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Click here to subscribeREGENCY MAHOGANY CHEVAL MIRROR EARLY 19TH CENTURY the rectangular mirror plate in a cushion moulded frame between squared upright supports surmounted by brass urn finials, raised on reeded splay legs with brass caps and castors and joined by a stretcher (Dimensions: 70cm wide, 138cm high, 56cm deep)(70cm wide, 138cm high, 56cm deep)
LATE GEORGE III MAHOGANY AND HAREWOOD URN STAND late 18th century the rounded square top with a wavy gallery above a cup slide, raised on slender square tapered legs ending in spade feet with leather castors (Dimensions: 35cm wide, 72cm high, 35cm deep)(35cm wide, 72cm high, 35cm deep)Condition report: the top with a stress fracture to the veneer running from side to side signs of old worm damage to the underside frame gallery shows lamination small section of moulding lacking from the R front corner of the frieze small 'bruise' to the L front corner of the frieze otherwise in original condition with typical signs of use and age
A pair of late 19th century neo-classical carved gilt wood and composition console tablesIn the manner of Robert Adam, the demi-lune shaped tops with inset black and white veined marble tops above acanthus, urn and paterae carved frieze, on fluted tapering legs joined by a pierced guilloche intersecting stretchers, on spool feet, each 67cm wide, 38cm deep, 84cm high. (2)
Edwardian silver sugar caster of baluster form, with fluted decoration and pierced bell shaped slip in cover (London 1906) Maker's mark rubbed. Together with another of urn form on a square pedestal base. (Birmingham 1910) Maker's mark rubbed. All at approximately 12 ozs. Each caster approximately 16cm overall height. (2)
Good quality George III coffee pot of baluster form, with engraved armorial crest and later chased floral decoration, hinged domed cover with similar decoration and urn finial, fruitwood scroll handle and leaf mounted spout, on a circular base with bead border. (London 1781) Maker IS. All at approximately 28ozs. 32cm overall height.
Good 19th century French Neo-classical ormolu and white marble desk stand and garniture, the stand with rear putto holding aloft twin candle arms, with twin urn-form wells, one housing lidded pounce pot, and circular reservoir, raised on shaped rectangular base with scroll frieze and toupee feet, 27cm wide, together with pair of possibly associated flanking garniture urns
A Derby porcelain figure circa 1780, of Andromache weeping over the ashes of Hector, she leaning on an urn, in one hand a snake biting its own tail, patch marks, base incised No.1…,/Jnx 2d size and triangle, 22.75cm high (cracked) CONDITION REPORT: Firing flaws behind shoulder. Urn is leaning. There appears to be damage at the join between the paw feet and the plinths, similarly between the feet and dress of Andromache and the plinth. Big firing crack under with old repair.
A Copeland wash set comprising jug and basin, bowl, soap dish and urn and cover, decorated flowers on a blue ground CONDITION REPORT: Soap dish cover broken through cover, rivet repairs to underside but associated chip to top, stained to interior of base. Pail cracked through cover and crack to main body, small bowl with a 'V' shaped section broken from rim and glued, basin and ewer in good condition.
A collection of 19th century decorative ceramics including a garniture of three blue ground two handled vases with painted castle decoration, max height 21cm, a pair of Derby vases of urn shaped form with painted and gilded floral detail and painted marks to base, 23.5cm tall approx, a pair of four sided bottles and stoppers with blue and gilded chinoiserie style decoration, 15cm tall approx, a pair of vases and covers with pink and blue ground and floral detail, a Crown Derby pot pourri bowl and cover, etc (mostly for restoration)
A late Victorian walnut mirrored back side cabinet of narrow proportions, the lower section partially enclosed by a pair of carved panelled doors flanking a bow front with open shelves and galleries, the raised back enclosing five bevelled edge mirror plates flanked by carved panels beneath a broken swan neck and urn architectural pediment, 128 cm wide
A Georgian gold memorial ring, with a navette-shaped painted panel beneath a glazed cover. A classical lady with an urn, painted en grisaille to a pale blue ground, to tapered shoulders and a plain shank. Hand engraved in script to the underside of the head, 'Sacred to the memory of A.K.', shank damaged . Tested as approximately 15ct gold. Head 20.5 x 14.6mm, 3.30g. Finger size P (approximately)
Georgian mahogany bow-fronted wall-mounting corner cupboard, two doors with brass H-hinges and moulded urn and swag escutcheons, the cornice with boxwood stringing, the frieze inlaid with swags, the interior with four shelves and two small drawers to the bottom, height 112cm, width 71cm, depth 45, (one key)
A French Alabaster and Gilt Metal Mounted Striking Mantel Clock, early 20th century, urn shaped case surmounted by dolphins spurting water, 4-inch enamel dial bearing an inscription Julien Beliard, Paris, twin barrel movement striking on a bell, movement backplate stamped Etienne Maxant Paris Brevete and numbered 20721, pendulum bob with matching number 20721, 46cm high see illustration 14.10.19 Gilt surfaces are discoloured, case alabaster surfaces with scratches, base with chips, back corner of the base is chipped and signs of gluing, dial with small scratches, movement is clean, in going order and striking, with original pendulum.
~ A George III Mahogany Striking Table Clock, signed Wm Fenton, Newcastle, circa 1770, inverted bell top with brass carrying handle, acorn finials, pull repeat cord, bracket feet, 8-1/2-inch arch brass dial with a silvered chapter ring, dial centre engraved with an urn and scroll decoration, strike/silent selection in the arch, twin fusee movement with verge escapement and rack striking on a bell, movement backplate engraved with a central urn and floral decoration and signed W Fenton, Newcastle, 60cm high over handle see illustration 14.10.19 Case veneers are slightly faded in parts, later side panels are damaged, both doors with lock plates missing and with later latches, pediment with the joints slightly separating and lifting, case with small scratches and dents, dial is discoloured, movement in going order, date disc is not moving.
~ A Rare Year Going Mahogany Calendar and Zodiac Display Longcase Clock, signed Jno Walker, Newcastle, late 18th century, arched pediment, Corinthian capped columns, arched glazed trunk door, plinth with an inlaid panel, bracket feet, 15-inch one piece silvered brass dial with a Roman chapter, outer calendar chapter displaying date/months and signs of the zodiac and a large corresponding central calendar hand, finely engraved dial centre with an urn of flowers and signed, arch with moonphase aperture, large twin weight driven movement with an anchor escapement and striking on a bell, 242cm high, sold with a photocopy of this clock illustrated in the 1925 Archaeologia Aeliana article see illustrations It is understood that this clock was made about 1770 and was purchased by the Newcastle Corporation in 1885 and set up in the Mayor's Chamber in the Town Hall. From research, this clock is said to have been illustrated in an article first published in Archaeologia Aeliana in 1925 in a paper titled North Country Clockmakers of the 17th, 18th and 19th Centuries written by C.LReid, a Newcastle Goldsmith & Jeweller (Trading as Reid & Sons). The appendix which first appeared in the 1925 book states: ''Another 365 day clock, made about 1770, was purchased by the Newcastle Corporation in 1885 and set up in the Mayor's Chamber, in the Town Hall''. The article is said to include a few details of this clock and a few notes about the clockmaker John Walker. John Walker from London set up business in Newcastle Upon Tyne about 1754 and died in 1773. He is recorded as advertising himself as a clockmaker making all types of complicated mechanisms such as perpetual month going clocks and clocks with tidal dials. He is remembered for many good clocks and also an invention which he spent eight years perfecting, which was a wheel cutter that cut and rounded wheel teeth. Another feature of Walker's unusual clocks is that the strikework has a vertical worm-driven fly. 14.10.19 Case with cracks and chips in parts, trunk door with cracks, glass is cracked, plinth with inlay missing in parts, dial is discoloured and stained, movement looks complete, with pendulum and two weights.
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