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Click here to subscribeA Napoleonic Prisoner-of-War straw-work work box, early 19th century, the hinged cover with a riverside view within an oval cartouche, the fitted interior with two drawers, one decorated with H.M.S. Victory, the other a memorial urn, the cover inset with a mirror, further decorated with flowers, trophies and a rural scene, 13cm high, 32cm wide, 21.5cm deep
Two Regency embroidered circular pictures, early 19th century, comprising: a mournful looking woman seated on a bench with her hands clasped and with a dog at her feet, worked in wool and silk on a silk ground with painted details, in a giltwood frame with verre eglomise mount, picture 29.5cm diameter, frame 47.5cm x 47.5cm; and a Regency silk work picture, with a woman leant on a memorial plinth with an urn inscribed WERTER, in giltwood frame with gilt mount, picture 29.5cm diameter, frame 39.5cm x 39.5cm (2)Provenance: Property from the estate of the late David Cornwell, best-known as the author John le Carré.Condition Report: Mournful looking woman - the silk background with discolouration and two large horizontal tears to the top of the picture as well as other smaller tears below and above. Also there is another tear to the silk background to the right of the picture. Minor discolouration to face and arms. There is deterioration to the embroidery on the dog and minor deterioration to the left of the bench and the ground. The frame with chips, knocks, losses and gilt and splits. The sides with losses to paint, chips and cracks. Wear and scratches to verre eglomise mount. Woman leant on memorial (Werter) - Ruckling to the silk at the top of the picture. Some discolouration and wear to the silk background, with rubbing and small holes to the right of the base of the memorial urn. Also wear, possibly repaired, to right of picture. Some minor wear and discolouration to embroidery. Some bending and discolouration to the face and arms. The frame with numerous chips, scratches, cracks and losses of paint.
A pair of French gilt-bronze and cut glass six-light candelabra, late 19th century, each with scroll arms and faceted glass drops, balls, and pendants above an urn stem on a circular foot with acanthus decoration, 80cm high (2)It is the buyer's responsibility to ensure that electrical items are professionally rewired for use.Condition Report: Both candelabras in need of some restoration and replacement parts. Both candelabra are missing one glass flowerheads, and several glass beads and drops are missing or replaced with other drops, several flowerheads to the second tier of acanthus leaves with losses, chips and nibbles, several drops missing from the sconces, several chains of beads are missing from the lower scrolling branches, a couple of scrolling arms are bent or misshapen. One candelabra has an old crack and loss to the glass diamond below the top-most scrolling branches. There are a few glass balls, beads and drops loose and present with the lot. Each lamp is wired but not tested for working capability, it is the buyer's responsibility to ensure electrical lights are professionally rewired for use.
A George III inlaid mahogany longcase clock, late 18th century, the elaborate broken swan neck pediment with urn finials above gilt scrolling foliate painted glass frieze dated 1787, having reeded Corinthian columns with brass capitals, the trunk with satinwood paterae above moulded Gothic style door flanked by cluster columns, on crossbanded plinth with corresponding columns on ogee bracket feet, the arched painted dial signed SAML COLLIER ECCLES, with Roman and Arabic numerals, subsidiary seconds dial at twelve, date aperture to centre and rolling moon phase dial to arch, the dial centre painted with a shepherd and his lover, the eight day movement striking a bell, with pendulum and weights, 256cm highProvenance: Property from the estate of the late David Cornwell, best-known as the author John le Carré.Please note that Roseberys do not guarantee the working order or time keeping of any timepiece.Condition Report: Case: With wear consistent with age and use, to include knocks, scratches, splits and wear. The top with left finial detached but present and split to left side. Knocks and chips to cornice. Cracks and scratches to painted glass frieze. Left column is not sitting straight and has split and minor chips to base. Both columns with minor knocks and scratches and minor tarnishing to caps. Right side of hood has restored vertical splits, the left side with general scratching and restored patch to moulding. Chips and splits to seat board and some nails to case under seat board. Door with splits to veneer and with wooden block glued to frame behind door on lower left and splits to top right. The dental frieze underneath the hood with one missing tooth to the left side and one missing to right side. Trunk with minor discolouration to both sides, splits and warping to right side and minor chips to edges, lifting and minor chip to veneer above door. Door does not sit fully flush and with split to the right of the lower hinge. Plinth base with knocks to moulding, splits and warping to front and minor discolouration to sides. Left moulding has been re-glued as has one of the feet. The other feet with some wear. Backboard to case with holes, large cracks repaired with strip of cloth, and with replaced board to top and bottom sections. Dial: Craquelure and minor losses to paint. Chips to paint to dial edges. Minor rubbing to numerals. Some surface scratching. Tarnishing and bending to hands.Movement: Some scratches to backplate. Pendulum guide slightly bent. Tarnishing and bending to pendulum. Knocks and rusting to weights.Please note that Roseberys do not guarantee the working order or time keeping of any timepiece.
A Victorian amboyna and ebonised card table, c.1860, ormolu mounted and ivory inlaid, the swivel fold over top enclosing green baize with red tooled leather border, the frieze set with green jasperware plaques, raised on four square tapering columns, joined by stretcher with urn finials, to splayed feet and castors, 75cm high, 92cm wide, 49cm deepIvory Submission: PXAACD33Condition Report: Splits/crazing to the ebony, the top is slightly warped, scratches and knocks to wood around the base and feet, light scratches to top, structurally sound, overall very good condition.
A George III silver coffee pot, London, 1783, John Kidder, of baluster form, the repousse floral scroll decorated body raised on a circular foot with bead border, the wooden scroll handle to hinged lid with urn-shaped finial, 30.2cm high, approx. weight 25.6ozCondition Report: Good condition commensurate with age. Some surface scratching, nicking and minor pitting noted and some minor dings and bruising to body. Stands steadily on foot. Decoration likely later added. Lid stamped with IK and lion passant. Hallmarks to underside clear. Some splitting and evidence of repairs at hinge join. Small patch to neck near hinge. Some small splits and nicks to handle and some patches of discoloration. Probable small repair to one side of upper handle join. No splits or repairs solder noted to main body. Decoration generally good, some wear to high points in places. Finial sits slightly askew. Overall an attractive coffee pot in good condition commensurate with age.
An extensive Meissen porcelain Zwiebelmuster (Blue Onion) pattern dinner service, late 19th century and later, blue underglaze crossed swords and other factory marks, with various pressnumbers, comprising: a large bellied oval tureen with lid, approximately 36cm long, 25cm high, a smaller oval tureen with lid, a circular tureen lacking a lid, a circular twin handled footed dish with lid, a circular twin handled urn with lid, the finial a later-replaced yellow-painted tulip, 16.5cm high, an oval tureen with attached saucer and lid, a circular muffin dish with lid, an elongated oval serving platter with scalloped rim, 54cm long, a series of five oval platters with scalloped rims, the largest 52cm long, two large circular dishes with scalloped rims, a two-compartment circular dish with straight division and scalloped rim, two octagonal serving dishes, two small oval dishes with scalloped rims, an oval dish, two oval twin-handled gravy boats with attached saucers, a rectangular deep dish with canted edges, two rectangular dishes with canted edges, a butterfly two-compartment vegetable dish with handle, a rectangular dish with reticulated border, a pentagonal dish with reticulated border, a wrythen jelly mould with twin handles, a wrythen moulded plate with crenelated rim, twenty-three dinner plates with scalloped rims, 24cm diameter, fourteen soup bowls with scalloped rims, twelve medium plates with scalloped rims, ten side plates with scalloped rims, with two further side plates, eight cake plates with reticulated borders, five coffee cups with scalloped rims, six saucers, a small leaf shaped dish, a two compartment salt and pepper tray with handle, and a pair of porcelain handled serving spoons, together with a replacement Blue Onion pattern oval dish, mark for T. K. Thuny, Czechoslovakia, 24cm long, a replacement Blue Onion pattern jug, Czech Republic, 8cm high, a modern Meissen milk jug with blue and white flowers and insects, 16cm high, and a modern Meissen creamer with blue and white flowers and insects, raised on three feet, 10cm high (lot)Condition Report: Overall in good decorative order but with several small condition issues. The small leaf shaped dish with a loss to the rim and a damage impact point. A chip to the rim of one soup bowl, and a small crack and loss to the rim of another. Some loss of glaze to one large rectangular dish. The muffin dish and lid with washed out colours and decoration. One dinner plate with a large crack from rim to well and two very small losses of porcelain to the underside, another with a chip to the rim, two dinner plates with heavy surface dirt and grease. An impact point and crazing to the underside of one side plate, another with a chip to the rim and a hairline crack with very small loss of porcelain. The lid for the twin handled urn with later replaced finial as mentioned in the cataloguing, and also some yellowing restoration to a couple of chips. One gravy boat with a crack through one handle. Nibbles to footrim of one medium plate, small firing flaw to one medium plate. A couple of firing flaws to the tureen lacking a cover. One teacup has been completely broken through and amateurly restored with large crack lines visible. The butterfly dish with a firing crack to the underside. One rectangular dish with a hairline crack through one section of the footrim. a couple of firing cracks to the footrim of the large elongated dish. One oval dish with a dirt-filled hairline crack to one section of the footrim. One oval dish with loss of gilding to the rim. A couple of small firing flaws to the footirm of one large oval dish. A couple of firing flaws to the largest oval dish. General surface dirt and light surface wear and light scratching to porcelain from prior use. Cancellation marks present to: one side plate, one dinner plate, two medium plates, the tureen lacking a cover, one large circular scalloped rim dish, two oval serving dishes.
A Vienna style porcelain cabinet plate, late 19th century, blue honeycomb mark, painted to the well with a portrait of a young lady, inscribed Werlich, the cobalt blue border with gilt foliate and urn designs, inscribed to the verso Potoka, 24.2cm diameterCondition Report: Some wear to the footrim consistent with age, otherwise in good condition with decoration and gilding intact.
A collection of Chinese carved soapstone brush pots, of various designs, the tallest 16cms high; together with an onyx twin-handled lidded urn vase, with pierced and embossed brass decoration to body and lid, 20cms high; carved stone lion figure; carved and pierced stone vase; and other items.
A modern cloisonné enamel decorated mantle clock, the case with urn finial, painted dial, with a sprung movement striking on a gong, 29cm wide x 17cm deep x 67cm highThe movement in need of cleaning. The case in need of some restoration. Some signs of oxidisation to the lacquered areas overall.
Four circular black painted wall hangings depicting various European scenes and portraits, together with a Royal Worcester urn vase decorated with flowers marked 'Ra. No. 238835' '1759' to base, with two different shaded blue Jasperware mugs with relief decoration to the outside, five copper lustre jugs, two marked to base porcelain figures of a boy and a girl and a Davenport signed plate, together with a small quantity of silver plate Used condition
A QUANTITY OF COLOURED GLASSWARE, comprising a Mary Gregory style green glass cream jug, dish and lidded urn (jug has an internal crack near handle, nibbles and worn gilt on dish, nibbles around rim and inside lid of urn), height 34cm, two large Whitefriars controlled bubble dishes, a vintage Sowerby glass trinket bowl, a 1990s Art Glass vase by Mady Benson for Alchemy Glass Galeti, frosted with applied copper overlay, height 30cm, a pair of mottled pink and blue glass vases, height 29cm, three Murano style posy baskets, a green Riihimaki style vase, height 19cm, an amethyst and green bird figure (repair to base), three paperweights, a pair of pressed glass candle holders, etc (25) (Condition Report: obvious damage is mentioned in description, dusty)
A group of silver items, comprising a George V silver three piece dressing table set, mirror, 25cm, and two hair brushes, each back inset with a silver urn of flowers and harebell swags, probably William Devenport, Birmingham 1913, a George V silver sugar caster, 18cm high, and three silver topped cut glass dressing table jars, together with a silver plated teapot, egg cup, and small collection of silver plated cutlery. (1 bag)
Two George III silver tankards, one of urn form with foliate scroll handle, on a circular foot, Edward, Edward junior, John & William Barnard, London 1792, 9.8cm high, 5.03toz, the other of baluster form with double C scroll handle, on a circular foot, engraved to base 'M. C. T. from J. W. W. 1.9.1902'London 1771, 9.3cm high, 5.26toz. (2)
Art Deco Crown Devon Floral Vase, on cream ground and green base, pair of Wedgwood black matt urn vases, 17.5cm high, three Shelley commemorative mugs, Japanese tea ware, etc:- One TrayLot 1201 - Yes we could put into next auction, allover light crazing, would benefit from a clean, 2.5cm vertical light crack running from rim but rings ok.
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