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Lot 28
An Edwardian style silver caster, the body with gadroon sections with mid section engraved with floral festoons, domed pierced cover with lattice decoration, urn shaped finial, hallmarked by Joseph Gloster Ltd, Birmingham, 1973, approx 4.31 ozt (134.2 grams), approx 17cm high (1)Further details: marks clear
Lot 515
Early 20th Century Lenzkirch, marble and bronze mantle clock with garnitures, enamelled dial with Arabic numerals, 8 day, hand painted floral face, on column supports, with urn detail to top, along with a figure of a griffin to summit, on round supportsProvenance; owned by the Griffin Family who headed General Motors when took over by Vauxhall Cars, early 20th Century, hence the Griffin motif of the company
Lot 309
dating: about 1780 provenance: Kingdom of Naples, Straight, double-edged blade of hexagonal section, the base engraved and gilded on a blue background with the inscription 'VIVA FERDINANDO III' on both sides. Solid gilt brass hilt with heart-shaped valve, oval urn-shaped pommel and grip with fake wire binding. Leather scabbard (damage and signs of use) with gilt and engraved brass mounts. Rare. length 99 cm.
Lot 31
A Charles II oak backstool, Cheshire/Lancashire, circa 1680 The back panel carved with a single rose stem and frilly-leaves, the tall arched cresting with a single tulip stem, paired four-petal flowerheads and matching leaves, back uprights with urn-turned finials, boarded seat, run-moulded seat rails, on baluster-turned front legs, joined by a conforming fore rail and plain side and rear stretchers, 46.5cm wide, 115cm high, seat height 45.5cm
Lot 149
An 18th century and later small brass lantern clock, English The dial signed 'John Ward Fecit', the rectangular brass four pillar case with urn finials and pierced-scrolled crestings, the strap steel bell with matching urn finial, the 7in Roman dial with floral engraved centre, on ball feet, the steel framed movement with anchor escapement, bob pendulum and weight, the case 14.5cm wide, 38.5cm high Provenance: Albert Gaultier Collection, Newton Old Hall, Newton nr. Tibshelf, Derbyshire
Lot 59
A small mid -to late 17th century brass lantern clock, EnglishWilliam Snowe, Marlborough, b. c1638, d. 1722, (son of Nicholas Snowe)Surmounted by an open bell, with urn finial, between engraved dolphin frets, over four columns, with side doors, on ball feet, the 4.5in wide Roman chapter ring with fleur-de-lys half hour markers, the centre with a floral engraved border, single hand, weight driven movement, bob pendulum; together with an oak wall bracket, the case 11.5cm wide, 27.5cm high, the bracket 16cm wide, 51.5cm highProvenance: Albert Gaultier Collection, Newton Old Hall, Newton nr. Tibshelf, Derbyshire
Lot 7
An impressive Charles II oak coffer front, in the Elizabethan manner, Lancashire, dated 1669With four slender panels, each carved with a gadrooned-urn issuing flowering vine and pomegranates, the short central muntin rail carved with the initials 'SN' above the date '1669', all below a meandering vine-carved top rail, above a lozenge and roundel flower-filled rail and five panels, each carved with a similar urn filled with leafy-sprays, floral stiff-leaf stem carved front stiles and leafy scroll-carved spandrels, 163cm wide, 77cm highFor a comparable large settle, dated 1677, formerly in Moller Collection, Thornecombe Park, almost certainly from the same workshop, see Sotheby’s, 28 May, 1982 and illustrated R. W. Symonds. ‘Furniture Making in Seventeenth and Eighteenth Century England’ (1955), p. 76, fig. 116-117
Lot 167
FLEMING (IAN)Dr. No, FIRST EDITION, FIRST IMPRESSION, FIRST STATE, with the plain black publisher's cloth binding, spine lettered in silver, FINE IN A NEAR MINT PROOF DUST-JACKET, slightly taller than the book and with wider flaps [cf. Gilbert A6a(1.1 or 1.2)], 8vo, Jonathan Cape, 1958Footnotes:A FINE COPY IN A PROOF DUST-JACKET ORIGINATING FROM THE ESTATE OF THE DESIGNER PAT MARRIOTT.The proof dust-jacket corresponds to Gilbert's description of the first impression jacket, but differs slightly in so far as it is some 2mm. taller (196mm.), and has much wider inner flaps which have not been clipped, so that the price appears nearer to the centre of the front flap. A comparison alongside a published jacket also shows that the design and colours appear an exact match except for one small detail, the 'Greek urn' circular device on the spine being bright white as opposed to off-white as described by Gilbert.The design for Dr. No 'shows in a beautifully understated but provocative way, Honeychile Rider nude on the beach... Marriott's initial idea for Dr No was not to Fleming's liking and so she produced an entirely different idea and the result was the jacket that we know and love... This is the most extraordinary jacket for its time not least because Fleming's name, by being printed in black, is barely visible. And then the subdued colours, and indistinct figure and background are contrary to any designs of the period. In its own way, it would have stood out as much as any Chopping cover' (Graham Thomas, 'Pat Marriott - Bond illustrator', on Mid-Century Bond website, 2019).Provenance: Pat Marriott (Patricia Marriott, 1920-2002), designer of the dust-jackets of the first editions of Diamonds Are Forever and Dr. No, and the 1957 'playing card' edition of Casino Royale. Marriott was known as an illustrator of children's books and in 1954 had married Fleming's literary advisor and a director at Cape, Michael Howard, who drew the author's attention to her work; by descent until purchased by the present owner.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 1227
A GEORGE III NEOCLASSICAL SILVER TEA URN by Thomas Graham, London 1792, the domed and crested cover with reeded orb finial above a pierced collar and leaf engraved bands, the ovoid body with lion-mask ring handles and Vitruvian Scroll engraved frieze, raised on a square base with reeded ball feet. 49cm high, 95.5 troy ouncesA good set of marks on the cover and the underside of the urn. No evidence of erasure or thinning. Tap appears to work ok. Stands well and does not rock. In generally good condition commensurate with age.
Lot 1161
A GEORGE III SILVER PUNCH LADLE, AND A COLONIAL PEPPER POT the ladle with turned and faceted wooden handle, the circular bowl inset with an 1819 coin, monogrammed; the pepper pot of urn-form, unmarked. (2) Ladle 36cm longLadle: The handle with some scuffs and marks. The bowl with some surface wear.Pepper: Some surface wear commensurate with age but generally in good condition.
Lot 314
An Edward VII heavy quality two handled tea tray of lozenge form having two bold triple scroll handles. The centre with bright cut shield shaped cartouch (uninscribed) beneath a garlanded urn and rondle frieze, overal width including the handles 72cm, depth 38cm, London 1908, Edward Barnard & Sons Ltd, weight 3400 gms
Lot 457
A good quality19th century French clock garniture, the clock set in a green marble case mounted with a bronze model of four putto, the base of the cherubs signed Feuchere (French 1807-1852), the white enamel clock face with Roman numerals and twin winding holes to a brass movement striking on a bell, the clock face signed E Vittoz Paris, green marble case with applied gilt metal detail, together with a pair of accompanying bronze and green marble urn type vases, largest piece 51cm high (3)
Lot 169
A GEORGE III MAHOGANY CHEVAL MIRRORCIRCA 1800Mounted with urn finials, on swept supports and original brass candle sconces 156cm high, 87cm wide, 82cm deepCondition Report: There are scratches, marks, knocks, cracks and abrasions consistent with age and use.There are losses, observations and restorations including: there are filled holes to the outer uprights almost certainly from candle arm fittings, either these brass adjustable candle arms, or possibly others; some cracks along the grain of the timber; the horizontal stretcher repaired with dowels visible and other later sections of timber; some ageing of the silvering of the mirror; one end support with a metal brace, the other end support lacking the metal brace.Please see the additional photographs as a visual reference of condition. Condition Report Disclaimer
Lot 330
A REGENCY MAHOGANY CHEVAL MIRRORCIRCA 1810Mounted with urn finials and downswept supports170cm high, 72cm wide, 58cm deep Condition Report: There are scratches, marks, knocks, cracks and abrasions consistent with age and use.There are losses, observations and restorations including: some variable colour; some later staining; some shadowing around brass handle fittings, suggesting possible repositioning or replacement of the handles; some cracks and replacements to the crossbanded mirror frame; some dents and scratching to the brass feet cappings, one capping not fitting flush; the panelled back with some movement to a strut and some cracks.Please see the additional photographs as a visual reference of condition. Condition Report Disclaimer
Lot 58
A LATE VICTORIAN INLAID MAHOGANY QUARTER-CHIMING EIGHT-DAY LONGCASE CLOCKUNSIGNED, CIRCA 1900 INCORPORATING EARLIER ELEMENTSThe triple-train movement with anchor escapement, chiming the quarters on eight bells and sounding the hour on a coiled gong, the 12 inch brass break-arch dial with silvered Roman numeral chapter ring and subsidiary strike/silent selection dial to arch, in a 'pagoda' pedimented case inlaid in the Sheraton manner with an urn within foliate husk borders to the trunk door flanked by brass stop-fluted quarter columns, the panelled base further inlaid with a musical trophy.245cm high including finials, 51cm wide, 24cm deepProvenance: Borde Hill House, West SussexCondition Report: As catalogued the movement is later then the dial and case with the mechanism dating to around 1900. The movement appears complete however is in dirty/neglected condition and the plates appear slightly out of square suggesting that the movement has at some point received a bump to one corner. A competent clockmaker should be able to rectify this issue during the required cleaning/overhaul of the mechanism. The matted dial centre (disc within the chapter ring) has been replaced to allow the winding holes to correlate with the present movement; the recessed subsidiary seconds dial has most likely been transposed over from the original late 18th century dial centre. The dial otherwise is in sound original albeit dirty/discoloured condition.The case is generally in good condition. All of the inlay is circa 1900 whilst the background veneers and structure are late 18th century. The plinth top moulding has a bruise neat the centre most likely from one of the weights being bashed against it during removal or installation otherwise faults to the case are very much limited to minor bumps, scuffs, shrinkage, wear and other age related blemishes.Clock has pendulum, three weights but no case key or winder. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of description.Condition Report Disclaimer
Lot 777
Terracotta garden urn on plinth, 19th Century, campagna shaped bowl cast with fruiting vines and with twin mask handles, over a square plinth, total height 150cm, the urn 71cm diameterNB: Bidders must make appropriate arrangements for the removal of this lot. Byrne's employees are not authorised to assist with its removal from the saleroom on health and safety grounds.
Lot 112
Helena Wolfsohn (Dresden) pot pourri urn and cover, circa 1900, twin gilt handles on an urn shaped body, decorated with panels of courtiers and floral block panels, all bordered with gilt scrolls, pierced cover with a laurel wreath handle, all raised on a square base, painted underglaze blue 'AR' mark, height 30cm
Lot 443
Pair of miniature Royal Worcester covered urns, H: 13 cm, small chip to cover of one urn and crazing on both, paint appears in good condition, with some marks on the underside of the cover, small areas in which the paint has no signs of wear to the gilt or restoration on either urn. P&P Group 2 (£18+VAT for the first lot and £3+VAT for subsequent lots)
Lot 180
Pair of 20th Century Wedgwood Rosso Antico covered vases of urn form with twin scroll handles, continuous friezes depicting classical Greek muses with further stylised flowerhead and foliate borders, impressed marks, each 27cm high. One with repaired handle. (2). Condition:Both slightly grimy & dusty & could do with a light clean. One with repaired scroll handle, as images. Otherwise both in good condition with no other visible cracks, chips or loss to applied decoration.
Lot 181
20th century Wedgwood large green jasperware covered vase of twin handled ovoid urn form, the continuous frieze depicting ten classical Greek muses with further floral swag and stylised foliate borders, impressed marks, restoration to knop, 31cm high.Condition:Top has been re-stuck. Slight scuffing to green jasperware & one loop handle. No visible chips or cracks or loss to applied decoration.
Lot 182
20th century Wedgwood blue jasperware vase of urn form with twin scroll handles, the continuous frieze depicting four classical Greek muses with further decorative borders, impressed marks, 25cm high.Condition:Lacking cover. Very slightly grimy & dusty, in need of a light clean. No visible cracks, chips or loss to applied decoration. Good condition overall.
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68875 item(s)/page