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Lot 106
A part painted plaster pilaster capital in Neoclassical style, by J.D. Crace, circa 1910, the cyma recta with stylised acanthus leaves above beading and a blank fascia, an egg-and-dart moulded cyma reserva above an anthemia band, the frieze with a central twin handled urn within an octagonal reserve, flanked to each side by tendrilous scrolling foliage, 54cm high, 66cm wide, 21.5cm protuberance Provenance: Crichel House, Dorset; after which LASSCO London; from whence purchased in 2002 by the vendor The Great Drawing Room of Crichel, one of Dorset's most magnificent houses was probably designed by James Wyatt in the 1770s with plaster work by Joseph Rose. Between 1908 and 1914 the highly renowned John Dibblee Crace was commissioned to carry out updating work and added the pilasters, the capitals of which being inspired by Wyatt's original cornice design. The greater part of Wyatt's work was left perfectly intact though, and at the beginning of the 21st century the Cracian pilasters were removed and the cornice frieze restored to Wyatt's original concept Cf Christie's South Kensington, Aynhoe Park - A Modern Grand Tour, 9th October 2012, lot 339
Lot 189
A pair of parcel gilt and patinated metal table lamps in the manner of Charles X candlesticks, second quarter 20th century, with reeded baluster stems above circular foliate cast bases, 38cm high including electrical fitment; with blue painted shades; and another gilt metal candlestick table lamp, early 20th century, the urn sconce supported by owls above a tapered stem, 38cm high overall including fitment
Lot 229
A pair of Louis XVI patinated and gilt bronze figural lustre candlesticks, late 18th century, the reeded urn sockets above outscrolled acanthus leaves hung with faceted glass lustres (some missing), the stems cast as standing and classically draped maidens; atop waisted white marble pedestals and square dove grey marble bases, 26cm high
Lot 260
A cast iron and brass mounted fire grate in 18th century taste, 20th century, the rectangular section basket with arched backplate cast with pilasters and foliate and ribbon motifs, the four bar front flanked by square section pilaster sides with festooned urn finials, descending to conforming semi-circular uprights with further finials, 56cm high, 94cm wide, 43cm deep
Lot 261
A pair of gilt metal and patinated bronze mounted figural chenets in late Louis XV taste, last quarter 19th century, each modelled with an amorino standing beside a fluted column mounted with a flaming urn, on shaped bases cast with Vitruvian scrolls and flowers, billet bars to rear, 40cm high, 26cm wide, 15cm protuberance
Lot 29
A late Victorian or Edwardian pierced brass fender, late 19th/early 20th century, the bowed gallery with two openwork foliate bands and paw feet, with a matched tool bracket at each end and steel curb to rear, 25cm high, 137cm wide, 33cm deep; with a matched set of cast brass fire tools, comprising a shovel, and a poker and tongs cast with urn finials Provenance: Hambrook House, Gloucestershire The Property of Graeme Alexander and Scott Carlton
Lot 367
An early George III mahogany travelling secretaire, circa 1760, with rectangular fold down top, the oval brass key plate engraved with a urn within a ribbon tied garland, the fitted interior with baize lining and the sides with carrying handles, 27cm high, 83cm wide, 27cm deep Provenance: Christie's London, 7 November 1985, lot 111
Lot 426
A pair of gilt metal and white marble mounted five light candelabra fitted as table lamps, circa 1900 and later adapted, the scrolled and foliate cast arms issuing from urn form bodies with twin feline handles, above waisted and fluted canted square section plinths, 60cm high overall including velvet trimmed lampshades
Lot 160
A French porcelain gilt-metal mounted ovoid potpourri vase and cover, in the Louis XVI taste, painted by Simon, signed, with an 18th century courtship, a pastoral landscape to verso, dark cobalt blue ground picked out in raised gilding with Rococo trellis and bouquets of country flowers, domed cover with acorn finial, Neoclassical twin-handles, scroll tri-form feet, 24.5cm high, printed and incised marks; a porcelain twin-handle navette-shaped urn, in the manner of Coalport, 19cm high, 25cm wide, printed marks (2)
Lot 639
A Regency bracket clock, S & W Shoreman, with painted Arabic dial and eight-day striking movement, in caddy topped mahogany case with urn finial and brass grilles to sides, 41.5cm high CONDITION REPORT: Some chips of veneer to case scratches and other blemishes acceptable with age, hour hand adrift and pin and support washer missing, lettering ghosting slightly, keys present, in intermittent working order . Movement is not signed. Twin chain fusee. Big hand loose.
Lot 97
A Sheffield plate epergne, circa 1820, with circular lobed top, urn centre from which project four detachable curved branches and claw feet (no dish), 26cm high, a Sheffield plate coffee jug, circa 1825, lobed barrel shaped, 21cm high, an egg cup stand with six egg cups and a plated bottle holder (4)/Provenance: Spetchley Park
Lot 170
A set of four William IV silver candlesticks, probably by Waterhouse George & Co. Sheffield 1835/6, with fluted baluster stems, urn shaped sconces and shaped circular bases, engraved with the Berkeley family crest and motto (one nozzle missing), 23.5cm high, weighted/Provenance: Spetchley Park/see illustration
Lot 266
A garniture of three George III silver sugar vases, Daniel Smith & Robert Sharp, London 1770, each of lidded urn shape with scroll handles to the shoulders above swagged sides, the swags supported by mask heads and above stiff leaf decoration to the stem on a circular foot, crested, the central vase 21.5cm high, gross weight approximately 1524gm/Note: Crest and motto 'Res Potior Spe'/see illustration
Lot 442
A pair of Swansea spill vases, circa 1820, of Classical urn shape applied at the neck with a band of biscuit flowers and painted with C-scrolls of flowers and foliage on a gilt seeded ground, 14.5cm high/Provenance: Spetchley Park/see illustration CONDITION REPORT: 442:One urn with a flat chip to the underside of the rim. Both vases with some chipping and losses to applied biscuit flowers. Porcelain body quite white and even. No blue/green to mention.
Lot 445
An ormolu-mounted Coalport pink ground pot pourri urn and cover, circa 1830, painted by Thomas Randall in the Sèvres style, decorated reserves of exotic birds in parkland and mounted with two crisply cast foliate handles attached to a pierced and foliate cast rim, on a pierced and cast scrolled base, 22cm high/Provenance: Spetchley Park/see illustration CONDITION REPORT: Lot 445:The cover with a small chip to the underside of rim. The body otherwise seemingly without damage (cannot see under mounts). Small firing blemish to waisted stem.The approximate dimensions are 23cm high x 23cm wide (including handles) x 17cm deep
Lot 452
A Wedgwood 'Rosso Antico' potpourri urn and cover, circa 1820, enamelled with flowering plants on a terracotta ground, impressed mark, 25.5cm high/Provenance: Spetchley Park CONDITION REPORT: Lot 452 - No chips, cracks or restoration, lacking inner cover. Some minor ware to gilding and enamels. Darker cover due to age and dirt.
Lot 699
A LATE 19TH CENTURY JAPANESE BRONZE VASE, fitted with a conical bronze sleeve in a frame cast with beasts foliage and flowers, on a circular base, damage to the tip of one handle, height 17cm, together with another late 19th Century Japanese bronze urn and cover, bears script to the rim, possible damage to one foot and adapted interior, height 14.5cm (2)
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68875 item(s)/page