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Various Crown Derby Imari ware, including urn spill vase on square base, 1919. 12.5 cm high, ovoid posy-vase on triangular base, 1909,10 cm, two 22 cm sandwich plates (one 1909), two coffee cans and saucers 1937, three tea cups and four saucers, 1891 and a coffee cup 1891 (14 pieces)No damage
Four Chelsea-Derby plates c.1775-85, one painted en grisaille with a smoking burner within a pink swagged rim, another with a putto emblematic of Neptune within a grey husk border, another with a festooned urn amidst scattered insects and a berried garland border, a Chelsea-Derby fluted coffee cup and saucer in the same pattern, and a similar plate possibly later and marked with a red crown over anchor, some wear, 23.2cm max. (6)
Three Derby dessert dishes c.1785-95, one of lozenge shape and painted by Zachariah Boreman with a view of Grasmere (titled beneath) within a wide border of panelled roses and gilt designs on a blue ground, a circular dish painted with a putto playing the violin within a similar border, and a plate painted with a central urn within flower swags, puce and blue factory marks, painter's numbers for Thomas Soare and John Yates, 32cm max. (3) Provenance: the plate formerly in the collection at Kedleston Hall. Sold 13th March 2002, lot 133.
A Collection of Various Ceramics to Include Large Portmeirion Botanic Garden Cyclical Pot, Three Pieces of Wedgwood Jasperware, Urn Shaped Vases, Royal Crown Derby Segmented Trinket Dish, Various Other Pin Dishes to Include Limoges, Blue and White Transfer Printed Cheese Dish on Stand, Royal Worcester Oval Dish, Pair of Transfer Printed Blue, White and Gilt Vases of, Dice Ashtray, Roya Worcester Hanberry Dish etc
A collection of silver and plated condiments, two silver salts with blue glass liners, oval and round, a matched salt and pepper pot, 6cm, a small lidded mustard by James Deakin & Sons (John & William F Deakin), Chester 1921, with blue glass liner, a Victorian urn shaped pepper pot London 1888, 9cm, a rococo style pepper pot Chester 1901, 9cm, EPNS pepper pot with blue glass liner, total weighable silver approximately 5.8oz.
A Tea Urn, D. José I, King of Portugal (1750-1777), 916/1000 silver, spiral decoration en relief "Flowers", pierced square base en relief "Flowers" with four feet, carved cover finial "Cupid", carved Brazilian rosewood tap handle, Portuguese, signs of use, missing cupid bow, Lisbon assay mark (1770-1804), Basílio Pires Querido maker's mark (1753-1762), Dim. - 65 cm; Peso - bruto - 7.589 g.
Alfriston Interest: 275 postcards, including views of Winton Street (7); North Street (3); The Cross and View down North Street (7); The Cross (12); Cross with Smugglers and / or Post Office (19); Waterloo Place (18); The Smugglers (13); The Urn (Badgers Tea Room) (1); High Street looking South from West Street (10); High Street looking South from North Street (8); View up West Street from Square (4); High Street Shops (2); The Star (49); Tudor House (5); High Street looking South and North (5); The George (9); High Street North from Wingrove (1); Wingrove (3); Deans Place (3); Clergy House (47); Church from Clergy House Drive Gate showing drive (7); Church and Clergy House from the road (9); Church and Clergy House from South (17) and Approach to Village from South (16). Album 2: 145 postcards, including views of Church from West and North West (15); Church from South West (16); Church Interior (8); Church from East (1); Distant views of Church from North through to East (7); Church from North through to East (7); Church from Plonk Barn (15); White Bridge (9); Burnt House (4); Youth Hostel (1); Windmill (2); Distant views of village (18) and Cuckmere Valley (14)
A Victorian Sewing Table, hinged inlaid top with serpentine front and canted corners opens to reveal a fitted interior with coromandel covers to multiple compartments, pull out silk bound wood drawer beneath, supported on four downswept arms and block plinth on a central urn shape stem and tripartite base terminating in cared lion's paw feet, 75cm high by 50cm wide by 44cm deep
An early 19th century silver chamberstick, the whole having gadrooned edge and shell capped loop carry handle, ribbed urn shaped candle-holder with gadrooned detachable sconce, 8.5oz, maker William Elliott, London 1818, dia.12cm, with associated white metal conical snuffer (2)Condition report: Sconce with some scratches to topMarks good.Crease to underside with fine split and column pushing through.Modest age / handling wear.Otherwise good.
Edward Norris at The Crossed Keys in Cateaton Street - a late 17th century brass lantern clock, surmounted by a strapped bell and five urn finials between four engraved arcaded frets, over four turned columns, with side doors, on ball feet, the 6¼" silvered Roman chapter ring with wheat-ear half hour markers and inner quarter hour track, the centre signed with a cross keys pictogram over a run of flowers and foliage, centred by an alarm setting disc with engraved flower head, single steel hand and alarm, the weight driven movement with reconverted balance control, h.37cm, circa 1680, the whole sold with modern oak wall bracket and two weightsNote: Edward Norris at Ye Cross Keys in Cateaton Street was apprenticed in 1650 to William Selwood, but completed his training under Thomas Loomes as part of the Fromanteel Concern, working independantly from about 1660. He married the daughter of much older Selwood apprentice, Thomas Knifton, whose trading symbol he took as his own. Knifton premises were destroyed in the Great Fire of 1666, and he died soon after at Norris's home. Norris became master of the Clockmakers Company in 1687, and died in 1707. He almost exclusively made lantern clocks with traditional balance escapements, of which only half a dozen are known today, and only two from his Cateaton Street premises. This clock is featured extensively in an article by Brian Loomes published on clocksmagazine.com, January 2018 - a copy of which is reproduced on our website.Condition report: Was running in vendors house.The whole is very good, complete and clean, but fairly recently restored condition.
A large pair of late 19th century French gilt bronze and white marble candelabra, each with foliate cast three-branch arms, with swag decorated nozzles, the supports of half-reeded lobed urn form, raised on mask cast swag caryatid and footed supports, to further circular stepped marble bases on toupie feet, h.60cm
Various commemorative crested ware including Goss examples, together with a good quantity of ceramic and metallic thimblesCondition Report: The Guildford urn appears to be in good order with no problems. The small three-handled tyg - has a small amount of gilding off the rim at the top, nothing to concern. The handles appear to be in good condition and the colouration is good. It is stated underneath 'Pub. by AL Henty, Winchester'
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68875 item(s)/page