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the domed top surmounted by urn and acorn finials, above a brass dial with silvered Roman numeral chapter ring and three subsidiary dials for Strike/Silent, Fast/Slow, and Whittingham/Westminster Chimes, signed 'Charles Shapland, 207 High Holborn'; raised on a stepped moulded base and gilt brass paw feet, the three-train chain drive fusée movement quarter-chiming on eight bells, the hour count on a large gong38cm wide, 55cm high, 26cm deepProvenance: Property of a Scottish family
of bombé form, the cylinder top opening to an interior fitted with drawers and a tambour door above a slide out writing surface; over three serpentine and bombé long drawers and shaped apron with splayed bracket feet, the whole profusely inlaid with flowering urn, bird, and garland marquetry and outlined with gilt brass mounts116cm wide, 130cm high, 60cm deep
the caddy top hood with carved giltwood flaming urn finials and repoussé brass fret above a twelve inch silvered dial with Roman numerals, subsidiary seconds dial, date aperture, and twin ringed winding holes, signed on the chapter flanking the VI 'Andrew Broun/ Edinburgh', with crown and cherub spandrels, above a geometric line inlaid and crossbanded trunk door with an oval brass bound lenticle, on a similarly decorated plinth base with bun feet; the month going movement with five wheel trains and turned pillars, anchor escapement, and hourly strike on a bell via a counterwheel46cm wide, 247cm high, 25cm deepFootnote: Note: Edinburgh made clocks that predate 1700 are exceedingly rare. Andrew Broun [or Brown] (circa 1651-1712) was apprenticed to Humphrey Milne on 2nd February 1665. His apprenticeship was recorded thus "The second day of February 1665. The quilk day, Andro Broun, sone lawfull to umquihil Jon Broun, in Lang Newtone, is booked prentice to Umpra Milne, clock maker." Ten years later he officially ended his apprenticeship after demonstrating his skill to a committee of clockmakers and became a freeman of the Hammermen's Incorporation. He then took on several apprentices and journeymen himself throughout his career. He became Captain of the City Guard in 1685 and Master of the Hammermen's Incorporation in 1689.In 1689 and 1690 he was elected boxmaster [treasurer] of the Hammermen's Incorporation and in 1696 he became a Guild brother of Edinburgh. Although recorded as a highly capable maker, he apparently died penniless, with his son applying to the Incorporation for financial assistance on his father's death.John Smith, author of Old Scottish Clockmakers from 1453 to1850, states "In view of the long time he was in business, - thirty-five years - it is remarkable how exceedingly scarce are specimens of his art, only three have come under our notice: one being the splendid clock in the lobby of the advocates library, another that was exposed for sale in the window of a dealer in Queen Street Edinburgh, both these two having cases of beautiful and chaste marquetry; and the third one in possession of a private party in Linlithgow". A marquetry longcase clock by Broun dating to the late 17th century sold in these rooms, 1 September, 2021, lot 18, and another 17 November, 2021, lot 18.Note: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside Great Britain, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit http://www.defra.gov.uk/ahvla-en/imports-exports/cites/
the arched fan cast fire back with swagged frieze above a basket headed by finials and brass anthemion corner mounts with a brass laurel leaf banding to the apron, the andirons of gadrooned baluster form with urn finials, on leaf cast cabriole legs with paw feet centred by fan patera82cm wide, 59cm high, 40cm deep
Fine 19th century gold quarter repeating pocket watch with Jaquemart automaton signed Breguet, signed gilt frosted fusee movement with plunge pendant, hammers striking a gong, pierced balance bridge, gilt three arm balance and silvered regulating dial, the skeleton automaton dial with two monkeys upon pedestals hammering bells with an urn and foliage in the foreground, outer enamel Arabic chapter signed 'Breguet A Paris' with minute track, blued steel hands, within a consular case, 118.3gm, 57mm, key-Movement - currently functioning, repeat functioning.Dial - light surface marks to the enamel chapter.Glass - light surface marks.Hands - mild surface corrosion.Case - surface marks and some mild bruise marks to the case back.-Condition reports are provided for general guidance only. Please view images and further information can be obtained upon request. Gardiner Houlgate do not guarantee the working order or time accuracy of any lots. Due to the opening of the wristwatch case backs, it is recommended watches are re-sealed by professional technicians to ensure any stated water resistance is retained
Victorian silver lever pocket watch, London 1867, unsigned movement, no. 29805, with engraved balance cock with urn, diamond endstone, gilt three arm balance and Bosley type regulator, dust cover, the numbered dial with Roman numerals, minute track and subsidiary seconds, gilt hands, within an engine turned case with engraved shield, 50mm (in need of attention)-Movement - briefly runs but not winding so requires attention.Dial - minor light surface marks.Glass - some scratch marks.Hands - light surface marks.Case - surface marks, rubbing to the engine turning and some mild tarnishing.-Condition reports are provided for general guidance only. Please view images and further information can be obtained upon request. Gardiner Houlgate do not guarantee the working order or time accuracy of any lots. Due to the opening of the wristwatch case backs, it is recommended watches are re-sealed by professional technicians to ensure any stated water resistance is retained
***PLEASE NOTE DESCRIPTION SHOULD READ 'A COLLECTION OF GEORGIAN CUT GLASS PRESERVE JARS AND DECANTERS, 18TH/19TH CENTURY'***A COLLECTION OF GEORGIAN CUT GLASS PRESERVE JARS AND DECANTERS, 18TH/19TH CENTURY the tallest 23cm high (10)Condition Report: ***PLEASE NOTE DESCRIPTION SHOULD READ 'A COLLECTION OF GEORGIAN CUT GLASS PRESERVE JARS AND DECANTERS, 18TH/19TH CENTURY, the tallest 23cm high'***Drum shaped preserve jar & Cover- with numerous tiny chips inside rim of base - And small nicks to the points on some of hobnail cuttingFlat cut preserve jar - lacking domed cover - with small chips to corners of square baseDecanter - good overall- original stopper- some small nibbles to the collar, and plug of stopperSmall semi-ovoid urn base - with small chips to corner of square plinth base Dessert glass & cover- both in good conditionTriple ring decanter- Good condition- no stopperSmall turn over urn - With small chip to underside of folded rim - minor chips to edges of circular footClear glass urn base with fluted side walls - some chipping to corner of square baseLarger drum shaped preserve pot and cover - good conditionSee additional images of each piece
A 19TH CENTURY CAST BRASS CEILING LIGHT, with central urn decorated with satyr masks and flambeau shade, on a quatrefoil base fitted four upturned lamp holders, supported on four heavy cast chains. c.80cm highCondition Report: c.80cm high51cm wideFitted for electricity, lacking cables, we would recommend rewiring as a safety precautionSee additional images
A 19TH CENTURY INLAID MAHOGANY DOUBLE DIAMOND GLAZED DOOR WARDROBE, with swan neck cornice, the astragal glazed doors with lower panels decorated with oval satinwood urn motifs within satinwood borders and quarter paterae. c.240cm high x 139cm wide x 55.5cm wideCondition Report: Good overall All glass panels are good, no warping to the doorsA magnet clip fastens door firmSmall loss to end of moulding between the two doorsThe arched pediment is detachableSee additonal images
A PAIR OF BRASS MOUNTED BLACK MARBLE URN SHAPED TABLE LAMPS, electrified, of circular form with satyr mask and banding with astrological symbols, raised on a square stepped base with cast bracket feet, with shades. 52cm highCondition Report: Both in good conditionThe square base of one with a discreet chip lossOtherwise no issues, see images
A collection of 19th century and later glassware,consisting of eight petalled dishes, 16.5cm diameter, a pair of candlesticks, 24cm high, a cut glass urn, 19.5cm, a jug, 17.5cm high, seventeen further plain dishes, 16cm, a pair of decanters, 18cm and other mixed glassware (qty)Condition report: eight petalled dishes, 16.5cm diameter - chips to edgesa pair of candlesticks, 24cm high - base chip to onea cut glass urn, 19.5cma jug, 17.5cm high, - chip to rimseventeen further plain dishes, 16cm - majority with chipsa pair of decanters, no stoppers18cm and other mixed glassware -
A Victorian silver teapot, by Wakely & Wheeler, London 1895, with flared rim leading to a body with a single reeded band, the whole upon three hoof feet, 14cm high, together with a silver sugar bowl and cover, by Roberts & Belk, Sheffield 1905, the body with beaded rim, the cover surmounted by an urn finial, 16.5cm high, an earlier spoon, and an Edwardian sugar caster, by S W Smith & Co, London 1905, of octagonal baluster form, 17cm high, total 20.4ozt (4)Condition report: Tarnishing, scratches and wear throughout.
A pair of silvered bronze candelabra, 19th century, French, each having two arms with swagged sconces, centered by an urn, raised on a square tapering column support on a square spreading base, one signed P. Darthez, 34cm highCondition report: central urns bent and silvering rubbed in several places, only one signed
A pair of palm tree table lamps,of recent manufacture, the stylised palm tree leaves above an urn, each on square section stepped base, 71cm highCondition report: Minor marks to painted base, due to the nature of the item small losses are to be expected to palm tree leaves.Resin and pressed metal.
A collection of four table lamps, the gilt metal socket modelled as an urn with swags, leading to a square glass column, on four paw feet, each with square tapering cream shades, 53.5cm high to socket 74.5cm high with shadeCondition report: Minor nibbles to the edge of the glass columns. Some pulls to the shades.
A pair of large faux terracotta garden urns on stands,20th century, the twin handled urns with scrolling acanthus and flowerhead detail on swept fluted bases and separate rectangular stands with wreath detail, 58cm diameter126cm highCondition report: Weathering with areas of algae, chip to rim of one urn, compost to interiors.
A George III silver three-piece cruet set,by Thomas Daniell, London 1780, consisting a mustard pot, 7.5cm high, and two open salts, 8.2cm wide, all with pierced decoration and beaded rims, the open salts on four claw and ball feet, with blue glass liners, together with another similar silver mustard pot, with pierced urn and engraved swag decoration, and blue glass liner 8cm high, a collection of six Victorian silver Fiddle pattern teaspoons, London 1849-1872, all with engraved crest terminals, and a George IV caddy spoon, by George Knight, London 1823, total 13ozt excluding glass liners (11)Condition report: Scratches, marks and tarnishing throughout.George III cruet set) Residue polish marks to the handle of the mustard pot. Minor dent the base of an open salt, with a small crack to the other.Mustard pot) Engraved crest to lid and decoration partially rubbed. Caddy spoon) Dents to the bowl. Teaspoons) Rubbing to the gilt interior of the bowls. Rubbing to the engraved crests.
A Georgian style oval mirror, with a bevelled edge, egg and dart board and an urn pediment, 103.5cm highand a Georgian style bevelled mirror, rectangular with a bevelled edge and featuring an urn pediment,59.5cm wide117cm highCondition report: Oval mirror) In seemingly very good condition. Please see the additional images.Bevelled mirror) In very good condition, missing a very small section of wood on the lower centre edge.
A selection of decorative ceramics and teaware, including: a florally decorated Durham China part tea service; a Royal Albert 'Old Country Roses' tea set; a Nao figure of a ballerina; a Wedgwood miniature twin-handled urn vase; a Crown Devon biscuit barrel with silver-plated mounts; a Sheffield English pewter tankard; and other items.
A GROUP OF ASSORTED CERAMICS TO INCLUDE A KERAMOS AUSTRIA FIGURE GROUP OF TWO HERONS, HEIGHT 23CM, AN AYNSLEY ORCHARD GOLD RECTANGULAR SANDWICH TRAY, NINE PIECES OF WEDGWOOD GREEN JASPERWARE comprising three trinket boxes, two table lighter bases, two pin dishes, a cream jug with broken handle and an urn shaped posy vase, seven Lilliput Lane cottages with no boxes or deeds, comprising 'Ostlers Keep', 'Victoria Cottage', 'Moonlight Cove', chipped, 'Farthing Lodge', chipped, 'Five Ways Cottage', chipped, 'Chestnut Cottage - Christmas Collection', 'Clover Cottage - English Collection -South West' and 'Riverview', chipped, a black basalt framed oval plaque, impressed verso 'Elliott no.172 J. Bromley', etc, s.d. (Qty) (Condition report: most pieces in good condition, Lilliput Lane has some chipped pieces and others have light rubbing)
Late 19th century French Empire style clock, with white marble garniture de cheminee, white enamel Roman chapter ring with engine turned centre plate and ornate slip, the dial and movement in bevelled glass and brass casing, four reeded column supports, applied cast gilt metal swags, on flower head cast bracket feet, twin train driven movement striking on coil, the pendulum decorated with Greek mask surrounded by grapes and leafage, pair white marble urn garnitures with gilt metal handles and foot on stepped square baseDimensions: Height: 42cm
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68875 item(s)/page