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Lot 96
A patinated and gilt metal and marmo nero Belgio mounted table lamp, 20th century, of urn form, with slender neck above the ovoid body with twin handles rising from Bacchic masks, above a relief cast figural frieze, the fluted plinth on an octagonal base on four toupie feet, 67cm high including electrical fitment
Lot 202
A George IV patinated bronze and glass mounted twin light colza chandelier, circa 1825, the central, raised reservoir cast as an urn with Vitruvian scrollwork above fluting, above a framework with two arms extending to the burners, with waisted glass shades, above a dished glass body within a circlet with four suspension chains, 59cm high overall, 46cm diameter
Lot 257
A cast iron, wrought iron and brass mounted firegrate in the George III style, elements late 18th century and later adapted, the arched backplate cast in low relief with a shepherdess, the bowfronted three bar grate with urn finials, above a pierced serpentine apron running to twin uprights with further urn finials, 104cm high, 78cm wide, 38cm deep
Lot 285
A set of three gilt metal twin light wall appliques in the Louis XVI taste, early 20th century, the foliate cast sockets and leafy drip pans issuing from scrolling foliate arms rising above ramsÂ’ heads at the backplates, with urn finials and foliate cast terminals, 36cm high, 36.5cm wide, 21cm protrudence
Lot 313
A Victorian brass fender, third quarter 19th century, of ‘D’ shaped section, the arching front above a pierced frieze of mythological beasts and scrolling foliage, the spandrels behind with stands for firetools, 47cm high overall, 143cm wide, 39cm deep; and a set of brass firetools, second quarter 19th century, comprising shovel, poker and tongs, all with urn cast handles
Lot 813
A 19th Century marquetry inlaid mahogany bureau banded in satinwood, bordered with boxwood and ebonised lines, the sloping hinged fall with a large oval satinwood veneered panel decorated with a classical urn and scrolling foliate designs, enclosing an inlaid and fitted interior with small drawers and pigeon holes about a central enclosed cupboard decorated with a standing figure of a huntsman holding a gun, having curved quarter upright concealed compartments, containing an arrangement of two short and three long drawers below, on bracket feet, 109cm (3ft 7in) wide.
Lot 853
A set of four early 19th Century French decorated salon chairs, the grey and gilt painted frames with curved and moulded backs, having classical urn cresting panels in lozenge surrounds and pierced foliate scroll and urn splats, the upholstered stuff over seats on ring turned legs, headed with paterae.
Lot 164
A Victorian plated tea urn and cover of Adam vase form, loop handles, on square base, decorated with engraved foliate scrollwork and beaded rims, the cover with a pineapple finial, the inscription to the reverse ‘Presented to Robert Warren, Esq of Gosford Pynes, Ottery St Mary, for services as Trustee to the Family of the Late John Dening Esq of Pitt’, some written documentation to these families is included, 47cm high.
Lot 347
An 18th century enamelled gold and diamond mounted oval memorial ring, with central vase-shaped urn motif, initialled ‘AH’, decorated with rose diamonds, blue and white enamel on a blue enamel ground within a surround of graduated old brilliant-cut diamonds estimated to weigh a total of 1.5cts, the reverse with indistinct inscription ‘Ann Hodson Mort - OB....May 1703’ and with glazed compartment, 31mm long overall.
![Circle of Angelica Kaufmann [1741-1807] An Allegory of Autumn; a lady holding a string of fruit in one hand and a bowl of app](http://lot-images.atgmedia.com/SR/35518/2872698/356-20121220163322_468x382.jpg)
Lot 356
Circle of Angelica Kaufmann [1741-1807] An Allegory of Autumn; a lady holding a string of fruit in one hand and a bowl of apples standing by a large urn in a garden oil on canvas 76 x 59cm. Provenance: A Glasgow loan exhibition label verso, also a label inscribed ‘Glasgow Loan Exhibition in aid of The Royal Infirmary, lent by .....worth, No.7, Title of Picture, Portrait of a C......., artist name Angelica Kaufman’
Lot 743
A French gilt-metal and porcelain mantel clock the eight-day duration movement striking the hours and half-hours on a bell, the backplate stamped ‘JJS, 6697’, the pink porcelain dial with a riverside scene to the centre, black Roman numerals and decorative brass hands, with two porcelain panels below, one depicting a similar scene, the other with floral decoration, the shaped gilt-metal case with fluted half columns to the sides and surmounted by a pink porcelain urn, on a shaped giltwood base and further ebonised oval base, height 32.5 cm (clock), 37cm (inc. base)
Lot 749
Winterhalder & Hofmeier, Schrwazenbach an ebonised quarter chiming bracket clock, the triple-fusee movement chiming the quarters on eight bells or four gongs and the hour on a further gong, the backplate stamped W&H, Sch, 1886, for the maker, with the brass seven-inch arched dial having a raised silvered chapter ring engraved with black Roman numerals and fleur-de-lys half-hour markings, with the two lower cast spandrels of cherub-head form and the further two of C-scroll form, the arch with three subsidary dials for regulation; strike/silent and Chime on Eight Bells/Chime on Four Gongs, the ebonised bell-top case with further cherub-head spandrels set within the door, carytids with grotesque masks to the corners, cast mounts to the plinth, with floral mounts to the top and four cast urn finials to the top corners and surmounted by a further large urn finial, standing on brass claw feet, height 70cm.* Anton Winterhalder founded the business in Schwarzenbach, Germany in 1810 taking Anton Hofmeier into partnership in 1850, with the company finally closing upon the death of Linus, last son of Winterhalder, in 1930. The movements and clocks made by this firm are often believed to be the among the best produced in Germany at this time.
Lot 757
John Carlyon, Falmouth, an 18th century oak longcase clock the eight-day duration movement striking the hours on a bell, with the twelve-inch break-arch dial having a raised chapter ring engraved with black Roman numerals, Arabic five-minute outer numerals, fleur-de-lys half-hour markings and engraved either side of VI o’clock with the makers name John Carlyon, Falmouth, the matted centre with a subsidiary seconds dial and date aperture with engraved foliate decorative surround surmounted by a ho-ho bird, with wheat-ear border engraving , decorative blued steel hands and cast-brass urn spandrels to the four corners, the arch with a silvered boss engraved with a depiction of the sun, the oak case with a break-arch trunk door, turned three-quarter columns to the caddy-top hood with the plain base standing on bracket feet, height 226 cms.* John Carlyon is recorded as working in Falmouth in the early 18th century having married Ann Jenkins in 1729. He put his name to a marriage bond in 1740.
Lot 760
Mark Hawkins, St Edms Bury, a walnut eight-day longcase clock the eight-day duration five-pillar movement (fifth pillar removed) striking the hours on a bell, with the twelve-inch break-arch dial signed on a shaped silvered plaque, Mark Hawkins, St Edms, Bury with a matted centre, subsidiary seconds dial, date aperture and cast urn spandrels to the four corners, the silvered chapter ring engraved with fleur-de-lys half-hour markings, black Roman numerals and Arabic five-minute markings, the later walnut case with cross-banding to the base and break-arch trunk door, the flat-top hood with a break-arch door and three-quarter turned columns and wooden capitals, height 203cm. * There were two makers named Mark Hawkins, father and son, working in both Bury St Edmunds and Newmarket. The father was born circa 1674 and married Mary Deave in March 1701. He had five children including mark junior, born in February 1707. Mark Senior died in 1750 and two of his three sons, William and mark continued as clockmakers. Mark junior married Mary in circa 1745 and had one son. Mary Hawkins died in 1750 whilst Mark junior died on the 28th of April 1767.
Lot 191
VICTORIAN MAHOGANY FIRE SCREEN. having scrolled foliate pediment with urn finials, above arched banner with bead work tapestry panel, depicting abbey within landscape, flanked by spirally turned columns on end supports. Purportedly originally from the home of Lord Byron, "Newstead Abbey" Notts. 35" High x 29" Wide.
Lot 196
19TH CENTURY FRENCH GILT BRONZE PORCELAIN MOUNTED CLOCK GARNITURE, the clock with urn shaped finial, and overall decorated with leaves, birds and swags with painted porcelain portrait panel of two figures in a landscape flanked by two porcelain painted columns, the porcelain face painted with flowers and Roman numerals. French brass drum movement strikes on one bell together with two metal mounted porcelain urn shaped supporters, decorated with birds amongst flowers and cottages in landscapes. All with gilded wooden bases and under glass domes on ebonized metal plinths. The clock 17" High.
Lot 380
A pair of 19th century Italian majolica large urns painted in the Urbino style with classical scenes labelled 'La Galatea' and Il Triomfo de Sillv......' to one and Dianna E Indimione and E Giudizio Di Paride' to the other, both with twin coiled snake handles terminating in masks, approx. 66 cm high (2) Condition Report One urn broken, re-glued and crudely restored. The other has old chip to base and minor paint loss, no marks
Lot 432
SCOTTISH MAHOGANY AND INLAY LONGCASE CLOCK BY HENDRIC OGG, DUNFERMLINE EARLY 19TH CENTURY the swan neck pediment with a brass bird finial above an arched silvered and brass dial with Roman/Arabic chapters, subsidiary seconds dial and two winding holes, pierced brass spandrels and engraved boss `Tempus Fugit`, flanked by octagonal columns, the trunk door with floral inlay flanked by quarter columns, on a plinth base with a flowering urn inlay, raised on splay feet 47cm wide, 219cm high, 24cm deep
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68875 item(s)/page