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An oak longcase clock the brass 30cm dial with eagle and urn spandrels Roman and Arabic chapter ring the matted centre with subsidiary seconds dial and calendar aperture inscribed Jno. Thomas Crewkerne the arch with sunburst boss and dolphin supporters eight day movement striking on a bell the hood with barrel cornice and blind fretwork frieze the trunk with an arched door inlaid with a star 208cm high
A cast ormolu candelabrum, 19th Century with twin urn shaped sconces and leaf scroll drip pans embellished with cut glass bead drops. The branches naturallistically cast in the form of leaves, centred by a blossom and raised on a rocaille circular base bordered with scallop shells and scrolls together with a four light candelabrum, 29cm high (2).
A French late 19th Century ormolu 3-piece clock garniture, the clock crested with a porcelain mounted classical urn, over a circular drum case fitted with a sevres style porcelain dial, The 4 branch candleabra supported by putti on a naturalistic circular base painted with a landscape within roman numerals, with scroll side supports cast with bellflowers and joined by a floral swag on a platform base, 36cm high.
Pair of Sèvres style urn-shaped Vases and Covers, with acorn finial above a painted band of ribands and roses, the bases with twin ormolu ring handles and painted with scenes of figures to one side and Spring flowers to the reverse, on a metallic Silver & Plated Waresed ground, with ormolu knopped pedestal, square base and bun feet, 36cms, (14")
George III mahogany Display Cabinet, in the manner of Ince & Mayhew, with urn and bellflower finial above a blind fretwork cornice, the interior with three shelves and enclosed by glazed doors and sides, on a stand, fitted with a frieze drawer, on square moulded legs with fretwork spandrels and joined by fretted stretchers, 102cms, (3'4"). Provenance: Jackson Stopps & Staff sale on behalf of the Executors of Mrs Sarah Cropley deceased, The Contents of Elmleigh, Dallington, Northampton, Thursday 12th and Friday 13th September 1940, Lot 139, and then by descent.
A large and impressive early 19th Century silver on copper Tea Urn, of spherical form, with cast and applied mermaid handles, flanking a pull-off cover surmounted by a dolphin, to beaded rim and plain baluster body, raised on three dolphin supports, to a triform base centred with a spirit burner and reservoir, and raised on three ball feet, to an ebony handled cast brass spout, height 17”
A good pair of George III Candlesticks, in the Adams style, each with beaded and crested detachable nozzles, to flared and fluted urn shaped sconces, raised on square fluted and tapering columns, with a ribbon swag frieze, to spreading square bases, with engraved foliate garlands and contemporary armorials, with oak inset bases, height 12”, Sheffield 1784, Makers mark John Parsons & Co, (2)
Royal Worcester urn shaped vase and cover with scrolling gilt and white handles, the pink ground with a single hand-painted panel of a landscape signed H. Davies, puce printed mark to base, pattern no. 2402 date code for 1912, 14.5cm high, Royal Worcester ovoid vase with gilt rim with flowering and fruiting briers painted by K. Blake, puce printed mark to base, date code for 1933, 8cm high, Royal Worcester saucer painted with fruit by E. Townsend, puce printed mark to base, date code for 1926, 11.5cm diameter, and a small Royal Worcester vase painted with flowers, puce printed mark to base, pattern no. G702, date code for 1918, 14cm high, (4)
A Continental porcelain figural urn, in the manner of Meissen, the central urn raised and plinth moulded in relief with dancing maidens surrounded by three cherubs on naturalistic base, decorated in polychrome enamels, blue crossed swords mark, impressed and inscribed numbers, 6” high. Some restoration.
A demi-parure comprising a pendant formed from the Greek letters Alpha and Omega with fine micro mosaic floral decoration with suspended urn shaped drop decorated with P and a cross in similar micro mosaic 112.5mm together with a pair of matching ear pendants (lacking hooks) 60mm and a hinge bangle decorated with a micro mosaic panel with two doves flanking a roundel containing P and a cross and alpha and omega 72mm
An oak longcase clock early 19th century the hood with scroll cresting and brass urn finials above painted 12 inch dial with strike silent to the arch floral painted spandrels subsidiary seconds and calendar dials the 8 day movement with Osborne's Manufactory Birmingham falseplate the trunk with breakarch door raised on a rectangular plinth with cut-away skirting 217cm high
A Regency mahogany and boxwood strung longcase clock the hood with swanneck pediment and urn finial above reeded Corinthian capped columns circular door (cracked glass) the trunk with freestanding gilt brass capped Corinthian columns and shaped top door the rectangular plinth with canted corners upon splay feet the 39cm (15 inch) circular enamel dial with seconds and calendar subsidiaries the 8 day movement with Nichol falseplate 247cm high
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68624 item(s)/page