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Lot 1396
A fine English porcelain rectangular plaque, circa 1830-40, painted in the manner of Steel with an urn of garden flowers on a wooden shelf, including two butterflies, unmarked, 35cm x 27cm, held within a gilt and gesso frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 1714
An enamel gold foil glass tumbler, probably Baccarat, circa 1850, of cylindrical form, cut with a rectangular panel inset with an urn of flowers and foliage on gold foil, flanked by strawberry diamond and hobnail panels, height 9.5cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 1384
A large Ridgway lavender blue ground jug, circa 1815-20, sprigged in white with a gryphon and cupid design amidst foliate scrollwork, flanking an urn beneath the mask spout, unmarked, height 17.3cm, together with a similar smaller example with gilt detail, height 13.2cm, and a Ridgway white china jug and cover with lavender blue sprigged decoration, marked '468' to base, height 19cm. Note: similar jugs are illustrated by R.K. Henrywood in 'An Illustrated Guide to British Jugs', p. 102, pls. 283 and 284.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 1722
A mixed group of decorative glass, late 18th and 19th century, including a soda glass paperweight, diameter 9cm, a spatiographe optical ornament, cut with an urn, height 17.8cm, a marbled turquoise obelisk and two salts (faults).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 498
Mid 19th Century Italian walnut and marquetry secretaire cabinet, having cavetto-moulded frieze drawer inalid with opposed zoomorphic beasts between lyres, the fall profusely inlaid with Neptune and mer-children beneath angels holding bellflower swags, enclosing a pillared interior with chequer parquetry drawers, all between urn-centred cabriole supports flanking marquetry cupboard doors, 102.5cm x 55.5cm x 140cm highCondition report: Grain cracking and lifting to roof, small losses including to lower edge of frieze drawer and to right upright beside fall front, horizontal splits to fall and to cupboard doors (as with most inlaid furniture of this type).
Lot 251
A miscellaneous selection of Staffordshire blue and white printed pottery, various dates, early to mid 19th century, including a Ralph Clews cheese stand from the 'Indian Sporting' series with bear on rock, 29.5cm diameter; a Roger's 'Zebra' pattern pedestal dish, another similar, 23cm wide; a Wedgwood Chinoiserie pattern pot-pourri urn, 29cm high; a Davenport 'Chinoiserie Ruins' pattern sauce boat, cover and integral stand with associated later 'Willow' pattern sauce ladle; and other items Condition Report: Some damage and missing lids etc. Most obvious damages below- remainder showing some signs of wear from use, handling-notably edge rubbing, scratches Davenport sauce boat- damage to cover around spoon aperture Tankard- stellar hairline crack to base Small mug- firing blemish to side Large ewer- crack to base of handle- colour bleed to transfer decoration Cylindrical vase- crack to inside of top rim, foot rim chipped, top rim heavily rubbed Wedgwood cylindrical tall vase- stellar hairline cracks to base Clews cheese- small chip to rim- doesn't 'ring' to a tap suggesting it has a large crack- which is seemingly not visible Rounded rectangular dish with Shepherd/musician- surface blemishes from firing Large serving dish marked to reverse 'Eton College'- doesn't 'ring' to a tap suggesting it has a large crack- very dull brittle sound Largest dish- clearly visible large cracks with staining Condition Report Disclaimer
Lot 1458
Dutch School, 19th century,Still life of an urn of flowers, oil on canvas, oval, 81 X 64cm.Alan Bennett (1930-2021) was an enormously respected, Cornwall-based antiques dealer.Alan Bennett started working in the antiques trade in the early 1950s for Parker’s of Blackheath before joining Harrod's Antiques Department. He moved to Cornwall in 1954 and opened his own shop, gradually expanding and offering one of the largest selections of antiques in Cornwall. He was assisted in the business by his wife Winifred, son Justin, and a team of restorers. He retired in April 2007.He was a man of refined manners, always impeccably dressed and he bought pretty, elegant things across the board, Dresden china and pierced silver Bon-Bon baskets but also brightly coloured Staffordshire figures, although it was the furniture that really fed his passion and he specialised in good quality Georgian and later furniture.David Lay reminiscences: "He would sit in the front row bidding with awesome discretion. Nothing as vulgar as a nod or wink. His demeanour told me he was bidding but of course, I knew his taste. I knew when he “should” be bidding. Often Winifred would view with Alan, the perfect couple.Happy memories of a different age. "Through his 50 years in the trade, he amassed an eclectic collection of very good quality art and antiques, many of which we are delighted to be offering here at Lays Auctions across various sales.Condition report: There is general craquelure, slight paint loss and a small area of overpainting, otherwise very good, please see extra images.
Lot 2929
A French Empire ormolu cased mantel clock, of urn form, the covered rim applied with two winged cherubs and flanked by twin handles with Classical head surmounts, the circular 9.5cm diameter enamelled dial with Roman numerals, the movement stamped JBB and numbered 481, with silk suspension and outside count wheel striking on a bell, height 44cm.
Lot 3140
A Dutch marquetry mahogany half round side table, early 19th century, the top inlaid a flower filled urn and fitted with three drawers on square taper legs, height 76cm, width 79.5cm, depth 40cm.Alan Bennett (1930-2021) was an enormously respected, Cornwall-based antiques dealer.Alan Bennett started working in the antiques trade in the early 1950s for Parker’s of Blackheath before joining Harrod's Antiques Department. He moved to Cornwall in 1954 and opened his own shop, gradually expanding and offering one of the largest selections of antiques in Cornwall. He was assisted in the business by his wife Winifred, son Justin, and a team of restorers. He retired in April 2007.He was a man of refined manners, always impeccably dressed and he bought pretty, elegant things across the board, Dresden china and pierced silver Bon-Bon baskets but also brightly coloured Staffordshire figures, although it was the furniture that really fed his passion and he specialised in good quality Georgian and later furniture.David Lay reminiscences: "He would sit in the front row bidding with awesome discretion. Nothing as vulgar as a nod or wink. His demeanour told me he was bidding but of course, I knew his taste. I knew when he “should” be bidding. Often Winifred would view with Alan, the perfect couple.Happy memories of a different age. "Through his 50 years in the trade, he amassed an eclectic collection of very good quality art and antiques, many of which we are delighted to be offering here at Lays Auctions across various sales.
Lot 938
A Stevenson & Hancock Derby porcelain flower urn, with delicately modelled blooms, on a pedestal base, height 16.5cm, together with a 19th century potpourri basket and cover with overhead handle and floral encrusted decoration (2).Provenance:Alan Bennett (1930-2021) was an enormously respected, Cornwall-based antiques dealer.Alan Bennett started working in the antiques trade in the early 1950s for Parker’s of Blackheath before joining Harrod's Antiques Department. He moved to Cornwall in 1954 and opened his own shop, gradually expanding and offering one of the largest selections of antiques in Cornwall. He was assisted in the business by his wife Winifred, son Justin, and a team of restorers. He retired in April 2007.He was a man of refined manners, always impeccably dressed and he bought pretty, elegant things across the board, Dresden china and pierced silver Bon-Bon baskets but also brightly coloured Staffordshire figures, although it was the furniture that really fed his passion and he specialised in good quality Georgian and later furniture.David Lay reminiscences: "He would sit in the front row bidding with awesome discretion. Nothing as vulgar as a nod or wink. His demeanour told me he was bidding but of course, I knew his taste. I knew when he “should” be bidding. Often Winifred would view with Alan, the perfect couple.Happy memories of a different age. "Through his 50 years in the trade, he amassed an eclectic collection of very good quality art and antiques, many of which we are delighted to be offering here at Lays Auctions across various sales.Condition report: Very small losses to applied flowers to both, lid finial repaired.
Lot 968
A collection of Victorian and later china, to include a basketweave style cache pot, a floral decorated tray, a Derby urn, etc, all with damages (box).Provenance:Alan Bennett (1930-2021) was an enormously respected, Cornwall-based antiques dealer.Alan Bennett started working in the antiques trade in the early 1950s for Parker’s of Blackheath before joining Harrod's Antiques Department. He moved to Cornwall in 1954 and opened his own shop, gradually expanding and offering one of the largest selections of antiques in Cornwall. He was assisted in the business by his wife Winifred, son Justin, and a team of restorers. He retired in April 2007.He was a man of refined manners, always impeccably dressed and he bought pretty, elegant things across the board, Dresden china and pierced silver Bon-Bon baskets but also brightly coloured Staffordshire figures, although it was the furniture that really fed his passion and he specialised in good quality Georgian and later furniture.David Lay reminiscences: "He would sit in the front row bidding with awesome discretion. Nothing as vulgar as a nod or wink. His demeanour told me he was bidding but of course, I knew his taste. I knew when he “should” be bidding. Often Winifred would view with Alan, the perfect couple.Happy memories of a different age. "Through his 50 years in the trade, he amassed an eclectic collection of very good quality art and antiques, many of which we are delighted to be offering here at Lays Auctions across various sales.
Lot 35
Harold Clayton (British, 1896-1979)Still life with spring flowers in a white urn signed 'Harold Clayton' (lower left)oil on canvas45.7 x 55.9cm (18 x 22in).Footnotes:ProvenanceWith G.M. Lotinga Ltd., London.Anon. sale, Sotheby's, London, 5 December 2001, lot 120.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 64A
A pair of Noritake "Japan" pattern vases and covers on block bases CONDITION REPORTS One urn has a large hairline crack running right the way through the main body. Otherwise both pieces have wear to the gilding and paintwork variously throughout. Some surface scratches, etc. 27 cm high. General wear and tear conducive with age and use. See photos for more detail.
Lot 16
An Edwardian silver trophy cup and cover, Jay, Richard Attenborough Co Ltd, Chester 1908, of urn form with two reeded handles, engraved presentation 'Perpetual Challenge Cup presented by the Auctioneer Hall. Wateridge & Owen Ltd...held at Shrewsbury Attested Market', 21cm high, together with a silver two handled trophy cup, Goldsmiths & Silversmiths Co Ltd, London 1931, with presentation inscription and raised on ebony effect base, 24cm high (including base) and a further silver two handled trophy cup, Emile Viner, raised on ebony effect base, 12cm high (including base), total weight of silver approx 24.2oz (3)
Lot 532
A French Boulle style cut brass and red tortoiseshell mantel clock, the rococo style case with flower urn finial, ormolu mounts, scroll and shell work and acanthus feet, the 3 3/4" cast brass dial with Roman numerals on porcelain panels, the two train movement striking the half hours on a coil gong, with sunburst pendulum, backplate with A&N, Paris and numbered 49203, 33cm high, together with an associated section carved mahogany wall bracket.
Lot 536
A late 19th century German bracket clock, of architectural form with a covered urn finial above a shaped 'tiled' roof, over a 6" arched brass dial with pierced gilded spandrels and cherub mask in the arch, flanked on each side by a caryatid, raised on lion's paw feet, with an 8-day twin-drum movement, striking on a gong, the back-plate stamped 'Unghans', 56cm high, with pendulum and winder (3)
Lot 64
A pair of Victorian silver vases, William Comyns, London 1890, each of tapered form with embossed floral decoration, 19cm high (loaded), together with a pair of silver mounted glass vases of urn form, 13cm high, a silver mounted shaped rectangular frame, London 1970, 19cm x 15.5cm, a further silver mounted frame with embossed decoration, London 1987, 21cm x 15cm and a white metal mounted frame, 23.5cm x 17cm
Lot 171
Pissarro (Camille, 1830-1903). Drawing of a putto corbel, pencil on wove paper, laid down on thin card and corners rounded, depicting a carved wood corbel in the shape of a putto holding an urn on its head, artist's initial ink stamp lower right, upper blank margin with small piece missing and 1.5cm closed tear, some light marginal staining (mostly to right-hand edge), sheet size 12.4 x 10cm (4 7/8 x 4ins)Qty: (1)Footnote: Lugt 613e (noting that Camille Pissarro used this ink stamp only on works executed by himself, never on works by other artists in his collection).
Lot 67
Piranesi (Giovanni Battista, 1720-1788). Cinerary Urn ornamented with an Owl (from Vasi, Candelabri, Cippi, Sarcophagi, Tripodi, Lucerne, ed Ornamenti Antichi), 1778, etching on laid paper, with margins, deckle edge at left, in very good condition, plate size 38.7 x 25.8 cm (15 1/4 x 10 1/8 ins) sheet size 53 x 36.8 cm (20 7/8 x 14 3/8 ins), framed (59 x 49.5 cm), together with Pars Cellarum Subterranearum Capitolii, quae antiquitus dicebantur Favisse (from Il Campo Marzio dell' Antica Roma), 1762, etching, a very good impression, with margins, slightly unevenly trimmed at left, plate size 46.6 x 28.8 cm (18 3/8 x 11 3/8 ins), sheet size 55 x 40.7 cm (21 5/8 x 16 ins), framed (70 x 52 cm)Qty: (2)Footnote: Literature: Wilton-Ely 978 and 588.
Lot 109
A Regency cream jug J E Terrey & Co, London 1819, of classic form with chased acanthus detail to lower body, crest and motto for Anderson family engraved to body, with a gadrooned border to rim and spout, the C-scroll handle with foliate decoration; together with a George III cream jug of Classical urn form, beaded border; and another late 18th century, London, of baluster form, embossed floral decoration, raised on three paw feet; together with a mug, London 1757, a Russian liqueur tot cup and a French liqueur tot cup(Height: 10cm, combined weight: 21.2oz)
Lot 969
A FRENCH EIGHT DAY FEMALE FIGURAL CLOCK GARNITURE, the movement signed Societe Clusienne S.C.A.P.H. Cluser, the spelter case on variegated marble base showing two female figures astride a central clock head, with matching spelter urn garnitures and marble bases, H 34 cmCondition Report:small crack on marble base to rear.
Lot 980
A FRENCH EIGHT DAY BRASS CASED ROCOCO CLOCK GARNITURE, the bell strike movement by Le Masson Paris, the ornate case heavily embellished with floral swags, female side masks and urn finial with grotesque male masks, the candelabra in the same style with side mask branches and fleur de lis sconces, H 38 cm
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68875 item(s)/page