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ROMAN RIVER GOD WESTERN EUROPE, 2ND CENTURY AD 69cm longcarved marble, a river god shown in the traditional reclining pose, a mantle draped over his hips and legs, his right arm resting on his side, the left laid over an overturned urn, the torso nude with well defined musculature, the long beard and hair evoking the form of aqueous reeds Provenance:Private collection, Europe, acquired 1980's.Private collection, Spain.Private collection, United Kingdom, exported from Spain under export license, with details released to the buyer.Note:River gods were, as the name suggests, deities believed to embody the great rivers of the ancient world. With a distinctive languid form, they were popular depictions throughout the ancient Mediterranean, where they could be found in wealthy villas or public monuments, normally with their back to a wall as a fountain emerged from an amphora situated on the god's lap. This example, though modelled in the round, was likely used in this context.Due to their popularity in the provinces (where there was limited access to expert sculptors), many surviving examples appear to be roughly carved. However, this example, with its statuesque majesty, is a fine example of Roman Antonine/Severan period sculpture.
Third quarter of 18th century brass mounted mahogany sedan timepiece, Geo Parker - Dublin, 201, with concave moulded brass surround and urn shaped suspension to a further concave mahogany surround with cast brass bezel set with convex glass to a 10cms (4ins) Arabic enamel dial with outside minute track and black finished hands to a single fusee verge movement, signed to the pierced and engraved bridged cock and with silvered regulation scale over pierced baluster columns and with verge escapement with hinged back cover with ring turned detail, height 20cms
Late 19th century ebonised Vienna type timepiece, the case with overhanging cornice surmounted by a break-arch pediment with central urn over three-quarter part column flanking a glazed door, shaped and moulded base to a 16cms two-part Roman enamel dial with outside minute track and blued steel spade hands to a single weight driven movement, height 125cms
Late 19th century French boule type mantel clock, the waisted case surmounted by a flowering urn finial decorated on three sides with pierced and engraved brass detail on a red background and with gilt glass floral and scrolling mounts and with glazed aperture to a cast bezel enclosing a 9 1/2cms (3 3/4 ins) gilt dial with applied Roman enamel lozenges and black finished hands to a circular brass movement with anchor escapement and strike on a coiled gong and with sunburst mask pendulum, height 33cms
Late 18th century oak cased 8-day longcase clock, George Payne - Ludlow, the later oak case with overhanging cornice and shaped pediment with free-standing columns and concave throat to a long trunk door on a plinth base to a 30cms (12ins) square brass dial with cast and applied urn and bird spandrels enclosing a Roman and Arabic chapter ring with outside minute and inside quarters tracks to a matted centre with subsidiary seconds and date aperture with pierced steel hands to a movement with plates united by four knopped pillars and with anchor escapement and strike on a bell (associated), height 206cms
Late 19th century European carved ivory chamber stick, with urn shaped sconce with flared and fluted rim with acanthus leaf body to a saucer base with further foliate centre and with high relief carved floral and foliate border with an applied thumb piece with cartouche initialled AA (loose) and raised on a plain foot rim, width 12cms, height 6cms
George III tea urn with bladed and waisted pull off cover with engraved border and cast and applied urn shaped finial to a lobed circular body with applied and leaf capped strap work side handles with engraved rosette and swag decoration with contemporary crest and initial over a fluted spout with ivory "T" handle to a spreading circular base on a square socle with four ball feet, height 36 1/2cms, wt approx 1077gms all in, London 1790, maker's mark SG, EV
Late 19th century French boule type mantel clock, the waisted case surmounted by a floral urn finial and with mask foliate and scrolling mounts with glazed aperture beneath a cast bezel enclosing a 7 1/2cms (3 ins) Roman and Arabic enamel dial (chip and hairline at 6) with outside minute track and fancy gilt hands, the circular brass movement with back mounted count wheel and anchor escapement strike on a bell with sunburst mask pendulum and signed LeRoy et Paris, height 30cms
A 1930's mahogany "Grandmother" clock, the 6.5ins arched brass dial with silvered chapter ring with Roman and Arabic numerals, to the three train movement striking and chiming on six gongs, contained in mahogany case, inlaid with classical urn motif within oval panel and inlaid with chequered stringings with arched moulded cornice, on moulded plinth base, 53ins high
An Edwardian mahogany framed shield shaped toilet mirror in "George III" manner, inset with bevelled mirror plate, on tapered uprights with urn pattern finials, the base fitted two frieze drawers inlaid with satinwood bandings, on splayed bracket feet, 22.5ins wide x 8.5ins deep x 30ins high
An Edwardian rosewood two tier corner cupboard, the whole inlaid with stringings, urns, ribbons, leaf scroll and bell flower ornaments, the upper part with scroll pediment with central turned and reeded urn pattern finial and moulded cornice, fitted one shelf enclosed by a pair of astragal glazed doors, open shelf under, the back inset with twin rectangular bevelled mirror panels, the base fitted cupboard enclosed by a pair of panelled doors, on turned feet, 33ins wide x 85.5ins high
A pair of late Victorian silver pillar candlesticks of Neo-Classical design, fluted sconces and fluted square tapered columns and square bases, 6.7ins high, by William Hutton & Sons Ltd, London 1897, a George V silver urn pattern sugar caster of Georgian design, 7.25ins high, Sheffield 1933, a pair of Indian silvery metal circular coasters with engraved centres and embossed rim, 5.75ins diameter, a silver 1oz Christmas ingot, and a small silver spirit flask of shaped outline, 3.5ins high, Chester 1911
A late 19th century courtsword, hollow triangular section blade 30”, etched for half length with trophies in scrolled panels, polished steel hilt with turn down shell guard, pas d’ane rings, knucklebow into tapered urn pommel, slightly swollen grip, incised overall with stars incorporating small cut studs, in its black leather scabbard with engraved steel chape and locket with frog stud. Near VGC. Plate 3
A late 19th century courtsword, tapering, hollow triangular section blade 32”, by Ede, Son & Ravenscroft, Chancery Lane, London, WC, etched for half length with wreath and trophy in scrolled panels, polished steel hilt with pierced turn down shell guard, knucklebow, urn pommel and swollen grip, finely facetted and set with cut steel star studs overall, in its black leather scabbard with engraved steel chape and locket with frog stud. Sword VGC (old repaired kink to scabbard). Plate 3
19th century English campana urn vase, in the manner of Coalport, with hand painted floral panels and a cobalt blue ground with gilding and gilt mask head handles, on a circular foot rim, 15cm high and a 19th century English campana urn vase, in the manner of Coalport, with hand painted floral panels against a cobalt blue ground with gilding and twin handles to side, on a square plinth base, 16cm high, (2)
A pair of French bronze four-light candelabra, 19th century, in neo-classical style with scroll branches, knopped columns and circular bases, on three monopodium supports and tricorn plinth, 54cm high; and a pair of gilt metal and glass four-light candelabra, with urn finials, scroll branches, faceted drops, leaf sheathed supports and tricorn bases, 60cm high (4) Electric fittings not tested.
An Edwardian mahogany, satinwood banded and marquetry inlaid writing cabinet on stand, early 20th century, the top inlaid with oval patera and husks, the fall front inlaid with an urn and ribbons enclosing a fitted interior, a long frieze drawer below, on a stand with cabriole legs joined by a shelf, 75cm by 45cm by 134cm
An 18th Century Worcester ice pail of urn form with decoration of exotic birds in landscapes on a blue ground flanked by mermaid handles, raised on three dolphin supports to the platform base, (copy or similar to service made for the Prince Regent), 37 cm high CONDITION REPORTS The galleried top to the lid has large areas of loss, cracks and repair work. The lid itself has numerous areas of loss and extensive repair work and has wear to the gilt chips, etc. The internal dish has numerous surface scratches and wear to the gilt work, cracks and there is an old repair which has been pinned on the rim of the bowl. The main body of the ice pail shows numerous surface scratches, wear to the gilt and there appear to be repairs on both mermaid handles. There is a crack down one side of the pail from the rim to about 5" down the side. The urn shaped pail has completely come away from the dolphin supports showing signs of old repair but still comes apart. Damage to the dolphin supports - there are two pectoral fins missing. The piece shows extensive damage and old repairs. See photos for more details.
A 19th Century hobnail cut glass punch bowl of urn form raised on a circular foot 36 cm high CONDITION REPORTS Has a large chip to the rim as well as other chips throughout. Yellow in colour. Has wear and tear conducive with age and use together with some internal flaws, bubbles etc. See images for more detail.
A Chinese patinated bronze vase of urn form decorated in relief with stylised grotesque masks, raised on a circular foot, 34 cm high CONDITION REPORTS Possibly in the Chinese taste rather than Chinese. Arts and Crafts. Has general wear and tear to include some small knocks etc to the metalwork. Has evidence of what appears to be cleaning fluid to the outside, surface scratches etc. The interior has a lime like lining. Wear and tear conducive with age and use. See images.
A George III mahogany cased stick barometer by Fraser of Bond Street, London, the bow fronted case with silvered dial and urn shaped bell 100 cm high CONDITION REPORTS Areas of moulding missing throughout especially to the shoulder and pediment, discoloration and fading throughout the wood, heavy scratching. A break in previous repair to the cup at the bottom. Possible section missing to the brass screw at base, mercury is broken, face is pitted and worn. Back has clearly been damaged and repaired. Wear and tear conducive with age and use if not a bit more. See images for more details.
A 19th Century Continental enamel brooch as a 17th Century chatelaine, the pin set with central medallion depicting rider on horse with oval mirror, scent bottle in the form of an urn, stamped "SG" in a rectangle and "A" in a square to base and further medallion of a winged deity suspended from it, 13 cm long CONDITION REPORTS There is some loss to the enamel throughout especially noticeable to the bottle's body. Both other pieces appear to have sections missing where they should be hanging down. Clasp mechanism is a bit sticky. Wearing to the gilding/discoloration predominently to the back. General wear and tear conducive with age and use. See images for more details.
A pair of 19th Century Chinese rosewood urn stands of typical form, the circular dished tops above pierced frieze with scrolling foliate shoulders on scrollwork decorated supports united by a ring undertier, 43 cm diameter x 67 cm high CONDITION REPORTS Both stands with wear and tear conducive with age and use. Tops with discolouration and markings - see images. One (bearing Lot Number) with damage to two areas of the frieze with loss to the scrollwork. See images for further details. Overall construction appears sound.
1st century BC-1st century AD. A bronze torc comprising a triangular-section hoop with hatched bulb collars, urn-shaped and rectangular panels with reserved La Tène ornament on red enamelled fields, central domed boss with red-enamelled seven-pointed star; lines of punched annulets to both faces. 219 grams, 17.5cm (7"). From the collection of a London ancient art specialist; from a collection acquired in the 1970s and 1980s. Very fine condition.
12th-7th century BC. A bronze helmet of the Urnfield Culture formed as two triangular panels with an applied riveted seam to the crest; bands of repoussé ornament to both faces comprising lines of bosses and pellets between; six square slots to the lower edge, to secure the liner; mounted on a custom-made stand. See Briard, J. The Bronze Age in Barbarian Europe, London, 1979 for discussion. 1.5 kg, 36cm including stand (14 1/4"). Acquired in 2000; formally in a private Austrian collection for 30 years. The Urnfield Culture of Central Europe is one of a series of archaeological complexes sharing many similar features, all belonging to the later Bronze Ager and extending to some extent into the Iron Age. The name 'Urnfield' refers to the burial custom of cremating the deceased and placing the remains in a pottery vessel (urn), which was buried in a designated area among many other similar examples (the field of urns"). In Central Europe, the successor to Urnfield was the Hallstatt Culture which many scholars associate with the rise of the Celtic-speaking peoples. At their greatest extent, Urnfield-type cultures extended from Hungary to western France, but the source of the tradition is firmly associated with Hungary and its neighbouring areas bordering the Eurasian steppe. The Urnfield Culture is associated with specific types of ceramic and other goods, and with the rise of the heavily armoured warrior whose body was protected by a helmet, cuirass and greaves as well as a hand-held shield; the offensive weapons were thrusting spears, javelins, daggers and long slashing swords as well as arrows. Chariot warfare gained in importance at this time, and worked iron was introduced as a decoration on bronze tools and weapons. Fine condition.
A pair of Continental patinated bronze urns and covers in Rococo taste, in the manner of Clodion, late 19th century, the domed and foliate cast covers each surmounted by a seated amorino; above waisted and twist fluted necks, each urn with twin grapevine cast handles rising at the shoulders, above Bacchic scenes of cavorting putti cast in relief, with foliate cast undersides and waisted stems, the square section bases with concave corners 53cm high, 29cm wide
Auguste Louis Mathurin Moreau, (French 1834 ~ 1917), a patinated bronze model of a winged nymph, circa 1875, portrayed as partially draped and leaning forwards to smell flowers, in a foliate cast urn, on an Ionic fluted columnar pedestal; on a stepped rectangular marmo rouge griotte base 76.5cm high, 33cm wide
A group of assorted Continental patinated metal figural sculpture, late 19th century, comprising a pair of spelter models of amorini, 16cm high; a pair of associated bronze tripod atheniennes, 10.5cm high; a pair of spelter models of a maiden playing badminton and a young man with books, 13cm high; and a spelter and marmo nero Belgio mounted model of a twin volute handled urn, 25cm high overall
After Giambologna, (Flemish working in Italy, 1527 ~ 1608), a bronze model of Venus After the Bath, Italian, 17th century, a cloth held up in her left hand to her left shoulder, with further drapery held in her right hand over her left thigh, the left foot resting on an urn; on an integrally cast rectangular base; atop a square section marble socle The bronze, 13cm high, the height overall 14.5cm CATALOGUE NOTES: Various versions of this model, all with slight differences exist. In many the left hand with the cloth is raised to her breast rather than above the shoulder as it is here. Cf: Sotheby's London, Collections, 3rd May 2018, lot 92
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68875 item(s)/page