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Click here to subscribeA 19th century French porcelain mounted gilt metal mantel clock, 10.5cm dial inscribed with Roman numerals, 14-day Miroy-Requier & Co movement striking on a bell, the case crested by a covered urn and painted in the manner of Sevres with frolicing celestial putti and a courting couple, knop feet, 41cm high, c.1870
A George III oak cottage and inlaid long case clock with 8 day movement, with broken scroll pediment hood with brass finials and embossed lion mask mounts, the painted white 13" dial with staggered Arabic numerals and sliding moonphase marked Rd Evans, Shrewsbury with subsidiary seconds dial, pierced calendar aperture and painted spandrels above a trunk inlaid centrally with a flowering urn motif flanked by fluted columns above a shell inlaid trunk, 227 cm high total, 51 cm wide (maximum, at hood base).
Two Edward VII open salts, each of pierced oval form with shaped and beaded rims and with pierced and engraved urn decoration and also vacant cartouches on four cast and applied paw feet with fitted cobalt blue glass liners, Sheffield 1908, maker's mark William Hutton & Sons Ltd, together with a pair of Old English pattern salt spoons, combined weight approx 133gms (4)
Mixed Lot: Victorian urn shaped pepper caster, single oval napkin ring, mother of pearl handled butter knife, two various christening spoon and fork sets, single souvenir type enamel top spoon together with five various other white and base metal souvenir type spoons, weighable silver approx 223gms, various dates and makers (13)
Silver sugar box, Edward Barnard & Sons Ltd London 1912, raised on four lion paw feet width 10cm, sarcophagus shape, Regency milk jug, London 1815, two modern silver ring boxes (weighted), W I Broadway & Co Birmingham 1973, cut glass scent bottle with silver collar, London 1908, an Edwardian urn shaped caster, a pair of oval salts, William Aitken Birmingham 1914, and a small plated photograph frame,[9].
A Graingers Worcester reticulated urn and cover, the ovoid body of lobed form with decorative floral and scroll design having lobed lid and tapered finial supported on a knopped stem and circular shaped spreading foot, heightened in gilt, printed factory mark to base, painted number 2029, 28 cm high
A French porcelain twin-handled vase, in the Sevres style, the classical urn shape with an apple green ground heightened in gilt with two painted cartouches depicting 'The Calmady Children' after Sir Thomas Lawrence, and floral spray verso, gilt lion mask handles, unmarked, 30.5 cm highChip to body, floral spray has a scratch, rubbing to gilt, otherwise in general good condition
A Royal Worcester reticulated urn and cover, in blush ivory with ten segmented sections with a green and bronze glaze heightened in gilt having domed lid with tapered finial, 13.5 cm highOverall in good condition. Wear to the base and gilt around the base and finial. Light scratches. No apparent chips or restoration. Unsigned, dated 1906
A late 19th century mahogany secretaire bookcase, the dentil moulded cornice over a pair of astragal glazed doors, enclosing tooled leather edged adjustable shelves, the secretaire fitted with drawers and niches over a pair of urn carved panelled doors, on a plinth base, 123 cm w x 49 cm x 235 cm h
A pair of late Victorian silver pillar candlesticks of oval Neo-Classical form with reeded mounts, the urn pattern sconces and bases with fluted ornament, 4.5ins high, by Hawksworth Eyre & Co Ltd, Sheffield 1895 (loaded), a pair of late Victorian silver circular salts with crimped rims, on ball feet, 1ins high, Birmingham 1893, in fitted case, and a small selection of other silver and silver flatware, various (combined weighable silver 26ozs)
A George III mahogany longcase clock by James Warren of Canterbury, the 12ins arched painted dial with Roman and Arabic numerals, subsidiary seconds dial and date aperture, the arch painted with classical urn and with spandrels decorated in gilt, to the eight day two train five pillar movement striking on a bell, in mahogany case the hood with shaped top above arched and moulded cornice and with turned and fluted pillars, the shaped trunk door veneered in figured mahogany and inlaid with boxwood stringings and crossbanded, the base with raised astragal moulding and on bracket feet, 94ins high (including later brass finials) Note: James Warren recorded working Canterbury 1767-1793
A pair of George V silver pillar candlesticks of Neo-Classical form with bead mounts to sconces and footrims, the urn pattern sconces with ribbon and acanthus leaf swags, tapered columns with ram's head, ribbon and acanthus wreath ornament, on octagonal bases embossed with two-handled urns and leaf ornament, 12ins high (bases loaded), by Martin Hall & Co, Sheffield 1910, the bases inscribed "Calne Xmas Show 1910 For Best Fat Steer"
A George III gilt metal pair cased "Doctor's" watch by Jessop, Southampton Street, Strand, London, No. 2267, the white enamel dial with smaller inner dial with Roman and Arabic numerals and with blued steel "Beetle and Poker" hands and gold sweep hand, the outer dial with minutes divisions to 1/5th of a second, the cylinder escapement with stop lever, Tompion type index with silvered dial with Arabic numerals within engraved subsidiary plate, small size cock finely pierced and chased with an urn and with diamond endstone, dust cap engraved "Jessop Southampton Street, Strand, London, 2267", in plain gilt metal case, 60mm diameter (gross weight 159 grammes), with case maker's mark "R.N." (circa 1790) Note: Josiahs Jessop recorded working Southampton Street, Strand, London 1780-1794
A CAST-IRON FIRE GRATE, EARLY 19TH CENTURY the grate surmounted by a semi-circular plate embossed with a radiating dart and bellflower design, serpentine-shaped scrolled and pierced frieze surmounted by urn finials on faceted trailing bellflower supports surmounted by urn finials 79cm high, 87cm wide, 36cm deep
A VICTORIAN POLYCHROME STANDING LAMP stylized as a candle terminating in a drip tray, embossed with putti masks and acanthus leaves, on a spiral baluster-shaped fluted support applied with acanthus-leaves, above an urn, on a stylized tripartite base terminating in lion-paw feet, on a conforming stepped base, fitted for electricity, later shade 226,5cm high excluding shade
A late 19th century black slate and rouge marble cased mantel clock, of architectural form, the whole surmounted by an urn, having enamelled dial with Roman numerals, and eight day cylinder movement, h.37cmUrn appears to be lacking cover. Large chip to top right corner of case. Restoration to corner of case.
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