We found 68904 price guide item(s) matching your search
There are 68904 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
68904 item(s)/page
Lot 2040
A pair of George III mahogany dining room urn pedestals by Gillows of Lancaster, the finely gadrooned tops above oak-lined drawers, cabinets and cellarets, raised on splayed legs, bearing maker's stamp to one drawer, height 106cm, width 44cm, depth 43cm. Provenance: the property of Michael Godfrey. Note: a similar pedestal can be seen illustrated in 'Gillows of Lancaster & London 1730-1840' by Susan E Stuart, page 310.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 2041
A George III mahogany dining room urn pedestal, probably by Gillows of Lancaster, the gadrooned top above a door and drawer with applied gilt brass handles, height 63cm, width 38cm, depth 38cm. Provenance: the property of Michael Godfrey.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 2669
A 20th century cast composition stone garden urn, the campana body moulded with fruit swags, height 58cm, diameter 43cm, together with a 20th century composition stone cylindrical garden urn, height 48cm, diameter 43cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 2527
An early 20th century Neoclassical Revival brass coal bin, the lid with urn finial, the ovoid body raised on four downswept legs, height 66cm. Provenance: the property of Michael Godfrey.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 2537
A George III satinwood tea caddy with inlaid urn and shell paterae, within tulipwood crossbanding, the canted lid enclosing two lidded compartments, width 18.3cm. Provenance: the property of Michael Godfrey.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 2668
A 20th century cast composition stone garden urn of square tapering section, moulded in relief with flowers and palmettes, height 51cm, width 40cm, together with an associated spiral reeded base.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 2543
A George III harewood tea caddy, inlaid with a classical urn and flowers, width 13cm, together with a George III tea caddy with domed lid and inlaid conch shell paterae, width 11.5cm. Provenance: the property of Michael Godfrey. Note: a non-transferrable ivory exemption certificate has been granted for the sale of this item.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 2521
A pair of 20th century brown patinated cast bronze and gilt brass mounted table lamps of classical twin-handled urn form, height 25cm, fitted with cream silk shades. Provenance: the property of Michael Godfrey.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 2033
John Halifax of Barnsley 8 day longcase clock with 12" brass arch dial with subsidiary seconds and sad mouth calendar urn spandrels and flower and swags in the arch. Eight day two train movement striking on a bell. Contain in a dark oak case which has been carved with female mask in the base and door panels. swan neck pediment to hood with reeded columns either side of the door.Dimensions 85" x 18" x 10"Condition New seat-board some of the seat-board structure missing columns to hood loose. Brass arch could be a later addition. All A/F for restoration
Lot 194
A collection of silver items, including a cedar lined engine decorated cigarette box, a Georgian repousse twin handled cup, urn design mustard pot, German repousse trinket box, Asprey and Co cigarette case, Victorian silver snuff box and a Georgian engraved vinagrette with gilded interior. (hallmarked: JW, London, 1811). H.7 W.9 D.6.5cm. Weight 381g.
Lot 58
A George III Satinwood, Tulipwood and Amaranth Marquetry Fall-Front SecretaireAttributed to Thomas Chippendale, Circa 1775Height 49 3/8 x width 31 1/8 x depth 16 inches.Provenance:Mallett Ltd., London (with memorandum)Note:This secretaire, with its elegant, restrained Neoclassical marquetry occupies a rare, if not unique position in Chippendale" oeuvre. Not only is it directly based on a French secretaire a abattant, a form seldom seen in English furniture, it is one of a pair which were presumably supplied to an unknown patron. Although French furniture designs had been an enduring source of inspiration for English cabinet-makers, so much so their drawings became known as the 'French Taste', few were copied directly and were almost always the work of French trained emigires such as Pierre Langlois (1718-1767) or Christopher Furlohg (1740-1787).This secretaire and its pair are part of a distinct group of closely related secretaires attributed to Thomas Chippendale. Unlike most of his 'French' furniture, they are the rare occasion where a distinctly French form is kept intact and used as a backdrop for Chippendale" creativity and ingenuity. Their prototype were the two secretaires supplied to Edwin Lascelles for two rooms in the State Apartments at Harewood House, Yorkshire from 1772-1773 and are the richest examples of this form. One, now in the collection of Temple Newsam, Leeds, was part of a suite of black lacquer and japanned furniture for the State Bedroom. It appears on Chippendale" 12 November 1773 invoice as 'a Lady" Secretary veneer'd with your own Japann with additions of Carved Ornaments…the front of the secretary to rise with balance weights.' The second, inlaid with marquetry against a satinwood ground, was supplied to the State Dressing Room and remains at Harewood (J. Sellers, ed., The Art of Thomas Chippendale, Master Furniture Maker, Leeds, 2000, p. 30).Chippendale" mention of the secretary" balance weight mechanism is particularly relevant as it was his own invention and allowed for the seamless rising and falling of the fall front. Hidden within the construction of the case, it allowed the writing surface to appear as if it was suspended in the air with no distracting brackets. This secretaire as well as the others in the group have this unique feature. Other constructional hallmarks of Chippendale" workshop are the hardware used on the drawers whose construction bears the typical finely executed details such as the mitered corners to the undersides, the triangular stoppers to the interior of the carcass for the drawers and the distinctive red wash visible in areas on the case.In addition to the present lot" pair, which was sold anonymously at Sotheby", London, 16 December 1990, lot 345 (£35,200 including premium), the other secretaires of this group display only minor variations. They have the same richly figured satinwood ground, Neoclassical marquetry central medallions punctuated by rosettes in the incurved corners, a single lower door and apparently identical interiors. They comprise: (1) A virtually identical example with square tapering legs from Lady Frye, Oare House, Wiltshire sold Christie", London, 21 April 1966, lot 68 and most recently sold from the collection of Zeinab and Pierre Marcie Riviere, Christie", Paris, 8 June 2016, lot 185 ($50,065 including premium).(2) Another with ebonized pilasters and square tapering legs supplied to William Windham (1708-1789) for Earsham Hall, Norfolk (Ronald Phillips, The Legacy of Thomas Chippendale, Exhibition Catalogue, 2018, no. 19, pp. 89-93). (3) One with marquetry fan medallions and identical legs to the present lot sold anonymously (Property of a Lady) at Christie", New York, 20 January 1996, lot 335 ($34,500 including premium).Overall well-conserved, original condition, with noticeable sun-fading and an orangey color. Typical cracking and infill to the veneers; some minor areas of lifting veneer / repaired fraying veneer. The top with a narrow shrinkage crack. The front of the fall-front with some darkened overpainting from repair to lifting veneers. A veneer repair in the bottom right corner of the fall-front. Faint traces of the original green heightening to the urns, a bit more visible on the lower urn. A shrinkage crack emerging now in the lower cabinet door running right below the medallion. The rosettes have lost much of their penwork and color heightening. Repairs to some of the stringing on the outside of the writing surface. The interior with a later tooled leather writing surface, and one or two of the small drawer liners with replaced parts of their lining. The proper left front foot probably re-stuck, with replaced molding around its top. The proper right front top corner molding has been re-glued. The lock has probably been taken out and put back but is original. The pulls are original. Pine backboards. Pointed drawer stops on the inside. With one key.Condition reports are available upon request. All lots are sold "as is," in the condition they are in at the time of the auction. The physical condition of lots can vary due to age, normal wear and tear, previous damage, and restoration. Prospective buyers are strongly advised to inspect a lot personally or through a knowledgeable representative prior to bidding. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. Prospective buyers must review and agree to the Conditions of Sale before participating in an auction, and it is the responsibility of the buyer to ensure that they have requested, received and considered any condition report.
Lot 106
A Pair of Victorian Cream and Green-Painted Cast Metal JardinieresLate 19th Century the planters of campagna urn form with latticework, on faux bois bases.Height overall 46 x width 18 x depth 18 inches.This lot is located in Chicago.Decoration refreshed.Condition reports are available upon request. All lots are sold "as is," in the condition they are in at the time of the auction. The physical condition of lots can vary due to age, normal wear and tear, previous damage, and restoration. Prospective buyers are strongly advised to inspect a lot personally or through a knowledgeable representative prior to bidding. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. Prospective buyers must review and agree to the Conditions of Sale before participating in an auction, and it is the responsibility of the buyer to ensure that they have requested, received and considered any condition report.
Lot 171
A Pair of Italian Alabaster Urns and Covers Second Quarter 19th Century mounted as lamps, one restored.Height overall 28 1/4 inches.This lot is located in Chicago.One urn with a chipped loss to the base and a restored small triangular break to the corner of the base. Restorations to handles. Both lids with well executed restorations to the rims.Condition reports are available upon request. All lots are sold "as is," in the condition they are in at the time of the auction. The physical condition of lots can vary due to age, normal wear and tear, previous damage, and restoration. Prospective buyers are strongly advised to inspect a lot personally or through a knowledgeable representative prior to bidding. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. Prospective buyers must review and agree to the Conditions of Sale before participating in an auction, and it is the responsibility of the buyer to ensure that they have requested, received and considered any condition report.
Lot 85
A Pair of Directoire Ormolu and Patinated Bronze UrnsCirca 1805mounted as lamps, with shades.Height to top of urn 19 inches; height overall 30 1/2 inches.This lot is located in Chicago.The urns drilled for conversion to lamps.Condition reports are available upon request. All lots are sold "as is," in the condition they are in at the time of the auction. The physical condition of lots can vary due to age, normal wear and tear, previous damage, and restoration. Prospective buyers are strongly advised to inspect a lot personally or through a knowledgeable representative prior to bidding. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. Prospective buyers must review and agree to the Conditions of Sale before participating in an auction, and it is the responsibility of the buyer to ensure that they have requested, received and considered any condition report.
Lot 164
Ca. 18th -19th century AD. A beautiful porcelain urn of a globular form with rounded shoulder, and a wide mouth with raised rim. The exterior consists of polychrome floral decoration against white ground.Size: L:240mm / W:150mm ; 355gProvenance: Private London family collection; formed between 1970-2008.
Lot 308
A pair of Edwardian silver hexagonal baluster candlesticks, each urn shaped sconce with detachable nozzle, on a stepped square base with everted corners, Sheffield 1902 by Hawksworth Eyre & Co Ltd, height 19cm. Provenance: the property of Donald Church.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 386
A pair of Edwardian silver chambersticks, each with an urn shaped sconce, on a circular dished base with loop handle, Birmingham 1909 by William Neale, length 13cm, and a small group of other silver, including two four-division toast racks and a pair of sugar nips, total weight 409.2g, together with an Alpacca plated chain mesh evening purse.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 428
A pair of Elizabeth II silver candlesticks, each with an urn shaped sconce above a tapering stem and circular foot, Birmingham 1974 by W.I. Broadway & Co, height 13cm, a silver christening fork and spoon set, London 1881 by Chawner & Co, cased, and a group of other silver, including napkin rings, a christening spoon and pusher, cased, and a Danish sterling ladle, length 16.8cm, weighable items 331.8g.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 368
A William IV silver urn shaped christening tankard, decorated in relief with a band of roses and acanthus leaves, flanked by a foliate capped scroll handle, on a similarly decorated circular foot, London 1832 by John, Henry & Charles Lias, weight 167.8g, height 10cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 497
A pair of Continental silver reeded candlesticks, each with an urn shaped sconce above a tapering cylindrical stem and circular foot, height 17cm, a set of six Indian white metal napkin rings, pierced with floral decoration, weight 206.1g, a silver mounted twin steel bladed folding fruit knife and a silver and mother-of-pearl folding fruit knife.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 412
Box of assorted china: Shorter & Sons, Staffordshire hand painted oval dish, large Capodimonte bell, glass hot air balloon in a glass case, Myott 'Royal Mail' oval meat plate, large Portuguese lidded vase, two Jaffe Rose Italian urns and a Portuguese urn, pair of binoculars etc. (B.P. 21% + VAT)
Lot 483
A Turn Wein figure of a boy in 19th century dress; a Royal Doulton QEII figure; a Coalport classical covered urn shaped vase with polychrome reserve panels (finial a.f.); a pair of 1930's Fieldings Lustre vases decorated with butterflies, ht 10cm. Vase appears in good condition, the base a little loose. Some minor wear to gilding,. 27cm high, 10cm across handles, base 6.3cm square. Finial has been broken off at the waisted section and been restuck, likewise to the tip.
Lot 1151
GALLE EMILE: (1846-1904) French Artist, famous for his works in glass and recognised as one of the leading figures in the French Art Nouveau movement. A.L., unsigned, on two sides of his personal printed oblong 12mo visiting card, n.p. (Nancy), n.d., evidently to a client, in French. Galle states that he will fulfill his promise [of completing a funeral urn for a mutual friend] for the following day, and confirms the inscription on the vase, 'Personne n'a un plus grand amour que de donner sa vie pour les amis. Saint Jean XV'. (from the Gospel of John, Chapter XV, Verse 13). A light stain to the verso only slightly affects a few words of text and with one very small hole, otherwise VG
Lot 184
A Victorian mourning brooch, the central swivel panel enclosing a photograph of a gentleman to the front, verso a glazed hairwork scene of a funerary urn beneath weeping willows, the gold mount with engraved foliage and black enamel decoration, stylised leaf motifs at the cardinal points, length 6.5cm. £240-£300 --- Condition Report General surface wear commensurate with age and use. Some enamel loss to the mount, particularly on the leaves. Lead solder visible to the reverse. Gross weight 43.7gm.
Lot 185
A hardstone cameo memorial ring, 1837, the oval cameo depicting a funerary urn, between flowerhead shoulders and foliate engraved band, the under-bezel inscribed ‘The Gift of EA In memory of Ja..’ Armitage 06’ 15 Jan 1833 a..’70’, 18ct gold London hallmark, ring size K. £100-£200 --- Condition Report The cameo has a small area of damage to the top of the urn, with poor repair. The band has a split forming at ‘18’ stamp and will require restoration to be worn. Gross weight 2gm.
Lot 177
A pair of glass and metal wall lights,20th century, French or Italian, in the style of Maison Baguès, each with twin sconces in the form of a vase filled with leaf and plastic floral sprays,32cm wide32cm high (2)Condition ReportEach one with chips, wear and tarnish to the paint. One of the metal scalloped edges doesn't sit flush to the glass urn. No chips to the glass urn section but some very slight manufacturing imperfections. Dust and residue. A few small chips to the flower heads. In worn but attractive cosmetic condition. May need rewiring. See additional photos.PAT test passed 6.3.23
Lot 356
A brass cartel clock,late 19th century, French, the cast decorated case surmounted by an urn, over a dial with inset porcelain numerals and engraved seconds, the movement striking on a bell,case 88cm highdial 19.5cm diameterProvenance: The Estate of Mrs Althea Lloyd.Condition ReportComplete with key and pendulum.Movement not tested. General surface wear, scratches and small dings to case. Some tarnish and discolouration. Some scratches to the brass and enamel case. Some small splits to the foliate detail. Please see additional photos.
Lot 95
A George III-style steel fire basket, 20th century, with an arched back, urn finials and engraved detail,53cm wide38cm deep64cm highCondition ReportGeneral wear commensurate with use. Knocks and wear. Some discolouration. Overall appears in fairly good structural and cosmetic condition. Ready for use.
Lot 160
A near pair of solid Blue John or Derbyshire fluorspar urns,19th century, each of slender ovoid form on a flared pedestal base, raised on a black stone stepped square base, restorations and losses,22.5 and 25cm high,together with another Blue John urn,19th century, of squat baluster form, raised on a turned pedestal base bordered by white marble, damages and losses,12.5cm wide18cm high (3)Provenance: The collection of Sir Henry 'Chips' Channon, 5 Belgrave Square, London;thence by descent.Literature: C Hussey, '5 Belgrave Square, London: The Residence of Mr. Henry and Lady Honor Channon', 'Country Life', 26 February 1938, p.226.Condition Report1) Missing finial. Some surface scratches and cracks. A little wobble to the join between the body and pedestal base. Sits unaided on a flat surface.2) Small chips, nibbles and evidence of impact to the surface of the stone. Small area of infill. Evidence of breakage and repair where the body meets the base and small loss to the bottom of the pedestal base. Chips to two corners of the black stone plinth. Sits unaided on a flat surface.3) Missing finial, many chips and losses to the edges, splits and surface scratches. White marble with losses. Detached from marble plinth. Sits unaided on a flat surface.
Loading...-
68904 item(s)/page