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Click here to subscribeA pair of gilt brass and variegated noir marble and porcelain French table lamps, square variegated marble plinth resting on leafy paw feet rising to quatrefoil mask and leafy bases, the columns with ceramic friezes rising to a classical urn with pleated shades. The lamps measure 57cms excluding fittings, overall including shades 94cms
A French gilt brass clock garniture, the mantle clock with a 9cm white dial with Roman numerals, the two train bell striking movement with outside count wheel, the ornate case with leaf and griffin cresting above a leafy mask, the case decorated with an urn and flowering leaves and plants above a lions mask, the sides decorated with classical urns and scrolls raised upon front leafy vase shaped feet, mask rear supports, 48cms high x 26cms x 12cms and a pair of conforming four branch candelabra with a central candle holder, griffin scrolling branches raised upon a classical urn and a mask plinth 44.5cms high x 20cms (3)
A Victorian Noir marble and gilt spelter figural mantle clock with a 9.5cm dial with Roman numerals the two train Japy Freres movement with outside countwheel striking on saucer bell No: 821, the drum case with an urn and pendent flowers and fruit flanked by a classical maiden and a putti holding a hoop raised upon a stepped plinth, lions paw feet, 54cms high x 46cms x 18cms
A late 19th early 20th century oak bracket clock with a 14cm silvered chaptering with subsidiary chime silent and fast slow dials in the arch, Roman numerals the two train movement striking on two gongs, the oak case with an arched top with brass urn finials, stop fluted inlaid copper quarter columns raised upon a plinth base and bun feet, 36cms high x 29cms x 18.5cms
A 19th century French mantle clock with a 15cm convex dial signed Le Roy, with Arabic numerals the two train movement, L,Marti Et Ciemedaille, D Argent 1889 striking on a saucer bell the drum case with a leaf cast urn and flambeau finial supported by classical leaf cast columns with blue glass shafts raised upon a veined grey marble plinth, beaded border, some beads lacking with a leaf scroll and flower inset plinth raised upon four toupe feet, 53cms high, (illustrated)
A 19th century ormolu and white marble mantle time piece with a 6cm white enamel dial with Arabic numerals, the single train key wound movement enclosed within a white marble urn with a ormolu finial, ormolu fruit laden down swept handles, raised upon a white marble column, the square plinth with a leaf and beaded border raised upon gilt toupie feet with a pair of cassoletts each with reversible candle holders with fruit and leaf finial`s, pendant beaded tassel handles rise upon white marble columns and circular plinth with gilt metal mounts, clock measure 34cms the casteletts measure 23cms (3) (illustrated)
A French white marble and gilt brass clock garniture, the clock 46cms with a 10cm convex dial with Arabic numerals, the two train eight day movement number 64777 with outside count wheel striking on a bell, lacking pendulum, drum case with a laurel leaf border above an urn finial, the half moon plinth with fruit finial`s above leaf and berry wrapped columns raise upon a bow front plinth with ribbon tired laurel leaves raised upon toupie feet and a pair of conforming two branch candelabra 28cms (Illustrated)
An early 19th century inlaid mahogany long case clock with a 36cm white arched dial signed H Cowden, Edinburgh, with subsidiary seconds and date aperture, the spandrels painted with baskets of fruit and leaves with a lunar calendar in the arch, painted with a castle in landscape and a masted galleon, the two train eight day movement with anchor escapement rack striking on a bell, the case with a swan neck cresting with gilt brass roundel`s above turned hood columns, the trunk with a shaped door with a satinwood open fan and an oval inlaid with a satinwood urn above a panel with satinwood spandrels above a plinth base inlaid in satinwood with Prince of Wales feathers, canted angles raised upon a plinth base and ogee bracket feet, approximately 235cms high with two weights and pendulum, (illustrated)
An 18th century oak 30 hour longcase clock, with a 12" 30cms brass dial signed Ed Rawling, Dover with Roman numerals, cast urn eagle and leafy spandrels, the single train movement with outside count wheel striking on an overhead bell, the case with a cavetto cornice above a plain frieze attached columns above a panelled long door raised upon a plinth base with pendulum weight and door key 200 cms 78½", (illustrated)
A late Victorian early Edwardian brass bed with urn shape finials, square section uprights, in filled with similar uprights, the head with turned decoration raised upon square section supports and ceramic castors with side irons and folding mattress base, 138cms, the bed width 137cms (illustrated)
A Bilston enamel scent bottle case, circa 1765-70, of flattened arched form, the cover painted with small flower sprigs, the base painted with an urn and a basket filled with roses and other summer flowers above purple scrolls, metal mounts, complete with glass bottle and stopper, 6cm (2 3/8in) high
A good quality 19th century inlaid mahogany bureau bookcase with inlaid swan neck pediment and dentil frieze, over satinwood banded doors with fine herringbone stringing matching that of the `wine glass` astragals, the fall inlaid with a classical urn with ram`s head handles within a wreath of mistletoe, over four long graduated drawers with swan neck brass handles and ogee bracket feet, the interior with inset leather and central cupboard, the door with inlay of a basket of fruit, flanked by drawers below pigeonholes and banks of four drawers to either side, all with satinwood fronts, 41½in. (105.5cm.) wide, 96in. (244cm.) high, 21½in. (54.5cm.) deep.
A green onyx and ormolu portico clock garniture late 19th century, the clock with porcelain dial signed `Paris 86 Rue de Rivoli`, with enamelled swags of flowers and Arabic numerals, supported within a portico beneath an urn of gilt bronze flowers and flame urn finials, the break bow fronted base on five gilt toupie feet, the gilt movement striking on a bell, signed `A. Chapus, Paris, A La Gerbe D`Or, Rue de Rivoli, 86`, and numbered 21159, with sun mask pendulum, 18½in. (47cm.) high, together with a pair of matching two branch garnitures on stepped square bases, 13¾in. (35cm.) high. (3)
A Regency mahogany quarter chiming eight day bracket clock circa 1820, the circular white painted dial with Roman numerals and plain twin fusée movement striking the quarters on nine bells, within a rectangular case with brass mounts, the stepped top with gilt brass urn finial, the front with gilt brass mounted panelled spandrels within fluted borders, floral rosette ring handles and pierced gilt brass grilles to sides, on gilt brass ball feet, 20in. (51cm.) high.
A good pair of George II cast silver candlesticks maker`s mark CH, probably Charles Hatfield, London 1738, in the Louis XIV style, the knopped octagonal baluster and turned stems with shell motifs and masks to shoulders, pendant husks and guilloche bands, below foliate urn sconces, one marked with lion passant, the other `0`, terminating in stepped square bases with foliate mask and rococo cartouche corners, the wells with ovolo and foliate bands on a matted ground, the detachable drip pans with conforming decoration, fully marked on bases and with scratch weights, 9¾in. (24.75cm.) high, weight 54.5 tr.oz. (2) * Condition: In good condition overall. Matching marks to base - mark not in Jacksons but appears to be either CH or GH above a pellet and beneath a trefoil, in a `club` shaped reserve. Marks crisp and clear. Lion passant to one sconce partially rubbed. Some rubbing to raised decoration on masks due to polishing, but decoration in good condition overall. Inside of rim on sconces have small notches to match drip pans - one marked with one noth and another three. Onc drip pan has damage to the bottom of the bayonet fitting - it is slightly shortened and the silver is bent over with small splits at the tip. One stem is bent slightly to one side just above the mask knop - there is no damage to the silver. No evidence of any repairs or restoration.
A George III silver bacon serving dish John Schofield, London 1789, rounded rectangular form with domed hinged cover with concave central section rising to dome with urn form finial, elephant head under crown engraved crest to front, the base compartment with gadrooned border, silver cylindrical deposit seated into which is a turned ebony handle of elongated ovoid form, the dish 10 x 6in. (25.4 x 15.3cm.), the handle 7½in. (19.1cm.) long, weight 22.7 tr.oz.
A good pair of George V silver table candlesticks Elkington & Co., London 1913, the tapered oval urn form sconces with removable drip pans on conforming tapered stems to an oval stepped base with engraved crest, 12in. (30.5cm.) high, weight 55.5 tr.oz. (2) * Condition: In good condition. No dents or creases, no splits, no repairs. A few tiny dings to edge of bases but these are not at all unsightly. Both stems are straight.
A pair of Edwardian silver table candlesticks James Dixon & Sons, Sheffield 1905, the octagonal waisted urn sconces on tapered octagonal stems to stepped square canted bases, impressed reg. design mark to base, loaded, 10¼in. (26cm.) high, gross weight 35.5 tr.oz. (2) * Condition: Drip trays not removable. A few minute dings to bases. One lacks baize from beneath base, the other worn. Otherwise in good condition, with no other damage or repairs.
A pair of silver table candlesticks William Hutton & Sons, London, date mark rubbed, early 20th century, in the Adam taste, the fluted urn socles on conforming square tapered columns to loaded square bases, 6¾in. (17.2cm.) high, gross weight 25.5 tr.oz. (2) * Condition: Marks rubbed - maker`s mark legible. A few small dents to sconce on one stick, and dings to two corners of base. The other has one small dent to sconce and a dent to one corner of base. Stems straight. Drip pans stuck in sconces with wax.
An onyx and champlevé enamel lamp early 20th century, urn shaped body with mask and foliate handles to either side, waisted enamel collar, base is circular enamel roundel surmounted on a square onyx plinth with canted champlevé panels, electric conversion on domed supports, 18in. (45.8cm.) high with conversion, 10½in. (26.7cm.) high unconverted.
French porcelain lidded pot-pourri vase, modelled after the St Cloud original of 1750 as an urn with pierced decorations applied with floral swags on a rocky base, late 18th /early 19th century, 25cm high Condition report: Firing cracks to rim of vase, losses to the applied flora, the whole vase has been rejoined to the base with a metal bolt and filler.
A pair of belle époque lyre and urn diamond earpendants, each articulated pendant of pierced design with a lyre above an urn suspending a drop termination, set throughout with round brilliant cut diamonds claw set to millegrain edging; all of white precious metal (tests for 18ct white gold); broad plate butterflies; length 3.1cm; total estimated weight of diamonds 1.15cts
§ Rex John Whistler (British, 1904-1944) Battle scene pencil on buff paper 56 x 78cm (22 x 30in) Provenance: Dalham Hall, Newmarket, Suffolk. Literature: The present drawing is found referenced in Laurence Whistler`s `The Laughter and the Urn, The Life Of Rex Whistler` (pub. 1985, Weidenfeld & Nicolson, p. 20) where it is stated that Whistler drew the picture in 1915 when he was ten years old. We are grateful to Hugh Cecil for his assistance with the catalogue entry. Pinholes to every corner, and foxing in each corner. Under glass. Some dirt under the glass. A little crinkling of the paper along the top edge.
A Dutch walnut marquetry centre table, 18th century fitted end slides, re entrant corners and inlaid with urn, floral blooms and birds, fitted two frieze drawers and dummy verso, brass handles, on slender cabriole legs and pad feet 72 x 108 x 72cm (28 x 42 x 28in) Some losses to the edges of the top and some degree of fading
French porcelain lidded pot-pourri vase, modelled after the St Cloud original of 1750 as an urn with pierced decorations applied with floral swags on a rocky base, late 18th /early 19th century, 25cm high Condition report: Firing cracks to rim of vase, losses to the applied flora, the whole vase has been rejoined to the base with a metal bolt and filler.
AGEORGE III OAK EIGHT DAY LONGCASE CLOCK GEORGE BROWN, BEVERLEY the 31cm breakarched, painted and signed dial with twin subsidiary dials and STRIKE/SILENT to the arch, the case with swept pediment, brass finials and fluted pillars, the trunk with panelled door, plain base, 220cm h, c1800++The movement dusty but apparently complete and original to the dial on an old seat board, the cheeks to the case not packed and thought to be original to the case, the case slightly cleaned at some time. The urn paterae to the centre of the pediment probably original, the finial not, sold with a pendulum and two weights
A FRENCH PORCELAIN-MOUNTED GILT METAL MANTEL CLOCK having an urn-from surmount, an arched pediment and circular dial with black painted Arabic hours enclosed by a minute track, the painted panel of a courting couple flanked by painted porcelain columns, the movement marked 2755. 41.5cm high; sold together with a matching pair of urn-form garnitures. 32cm(h)CONDITION: Wear and oxidation, the case back missing, hairline to dial, otherwise generally ok.
AGEORGE III OAK EIGHT DAY LONGCASE CLOCK GEORGE BROWN, BEVERLEY the 31cm breakarched, painted and signed dial with twin subsidiary dials and STRIKE/SILENT to the arch, the case with swept pediment, brass finials and fluted pillars, the trunk with panelled door, plain base, 220cm h, c1800++The movement dusty but apparently complete and original to the dial on an old seat board, the cheeks to the case not packed and thought to be original to the case, the case slightly cleaned at some time. The urn paterae to the centre of the pediment probably original, the finial not, sold with a pendulum and two weights
AN UNUSUAL LATE NINETEENTH CENTURY FRENCH GILT BRASS PORCELAIN INSET MANTEL CLOCK in the Egyptian taste, the pyramidal shaped case flanked by lotus sheathed detached pillars with handled urn finials, surmounted by a male figural upon a scallop shell drawn by two crocodiles, the base with flanking addorsed sphinxes and centrered by Horus displayed, the porcelain dial and side plaques enamelled and gilt with Egyptianesque motifs, 14"" (35.5cm) high (glass to rear door and pendulum absent)
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