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A 19th Century French eight strike mantle clock in the style of Sevres circular dial with Roman numerals and painted cherub within cloisonne border flanked by painted cherub detailed columns and panel below cloisonne caddy top with urn finial with a pair of conforming urns decorated with Classical maidens, signed Collot., 42cm high.
A French gilt bronze and ivory mounted ink stand, circa 1880, probably by Ferdinand Duvinage, the central urn shaped well with hinged cover, with inset fruitwood foliate marquetry, above twin ram's heads, a vacant escutcheon with laurel sprigs at the front, the cartouche shaped base with twin recesses with hinged covers with (later replaced) ivorine veneers, on six toupie feet, 13cm high, 25cm wide In 1867, the Maison Alphonse Giroux (founded 1799), was taken over by Duvinage and Harinkouck. From 1870 until his death, the firm was under sole direction of Ferdinand Duvinage and was renowned for its exotic and Japonisqe creations in the decorative arts. The type of highly decorative marquetry featured on the present lot was patented in 1877 and was probably first shown at the Paris Exposition Universelle of 1878.
A painted metal six light chandelier in the Regency style, first quarter 20th century, in the manner of a colza oil chandelier, with foliate cast arms with waisted glass shades, interspersed with anthemia around the dished body, a knopped urn with flambeau finial above, suspended below the ceiling fitment by six chains, approximately 113cm high, 91cm wide, (with gilt finish beneath the paint)
A giltwood and composition wall mirror, in 18th century Continental style, late 19th century, the pierced pediment depicting a floral urn flanked by a pair of cherubs, above the bevelled rectangular plate and angled mirror border within acanthus and shell decorated frame, 155cm high, 97cm wide (repair)
A giltwood and composition wall mirror, in late 18th century style, after a design by Robert Adam, late 19th/early 20th century, the oval plate with reeded border surmounted by elaborately scrolled acanthus and bellflowers centred by an urn, 132cm high, 61cm wide . Provenance: Formerly the property of Lady Grant-Lawson, Sherwood House, Bradfield, Berkshire
A late George III mahogany secretaire bookcase, inlaid boxwood stringing, the detachable cornice with a broken swan neck pediment and a central turned mahogany urn, to a banded frieze with three inlaid circular paterae above a pair of astragal glazed doors with penwork Prince of Wales plumes enclosing a later silk lined interior with adjustable shelves, the crossbanded fall with later cast brass handles to a satinwood interior with chequer strung drawers and pigeon holes, the base with a pair of rectangular doors with circular centres enclosing two short and one long drawer on bracket feet, old restoration, 112in (284.5cm) h, 54in (137cm) w, 24.75in (63cm) w. Provenance: Bought from Dennis Wray Antiques, Sloane Street, 1970.
A George III mahogany longcase clock, the 8 day five pillar movement striking on a bell, to a 12in brass arched dial with a silvered chapter ring and subsidiary seconds dial to a pierced aperture, the centre engraved and urn and bird inscribed George Cooper, London, the arch with a subsidiary strike silent dial, the pagoda hood with glazed panel and later urn finials to turned brass inset stop fluted columns, the arched trunk door flanked by conforming columns, the base on a plinth, 93.5in (237.5cm) h.
A late 19th Century black slate and variegated marble Clock Garniture, the plinth shaped case surmounted by a stylised urn with side handles to a plinth base raised on front claw feet, to a 3 ½” Roman and Arabic enamelled dial with fleur de lys hands, to a circular brass movement with outside count wheel, anchor escapement and strike on a bell, height 15 ¾”; together with a pair of similarly decorated five light candelabra side pieces (3)
A late 18th Century oak cased 8-day Long-case Clock, Davy of Norwich, the arched hood with shaped pediment over panelled freestanding columns, with brass capitals, over an ogee throat and long arched trunk door to a plinth base, to an 11 ½” first period painted dial, with rosette and urn gilt highlighted decoration to the arch and rural trophy spandrels, to Roman and Arabic chapter ring, with subsidiary seconds and date sector and pierced steel hands, to an Osborne stamped false plate and movement united by four knopped pillars, and anchor escapement with rack strike on a bell, height 81”
A Mixed Lot comprising two pairs of late 19th Century cast brass Candlesticks: the first pair with waisted sconces (1 A/F), over plain drip pans and domed feet set with banded agate; the second pair with urn shaped sconces over waisted baluster columns set with classical masks on spreading circular bases (4)
A mid 19th Century electroplated on copper Wine Cooler, of Campagna urn form, with cast and applied wrythen rims, and further cast and applied side handles, to a plain body centred with a contemporary armorial, and raised on a spreading circular base (lacking insert and column repaired), width 11 ½”
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68904 item(s)/page