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A late 19th century French gilt metal and porcelain inset mantel clock, the porcelain dial surmounted with a pedestal urn and cherub porcelain plaque, with eight day cylinder movement having outside countwheel and striking action (lacking bell and case re-gilded), the case stamped PH Mouret and numbered 63, h.35cm
AFTER NAM GREB COLD PAINTED BRONZE SCULPTURE CIRCA 1930`S, H 7", L 9 1/2" CLEOPATRA: Depicting a reclining, semi-nude, Cleopatra holding a hissing serpent that is wrapped around her left arm. Marked on the back of the chaise lounge Nam Greb with a B within an urn design. Atop a marble base H 3/4".
A Pair of Silvered Brass and Copper Renaissance Style Table Candlesticks, Ferdinand Barbedienne, circa 1868, designed by Constant Sevin (1821-1888), made by D Atarge, of tapering columnar form, goat masks and swags to the urn socles, the main stems with entrelac, pendant fruits, musical trophies and leafage, on a beaded domed foot, inscribed on the rims F Barbedienne Paris C Sevin inv 1868 D Atarge Fit, 28cm high Stick 1 - bent on the sconce rim. Silver plating quite heavily worn off in various parts. Stick 2 - similarly worn. 280113
Franz Xavier Bergmann (Austrian/American 1861-1936): An Art Nouveau Cold Painted Bronze Figure, modelled as an erotic dancer, her skirt opening on a hinge to reveal her nude, on a circular two tier green marble base, stamped in cast Nam Greb and a B in an urn shaped cartouche, 32cm Cracks through base, chips to base. General wear to paint work and rubbing. Small dent on bottom of leg (where hit by the closing skirt). 110313
A Good Ormolu and Champleve Enamel Striking Mantel Clock, retailed by Boxell, Brighton, circa 1880, with multi coloured floral and urn champleve enamel decoration throughout, surmounted by an urn finial, 3-1/2-inch dial with Roman numerals, twin barrel movement striking a bell, backplate signed Boxell Brighton and numbered 8648, raised upon a gilt wooden base, 42cm high 17.01.13, Case appears to have been re-ormolued at some time but to a high standard, champleve enamel appears to be mainly in good order with minor parts with re-touching, ormolu surfaces with some minor scratches in parts, movement needs cleaning, now under a modern plexi cover, base has been re-gilded with paint at some time and has been re-covered with velvet, later pendulum.
A Gilt Metal Porcelain Mounted Mantel Clock Garniture, circa 1890, surmounted by an urn finial, flanked by leaning cherubs, base with porcelain floral panel, 3-inch dial with Roman numerals, twin barrel movement with outside countwheel striking on a bell, 35cm high, with a pair of gilt metal and porcelain mounted vase shaped garniture, 31cm high 01.02.13, Case and garniture gilding has faded and discoloured in parts and the surfaces in parts appears to have slight bubbling affect, some slight rubbing to the paint gilt decoration, dial with a small scratch, movement needs cleaning.
A Gilt Brass and Porcelain Mounted Striking Mantel Clock, circa 1890, with urn finial and porcelain side and front panels depicting birds within a gilt scroll frame border, porcelain painted dial with Roman chapter, twin barrel movement striking on a gong, 42cm high 28.01.13, Case with some fading to the gilded surfaces, dial with some small chips around the winding holes, movement is dirty and needs cleaning.
A French Ormolu and Pink Porcelain Striking Mantel Clock Garniture, stamped Achille Brocot, circa 1870, with twin-handled urn, wreath mounted sides and acorn finials, base with central floral painted porcelain panel, 4-1/2 inch porcelain dial with Roman numerals, twin barrel movement striking on a bell, backplate stamped AB (Achille Brocot) with star monogram and numbered 2045 155, on a gilt wooden base, 41cm high, with pink porcelain vase shaped garniture depicting painted figures and landscape scenes, both upon gilt wooden bases, 32cm high 30.01.13, Ormolu slightly faded to the clock and garniture, some scratches to the surfaces, porcelain surfaces with the gilded paint rubbed in parts, dial with rubbing to the gilded paint, movement looks complete, both garniture with some small scratches and some enamel dots missing.
A French Gilt Metal and Porcelain Mounted Striking Mantel Clock, circa 1890, with urn finial, side porcelain columns and two front panels depicting a lady and gentleman within a landscape and floral decoration, 3-1/4 inch dial with Roman numerals, twin barrel movement striking on a bell, on a gilt wooden base beneath a glass dome, 39cm high (pendulum missing) 30.01.13, Case with gilding faded throughout and some surface scratches, case and dial with some slight rubbing to the gilded paint, metal with two small holes to the back side of the left hand side column, movement needs cleaning, pendulum missing.
A French Ormolu and Porcelain Mounted Striking Mantel Clock, circa 1880, with urn finial, porcelain panel to the front depicting two ladies in costume, acanthus leaf borders, 3-1/2 inch enamel dial with Roman numerals, twin barrel movement striking on a bell, backplate stamped HP & Co and numbered 36970, on a gilt wooden base, 39cm high 30.01.13, Case with the gilding faded throughout, porcelain looks complete, dial surface looks slightly dirty in parts, movement looks complete and needs cleaning, gilt wooden base with some cracks, chips and scratches to the surfaces, velvet needs replacing, dome missing.
A Walnut Chiming Table Clock, circa 1890, arched top and urn finial, pierced side sound fret doors, raised on claw feet, 9-inch arched brass dial with a silvered Roman chapter ring, arch with two dials for fast/slow and chime/silent, triple barrel movement with four hammers chiming onto four gongs and a further hammer striking a larger gong for the hours, backplate stamped RMS, 65cm high 29.01.13, Case with some small dents in parts, top side of the case has slightly faded, top urn finial and moulding has come off and needs securing, dial is slightly dirty, movement is dirty and needs cleaning.
A Mahogany Chiming Longcase Clock, signed Denton Northgraves, Hull, circa 1795, pagoda pediment, Corinthian capped inlaid pilasters, plinth inlaid with an urn, 13-inch arched painted dial, inner date ring with centre date hand, seconds, arch with painted seascape, triple weight driven movement with anchor escapement, eight hammers quarter chiming onto a nest of eight bells, a further hammer striking a larger bell for the hour, 260cm high 31.01.13, Case has been polished throughout to the surfaces, possibly later inlay throughout, case with cracking to veneers in places and small dents in parts, re-gilded mounts, hood restored, dial totally re-painted but to a high standard, movement looks complete.
Rare Tabriz Souf Prayer Rug Persian Azerbaijan The silver blue field with central hanging lantern and urn issuing flowers, birds and animals flanked by raspberry borders of cartouche between floral meandering vine guard stripes, 170cm by 122cm Woven on silk foundation Slight dye run, otherwise in good condition. 260213
A Late George III Mahogany Serpentine Shaped Sideboard, early 19th century, the elegant brass gallery with spindle supports and urn finials, above a central frieze drawer flanked by a cupboard and cellaret drawer all between fluted stiles, raised on square tapering legs with block feet, 184cm by 67cm by 95cm (excluding rail) Good quality grain mahogany. Serpentine top section with slight variations in colour. Front slightly faded. Natural? minor splits to the end panels. Beading to front left hand corner missing, small sections replaced. Minor veneer losses around the cupboard doors, and hinges. Otherwise good condition consistent with age. 080313
A George III Style Gilt and Gesso Pier Glass, late 19th century, the oval plate within a beaded and moulded frame surmounted by a painted panel of putto with Adams` style urn joined by husks, 105cm by 50cm Good decorative order with later? mirror plate. Small repairs, particularly to left hand section. The timber used to back the mirror plate with later strengthening baton added at the plume. 290113
An Adams Style Gilt and Gesso Oval Wall Mirror, 19th century, the oval plate contained within an egg and dart moulded frame centred by an urn with flowerbells joined by oval medallions, 100cm by 84cm Mirror plate tarnished. Several minor repairs, including ram`s head on the urn and flowerbells joining medallions. 080313
A Pair of Gilt Metal Mounted Sèvres Style Porcelain Urn Shape Vases and Covers, with pine cone finials and foliate sheathed scroll handles, painted with rustic lovers in landscapes in gilt cartouche on a bleu de roi ground, on circular socles and square bases, signed GARNIER, 40cm high Both covers are fixed onto the vases. Typical minor wear to gilding and some scratching to surfaces. 270213
A Brass Fender, in Regency style, of pierced form centred by a lion`s mask flanked by scroll moulded andirons with urn finials and lion`s mask and ring handles, on scroll bases, 146cm wide Both ring handles sprained. Some surface pitting and wear throughout. Fender sprained. Rear supports to finials slightly sprained. 210213
A Pair of Gilt Metal Five-Light Wall Sconces, in George III style, with foliate cast sconces and drip pans, leaf sheathed scroll arms issuing from an urn shaped stem with ribbon tied cresting and foliate pendant terminal, 70cm high Typical wear throughout. Minor spraining to branches. Some household paint evident on surface. 210213
An Early 18th Century Champleve Dial and Movement, signed Windmills, London, circa 1705, gilt fusee verge movement, top plate signed Windmills London, three-armed steel balance, glazed silvered balance cock with a green coloured endstone, engraved urn shaped pillars, champleve dial with Roman and Arabic numerals, dial also signed Windmills London, later hands, later inner and outer cases, London 1813, 54mm wide 15.01.13, Both inner and outer cases with scratches and dents in places, later hands and the hands are bent, dial is discoloured to the surface, movement looks complete, balance is swinging freely when placing pressure to the movement train, not enough power to drive the movement at present, (dial and movement is circa 1705 in date) the inner and outer cases have been later added and the cases are both London hallmarked dated 1813).
S. M. Gane (19th Century)Still life of grasses and willow in an urnSigned and dated 1887, also signed versoOil on canvas, unframed61 x 30.5cm; 24 x 12inWith a further unframed oil still life of roses by Florence West (2)Lots 171-195 are a Private Collection to be sold without reserve++1. A little paint loss to margins, a push, lower centre; 2. Small areas of paint loss lower centre and lower right, loose on stretcher
A mahogany 19th/20thC oval wind out extending dining table in the neoclassical style, raised on four square tapering reeded legs with carved urn above with two spare leaves and winding handle (in office) width 120 cm length 146cm extra leaves each 46cm, total length when extended 238cm approx, height 75cm
A limited edition commemorative Prince of Wales and Lady Diana Spencer mantle clock By Mappin & Webb, London 1981, No.53 of 201,the silver urn shaped body with Roman numerals to the chapter ring, the body with applied silver gilt crests alternating between Prince of Wales feathers and Spencer crest, with gilt chains suspended between, with pull off domed cover revealing the winding mechanism and raised on a pedestal foot, contain in original fitted box 27cm high
LATE 19TH CENTURY FRENCH BRASS AND JASPERWARE MOUNTED MANTEL CLOCK the porcelain face with enamelled Roman numeral face, the movement stamped Medaille d`argent et Marti & Cie, 1889, with pendulum and key, with four jasperware columns over a brass stepped foot, the two urn shaped jasperware garnitures each decorated with a cloisonne enamel neck and base, the clock 39cm high, the garnitures 34.5cm high
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68875 item(s)/page