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A Georgian style blue john ornamental urn, ovoid shaped body surmounted by metal pineapple finial with trailing vine leaves and grapes, on fluted and acanthus metal socle, the blue john plinth base with metal borders, approx 26cm high overall  Further details: white metal with faded gilding 

A Chinese Export Famille Rose bullet shaped teapot, Qianlong Period circa 1750, central circular panels painted with figures taking tea with urn stand behind, within gilt vignettes and foliate decoration, the handle terminated with pink landscape panel, the cover with vignettes depicting pink painted landscapes or bamboo, approx 18cm long Further details: chips and losses to cover rim, repair to teapot handle upper section 

A George V silver four piece tea service comprising teapot, hot water jug, sugar bowl and milk jug, plain octagonal bodies, the tea and water pots with fruitwood urn finials and geometric handles, hallmarked by Z Barraclough & Co (James, Henry & Herbert)., Sheffield, 1923, retailer's stamp, gross approx weight 56.13 ozt (1,745.9 grams) (4)  Further details: marks crisp, overall condition good 

A PAIR OF GEORGE III TURNED AND FLORAL PAINTED WOOD FINIALS CIRCA 1770 Each with oval finial and turned urn bodies, with painted stiff leaf decoration in yellow and greens 22.5 cm high Condition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. Both with old worm which has left holes and caused loss. Surface is very dry and with loss from worm and handling/cleaning. One retains a base spike.Please see additional images for visual references to condition which form part of this condition report. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer

A CHINESE EXPORT LAC BURGAUTE URN LAMP 19TH CENTURY AND LATER The body and lid with scrolling floral decoration, later fitted as a twin light lamp, floral fabric shade base 37cm high, 66.5cm high overall with existing shade Condition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. Base drilled at base and to top for fitment. The whole with numerous areas of damages from knocks. Some loss to top of lid and margins of lid- and to body surface Shade generally good ELECTRICAL GOODS. Sold with a portable appliance test (PAT) certificate July 2023Please see additional images for visual references to condition which form part of this condition report. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer

A LATE GEORGE III CUT GLASS URN AND COVER with silver mounted rim, 19cm high, together with a 19th century cut glass bon bon dish, probably Irish, 25cm high (2)

A GEORGE III STYLE CARVED GILTWOOD MIRROR the bevelled rectangular plate within a moulded surround and mounted with an urn cresting, 86cm high x 47cm wide

A 19TH CENTURY FRENCH ORMOLU MOUNTED PORCELAIN LIDDED URN probably Sevres, with face mask handles, the jewelled porcelain body enamelled with female archer and male companion, floral spray to reverse, on inswept square base, 28cm high x 18cm wide

After Carlo Dolci, miniature of Mary Magdalene holding an urn of myrrh, after the original now in the Uffizi, Florence, 6.7cm x 5,2cm, in gilt metal mount

Large terracotta garden urn planted with Yew tree (AF)

A pair of ebonised, polychrome and parcel gilt demilune console tables, of recent manufacture, painted with central patera, urn, and floral swags, on reeded tapering legs, 131cm wide, 61cm deep, 89cm high

Collection of vintage ceramics to include a Scarborough themed urn with 3 frog figures internally located, 2 Staffordshire figurines (all with no makers marks) and 2 decorative jugs, marked on base, see photos

Regency style silver plated two handled urn shaped Champagne cooler, with gadrooned rim on stepped circular base, H25cm

Early C20th continental majolica urn shaped vase, with twin scroll handles, H40cm

Large two piece Moroccan urn, with painted pottery panels with metal inlay. H42cm

A Regency style metal table lamp, 68cm high including fitting, together with a pair of satsuma vases converted to lamps, and a gilt metal mounted urn shaped lamp (4)

A Chinese hard wood urn stand with marble inset top, 46 x 42 x 42cmSigns of restorations and losses to the feetMarble has been well used with a heavy degree of scratching and minor chips to the cornersTop with water damageStructurally ok with some side to side movement, stretchers are coming away from most joinsGenerally very knocked to the legs and extremeties of the carvingSome minor losses and signs of repair to the carved frieze

A Meissen bracket clock on stand, circa 1850, with floral encrused urn finial on reticulated domed above enamelled clock face, within balloon shaped case with figural mountes and floral encrustations, on square shaped stand painted with floral sprays within gilt lined panels, on four foliate scroll supports, blue crossed sword marks, 68cm highuquare

R Sebright for Royal Worcester, a floral painted potpourri vase and cover, 1903, twin handled squat ovoid pedestal urn form, decorated with pink daisies and a bowl, relief moulded acanthus scroll handles and four sectioned lid, in turquoise, highlighted in gilt, signed, puce marks, 2316, 18.5cm high

A Dutch ebony marquetry inlaid cabinet on stand, late 17th/18th Century and later, florally inlaid throughout incorporating plain and green stained ivory foliage, the pediment with turned urn finials, over a bank of drawers with gilt metal escutcheons around a central cupboard opening to an inner compartment with mirrored uprights, till drawers, and trompe-l'oeil room with chequerboard floor, on a stand with a single long frieze drawer, chinoiserie fretwork frieze and open and blind-fret block legs, 169cm high, 107cm wide, 44cm deep. Provenance: by descent through the Inigo Jones family. Note: Ivory Exemption Certificate No.C8X4U2XT

Charles Baldwyn for Royal Worcester, a twin handled vase,1899, double gourd pedestal urn form, acanthus moulded handles united by swags, painted with swans in flight, on a matte blue ground, green marks, 20cm high

Constance Spry for Stevens and Williams, a Royal Brierley glass flower vase, circa 1930s, optic moulded Campana urn form with everted rim, on plain foot, etched facsimile signature, 15cm high Note: author and florist Constance Spry designed a number of vases in both glass (for Stourbridge manufacturer Stevens and Williams) and ceramic (for Fulham Pottery) to complement her well known flower arrangements and designs, on which she wrote numerous educational books.

An Arts and Crafts brass floor standing lamp in the style of the Birmingham Guild, three flying buttress upright supports with urn finials on a splayed planished base, 119cm high

Charles Baldwyn for Royal Worcester, a twin handled vase,1899, double gourd pedestal urn form, acanthus moulded handles united by swags, painted with swans in flight, on a matte blue ground, the reverse with a gilt outlined swallow, puce marks, 20cm high

Stefan Nowacki for Lynton, a pedestal vase and cover, shoulded urn form, painted with Dutch maritime and harbour scenes within raised and tooled gilded cartouche, gilded foliate moulded angular handles, on spreading foot and inswept square base, 45 cm tall

C Johnson for Royal Worcester, a Swan painted vase, circa 1903, twin handled pedestal urn form, decorated with swans in flight, on powder blue ground, burnished gilt scroll handles, puce marks, 2304, 16.5cm high

PAIR OF BLACK AND BRASS URN TABLE LAMPS, on stepped square basesQty: 2One brass handle loose, otherwise good overall condition.

BRASS AND BLACK TABLE LAMP, of urn form on a stepped square base64cm high

PAIR OF GILDED RESIN TABLE LAMPS, of urn form, with shades58cm high overallQty: 2

PAIR OF SILVER CANDLESTICKS, with urn shaped nozzels, tapered octagonal columns and circular bases31cm high

A ROUEN FAIENCE TWO-HANDLED URN WITH ZINC LINER 18TH CENTURY 53cm high Condition Report: Knocks and chips to the extremities, old restored sections to the body and other glued repairs about the handles. See additional images available upon request. Condition Report Disclaimer

A FRAGMENTARY CARVED WHITE MARBLE RELIEF, POSSIBLY FROM A SARCOPHAGUS PANEL OR URN 19TH CENTURY OR EARLIER Carved with a hippocampus ridden by a Nereid facing another fragmentary hippocampus, the lower body of the Nereid remaining, two fish below, mounted on an associated socle 40.5cm high Provenance: Christie's, Great Tew Park, 27 May 1987, Lot 68, where catalogued as 'Roman, 2nd Century and repaired in the 18th century.' Possibly purchased from the above sale by Robert Kime  Condition Report: Various marks, knocks, scratches, abrasions consistent with age and handling, As catalogued this is fragmentary in nature, there are losses to extremities and the carved detail, signs of old repair with joins to some elements, one piece of iron wire protrudes, possibly this held an element that has since been lost.There is an area of composition to the front, this holds an element in place Please see additional images for visual reference to condition Condition Report Disclaimer

A ROMAN CARVED MARBLE CINERARY URN WITH LID CIRCA LATE 1ST-EARLY 2ND CENTURY A.D. The round-backed urn with central rectangular tabula, its inscription now worn with three drill holes across the top, two birds pecking at fruits on a swag beneath the tabula and flanked on either side by sirens with up-curved wings, the lid with mask acroteria, the arched pediment decorated with a central bust within a foliate wreath 31cm overall height, 21cm height of base, 27cm deep Provenance: Purchased by A. Tillbrook from Bruton Knowles, pre 1985 From whom purchased by Robert Kime (1946-2022) Collection The semi-circular cinerary urn was designed to fit into a niche in a columbarium Condition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. Overall with wear leading to softened definition of details. Inscription now illegible. Edge wear from contact between top and base. Drilled holes as per images. Surface dirt- engrained notably to recesses and interior. The lid and base are both from the same period and are both Roman. Whether they were found together is unknown but the fit is good - so they could have been but we cannot be certain. The level of wear on the urn is greater than on the lid. This could be due to how or where they lay.Originally the lids and the urns were made separately. When they were bought for the deceased by their family, it is thought that they could choose what lid they wanted for the urn. However, when urns were found, sometimes the lid would have been on the urn, other times they would have separated from the urn and there has often been some matching up of lid/bases post antiquity. Dreweatts thank Joanna van der Lande for her help cataloguing and condition reporting for this salePlease see additional images for visual references to condition which form part of this condition report. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer

A CREAMWARE TWO HANDLED URN ENGLISH, LATE 18TH CENTURY LATER ADAPTED AS A LAMP With acanthus leaf handles and engine turned lower section 68cm high overall including shade Condition Report: Two large glued chunks to the body, several large chips to the foot, one acanthus handle with glued repair, other body cracks, adapted as a lamp. See additional images available from the Dept. upon request.Condition Report Disclaimer

A ROMAN GREYWARE POTTERY URN CIRCA 2ND CENTURY A.D. With encircling bands around the mid-body and a band of undulating wave pattern, base of urn inscribed in ink: 'Roman cinerary urn Upchurch (?) ware, River Medway 1940', now converted to a lamp with removable two-light fitting, with fabric shade 25cm high, 47cm high to top of existing shade Condition Report: With wear, marks, knocks and scratches as per age, handling, use, and cleaning. The body with varying areas/dates of restorations visible under strong natural light and UV. Chip to top rim, edge wear and scuffs. Shade slightly dirty and with small fraying to join points ELECTRICAL GOODS. Sold with a portable appliance test (PAT) certificate September 2023 Please see additional images for visual references to condition which form part of this condition report. Dreweatts thank Joanna van der Lande for her help cataloguing and condition reporting for this sale All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.  Condition Report Disclaimer

λ&nbspDUNCAN GRANT (BRITISH 1885-1978) FLOWERS IN AN URN Oil on papier-mâché tray Diameter: 35cm (13¾ in.)Executed circa 1925, this tray is thought to be from a pre-Christmas selling exhibition from the same year.Provenance: Christie's, South Kensington, 6 July 2006, lot 179, where purchased by Robert KimeWe are grateful to Richard Shone for his kind assistance in cataloguing this work. Condition Report: Light discolouration to the varnish and slight abrasions to the extreme edge of the tray. Otherwise in original condition. Condition Report Disclaimer

AN EARLY GEORGE III CARVED URN FINIAL ATTRIBUTED TO JAMES GIBBS, CIRCA 1760-1780 Possibly the finial to a bookcase, carved and stained softwood- probably fruit wood 23cm high, base 7cm wide This urn shows close similarities with Gibbs' designs published in "A Book Of Architecture, Containing Designs Of Buildings And Ornaments", London 1728. Condition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning Exact height is approximately 23.7cm Loss to finial top- section of upper moulding. Shrinkage around construction points, plinth later. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer

A 19th century Limoges enamelled oval ormolu and gilt metal trinket box, the hinged lid centred with a circular enamelled jewelled plaque decorated with the head and shoulder profile portrait of a young woman, signed with initials, within urn and swag border, green felt lined interior, 9.5cm long. c.1890

A pair of George III Neoclassical silver candlesticks by John Green, Roberts, Mosley & Co, Sheffield 1794, in the Adam style with tapered fluted stems on a knopped spreading circular base, 27 cm high, each with later added silver-plated twin-arms with central urn finial

A William Moorcroft 'Freesia' footed vase, circa 1935, in the form of an urn, with two sprays of flowers to the shoulder, against a green and blue ground, signed in green 'WM', impressed 'Moorcroft Made in England' marks, 17.5cm highProvenance: Collection of Mr Magdi Obeid (1943-2021) Ex. Richard Wright Collection. Purchased at Bonhams on 21st September 2010 (lot 627).Condition:Good condition with no damages or repairs. Crazing to the glaze.

A Royal Crown Derby imari twin-handled vase, mid-late 20th century, pattern 1128, of urn form with scrolling handles, printed factory marks in red, 41.5cm high (a.f)Condition:The pedestal base has been broken off and re-bolted, with associated cracks to foot and column. Please see additional images.

A French neoclassical gilt metal mantel clockLate 19th century, the case surmounted by an urn, the 88mm black enamel dial with gilt Roman numerals, set on a black marble base, the eight day movement striking on a bell, with pendulum and giltwood stand.39cm highCondition:Swag from finial vase has broken off but is present.  General minor signs of age and use to case.  Movement not currently running.  Has pendulum but no key.  Giltwood stand is showing general visible wear.

A group of ceramics, comprising a Coalport vase and cover, late 20th century, of urn form with rams head handles and an acorn finial to the cover, printed and hand-coloured with a bunch of polychrome flowers within raised gilt cartouche, printed factory mark in green, 24.5cm high; together with Copeland vase, of low oval form with twin handles, painted with panels of fancy birds and flowers with gilded insects to the blue ground, retailers marks for T. Goode London, otherwise unmarked, overall width 18.5cm; a small Coalport bottle vase, claret and white ground with small oval painted landscape panel, printed factory mark, 10.5cm high; a further Coalport rococo revival vase, dark blue ground with frilled upper rim and a single polychrome panel of flowers, unmarked, 19cm high; and a Samuel Alcock vase, numbered 2/868, 21cm high (5)Provenance: Ivor Southorn Collection.Condition:Copeland vase with restored handle.

Table à thé en acajou George III. Angleterre vers 1760Le plateau quadrangulaire à bordure godronnée présente une tablette coulissante, et repose sur un montant balustre à pieds tripode.H. 78 cm - L. 32 cm - P. 32 cm A Geoge III mahogany urn stand .Footnotes: Provenance Mallett & Son, Londres, 30 janvier 1962For further information on this lot please visit Bonhams.com

A mahogany Regency style cheval mirror with oval bevel plate, raised on tapering columns surmounted by urn finials above cabriole supports, 66cm wide  x 176cm wide

A WEDGWOOD BLUE AND WHITE JASPER VASE19TH CENTURYof urn form, with a continuous scene of women, children, animals and insects beneath a pair of scrolling handles, impressed 'WEDGWOOD'25.5cm highProvenanceKenneth Neame: An Enduring Legacy.Purchased Dreweatts, 27th March 2019, Fine Furniture, Carpets, Ceramics and Works of Art, Lot 156.PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE.

A SPODE PORCELAIN POT POURRI AND COVERIMARI PATTERN 967, EARLY 19TH CENTURYof urn form with a reticulated cover, on three dolphin supports and a tripartite foot, together with another pair of pot pourri and covers, possibly Spode pattern 1216, early 19th century, of similar form (3)16.5cm high (max)ProvenanceKenneth Neame: An Enduring Legacy.PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE.

A PAIR OF ENGLISH PORCELAIN POT POURRI AND COVERSPROBABLY SPODE, EARLY 19TH CENTURYin the Imari pattern 1216, each of urn form with a reticulated cover, on three dolphins supports and a tripartite base, gilt 'N.1216' to the base of one (2)16.5cm highProvenanceKenneth Neame: An Enduring Legacy.Purchased Cheffins, 25th April 2007, Lot 47. PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE.

A PAIR OF FRENCH ORMOLU WALL HOOKSFIRST HALF 19TH CENTURYcast as flowering foliage, another pair in the form of clenched fists one cast as a lyre above flaming torches, another as a shield shaped cartouche beneath a flaming urn and another as a patera beneath tied ribbons (7)13.3cm high (max)ProvenanceKenneth Neame: An Enduring Legacy.PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE.

A MAHOGANY JARDINIÈREIN REGENCY STYLE, C.1900of urn form, with a slatted body and a brass liner, with chain swags and lion's paw feet, stamped '144 50314'40.2cm high, 33.5cm highProvenanceKenneth Neame: An Enduring Legacy.PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE.

A PAIR OF ORMOLU AND PORCELAIN CANDLESTICKSTHE PORCELAIN POSSILBY MINTON, LATE 19TH CENTURYeach modelled as a Meissen style figure seated beneath a scrolling foliate bocage supporting an urn-shaped nozzle (2)27.5c highProvenanceKenneth Neame: An Enduring Legacy.PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE.

A PAIR OF FRENCH ORMOLU WALL LIGHTS IN LOUIS XIV STYLE, MID-19TH CENTURYeach with a single light, the backplate decorated with classical term figures below an urn and with scroll eagle heads (2)24.5cm high (excluding fitting)ProvenanceKenneth Neame: An Enduring Legacy.PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE.

A FRENCH ORMOLU CARTEL CLOCKIN LOUIS XVI STYLE, 19TH CENTURYthe brass eight day movement with an outside countwheel striking on a bell, the circular enamel dial with Roman hours and Arabic seconds, signed 'Beliard Fils a Paris', the case with an urn surmout and decorated with a lion's mask and pelt with rams heads and cone pendants80cm high, 41cm wideProvenanceKenneth Neame: An Enduring Legacy.Purchased Netherhampton Salesroom, 5th April 2013.PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE.

A GEORGE III MAHOGANY URN STAND IN CHIPPENDALE STYLE, THIRD QUARTER 18TH CENTURYwith a pierced fret laminated gallery above a pull-out slide, on bracketed fluted tapering legs united by a pierced 'X' stretcher 62.4cm high, 31cm wide, 30.8cm deepProvenanceFrom a Private Collection, West Yorkshire, formed in the 1970s and 1980s.

A FRENCH LOUIS XV GILTWOOD CONSOLE TABLEMID-18TH CENTURYthe red marble serpentine top with a moulded edge, above a pierced frieze decorated with scrolls, husks and a central shell on scroll legs, united by an urn stretcher85 cm high, 115cm wide, 49.3cm deepProvenanceFrom a Private Collection, West Yorkshire, formed in the 1970s and 1980s.

A FRENCH MARBLE AND GILT METAL MOUNTED MANTEL CLOCKEARLY 19TH CENTURYthe brass eight day movement with outside countwheel and striking on a bell, the backplate stamped 'PLANCHON, PARIS', on a domed enamelled dial with back Arabic numerals and inscribed 'Levol a Paris', the arched marble case surmounted by an urn and applied with further gilt and coppered metal mounts, with key and pendulum33cm high

A PAIR OF VICTORIAN CAST IRON GARDEN URNSLATE 19TH CENTURYof campana shape, the bodies decorated with scrolling leaves and flowers and with lions masks handles, together with a larger cast iron campana urn (3)75.7cm high, 57cm diameter (max)

A TREEN FRUITWOOD OR SYCAMORE MORTAR GRATER 18TH CENTURYwith a turned pestle handle, revealing a pierced metal grating plate, with an urn shaped body, on a turned foot, the underside inscribed in pen 'Baer' 26.7cm highProvenancePurchased from Maria Baer, Davies Street, London. The Adler Collection of Treen.

A PAIR OF SILVER PLATED THREE LIGHT CANDELABRAIN GEORGE III STYLE, LATE 19TH / EARLY 20TH CENTURYeach with twin reeded and leaf deorated arms with urn shaped nozzles and detachable drip-pans, the central urn with a snuffer (2)53cm high, 44.5cm wideProvenanceKenneth Neame: An Enduring Legacy.PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE.

A JAMES I OAK ARMCHAIR C.1620the nulled arched crest rail above a gadrooned frieze, with applied split mouldings and scroll ears, the back with a central panel carved with an urn issuing flowers within an arch with guilloche decoration, the scroll arms with zigzag decoration on turned supports with peripheral stretchersProvenance Purchased by the current vendor from Huntington Antiques Ltd, Stow-on-the-Wold, 9th May 1986.