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A late Victorian Sheraton revival satinwood and marquetry display cabinet, with a pierced brass gallery to the break front upper cabinet, with two glass shelves and enclosed by a single bevel glazed door, stepped table base with classical urn and scroll inlay to the top and single drawer within outlines of stringing, the drawer stamped 64775, on slender tapered legs and spade feet with lower cut away platform, 135cm H, 77cm W.
A Victorian inlaid rosewood writing desk or bonheur de jour, of small proportions with a stationery cabinet to the top enclosed by inlaid panelled doors with urn decoration, with a cylinder fronted secretaire compartment below and writing slide drawer with leather inset slope, pen rest and ink receiver compartments, upon slender reeded square legs with ceramic castors, 103cm H, 58cm W, 46cm D.
A late 19thC Kingwood and marquetry card table, in the French taste, with quarter veneered cross banded top profusely inlaid with foliate scroll decoration and a central urn with fruit, with turn over top having green baize lining and swivel action having compartment below, ormolu mounts to the edge and caps to the tapered and fluted legs, and with a shaped cross stretcher, 64cm W.
A 19thC gilt metal clock garniture comprising mantel clock of 9cm Dia. enamelled Roman numeric dial centre surmounted by an urn in a classical case set with garlands, masks and flower heads, revealing an eight day movement and flanked by two urn garniture each on velvet lined gilt wood bases, 37cm H. (3).
A late 19thC Louis XVI style Boulle bracket clock, the brass dial engraved with flowers and foliate scrolls, silvered chapter ring bearing Roman numerals, subsidiary Westminster chimes, slow/fast and chime/silent dials, the eight day triple fusee movement with five coil strike and Westminster chimes on eight bells, the case top with ormolu urn finials, pierced grilles of harebell swags, and acanthus leaves, the body with Roman Emperor monopodia, mask and scrolling acanthus leaves, fabric backed side grilles, raised on leaf cast turned feet, bears presentation plaque to Alderman Edward Wood, Mayor of Leicester on his 50th Birthday, January 16th 18889, the key, 58.5cm H, 34.5cm W, 23cm D.
A early 19thC flamed mahogany wheel barometer, with swan neck pediment with urn finial, satinwood crossbanded case, silver hygrometer over thermometer, 25cm Dia. dial and level marked Cauldrey no. 26, St Thomas Strt East, London Bridge, 110cm H. NB There is some mercury loss within the bottom dial, extreme caution as there is an air block within the column.
A George III stick barometer by Bate of London, in a bowfront mahogany case with broken arched pediment with ivory finials and adjuster, with engraved steel barometric scales within a bowed glazed case, set with a thermometer below and urn shaped reservoir housing to the lower canted case, 100cm H
A pair of copper and brass spherical tea urns on a pedestal base with conical tops terminating in turned wood finials, the brass spout is marked SP and joins the urn onto a shield shape, with brass trophy style handles to each side, the base is marked British Made with swan figural mark, approx 45cms high (2)
A collection of silver including: a George III silver cruet frame, boat shaped having pierced side with ribbed rim and tall central ring handle surrounded by shaped pierced bottle holder, raised upon four out swept feet, with three of the original faceted glass bottles, by William Abdy I, London 1789 (bottle lacking, damage and restorations) together with silver topped glass caster; a pair of salt & peppers; urn shaped salt, toddy ladle (af), etc (1 bag)
19th Century Sevres Bronze Mounted Gilt Hand Painted Porcelain Covered Urn. Artist signed, Sevres mark beneath cover. Scroll accent over cobalt, openwork bronze decor to rim, courting scene and landscape scene on obverse side, goat head formed handles. Measures 19" H x 9-1/2" W. Condition: Rubbing to gilt, needs to be tightened, spotting, greenish to bronze Estimate: $300.00 - $500.00 Domestic Shipping: Third party
Antique Gilt Bronze Mounted Sevres Porcelain Urn. Hand painted decoration including artist signed tableau and landscape as well as floral depictions. Signed in lid. Measures 15" H x 6-1/2" W. Condition: Wear to gilt, repair to lid, typical wear to decoration. Estimate: $100.00 - $150.00 Domestic Shipping: $88.00
A carved white marble and Italian green serpentine inset chimneypiece in George III style, 20th century, the mantel above a central frieze tablet with a relief carved urn in Adam taste, the projecting jambs with further relief carved urns, above block bases, 130cm high, 165cm wide, 22cm deep, the aperture 97cm high, 106cm wide
A Dutch brass 'Heemskerk' type candlestick, late 17th century, the tulip form pierced socket above a baluster stem with central circular drip pan, on a domed circular foot, 23cm high; another, similar Dutch brass candlestick, circa 1650-80, with pierced urn socket, 21cm high; a German or Netherlandish brass pricket candlestick, probably 17th century, with knopped stem, the base indistinctly inscribed, 29cm high; a pair of Victorian brass candlesticks, mid-19th century, of ribbed and knopped design, 20cm high; another, similar, 19th century; and a brass candlestick in 17th century Spanish style, with saucer base CATALOGUE NOTES: the 'Heemskerk' type of candlestick, with its central drip pan and knopped design, was named after a 1596 expedition led by Dutch sea captain Jacob van Heemskerk, who hoped to reach Asia via an unconventional route over Russia. The expedition proved to be an arduous journey, and the crew was forced to spend a cold winter at Nova Zembla, an archipelago in the Arctic ocean. In the 1870s their abandoned belongings were discovered there, including many candlesticks of this type. Examples very similar to those in the present selection are illustrated in Ronald F. Michaelis, Old Domestic Base-metal candlesticks from the 13th to 19th century, Woodbridge: Antique Collectors' Club, 1984, p. 78, fig. 108b, and Herbert, Peter and Nancy Schiffer, The Brass Book, Exton, PA: Schiffer Publishing Ltd., 1978, p. 161, fig. B Please also see Christie's South Kensington, 12 November 2003, lot 622
A pair of George III brass candlesticks, mid 18th century, the urn sockets above ring moulded spreading stems each cast with a single knop, on ribbed circular bases, one with working push-up ejector, 21.5cm high; a further, smaller pair of George III brass candlesticks, mid 18th century, 18cm high; a pair of George III brass desk candlesticks in Neoclassical taste, circa 1790, on spreading square bases, 14cm high; a George III latten columnar candlestick in Neoclassical taste, circa 1780, 25cm high; and four various brass 18th century candlesticks, some circa 1710-20, including two faceted, probably Queen Anne examples with octagonal bases CATALOGUE NOTES: similar faceted examples from the first quarter of the 18th century are held in the collection of the Victoria & Albert Museum, London (see for example museum number M.146-1939) The columnar candlestick is an example of Neoclassical design in the manner of Robert Adam, similar models are illustrated in Rupert Gentle and Rachael Feild, Domestic Metalwork, 1640-1820, figs. 128, 129, 131 pp. 165-66
A Louis Philippe gilt bronze three light bouillotte table lamp, circa 1830, the engine milled urn sconces on cornucopia form scrolling arms cast with imbricated laurel, issuing from an engine milled stem and on a conforming dished and gadrooned circular base; the tole peinte shade mounted on a square section adjustable stem cast with arrow heads and a loop finial, 54cm high, 35cm wide overall CATALOGUE NOTES: This model of lamp is named after the French card game of Bouillotte, which was popular during the French Revolution and first half of the 19th century. With its non-flammable painted metal shade, which could be adjusted downwards as the candles burnt away, the Bouillotte lamp became a popular feature on games tables
A pair of brass mounted stained mahogany table lamps modelled as George III style candlesticks, 20th century, the foliate cast urn sconces above part lobed baluster form stems, on domed and dished circular bases, 65cm high including electrical fitment; and another, similar pair of stained wood table lamps in George III style, 20th century, with tapered and fluted stems, 51cm high overall
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68904 item(s)/page