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Click here to subscribeCailar Bayard - a French electroplated chamberstick, c.1920, the urn shape sconce mounted on a two handled pedestal base, height 6cm, a French electroplated and frosted glass sugar bowl, with scroll handles, raised on a pedestal foot, diameter 13 cm and a lady's inkstand of scroll design (3). Cailar, Bayard & Cie traded from 37 & 39 rue Grange-aux-Belles in Paris, (1848 - 1934).
A Continental clear glass vase, of wrythen fluted urn shaped form with applied brass rim to the stepped square base 23.5cm high, a cut clear glass wine decanter of bulbous form with star cut base and stopper 29cm high, a clear glass mantel clock in the form of an open hand with Schneider clock movement to the centre 19cm high and a blue glass jug of bulbous form with amber glass handle 19cm high (4)
Holderness Hunt - a silver two handled presentation trophy cup, by Walker & Hall, Sheffield 1922, of urn form with upswept handles with stylised horses head mounts, raised on a knopped pedestal base, to a mahogany plinth, height 35 cm, weight 52 oz Provenance; by family descent. Inscribed "Holderness Hunt Point to Point, March 20th 1924, Farmers Race, Presented to the winner by Capt. J. Harrison - Broadley, M.F.H." Sold with photographs depicting the owner, the cup, the horse and the jockey. The winner of the race was Lissett III, raised by the Wright family of Nafferton, following his success in this race he was sold to Lord Grimthorpe, and was entered into the Foxhunters Chase at Aintree, falling at the Canal Bridge turn on the second time around. Capt J.Harrison - Broadley was the Master of Foxhounds for the Hunt.
* A Royal Crown Derby blue ground baluster vase painted with a flower spray, 17.5cm high; a similar urn shaped vase decorated with pink roses, 15.5cm high; a similar blue ground beaker vase with jewelled and gilt ornament, 13.5cm high; and a Derby style vase decorated with pheasants, 14cm high (4)
* A enamel 8-day strut timepiece, circa 1930, surmounted by an urn of flowers, guilloche enamel borders, back strut, white enamel dial with Arabic numerals, 8-day movement, 95mm high 26.04.16, White metal surfaces are slightly discoloured, enamel surfaces with small scratches, dial with hairline cracks and the luminous to the numerals are lacking in parts, movement in going order.
A matched pair of Royal Worcester and Hadleigh's Worcester urn shaped vases, early 20th century, painted by J W Sedgeley with peacocks on balustrades within green and gilt borders, signed, printed marks, 21.5cm high; and a similar twin-handled urn shaped vase, painted by E Salter with a stag in landscape on a blue ground, signed, printed mark in green, 14.5cm high (3)
A marble and gilt metal striking mantel clock garniture, early 20th century, four columns raised on a marble plinth, scroll and floral mounts, enamel dial with Arabic numerals, twin barrel movement striking on a bell, 42cm high, with a pair of urn shaped garniture, 30cm high27.04.16, Gilt metal surfaces are discoloured, front of the base corner has been touched up and filled, dial is slightly loose, movement is dirty, garniture with metal surfaces discoloured, small chips to the base, with a pendulum.
An ormolu and porcelain mounted striking mantel clock, circa 1890, floral urn flanked by two infants, porcelain floral panel, enamel dial with Roman numerals, twin barrel movement striking on a bell, backplate stamped Lafontaine A Paris, 34cm high26.04.16, Case is discoloured, dial with small chips around one winding hole and small scratches, movement needs cleaning, later pendulum.
An ormolu striking mantel clock, signed Roque, a Paris, early 19th Century, urn and pineapple finials, 3-1/2-inch dial signed, twin barrel movement with outside countwheel striking on a bell, silk suspension, movement backplate signed Roque Paris and numbered 619, 30cm high 11.01.16, Ormolu surfaces are discoloured, dial with small chips around the adjustment arbor above 12, movement plates are dirty and needs cleaning, in going order, with pendulum.
A gilt metal striking mantel clock, S Maurice Cabany, a Paris, circa 1830, case depicting a harvest lady flanked by an urn, applied scroll and floral mounts to the base, enamel dial signed, twin barrel movement striking on a bell, silk suspension, 40cm high29.04.16, Case is discoloured throughout, needs re-gilding, dial with hairline cracks and chips, movement is dirty and needs cleaning, bell nut is missing.
A late 19th Century gilt metal and Sevres style clock garniture The central clock, with upper urn finial, extending to an architectural cased body, flanked by baluster columns and standing on a quatrefoil base, inset with a 3 inch central dial, painted with Sevres style panel reserved against a bleu celeste ground and further detailed with black Roman numerals, applied throughout with acanthus and laurel swag details, together with two matching urn garnitures, all with ebonised and gilt stand, (two glass domes, one garniture lacking) clock 48cm high, garniture 38cm high (3)
A French alabaster and gilt metal mantel clock, late 19th Century The architectural casing, surmounted by a twin handled urn, raised on four columns and set of breakfront base adorned with floral swags and inset gilt metal frieze the barrel movement with single fusee movement striking on a bell, with white enamel dial and Arabic numerals and ribbon cresting, with pendulum, 49cm high, movement Samuel Marti, Paris, Case Planchon Paris
A French simulated boulle marquetry bracket clock, 19th/20th Century The caddy top adorned with flame and urn from finials above pierces galleried frieze, the arched and glazed door enclosing 7.5 inch gilt metal chapter ring with black Roman numerals, above cast plaque in the form of Zeus amongst classical trophies, mounted on toupie feet, inset with red faux tortoiseshell inserts, and fret work metal foliate panels, with two train fusee movement striking on a bell, 65cm high.
A French gilt metal and alabaster mantel clock, Circa 1900 The polished gilt metal case, surmounted by an urn finial, extending to a caddy top inset with floral and lappet panels, the 4 inch white enamelled dial, with acanthus corner spandrels and swept supports, resting on an alabaster geometric base, 33cm, stamped verso J & B, serial number 23643.
A 19th Century Chippendale style urn stand, the shaped top with a spindled gallery above a blind fretwork frieze, raised on beaded triangular section legs and joined with a fret work " X " frame cross stretcher, 80 cms high. CONDITION REPORT: Lot 1247 Rail on spindle gallery replaced at one corner, general staining/water marks to table top Half of the fret work broken between leg and table, late replacements General condition good.
A monumental reconstituted stone garden urn The square section stepped plinth adorned with laurel garlands to the exterior sides, rising to a Campana urn adorned with twin handles and fruiting vines, plinth 75cm high, urn 96cm high, overall height 189cm high. NB: Please note this item is extremely tall and heavy and requires planning on collection before purchasing.
A pair of Victorian porcelain vases with pierced detail, scroll handles and overlaid floral bocage detail on green ground with hand painted floral panels, 26cm high, together with an urn shaped baluster vase with Valkyrie handles and gilt and floral embellishment on blue ground (a/f - broken and repaired)
A late 19thC French bronzed spelter and marble clock garniture by Marti, one barrel clock flanked by a seated classical figure, Le Penseur, floral painted enamel dial bearing Arabic numerals, eight day movement, half hour striking on a bell, raised on a rectangular white marble base and four paw feet, 36cm x 16cm x 29cm, and a pair of vases and covers of urn form raised on three goat monopodia, square marble base, raised on paw feet, 33cm high.
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