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A pair of French patinated bronze and ormolu candlesticks, 19th century, the urn sconces on tapered fluted columns with gilt acanthus capitals and urn mounts to gilt foliate and anthemion circular bases, 11¾in. (30cm.) high plus fittings, later converted to lamps, 15¾in. (40cm.) high overall, complete with pale grey pleated silk shades. (2)
An extremely rare novelty Franz Bergman cold painted frog bottle top, Austrian, late 19th century, very unusual, the frog is climbing a rope and it's head is breaking out through the bottle top, it's designed to stand on top of a clear bottle, which displays the frogs top half, but also the legs climbing the rope, the underside of lid shows the makers mark "B" within a double handled vase/urn, comes with custom made clear glass tube on wooden stand for display, 2 3/8in. (6cm.), without display. *Condition: in excellent condition, with most of it's paint.
A Victorian walnut and marquetry Davenport, the top with two cut glass inkwells and pen rest, over an inset leather fall with marquetry urn, enclosing a fitted interior, the base with four graduated drawers to one side and opposing faux-drawers, over a boxwood strung front panel, on outset base with bun feet, 21¾ x 21in. (55.25 x 53.25cm.), 29in. (73.75cm.) high.
A pair of French patinated bronze and ormolu candlesticks, second half of 19th century, the foliate urn sconces on tapered columns with gilt foliate capital and mounts to gilt triform bases with three paw feet, on concave triform plinths, 12 1/8in. (30.8cm.) high without fittings, later converted to lamps, complete with pleated ivory silk shades. (2)
A fine George III inlaid mahogany urn form decanter box, probably converted from a knife box, the urn and stepped, domed hinged cover with radial barber's pole stringing and edge banding, on a ring turned pedestal to the square base with ogee bracket feet, the fitted olive green velvet interior with three diamond section green glass decanters with pierced foliate and scroll silver gilt mounts and acorn stoppers, inscribed 'Whiskey', Brandy' and 'Gin', plus a small jug, maker's mark MC, London 1894, 26¼in. (66.7cm.) high.
An Art Nouveau electro-plated WMF cut glass tazza, the circular acid etched glass bowl with segmented scallop rim, decorated with four acid-etched stylized flowers, the central urn shaped support with organic whiplash handles, with stylized floral decoration to a circular stepped base, depicting a band of apples, raised on four organic floral feet, inscribed initials 'A.F.L.' to base, stamped marks to underside, 13in. (33cm.) high, 12¼in. (31cm.) diameter.* Condition: The glass bowl with shallow chip to one of the scalloped edges. Otherwise good.
A 19th century bronze mounted marble desk standish, the canted rectangular red marble base with a central pen well before a stylised seated eagle with wings outstretched above a fluted marble column with faceted bronze border to base, flanked by a pair of lidded urn shaped inkwells with clear glass liners, the base adorned with a central applied pierced frieze panel, raised on four broad bronze paw feet, 20 cm high maximum, the base measuring 26 x 16 cm.
A large bacchanalian brass lidded wine cooler, the tapering urn bowl below a cover with a pointed foliate finial, the bowl accommodating a copper liner, flanked with loop wreath handles, raised on four swept legs before ram's mask mounts, over hoof feet with acanthus mounts, united by shaped stretchers, with a Sotheby's auction lot label, '192, estimate £200-£300, country house sales, 16.6.97', 65 cm high, 34 cm diameter.
A continental gilt gesso console table, the shaped top with a pink marble insert, surrounded by a bead and reel and ribbon carved edge, above a leafy frieze, centred with a rectangular tablet, decorated with a swag, etc., on turned tapering legs, with concave stretcher, the central platform applied with an urn finial, on tepee feet, 104cm H, 123cm W, 45cm D.
AN EDWARDIAN FLORAL PAINTED AND INLAID SATINWOOD CARLTON HOUSE DESK, the raised superstructure fitted with three panel door cupboards flanking six short drawers and a further pair of end drawers, fitted leather covered writing slide above three frieze drawers, the entire variously decorated with portrait medallions, figural groups and urn and foliate swags and raised on square tapering legs. 130cm wide x 58cm deep x 99.3cm high
***PLEASE NOTE DESCRIPTION SHOULD READ***A GEORGE III CARVED GILTWOOD AND GESSO CONSOLE TABLE, c.1810, the shaped rectangular white marble top above moulded frieze carved with continuous band of floral motifs, with mirrored back and supported by four putti holding garlands of flowers, the platform base centred with an urn raised on tiger head and acanthus leaf scroll base and egg and dart rim, raised on short block feet. 177cm wide, 54cm deep, 103cm high
WILLIAM BARRON OF LONDON ARCHED TOP BRASS DIAL LONG-CASE CLOCK, the dial having pierced fish and urn spandrels,engraved centre and roman numerals before a twin weight pendulum driven bell strike movement, pendulum weights and key included, line inlaid hood with broken swan neck pediment, glazed door and turned pillars above a shaped top trunk door and stepped base, 217cms H
Mariette Voke, a modern terracotta garden urn, of shaped oval form with twin lug handles, the front applied oak leaves and acorns in relief and incised lines from Keats 'Tall oaks branch-charmed by the earnest stars, Dream and so dream all night without a stir', 36cm high/together with a mood board with her design for a 'Dream Floor'
A large and rare Bow white-glazed figure of Flora c.1756-60, emblematic of Smell from a set of the Five Senses, holding a small posy up to her nose, standing beside a pierced urn resting atop a square pillar garlanded with flowers, a small amount of good restoration, 25cm. This figure derives from a similar one modelled for the Meissen factory by J F Eberlein.
A Victorian carved rosewood oval firescreen:, with rocaille, C-scroll and acanthus leaf cresting, inset with a panel of petit -point needlework with a display of flowers and foliage in an urn, on scrolling dual splayed end supports united by a similar stretcher, 62cm (2ft 0 1/2in) wide, also a similar Victorian carved mahogany oval firescreen with inset panel of gros-point needlework depicting a bouquet of flowers and foliage, 71.5cm (2ft 4in) wide.
A 19th century French gilt-metal and porcelain French 19th century mantel clock: the eight-day duration movement striking the hours and half-hours on a bell with an outside countwheel, the backplate stamped with the serial number 14837, the blue porcelain dial having black Roman hour numerals, gilt-brass hands and with floral painted decoration to the centre, with a matching shaped panel set below, the shaped gilt-metal case with applied mouldings, shaped base, scroll feet, female-head side handles and surmounted by a blue porcelain urn with gilt-metal finial, the rear stamped with the casemaker's name Raunfaut, complete with ebonised base and shaped dome, height 31cms, 37.5cms including base and dome.
A MID 19TH CENTURY GILTWOOD OVERMANTEL MIRROR, of rectangular form, the pediment with swag and urn finials flanking an oval frame containing a porcelain plaque painted with a portrait of a late 18th Century lady, laurel leaf and berry swag under, the mirror plate within a beaded frame with fluted and moulded columns and foliate scroll details to the base with an ebonised plinth, height 180cm x width 159cm, mirror plate 148cm x 117cm
A GROUP OF PLAYING CARDS to include, Germany, Dondorf, Frankfurt, Rhineland pattern, Standard Courts, Ace each have two different historic and battle scenes, Ace of diamonds shows Napoleon in St. Helene and Egypt, red patterned backs for Jacobson Van DenBerg & co, 52 cards + J + bridge card and calendar for 1939, c.1939, France, Anon maker, French National pattern, small patience cards with double ended unnamed courts, square corners, no indices, pink patterned backs, 52 cards plus slipcase, c.1880, together with B.P. Grimaud, Paris patience cards, French National pattern, round corners, no indices, blue patterned backs, 52 cards plus box, c.1900, Austria, Ferdinand Piatnik & Sons, Vienna, French suit signs, double ended courts, round corners, no indices, backs red urn with flower, 32 cards, c.1920, Switzerland, J.Muller & Cie, Schaffhouse, Swiss pattern, standard double ended courts, round corners, indices within suit sign, backs blue and black tartan, 36 cards, c.1900, Germany, Dondorf, Frankfurt, Baroness Piquet, No.161, backs with roses, 36 cards plus Boc, c.1890
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68875 item(s)/page