia to 4th overall (4th in class). Footnotes:This lot is offered by descendants of the late Tom Cole.Thomas Lionel Howard Cole, Jr. (1922-1953) - RACING DRIVERAnglo-American owner-driver Tom Cole was regarded as a fast-developing potential star during the early 1950s. Born in Llandaff, South Glamorgan, Wales in June 1922, he contracted polio as a child, was immobilised for several years, but ultimately emerged with relatively minor disability. His family - which had interests in shipping and in the Vidor battery business - settled in America in 1939 where 'Boy' - as they called Tom - attended Harvard University for a year, before joining the US Merchant Marine as the US entered World War 2. He later drove an ambulance for the American Field Service before post-War spending much of his time in the UK and Europe.His competitive spirit found an outlet in motor sport where his physical disabilities proved no obstacle to performance. In 1947-48 he entered his first rallies, hill-climbs and sprints in first a Buick, then a Jaguar SS100 which he also circuit raced. Back in America in 1949 he drove an HRG at Bridgehampton and Watkins Glen. He was instrumental in triggering manufacture of the Allard-Cadillac V8 sports car series, racing his successfully in the US and sharing 3rd place at Le Mans with constructor Sydney Allard.Further success in an Allard-Chrysler preceded drives in a Ferrari 225 S Berlinetta at Le Mans 1952, then in a Ferrari 225 S Spider the Sicilian Targa Florio, the cup is offered as lot 12, the Italian Coppa Dolomiti and Bari GP and British races at Boreham and Goodwood. Slightly built, bespectacled, Tom Cole did not 'look like' a racing driver, but on track he proved extremely capable. For 1953 he bought a Formula 2 Cooper-Bristol single-seater only to have it destroyed by fire in the Syracuse GP. For sports car racing he acquired a powerful new Ferrari 340 MM V12, liveried in American racing colours of blue and white. He finished a fine fourth with it in the 1,000-mile Mille Miglia (see lot number 13), 2nd at Silverstone, then co-drove Peter Whitehead's Jaguar C-Type to win the Hyeres 12-Hour race in France. At Le Mans he shared his Ferrari 340MM with US Ferrari importer and three-time Le Mans winner Luigi Chinetti. They ran 3rd before - early on the Sunday morning - Tom Cole lost his life in a crash at the notorious White House bend. An extremely well-liked, popular sportsman, he was deeply mourned...For further information on this lot please visit Bonhams.com
Early 20th century West Yorkshire carved oak dining set - the table with rectangular drawer leaf extending top, the skirt relief carved with flowers and foliage, on twin urn shaped pedestals with lobe carved tops and acanthus leaf bodies, on platform stretcher base (99cm x 153cm - 245cm, H87cm), and set six dining chairs, high arched backs relief carved with c-scrolls and flower heads, upholstered in brown faux leather, the front supports matching the table pedestalsDimensions: Height: 79cm Length/Width: 153cm Depth/Diameter: 99cm
Victorian mahogany triple wardrobe, the pediment relief carved with urn and linen swags, the central panelled door carved with two fan motifs enclosing slides and drawers, two mirror glazed doors with bevelled plates enclosing hangings space and drawers, plinth baseDimensions: Height: 230cm Length/Width: 193cm Depth/Diameter: 55cm
Lidded white enamel bucket, stone glazed urn with two handles, lidded satsuma jar decorated with pink and yellow floral pattern on blue ground, another smaller blue and white satsuma jar, ceramic ewer and basin decorated with landscape on blue and white ground, blue and white Copeland Spode Italian dinner plate, Cauldon fruit bowl with floral decoration (8)
A brass and porcelain mounted striking mantel clock garniture, circa 1890, the blue porcelain dial depicting a lady and gentleman in costume within a landscape scene, with matching blue porcelain urn-shaped garniture flanked by putti, clock 37cm, garniture 30.5cm (3)Condition report: The metal surfaces are discoloured throughout. The porcelain panels are rubbed in parts. Dial with small chips around winding holes. Gilt numerals and outer minute track are rubbed in parts. Porcelain surfaces with small scratches. Later wooden base beneath clock. Movement with pendulum. Movement has not been tested for its working condition.
A George III Old Sheffield plate tea urn, together with other assorted silver plated wares including three fluted telescopic candlesticks, a pair of bottle coasters, and a part table service etc. (two trays)Condition report: Tea urn with several noticeable dents to the body and with a repair to the spout. There is a repair to the handle at bottom, the top is also repaired and with large splits. There are several dents to the base and wear to the plating throughout.
Two Coalport urns and covers, one painted with fruit the other with a titled landscape 'Langdale Pikes' (restored); together with a similar pair of Ainsley urns, one painted with a squirrel the other a ptarmigan, Royal Worcester potpourri jar with pierced cover, an Aynsley commemorative urn for the 90th year of HM Queen Elizabeth the Queen Mother, and a Crown Staffordshire example for the Silver Jubilee 1997 (one tray)Condition report: Crown Staffordshire jubilee urn - repaired knop, some gilding scratches otherwise OK. Worcester Heritage Potpourri - good condition. Pair of Aynsley urns - good condition. Pair of Coalport urns - one with a fully restored foot and cover, the other with a hairline crack running through the rim and handle. Other Aynsley urn and cover - a bit of rubbing otherwise OK.
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![[MOST LIKELY] FRENCH ORMOLU CLOCKthe porcelain face set in tiered foliate scrolled brass setting, flanked by two goat heads,](https://cdn.globalauctionplatform.com/ec94104e-c6fd-410b-a3f5-add7012a16b0/7cd9b190-5ee3-4747-bf04-ade2015463b1/468x382.jpg)
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