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Pair of Edwardian silver café du lait pots of stylised baluster form in the Continental style with long spout and protruding ebony side handle standing on a circular foot. Hinged domed cover with ebony urn shaped finial, engraved monogram (Sheffield 1905) maker John Round & Son Ltd, all at approximately 23ozs, 19.5cm overall heightFurther images and condition reports are available at www.reemandansie.com
Read, Lieut R.P.GEOGRAPHICAL PLAN OF THE ISLAND AND FORTS OF SAINT HELENAn.p.: n.p., 1816first edition, with facsimile signature of Napoleon in the bottom right corner57 by 43cmand a collection of original manuscript material concerning the history of the map and Napoleon`s exhumation. The owner`s family thought the map was once in the possession of Napoleon while imprisoned at St Helena. After consultation with Sotheby`s London it would appear that the inscription on the map was a facsimile of Napoleon`s signature. However, there is unique documenation concerning the exhumation of Napoleon`s remains on 15 October 1840 and their placement on board the French frigate La Belle Ponte which sailed for France three days later. John Henry Harris, an ancestor of the vendor, witnessed the exhumation and recorded "...when exhumed, the coffin was opened, his remains were perfect except a yellow spot on his left cheek. The urn containing his heart was between his legs. His top boots were slightly mildewed...". Also included are original contemporary letters including Harris` scathing comments regarding Lord Roseberry`s account of the exhumation as he was not even present! Also a contemporary document concerning Harris` service on St Helena. Harris` father served on St Helena during Napoleon`s imprisonment. Please note that the map is age darkened with fly spotting, wear to folds at sides in which the linen backing is visible. ()
A large Viennese two-handled vase and cover, 19th century the urn-shaped body painted with an angel handing a flower to a maiden with a cherub and young girl looking on, enclosed within gilt foliate sprays reserved against a cobalt-blue ground, the sides moulded with Bacchic masks, loop vine handles, the cover with urn finial, raised on a cylindrical stem and circular foot, painted beehive, incised and impressed numerals 74cm high
A Louis XV style walnut armoire, 19th century. the rectangular outset pediment with rounded corners above a carved frieze depicting a flowering urn, with shaped panelled doors below enclosing four shelves, panelled sides, a shaped apron with similar carved motif, on short cabriole legs 216cm high, 138cm wide, 56cm deep
An electroplate biscuit barrel, Josiah Williams & Co.. stamped "A1" for highest quality plating, the oval cylindrical body flat-chased with decorative motifs, with shell bands at the base and rim, the hinged cover with urn finial, attached to an oval base on four open worked bracket feet, 19,3cm high (1)
A set of electroplate cutlery, Walker & Hall, Sheffield. comprising: 8 table forks, 8 table knives, 8 dessert forks, 8 dessert knives, 8 dessert spoons, 8 fish forks, 8 fish knives, 8 soup spoons, 8 teaspoons and 8 pastry forks; a set of Grecian pattern electroplate cutlery, comprising: 4 serving spoons and a sauce ladle; an electroplate teaspoon; 5 miscellaneous forks; an electroplate three-piece coffee set, Van Riebeeck Plate, comprising: a coffee pot, a milk jug and a sugar basin; an electroplate dish, Oneida, USA, of shaped oval form; an electroplate platter, Van Riebeeck Plate, of circular form; and an electroplate salt cellar, Viners, Sheffield, the urn shaped body applied with two lion`s head ring handles (97)
A cased silver cruet set, Henry Clifford Davis, Birmingham. comprising: a salt cellar, a pepper caster and a mustard pot, each plain baluster body with ribbed rim, covers with urn finials, blue glass liners, 193g in total excluding liners, contained in a fitted case, accompanied by 2 electroplate spoons (1)
Victorian silvered copper neo classical tea urn and burner with hardwood tap handle, height 30cm; vase shaped tea urn with brass tap, height 57cm; pair of Elkingtons & Co silvered copper candlesticks , height 26cm; gravy spoon ; two EP soup ladles ; shell handled crumb scoop ; pair of ivory handled fish servers .
An English porcelain three vase garniture, second quarter of the 19th century, each piece of urn form on a square pedestal and with leaf and swan moulded handles, painted with a floral still life within a cartouche against a puce ground and highlighted with gilding, each piece with painted pattern number 974. Tallest 19cm
A late 19th century French boulle shelf or bracket clock the 4 inch dial with ring of white enamel blue highlighted Roman numerals within a gilt brass engraved face, the balloon case with cast brass mounts under an urn finial over a glazed pendulum aperture on four cast brass leaf moulded feet, 34cm high, 19cm wide, 10cm deep along with a late 20th century stained wooden wall bracket in the Louis XV taste.
A George III mahogany eight day longcase clock the 14 inch arched brass dial signed `Hadwen, Ormskirk`, with centred subsidiary seconds dial and date aperture within an inner ring of Roman numerals, outer ring of Arabic numerals and classical urn moulded corner spandrels under a rolling moon to the arch, the arched hood with brass finials over fluted tapering front corner hood pilasters above a long crossbanded trunk door between fluted corner pilasters on a single panel box base and ogee moulded bracket feet, 227cm high, WE DO NOT STATE CONDTION IN THE ABOVE DESCRIPTION – Before bidding please ensure you are satisfied with the condition of this lot – For details of condition please contact the auctioneer.
A pair of Edward VII two- branch candelabra, with octagonal urn shaped nozzles on swept arms, issuing from an octagonal tapering stem, on a spreading circular weighted foot, 44cm. high, maker Goldsmith abd Silversmiths Co, Ltd, London, 1905, together with associated ivorine ejector candle holders with pierced silver shades with pink silk liners, total weighable silver 66.52ozs. contained in a fitted wood case bearing Goldsmiths and Silversmiths Co label.
Raingo Freres a Paris, a Victorian five-piece clock set with the eight-day duration movement striking the hours and half-hours on a bell with an outside countwheel, the white enamel dial signed Raingo Freres a Paris, with gilt Roman numerals, brass moon hands and a turquoise surround, the rectangular case with decorative pillars to the front corners, a stepped base and curved pediment surmounted by a painted porcelain urn, with nine turquoise porcelain panels to the case decorated with raised gilt-work, with a further panel within the arch depicting a lady in a field and another below depicting a shepherd and shepherdess at rest, the panels to the sides decorated with musical themes, with a pair of candlesticks having matching porcelain panels and a further pair of tazze similarly decorated, height: 39cm. * For details of Raingo Freres see lot no. 806/4
An Edwardian carved mahogany serving table, of rectangular form in the Georgian taste, having a brass baluster gallery rail with urn finials, the top with a moulded edge and rounded corners, containing two frieze drawers, on cabriole legs, headed with shell, pendant husk and scroll ornament, united by a serpentine fronted undertier, terminating in claw and ball feet, 183.5cm (6ft 0 1/4in) long.
An Edwardian satinwood, inlaid and decorated display cabinet, crossbanded in tulipwood, bordered with boxwood and ebony lines, painted with tied ribbons, floral garlands and cherubs, the shaped and domed pediment with urn shaped finials, fitted with shelves, enclosed by a pair of astragal glazed panel doors, having a shaped apron base on square tapered legs, terminating in spade feet, 112cm (3ft 8in) wide, 221cm (6ft 11in) high.
A late 18th/early 19th century Dutch walnut and floral marquetry bombe bureau, bordered with chequer feather strung lines, the sloping hinged fall decorated with birds amidst flowers and foliage radiating fro, a central basket, enclosing a graduated fitted interior with small drawers and pigeon holes, about a central enclosed cupboard, having a well with sliding cover, containing three long drawers below between shaped and canted stiles, the sides each with a bird and butterfly amidst an urn of floral foliage, within oval lines, on claw and ball feet, 114cm (3ft 9in) wide.
A 19th century Dutch mahogany and floral marquetry lady`s bombe bureau, bordered with boxwood and chequer lines, the curved hinged fall decorated with birds and figures and with flowers and foliage radiating from a twin handled urn, enclosing a shaped and graduated fitted interior with small drawers and pigeon holes about a central enclosed cupboard, containing a single long drawer below in the shaped apron on cabriole legs, 89cm (23ft 11in) wide. * Bearing a plate Spillman and Co, St Martins Lane, London.
A George III mahogany and marquetry serpentine fronted serving table, outlined with satinwood banding, boxwood and ebony stringing, the top inlaid with an urn within a laurel wreath, the frieze inlaid with repeating ribbon tied swags, a drawer to each side and on tapering lozenge section legs, inlaid with bellflowers and ending in spade feet, 152cm (5dft 0in) wide.
A Meissen porcelain timepiece, 19th Century, of rococo scroll shape encrusted with flowers and applied with four figures allegorical of the Seasons, the enamel face above a vignette of a courting couple, the scroll top surmounted by a floral arrangement in an urn, crossed swords in underglaze blue to base with incised `No. 399`, height approx 42cm (some minor faults).
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68875 item(s)/page