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Lot 1252
A pair of circa 1900 gilt bronze and white marble three-light candelabra, in the Louis XVI style, having floral scroll cast branches to beaded nozzles, with further floral cast urn shaped central tripartide column supports to hoof feet, the integral circular marble bases raised on toupie feet, h.33.5cm
Lot 13
A George II silver sugar caster, DG, London 1740, the baluster shaped body raised on a circular foot and with a pierced cover with urn moulded finial, 14cm high CONDITION REPORT: Foot rim slightly mis-shapen and piece wobbles when placed on a flat service, hallmarks legible to the underside. interior grubby, some tarnishing to the exterior. several small creases to the silver on the body. Some surface scratching and wear.
Lot 587
Two Staffordshire pearlware figural groups, early 19th century, each modelled as figures beside a tree with birds, animals and a birdcage, smallest 24cm high, largest 29cm high (at fault) (2) CONDITION REPORT: 1) Bird cage - bocage back has been off and restored, urn/scone at the top has been restored, female head has been restored at the neck and her left arm, man's hat has been restored, bird at base restored, patches of flowers/bocage missing to the base, chip to the ladies shoe. Restored throughout, some chips and nibbles throughout. 2) Restoration throughout to: bocage leaves, tree trunk, figures, arms, garlands, sheep etc some re-painting.
Lot 72
A George III silver coffee pot, London 1765, of plain baluster form with acanthus moulded spout below a hinged cover with gadrooned border and urn finial, scroll handle with turned thumb piece, all on a circular gadrooned base, 27.5cm high (makers mark rubbed), 29.8ozt CONDITION REPORT: Handle re-glued into silver mount at top joint with residue still visible. Some pins to the silver handle mounts are missing but handle is still secure. Cover almost sits flush with body. Initialled 'I.M.S' to underside. Hinge join to cover showing split. Exterior would benefit from polish. General external surface scratches and some blemishes.
Lot 2301
Large Edwardian mahogany fireplace, projecting dentil cornice, panelled frieze inlaid with birds, floral urns and scrolling interlaced foliage, moulded aperture, tapered and sloped pilastered with inlays, scrolled and ball carved capitals, stepped moulded plinth, inset with brass moulded and bead surround, tiled uprights, frieze decorated with urn and flowers, geometric border, cast iron fire front, rectangular slate hearth, W183cm, H135cm (max) Condition Report Click here for further images, condition, auction times & delivery costs
Lot 2066
Pair Italian porcelain Mangani table lamps, of classical urn form with applied twin handles, painted bands of bell shaped flowers and gilt work, beaded and acanthus leaf gilt-brass mounts with silk part pleated shades, H78cm overall Condition Report Click here for further images, condition, auction times & delivery costs
Lot 2116
Early 20th century Adam style brass coal scuttle, handle hinged top embossed with urn, ribbons and acanthus scrolls, scrolled supports with mask terminals, with scuttle, walnut collar turned handles, H58cm Condition Report Click here for further images, condition, auction times & delivery costs
Lot 2120
19th century French gilt metal mounted ceramic circular mantel clock, cream Arabic dial with urn centre and cresting, twin train Japy & Co movement stamped 66256 striking the half hours on a bell, on C scroll supports joined by a stretcher, H38cm Condition Report Click here for further images, condition, auction times & delivery costs
Lot 2123
Late 19th century French gilt metal mounted grey varigated marble Portico clock, circular Arabic dial painted with floral swags, twin train drum movement stamped F Martin 112, striking the half hours on a bell, with sunburst mask pendulum, urn cresting and on four adjustable feet, H39cm Condition Report Click here for further images, condition, auction times & delivery costs
Lot 359
A mahogany and marquetry miniature longcase clock with Drocourt movement, late 19th century, the gong strike Drocourt signed movement also marked 'W.T. & Co'. (for William Thornhill & Co.), no. 21173, the mahogany case with stepped ogee top with three ball finials, over a square glazed door flanked by turned columns, the trunk door and base with classical urn and floral marquetry inlay, on serpentine plinth base, the square brass dial with silvered Roman chapter ring and the retailer's plaque for 'Thornhill & Co. London', 21in. (53.25cm.) high.
Lot 386
A pair of 18th century Chinese export reverse mirror paintings, the first with a reclining lady reading a scroll by a low table, a dog beneath, on a terrace with flowering branches and birds, the second with a seated lady with a bird, beside a table and urn, on a terrace, each with bevelled border and later shaped black and gilt japanned frames, 17¼ x 14¼in. (43.75 x 36.5cm.) overall. * Provenance: Christie's London, Portraits & English & Victorian Pictures, 12th July 1990, part lot 33.
Lot 472
A pair of French patinated bronze and ormolu candlesticks, 19th century, the foliate urn sconces on tapered fluted columns with gilt acanthus capitals and urn mounts to gilt foliate circular bases, 11¾in. (30cm.) high plus fittings, later converted to lamps, 15?in. (40cm.) high overall, complete with pleated silk shades. (2)
Lot 653
A Victorian walnut bracket clock. The pagoda top has three urn-shaped finials and tiling detail. A pair of brass figureheads of the goddess Athena flank the brass dial which has a silvered chapter ring with Arabic numerals and two subsidiary dials for strike/silent and slow/fast. Three-train movement striking on Westminster chime and single gong. 52 x 32cm. For a condition report on this lot visit www.peterwilson.co.uk
Lot 332
A French 19th century ormolu and porcelain mantel clock, the urn surmount painted with two cranes in a river landscape above four pineapple finials, the 12cm dial marked 'Cattaneo & Co Leeds' painted with a similar scene, bell striking drum movement, wreath side handles, upon a rectangular base with lozenge shape panel, and peg feet 41cm (16in)
Lot 335
A George III mahogany longcase clock, the hood with shaped cresting and three ball finials above brass dial signed in the arch to an inset plaque 'J Wenham, Dereham', with mask scroll spandrels, seconds dial and date aperture, scroll engraved centre, 4 pillar 8 day movement, the breakarch trunk door with oval satinwood urn inlaid panel, canted corners, upon an inlaid base, 245cm (96.5in) high
Lot 414
A suite of Sheraton revival painted satinwood chairs and settee by Wright & Mansfield, banded in tulip wood, and painted with neo-classical urn, floral spray and leaf decoration to the pierced shield backs, bearing paper maker's labels to the seat rails on two pieces, single chair: 96cm high (37in) 47cm wide, settee 97cm (38in) wide, armchair 53cm (21in) wide (5) together with the 1950 auction catalogue for Fornham Mansion Provenance: The Property of Sir William Gilstrap Bart. Fornham Park, Suffolk, 'Furnishings of the mansion', 30th March 1951, Lot 157. 'The delicate Sheraton satinwood suite with tulip wood banding and open pierced shield shaped backs with painted floral decoration, cane seats and loose cushions upholstered in amber silk damask, comprising; a two chair back settee, open armchair and three small chairs, sold for £65 Other Notes: Wright and Mansfield were one of the pre-eminent makers of furniture in the George III style and central to the revival in interest of late 18th Century English furniture from 1860s-1880s. The partnership between Alfred Thomas Wright, cabinet maker and upholsterer and Thomas Needham Mansfield was formed in 1860, working firstly at 3 Great Portland Street, and subsequently at 104 New Bond Street, London. The partnership was dissolved in 1886. They specialised in furniture based on the designs of Robert Adam, Thomas Chippendale, George Hepplewhite and Thomas Sheraton. The Victoria & Albert Museum hold as part of the collection a chair very similar in style to this suite, purchased in the stock sale of 1887. Such was the quality of the work of Wright and Mansfield, it was decided that the museum must hold an example of a reproduction chair to ensure they were not mistaken as originals in the future. The museum had previously bought a satinwood cabinet in the Adam style which Wright and Thomas had exhibited at the Paris Exhibition of 1867. No apparent damages, just expected wear.
Lot 416
A late 19th century satinwood armchair in the manner of Sheraton, with painted neo-classical urn, floral and ribbon swag decoration, to a pierced splat back and swept arms, on turned column legs, possibly by Wright & Mansfield, bearing stamp to seat rail OM 3881 95 x 60cm (37 x 23in) Good sound condition with stamp to the front seat rail
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68875 item(s)/page